discoDSP OB-XD v2.5 x64 VST VST3 AU WiN MAC LiNUX [FREE] 0 (0)

obxd20_ilkka_rosma

OB-Xd is based on the Oberheim OB-X. It attempts to recreate its sound and behavior, but as the original was very limited in some important ways a number of things were added or altered to the original design. OB-Xd was designed to sound as good and as rich as the original. It implements micro random detuning which is a big part of that sound.

What’s new

• 7x faster GUI controls.
• Linux build.
• Standalone app.
• Signed and notarized installers.
• Updated JUCE framework to 5.4.7 for better stability and compatibility.
• Updated Banks with 2.0 compatibility.
• Ilkka Rosma Dark Theme.
• macOS Catalina support.
• MIDI CC Learn.
• MIDI CC support.
• Parameter refactor.
• XML based skinning.
• HiDPI (Retina) ready GUI themes.

Overview
While not copying originals, some of the features were taken to a better point. Continuous blendable multimode filter (HP-Notch(BP)-HP in 12 dB mode and 4-1 pole in 24 dB mode). Also, like many synths of the OB-X’s generation, the OB-Xd has no internal effects so its sounds and textures can be greatly enhanced by the use of additional processing like chorus, reverb, delay, etc.

Thanks to 2Dat for the original OB-Xd and Soshi Studio for giving the rights to continue this wonderful product. Also thanks to all KVR artists for making the amazing skins!. OB-Xd Desktop has no restrictions and is free to use. Buy to support further development, thank you! Source code is available under GPL license at GitHub.

What’s new in OB-Xd v2.5
• Added Scalable GUI (1x, 1.5x, 2x) with HiDPI support for all platforms.
• Added Luke’s Soundhouse 80s & Synthwave Presets bank.
• Preset Bar now uses bold font for better visibility.
• Specific fonts for each system (Helvetica Neue for macOS, Arial for Windows and DejaVu Sans for Linux).
• Revised all themes XML knob sizes and alignments.
• Updated assets with 4x bitmaps including Ilkka Rosma Dark theme.
• Streamlined Menu.
• Updated themes folder error dialog assets and window size.
• Added program popup menu when clicking Preset Bar name.
• Added Menu Help version and Open PDF manual (Windows and macOS).
• Miscellaneous fixes an enhancements.

https://www.discodsp.com/obxd/

EP-78 by Samsara Cycle Audio 5 (1)

Samsara-EP78_3

EP-78 is an electric piano.

It was designed to create a vintage electric piano feel. It uses subtle tonal changes that are influenced by velocity. This is not a Rompler or Sample based instrument. It uses various tuned frequencies to achieve its tonal quality. These can be varied using the Timbre control.

The effect of pickup phase is influenced by the Phase control. The Envelope is designed to respond as it would on an Electric Piano and is changed using the Decay control. There is a Treble and Bass control to alter the overall tone of the instrument. The Vibrato section is a simple design and is included an emphasis switch to change the sound of the Vibrato. Emphasis is somewhere between a Phaser and a Chorus and adds a bit more interest to the sound.

download

Samsara_EP78_64bit

 

Digital Systemic Emulations Elsita VST AU WIN OSX [FREE] 0 (0)

1590088580_elsita_2

Elsita is a soviet analog drum synthesizer produced from 1989 until 1991, when RMIF went bankrupt.

Although being released in a pretty late period, the Elsita was built following old standards from the mid 70’s/early 80’s : fully analog, trigger-only, with big knobs.

The Elsita has 4 channels, which are not perfectly identical, at least on my model. It sounds more like a A/B/A/B disposition (As the colors suggest actually), but they all have the same parameters.

https://sites.google.com/site/digitalsystemic/

Elsita-V

Elsita-V_MacAU

OSS by Analog Obsession – FREE Compressor 0 (0)

OSS

OSS

176 style compressor with improved sidechain section.

Features

– INPUT: Internally compensated input with 0 to 60dB range

– OUTPUT (dB): -30 to 30

– ATTACK (ms): 0.1 to 2

– RELEASE (ms): 27 to 572

– RATIO: 2, 4, 8, 12

– MIX (%): DRY to WET

– HPF / DETECTOR (Hz): 20 to 500

– MIDF / DETECTOR (Hz): 500 to 10k

– MIDG / DETECTOR (dB): -6 to 6

– HF / DETECTOR: High Frequency compression. 0 to -16 dB

– EXT-SC: External Sidechain

– INTERSTAGE: Engaging interstage transformers

– 4x oversampling (ANALOG OBSESSION LOGO: Oversampling. It will turn to red when oversampling is engaged. Also, show you a notification.)

18/8/2021 – v5.0 Update

– Improved DSP and circuit design

– Added 4x oversampling

– Readout for knobs

– Catalina & Big Sur (Intel/M1) support

Available Formats

VST/VST3/AU | Mac 10.9 – 11.X

VST/VST3 | Windows 7 – 8 – 10

Patreon

SC-3 by Samsara Cycle Audio[win, VSTI3, x64] 0 (0)

Samsara_SC3

SC-3 is a clavinet influenced instrument.

Keys Section: Phase simulates Pickup mixing. Octave can be used to switch between 3 octaves. +Keys introduces a 1 octave higher instrument (this is a subtle effect).

Timbre Section: Tone is used to control the frequency brightness. Timbre Velocity is used to add a level of attack brightness. Experiment between these two controls to introduce various shapes, especially for Twang effect.

Tone Section: Simple cut and boost for overall tone of the instrument.

Shape Section: These controls are used to create various feel to the playing and adjust the envelope of the instrument. The effect of these controls work closely with the Timbre Section.

Amplifier Section: These controls influence the final output of the instrument.
Velocity sensitivity can be increased from less active to more. The distortion control provides a natural saturation to the output.

Mute: This slider simulates a dampen effect on strings.

 

http://samcycle.blogspot.com

Samsara_SC-3

Onsen Audio OS-251 v1.0.1 VST3 AU WiN MAC LiNUX [FREE] 0 (0)

OS-251_screenshot

OS-251 is a pure digital lo-fi synthesizer plugin for Mac, Windows and Linux
OS-251 is a “JUNO” style digital subtractive synthesizer with a simple yet powerful DSP algorithm. Unlike other plugins that use analogue simulation, OS-251 uses digital algorithms to give warm, lo-fi sounds. The design of the oscillators and the selection of parameters were influenced by the JUNO-106, making it easier to express a thicker, chunkier sound.

The oscillator has alias noise (specific to digital signal processing) famous on classic samplers like E-mu SP-12 which adds lo-fi feeling to the sound. You can enjoy the powerful sound at modern sampling rates with your DAW.

Easy to use
Tired of overwhelming synthesizers with hundreds of parameters and presets? Then OS-251 is for you! OS-251 is equipped with only carefully selected parameters, allowing musicians to concentrate on music production. You can see every parameter at once, so you can have a stress-free experience. Because the number of the parameters is limited, you can create the desired sounds yourself quickly and you don’t have to spend your precious time choosing presets.

Key features
• Up to 10 voices of polyphony
• Oscillators (Sin, Square, Saw), with Shape parameter
• Square sub oscillator
• Noise oscillator
• Biquad low-pass filter (LPF) with Frequency and Resonance parameters
• Biquad high-pass filter (HPF) with Frequency parameter
• Envelope generator which can control LPF and amplitude
• Low-frequency oscillator (LFO) which can control LPF, amplitude, and Shape parameter
• LFO sync
• Chorus
• Flexible pitch controls (pitch bend width, octave, semitone, fine tuning)

https://onsenaudio.com/products/os251

 

Majoris Free by Fanan Team 0 (0)

maj_free_1

Majoris Free is Majoris’es little brother. It’s a unique synth based arranger organ that can enhance creativity and help songwriters and composers to quickly compose new ideas and melodies. It emulates the automatic accompaniment organs method (like in korg pa900 and etc.) and powers a built-in drums & bass + acc oscillators to play styles that can be programmed by the user and played as a style with no additional MIDI routing, internal MIDI connection or MIDI cables straight from your instrument channel in the DAW.

The method

Like any other hardware arranger organ, Majoris splits the physical keyboard into 2 zones. The right zone plays solo while The left zone controls the played style’s chords which can be switched in fingered or one finger mode. Majoris Free has 6 variations slots per style include intro, main variations, fills and end. The variations can be controlled by any MIDI controller or even with MIDI pads or the keyboard notes. Even the “jump to” destinations can be re-programmed.

The internal sound generators

Majoris Free uses synths and a drum sampler as it’s own sound generators. The drum sampler’s kits can be deeply programmed and edited and the bass and the solo synths are quite basic but easy to operate. The style sequencer which create new styles uses almost the same programming method as our Callisto. You can program both minor and majors variations of your style and save each with it’s unique tempo or synced to the DAW.

An apology!

Since this project is too huge to count all it’s nuances and mini features, we recommend novice arranger users to first read the principles of the arranger organs. Sorry we can’t count them all, but we believe this tool is quite intuitive with a reasonable shallow learning curve, so please, make a little research before you dive into it.

Main features list:

  • 6 variations drums, bass and ACC styles slots with major and minor chords per variation.
  • One finger (jumps from minor to major with double clicking) or full fingered modes.
  • Dedicated style’s 10 slots drum sampler with built-in effects.
  • Dedicated style’s bass synth with built in effects and ducking option.
  • Dedicated solo synth with 3 variations per style and on-GUI switching buttons.
  • Transition sensitivity button.
  • Mute button.
  • Hold variation button.
  • split keyboard knob.
  • global and independent transpose knob.
  • Master, style and solo volume knobs.
  • “Jump to” menu selectors.
  • Dedicated or synced tempo.
  • Full automation.
  • Auto cymbal crash feature.
  • Internal “Callisto” style programming sequencer.
  • Visual info bar.
  • Resizable GUI.

Differences between Majoris Free and Majoris

Majoris Free is basically a complete free edition of Majoris that has few limitations: It has 6 variation instead of the 10 in the senior edition, it lack the solo MIDI out connection to 3th party VST’is in the D.A.W and it lacks the separate 6 audio outputs to individual D.A.W channels. Other than that, both versions share same structures, same styles and additional information (and therefore the same installer as well).

https://www.fananteampro.com/majoris

SpectMorph win, Linux, MacOS 0 (0)

OTZpfjy

Linux LV2 plugin – preferred for all sequencers that support LV2
VST plugin – especially for proprietary solutions that don’t support LV2
JACK standalone – application using JACK for midi input and audio output
Windows VST plugin – 64-bit VST usable in many Windows DAWs
macOS VST plugin – 64-bit VST for macOS 10.9 and later

SpectMorph is a free software project which allows to analyze samples of musical instruments, and to combine them (morphing). It can be used to construct hybrid sounds, for instance a sound between a trumpet and a flute; or smooth transitions, for instance a sound that starts as a trumpet and then gradually changes to a flute. In its current version, SpectMorph ships with many ready-to-use instruments which can be combined using morphing.
SpectMorph is implemented in C++ and licensed under the GNU LGPL version 3.

https://www.spectmorph.org

T-De-Esser Plus by Techivation 0 (0)

t-de-esser_plus2

T-De-Esser + Delta-listening

The T-De-Esser Plus has the same functionality as the original T-De-Esser, but the interface now displays our upcoming premium features. These features will be available shortly in our paid upgrade, T-De-Esser Pro. The T-De-Esser Plus has one of the Pro features activated, the ‘Audition’ (Delta-listening) feature, and it is free to use.

You can always change back to the original T-De-Esser after installing this version.

The Magic

Unlike the majority of De-Esser plug-ins available on the market, T-De-Esser gives a pure natural sound while smoothing the high-frequencies. The only noticeable difference will be the removal of harshness.

Remove sibilance and harshness, fast

You can use T-De-Esser to:

  • Remove harshness from sound sources that were closely mic’d.Manage sibilance in vocals and dialog in a transparent manner.

    Treat irregular tonal balance caused by poor recording quality.

    Reduce the glare from unnecessarily bright guitar and piano recordings.

    Tame piercing synth sounds.

    Control the high-frequencies in overheads’ transients, such as snare, hi-hats, or clash.

    Give more dynamic range to your tracks while mastering, due to the reduction of unnecessary high frequencies.

T-De-Esser Plus can streamline your audio project workflow by saving you both vital time and effort. It works as effectively on individual tracks as it does on buses. It performs efficiently in a wide range of implementations, from sound design and post-production to the most demanding of mastering applications.

Graphic user interface (GUI)

Visuals can distract your hearing, digital graphs are very likely to affect your decision-making when it comes to audio editing. T-De-Esser, however, helps you just stay focused on keeping it as simple as possible visually and help you focus on the output sound.

The T-De-Esser Plus has the same functionality as the original T-De-Esser, but the interface now displays our upcoming premium features. These features will be available shortly in our paid upgrade, T-De-Esser Pro. The T-De-Esser Plus has one of the Pro features activated, the ‘Audition’ feature, which is free to use.

We’ve added the most advanced cutting-edge features in the upcoming T-De-Esser Pro that’ll help you with significant sound quality improvements. Less is more, so just to avoid getting caught in the trap of making infinite, minuscule tweaks, we made sure only to have the essential options available for you on the GUI.

The options available are designed in a way to quickly give you a pleasant sound with just a few tweaks.

Quick yet powerful

T-De-Esser has been designed with simplicity in mind. It is fast to set up and easy to use, yet allows you to adjust the processing to your needs.

Turning the processing knob starts the plug-in’s operation, you then set how intense you want to go according to your taste. There are 4 frequency bands available to choose between, depending on where the harshness and sibilance are coming from.

The ‘Audition’ (Delta-listening) feature in T-De-Esser Plus allows you to listen to the selected frequency range modes, as well as letting you listen to the audio sounds that are being processed, by the plug-in. This helps when it comes to making specific comparisons.

Available as

Windows 7 and up as 32 / 64-bit VST and VST3, and 64-bit AAX (PT11 and up).

Mac OS X 10.10 (Yosemite) – macOS 10.15 (Big Sur) as 32/64-bit VST, VST3 and AU, and 64-bit AAX, Intel, and M1 Rosetta 2 Macs

https://techivation.com/t-de-esser-plus/

BabyDrummer by Rose Hill Tribe 0 (0)

plugin_window

BabyDrummer is a versatile and easy-to-use VST3 pattern-based drum sequencer.

You design your patterns, make some variations and set the play order. You will be surprised how little effort is needed to make a great rhythm. You can design and play back your drum patterns in an arbitrary order.

BabyDrummer does not have a built in drum sampler so you need to use one in conjunction with it.

https://www.rosehilltribe.com