Majoris Free by Fanan Team 0 (0)

maj_free_1

Majoris Free is Majoris’es little brother. It’s a unique synth based arranger organ that can enhance creativity and help songwriters and composers to quickly compose new ideas and melodies. It emulates the automatic accompaniment organs method (like in korg pa900 and etc.) and powers a built-in drums & bass + acc oscillators to play styles that can be programmed by the user and played as a style with no additional MIDI routing, internal MIDI connection or MIDI cables straight from your instrument channel in the DAW.

The method

Like any other hardware arranger organ, Majoris splits the physical keyboard into 2 zones. The right zone plays solo while The left zone controls the played style’s chords which can be switched in fingered or one finger mode. Majoris Free has 6 variations slots per style include intro, main variations, fills and end. The variations can be controlled by any MIDI controller or even with MIDI pads or the keyboard notes. Even the “jump to” destinations can be re-programmed.

The internal sound generators

Majoris Free uses synths and a drum sampler as it’s own sound generators. The drum sampler’s kits can be deeply programmed and edited and the bass and the solo synths are quite basic but easy to operate. The style sequencer which create new styles uses almost the same programming method as our Callisto. You can program both minor and majors variations of your style and save each with it’s unique tempo or synced to the DAW.

An apology!

Since this project is too huge to count all it’s nuances and mini features, we recommend novice arranger users to first read the principles of the arranger organs. Sorry we can’t count them all, but we believe this tool is quite intuitive with a reasonable shallow learning curve, so please, make a little research before you dive into it.

Main features list:

  • 6 variations drums, bass and ACC styles slots with major and minor chords per variation.
  • One finger (jumps from minor to major with double clicking) or full fingered modes.
  • Dedicated style’s 10 slots drum sampler with built-in effects.
  • Dedicated style’s bass synth with built in effects and ducking option.
  • Dedicated solo synth with 3 variations per style and on-GUI switching buttons.
  • Transition sensitivity button.
  • Mute button.
  • Hold variation button.
  • split keyboard knob.
  • global and independent transpose knob.
  • Master, style and solo volume knobs.
  • “Jump to” menu selectors.
  • Dedicated or synced tempo.
  • Full automation.
  • Auto cymbal crash feature.
  • Internal “Callisto” style programming sequencer.
  • Visual info bar.
  • Resizable GUI.

Differences between Majoris Free and Majoris

Majoris Free is basically a complete free edition of Majoris that has few limitations: It has 6 variation instead of the 10 in the senior edition, it lack the solo MIDI out connection to 3th party VST’is in the D.A.W and it lacks the separate 6 audio outputs to individual D.A.W channels. Other than that, both versions share same structures, same styles and additional information (and therefore the same installer as well).

https://www.fananteampro.com/majoris

Alphatron SE by HG Fortune[win, VSTI, x86] 0 (0)

AlphatronSE_3

Alphatron is a hybrid analog / digital oscillators synthesizer.

Alphatron is not just a simple VA synthesizer instead in using a 3rd oscillator with digital waves (quite similar to an Ensoniq ESQ-1 / SQ 80 from the late 1980ies) it does offer a lot more sonic potential. Also this 3 rd oscillator serves as sync master for oscillator 2 thus creating a lot more sonic flavours. Amplitude Modulation has got it’s dedicated adjustable output and uses oscillator 2 as main source being modulated either by osc. 1 or 3. Oscillator 1 is a polywave oscillator with up to 5 additional waves, so you might have something like Super Saw(tm), Super Pulse, Super Ramp etc.

  • 1 VA Oscillator with up to 6 poly waves for Saw, Ramp, Sine, Tri, and Pulse.
  • 1 VA Oscillator with single waves as above plus white and pink noise, Sync slave.
  • 1 Sample Oscillator with fairly typical digital waves with different hamonic content, Sync master.
  • 1 Amplitude Modulation with dedicated output.
  • 1 24 dB resonant Low Pass filter with dedicated ADSR EG, 4 mixable mod sources.
  • 1 VCA EG.
  • Both EG have 3 modes: exponential, reverse exponential, and linear; and optional control for Attack and Decay by velocity.
  • 1 Booster or Enciter selectable.
  • 1 Mystify with three selctable types (Brite, Soft, Dark).
  • 1 bpm synced Delay with adjustable Offset controlley manually or by modsource, Pan.
  • 1 Bass Boost.
  • 1 Pan for undelayed signal.
  • 1 small Reverb for adding some nice flavour.
  • 1 Saturator.
  • 1 main Volume.
  • 3 x LFO, 1 x Duo LFO (with two waves and phase control for 2nd wave), 1 x S&H.
  • 1 Pitch LFO with option to speed up or down the LFO speed controlled by Modwheel or Aftertouch.
  • 3 Lazy buttons.

No more Homepage – R.I.P.

AlphatronSE

T-De-Esser Plus by Techivation 0 (0)

t-de-esser_plus2

T-De-Esser + Delta-listening

The T-De-Esser Plus has the same functionality as the original T-De-Esser, but the interface now displays our upcoming premium features. These features will be available shortly in our paid upgrade, T-De-Esser Pro. The T-De-Esser Plus has one of the Pro features activated, the ‘Audition’ (Delta-listening) feature, and it is free to use.

You can always change back to the original T-De-Esser after installing this version.

The Magic

Unlike the majority of De-Esser plug-ins available on the market, T-De-Esser gives a pure natural sound while smoothing the high-frequencies. The only noticeable difference will be the removal of harshness.

Remove sibilance and harshness, fast

You can use T-De-Esser to:

  • Remove harshness from sound sources that were closely mic’d.Manage sibilance in vocals and dialog in a transparent manner.

    Treat irregular tonal balance caused by poor recording quality.

    Reduce the glare from unnecessarily bright guitar and piano recordings.

    Tame piercing synth sounds.

    Control the high-frequencies in overheads’ transients, such as snare, hi-hats, or clash.

    Give more dynamic range to your tracks while mastering, due to the reduction of unnecessary high frequencies.

T-De-Esser Plus can streamline your audio project workflow by saving you both vital time and effort. It works as effectively on individual tracks as it does on buses. It performs efficiently in a wide range of implementations, from sound design and post-production to the most demanding of mastering applications.

Graphic user interface (GUI)

Visuals can distract your hearing, digital graphs are very likely to affect your decision-making when it comes to audio editing. T-De-Esser, however, helps you just stay focused on keeping it as simple as possible visually and help you focus on the output sound.

The T-De-Esser Plus has the same functionality as the original T-De-Esser, but the interface now displays our upcoming premium features. These features will be available shortly in our paid upgrade, T-De-Esser Pro. The T-De-Esser Plus has one of the Pro features activated, the ‘Audition’ feature, which is free to use.

We’ve added the most advanced cutting-edge features in the upcoming T-De-Esser Pro that’ll help you with significant sound quality improvements. Less is more, so just to avoid getting caught in the trap of making infinite, minuscule tweaks, we made sure only to have the essential options available for you on the GUI.

The options available are designed in a way to quickly give you a pleasant sound with just a few tweaks.

Quick yet powerful

T-De-Esser has been designed with simplicity in mind. It is fast to set up and easy to use, yet allows you to adjust the processing to your needs.

Turning the processing knob starts the plug-in’s operation, you then set how intense you want to go according to your taste. There are 4 frequency bands available to choose between, depending on where the harshness and sibilance are coming from.

The ‘Audition’ (Delta-listening) feature in T-De-Esser Plus allows you to listen to the selected frequency range modes, as well as letting you listen to the audio sounds that are being processed, by the plug-in. This helps when it comes to making specific comparisons.

Available as

Windows 7 and up as 32 / 64-bit VST and VST3, and 64-bit AAX (PT11 and up).

Mac OS X 10.10 (Yosemite) – macOS 10.15 (Big Sur) as 32/64-bit VST, VST3 and AU, and 64-bit AAX, Intel, and M1 Rosetta 2 Macs

https://techivation.com/t-de-esser-plus/

Variety Of Sound FerricTDS mkII free tape plugin for Windows 0 (0)

ferrictds_1-5_l

FerricTDS mkII introduces operating level calibration for better gain staging and output volume compensated processing.

The update also includes the following changes:

– Metering ballistics revised and aligned accordingly.
– Updated tape compression algorithms increasing punch, adding 2nd order harmonic processing, less IMD.
– Updated limiter algorithm featuring ADC style converter clipping.
– All non-linearities are running at higher sampling frequencies internally.
– Adding a sophisticated analog signal path emulation.

The plugin is free to download for Windows as a 32- and 64-bit VST plugin.

Download

Off-Grid by Ricardo F Gomes 0 (0)

off-grid_3

Off-Grid is a drum machine oriented for layering and experimentation.

The plugin contains a large variety of different percussive types, which can be accessed/cycled entirely from the UI on the fly without ever breaking the signal flow.

Each of the 7 channels run on 4 voices distributed for each cell unit where you can select and do other processing such as pitching, reverse, loop, as well as layer mixing etc.

A series of random triggers are significant part of the plugin workflow as a single touch may change the entire channel output, or simply adjust the panning or gain values.

  • Fast Unique workflow.
  • Responsive and instant load of sounds.
  • 448 percussive sounds.
  • Rock solid sample interpolation (tested in multiple DAW’s).
  • Smooth Pitch Processing.
  • Reverse and Loop individual Cells.
  • Fast randomization of Layers and Channels.
  • Fully vector based UI.
  • Low / Moderate CPU usage.

https://ricardopluginsat.wixsite.com/my-site

Off-Grid

Off-Grid_(64)

Wavegrove Vastaus v1.1.3 Germanium x64 x86 VST VST3 AU WIN MAC [FREE] 0 (0)

1.1.0

Vastaus is a high-end fixer.
Vastaus lives on instrument channels, buses and it is known to have been spotted on the master channel too. Feel free to use and abuse it. Try to add an EQ before Vastaus and push the highs way overboard and how Vastaus reacts.

It is at it’s most neutral at Input Gain and Tame at 0, at which time it brings down and blocks overly harsh high frequencies present in vocal esses, smooths cymbals, guitars and pretty much anything you throw at it.

Increasing Tame brings enhances that effect, but also brings in more options with the React switch, as well as with the Bias setting. React is a mode, where Tame starts to let through some transients in a really interesting way, bringing out more detail and clarity, but still smoothing the sound. With Bias, you can further control the sound by limiting the effect to either the positive or negative side of the audio samples, generating harmonics in the process. I have heard this referred to as silky, and apparently some well-known hardware unit makers use a process similar to this.

Lastly there is Gain. With the Input Gain, you control the overall signal boost you get going into the thing, while the Output Gain works as a pad, with 100% level adding no additional volume. Boosting the input gain can bring additional high end to the signal after taming it, which is especially useful with instruments such as the electric guitar. In conjunction with the use of the Bias knob, Vastaus can even act as a leveling tool, which also boosts and extends the high end frequencies far above where they ended in the original signal.

Use the Wet knob to blend the changed signal with the original in whatever way you want.

patreon

 

ProtoPlasm Pro by HG Fortune[win, VSTI, x86] 5 (1)

ProtoPlasm_3

ProtoPlasm Pro is a pad and texture synthesizer.

  • 1 dedicated Attack Oscillator with 128 waveforms controllable by adjustable velocity amount.
  • Super Modulation Morphing via Mod Wheel at selectable rows for the Mod Matrix.
  • Modulation Matrix for LFOs with positive and negative inputs.
  • LKO system for delay with four key-dependant modes.
  • 3 digital PCM-wave oscillators powered by 128 different waveforms (123 new ones).
  • Each oscillator’s level can be modulated by different sources via mod matrix.
  • 1 LP filter (24db Lowpass) with ADSR EG, Filter FM and keytracking.
  • 1 HP filter (12db Hipass) with ADSR EG, Filter FM and keytracking.
  • 2 shapeable LFO with pattern-like waveforms (BPM-synced).
  • 1 LFO with 21 complex waveforms and free speed adjustment.
  • 1 shapeable Sample & Hold with pattern (BPM-synced).
  • Adjustable level for direct, LP and HP output with separate pan each.
  • Stereo-delay (BPM-synced).
  • Soundfonts for oscillators as external SF2 files and wav-files loadable.

R.I.P.

ProtoPlasm-Pro-2011

Cynthia by NineCows[win, VSTI, x86] 0 (0)

Cynthia_3

With Cynthia you can do all that crazy stuff you cant do with a modern synth.

Cynthia is monophonic VSTi, very Old School, but will still be able to keep in tune throughout the song, patches can be stored and it is of course fully MIDI controllable.

Control voltage and sound sources:

  • 3 monophonic oscillators with controls for shape and level of the waveforms, sync and phase-shift
  • Noise generator
  • Two audio inputs so you can modify the sound of a guitar or your voice
  • 8 step control voltage sequencer
  • Attack-hold-decay(-repeat) envelope generator producing a control voltage with adjustable level and bias

Treatments:

  • A self-oscillating filter (can be used as a sine OSC as well)
  • 3 VCA’s controlled by the envelope generator or control voltages assigned to the output level of each channel
  • Ring modulator
  • Spring reverb with short and long spring
  • Delay (delay time from 0 to 10 seconds)


Controls:

  • Tuner for tuning OSC’s by ear
  • Joystick for extra control
  • 16 x 20 routing matrix with inputs for host MIDI pitch and velocity and inversion of individual connections
  • MIDI cc’s can be assigned to any knob
  • Adjustable portamento time
  • Trigger button for triggering the envelope generator


Outputs:

  • 2 pairs of stereo outputs with extra filters, pan and volume control, direct out and speaker (simulating the sound of a pair of canny speakers)

Cynthia

U-he Podolski v1.2.3 x64 x86 VST AU AAX WIN MAC LiNUX [FREE] 0 (0)

uhe-podolski-screenshot-fullui-1150x553Podolski
Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.

• Oscillator with variable symmetry (sawtooth to triangle, PWM) and glide
• Polyphonic (up to 16 voices), mono, legato and arpeggiator modes
• 4 envelope modes: ADSR or HDSR, linear or exponential. Sustain has Fall/Rise control
• 2 LFOs: one global, one per voice. Absolute time or host sync, multiple waveforms
• Multimode filter: lowpass, bandpass or highpass with drive and FM
• Combination arpeggiator / 16-step sequencer with extra modulation source
• 2 built-in effects: stereo delay, chorus / flanger
• Resizable UI from 70% to 200%
• Skinnable UI
• Global preferences page
• MIDI learn page and editable list
• Over 300 factory presets
• NEW in v1.2.3: Support for Oddsound MTS-ESP

Requirements
• Apple – Mac OS X 10.9 or newer
• Windows – 7 or newer
• Linux

Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer

NKS-readyPodolski is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.

Podolski
Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.

• Oscillator with variable symmetry (sawtooth to triangle, PWM) and glide
• Polyphonic (up to 16 voices), mono, legato and arpeggiator modes
• 4 envelope modes: ADSR or HDSR, linear or exponential. Sustain has Fall/Rise control
• 2 LFOs: one global, one per voice. Absolute time or host sync, multiple waveforms
• Multimode filter: lowpass, bandpass or highpass with drive and FM
• Combination arpeggiator / 16-step sequencer with extra modulation source
• 2 built-in effects: stereo delay, chorus / flanger
• Resizable UI from 70% to 200%
• Skinnable UI
• Global preferences page
• MIDI learn page and editable list
• Over 300 factory presets
• NEW in v1.2.3: Support for Oddsound MTS-ESP

Requirements
• Apple – Mac OS X 10.9 or newer
• Windows – 7 or newer
• Linux

Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer

NKS-readyPodolski is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.

https://u-he.com/products/podolski/podolski.html