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GSi VariSpeed is a new plugin that GSi offers free of charge to everybody. It’s a simulation of the WEM Copicat IC-400 Belt Drive VariSpeed model, the first tape echo machine made by WEM with a DC capstan motor capable of changing speed, thus varying the delay time. GSi VariSpeed replicates the hardware instrument “as is” with all its pros and cons, without any additional feature except the fact that it is digital and MIDI-controllable. This can be considered as the second chapter of a tribute to the genius of Mr. Charlie Watkins that GSi began back in 2008 with the release of the freeware “WatKat”, which was a simulation of the “Custom Copicat”.
SYSTEM REQUIREMENTS
VariSpeed is available in the following formats:
– for Windows: VST2 x64, VST3 x64, Standalone x64
– for OSX: VST2 x64, VST3 x64, Audio Unit x64, Standalone x64
– for Linux: VST2 x64, VST3 x64, Standalone x64
Windows:
– any Windows computer Windows 7 x64 or higher
– ASIO compatible sound card for low latency performance
OSX:
– OSX version 10.11 or greater
Linux:
– The current build was compiled and tested on Ubuntu Studio 20.04.1 (glibc 2.29 required)
Project Of Motorola DSP563xx Emulation.
Thanks to Ayahuasca and the whole team!
Working Access Virus ROM’s included:
Virus B (4v9)
Virus B (Ver. T)
Virus C (6v5)
Virus C (6v6)
Virus Classic
Virus GmbH – Virus B & Virus C
Virus Rack XL (6v5)
The Quilcom SIM-DJEMBE is a plugin which attempts to simulate the African djembe drum. Like all my SIM plugins it uses no sample players and relies purely on synthesiser techniques, thus making it possible to influence many characteristics of the timbre and behaviour.
What? Shortcircuit is open source? Well yes, but there are big big caveats. Right now there are no downloadable assets you can get to play music, and there is no runnable open source Shortcircuit plugin. We estimate this will be the case for much of 2021, and maybe indefinitely. You may never be able to run an open source Shortcircuit. Might just be too much work. But if you are dev you can help!
What was Shortcurcuit?
Shortcircuit was created as a reaction against the ongoing trend where software samplers are being designed with the primary intent of library playback.
It is intended for people who, like us, consider a sampler to be a musical instrument in its own right, and not just a way to emulate other instruments. It has been a very high priority to make sure that adding and editing individual samples is as fast and logical as possible.
The sample hierarchy in shortcircuit allow you to place samples directly at the highest level of the multi, without having to deal with instrument hierarchies and patches. Want to add a sample to your song? Just drag & drop the sample into shortcircuit and you’re ready to go. Samples can be put in groups for multi-sampling and kit-building, but the complexity is only there when you need it
Sound quality is of highest concern, and shortcircuit uses very high-quality interpolation to ensure that your samples sound as good as the source material, regardless of the pitch you play them at. All filters & effects are calculated at the precision required for them to sound the way intended and oversampling are used when required to prevent aliasing.
Shortcircuit was designed to sound great, all other concerns have been secondary. But don’t take our word for it, download ‘shortcircuit free’ and find out for yourself.
Each voice in shortcircuit features two filter-slots, and the selection isn’t limited to the traditional pick. In addition to the regular lowpass/highpass/bandpass/notch & peak-filters and variations thereof there is an array of filter algorithms (not strictly filters in the traditional sense, but called so because of their location in the audio path) including distortion, parametric/graphic/morphing equalizers,bit-reduction/decimation, gating, limiting, slew-rate distortion, ring-modulation, frequency shifting and phase-modulation (better known as FM). The selection even includes analog-style oscillators that you can mix with the sample.
Over 2021, after the succesful release of Surge 1.9, the Surge Synth team undertook an effort to rebuild Surge in JUCE and add a variety of features. This project resulted in the new version of Surge, called ‘Surge XT’.
SYNTH SPECIFICATIONS
GENERAL
Synthesis method: Subtractive hybrid
Each patch contain two scenes which are separate instances of the entire synthesis engine (except effects) that can be used to create layered or split patches.
Quick category-based patch browser with textual search and favorites
Runs on a variety of operating systems, plugin formats, and architectures
FACTORY SOUNDS
2779 patches
614 wavetables
OSCILLATORS
3 oscillators per scene, with 12 versatile oscillator algorithms: Classic, Modern, Wavetable, Window, Sine, FM2, FM3, String, Twist, Alias, S&H Noise and Audio Input.
Classic oscillator is a morphable pulse/saw/dual saw oscillator with a sub-oscillator and hard sync.
Modern oscillator is a mixable saw/pulse/triangle oscillator with an optional sub-oscillator mode for triangle (which can also change to sine or square) and hard sync.
FM2/FM3 oscillators consist of a carrier and 2 or 3 modulators and various options.
String oscillator uses two filtered waveguides to emulate plucked or bowed string sounds.
Twist oscillator is based on a very famous Eurorack macro oscillator, and it offers a myriad of synthesis options in a very simple and quick way.
Most algorithms (except FM2, FM3, Twist and Audio Input) offer up to 16-voice unison at the oscillator level.
Oscillator FM in 3 different configurations and ring modulation between oscillators 1-2 and 2-3.
Most oscillator algorithms (except FM2, FM3, Sine and Alias) are strictly band-limited, yet still cover the entire audible spectrum, delivering a clear, punchy and clean sound.
Noise generator with variable spectrum (available directly in the oscillator mixer).
FILTER BLOCK
Two filter units in 8 different configurations.
Feedback loop available in 7 of those configurations.
Available filter algorithms: Lowpass (12 and 24 dB/oct, each with 3 variations), Legacy Ladder Lowpass (6-24 dB/oct), Vintage Ladder Lowpass (2 variations, each with and without gain compensation), Highpass (12 and 24 dB/oct, each with 3 variations), Bandpass (12 and 24 dB/oct, each with 3 variations), Notch (12 and 24 dB/oct, each with 2 variations), Allpass (3 variations), Comb (positive and negative), S&H.
Open-source additions to our filter algorithms include: K35 and Diode Ladder filter types from Odin 2 synthesizer, 12 and 24 dB/oct multimode filters from OB-Xd, and weird but fascinating Cutoff Warp, Resonance Warp and Tri-Pole filters by Jatin Chowdhury!
Filters can self-oscillate (with excitation) and respond amazingly fast to cutoff frequency changes.
Waveshaper (43 shapes).
MODULATION
12 LFO units available, 6 are per voice and 6 are global for the whole scene.
DAHDSR envelope generators on every LFO.
LFO shapes consist of 7 deformable LFO waveforms, step sequencer, a fully-fledged multi-segment envelope generator (MSEG) with various curves and up to 128 nodes, and last but not the least – a formula modulator which utilizes Lua scripting language to provide completely custom modulator output.
Voice LFOs allow envelope retriggering in step sequencer mode.
Extremely fast and flexible modulation routing. Almost every continuous parameter can be modulated!
EFFECTS
16 effect units arranged as 4 inserts per scene, 4 sends and 4 master effects.
Iconic Vari-Mu limiting amplifier with extra features!
Features
– VOLUME: -30 to +30dB input volume to drive circuit. You can drive circuit and get saturation plus more compression or vice versa.
– ATTEN: Output volume to adjust final level after process.
– THRESHOLD: Will let you set threshold to make compressor works. If you use VOLUME knob to boost input, you can leave THRESHOLD at default position and get mojo slightly compression. It has 30dB range.
– RELEASE: 300ms to 1.5sec release time
– HPF: 20 to 500Hz HPF to keep low frequencies from sidechain circuit. So, compressor won’t touch to low-end.
– EXT-SC: This will let you use external signal to compressed input signal.
– POWER: Plugin Bypass (Big Red Light)
– ANALOG OBSESSION: Oversampling (Label)
*Fixed Attack Time: 10ms
*Removed MIX option. Will be added with next update.
Available Formats
VST/VST3/AU | Mac 10.9 – 11.X
VST/VST3 | Windows 7 – 8 – 10
Version 5.0
– Improved DSP and circuit design
– Added 4x oversampling
– Readout for knobs
– Redesigned GUI
– Catalina & Big Sur(Intel/M1) support
Fire is a multiband distortion / downsampler plugin.
Drive: has several distortion functions. There are two buttons “L” and “S” related to drive knob, and each means “Link” and “Safe”. “Link” means when your turn up drive knob, the output knob value will automatically reduce. “Safe” means if your drive knob pushes your volume too loud, it will automatically reduce your drive value. It also shows reduced value on drive knob.
Compressor: you can change threshold and ratio for each band.
Width: change audio width.
Filter: you can set lowcut, highcut, and peak. Lowcut and highcut each has four slopes (12, 24, 36, 48) you can choose.
Downsample: downsample your audio.
HQ: 4x oversampling for high quality audio.
A/B: switch between A/B to compare.
Warning: This is early beta version. Don’t use it for production!
Djup is a light weight nordish style bass module that based on 8 classic nordish bass models from the past 40 years. It’s main advantage is solid, powerful electric bass sound that can perform loudly in full legato without any additional amplification or compression. It’s armed with lo pass – hi pass filter, tube effect, profoundly resonating filter, amp and filter envelopes as well as 4 effects: 8 voices unison, chorus, wah-wah and reverb.
It also equipped with 3 modes portamento effect (mono mode), MIDI learn manager (easy MIDI learning on right mouse click on any knob or button) and resizable GUI
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