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STEQ is based small format console eq from well known tape machine brand.
Easy to use coloration eq with variable frequency (150Hz – 7kHz) on Mid band and fixed High (10kHz) & Low (80Hz) shelf.
Also, included one knob optical compressor.
Each modules have their own bypass. When you bypass EQ and Compressor, preamp section will be still active. So, you can use it as line preamp.
Simple but effective channel strip for you!
First one in native format!
VST/VST3/AU | Mac 10.9 – 11.X
VST/VST3 | Windows 7 – 8 – 10
– Improved DSP and circuit design
– Added 4x oversampling
– Readout for knobs
– Redesigned GUI
– Catalina & Big Sur(Intel/M1) support
Vocal Pitch Shifter is designed to change the pitch of a vocal in a range of ± 1 octave (± 12 semitones).
The plugin has a low time latency, which allows it to be used in real time, for example, for live performances.
Both coarse tone control (by an integer number of semitones) and precise (by an integer number of cents) are provided, as well as mixing the processed signal with the original.
Plugins of similar functionality that use FFT transforms, for example, Waves Pitch Shift, have higher latency, making them unusable for real-time work.
The SIM-MBIRA is a plugin designed to simulate an African Mbira and the westernised version called a Kalimba. As usual with my SIM stuff everything is synthesised and no samples used, so you get to control more aspects of the timbre than with a sample set or Sound font.
PlugData is a plugin and standalone wrapper around Pure Data. It aims to offer the same features as Pure Data, but in a DAW. It also features an updated GUI that will make patching more comfortable. PlugData also ships with a large library of extra objects.
Pure Data is an interactive programming environment that allows you to processes, synthesise and modify real-time audio signals. It also has a system for control messages. For more info on Pure Data see: https://puredata.info
Pro Tuner is a precision tuner developed for the DisTOMPED plug-in, but this is such a cool tool that it deserves to be offered separately.
Pro Tuner by AudioFB is a Virtual Effect Audio Plugin and a Standalone Application for macOS and Windows. It functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin, an AAX Plugin and a Standalone Application.
Kontakt LibOrganizer by CodeFN42 is a Standalone Application for Windows. It functions as a Standalone Application.
Kontakt LibOrganizer is a simple utility that will let you easily change the order of all your libraries on the Libraries tab in Kontakt. With many libraries installed this can be quite time consuming to do this in Kontakt. In addition you can hide installed libraries you don’t want to show.
Version 1.20 adds the ability to display multiple columns, multi-selection for drag-and-drop, and import/export the library setup.
This gate is based upon older code by Bootsie. It’s an envelope follower that was used with an average gate example. I realized there was something that sounded 5 star. Vs Izotope’s alloy 2, a little cleaner and smoother with greater versatility and responsiveness. Though of course the older Izotope gate in comparison has various methods to ensure that the end product is “smoothed over”. In the interest of speed and production time I have not added the same frills as yet.
However, this is a really great gate, and rather than just make something that meets the status quo, you’ll be pleased by the million dollar sound of the sonic treatment. It sounds like extremely expensive indie gear. Comments are welcomed. Included in the zip file is the source which is MIT/ccbya licensed.
dualReverseDelay it’s a dual plugin both as two sets of knobs (one per channel) and as two directions: reverse and forward.
Unique and original delay.
Two sets of knobs (one per channel) .
Stereo enhanced by offset.
Button to change the direction of delay: reverse and forward.
Toggle Lowpass filter from left to right – nice effect, can balance frequencies on stereo channels.
Toggle direction of delay from reverse to forward – unique feature on the delay area. This can produce amazing effects.
Host sync delay rate and free time rate.
Rich rates: triplet and dotted.
Ping pong made by offsets.
The delay start from the beginning of the project but on reverse cycles. So, the end of the delay it’s exactly on the delay rate set. But if your audio input is not on rate set in the delay rate you must take care that the cycles runs in the reverse way, this result a dynamic and complicated delay time relative by offset. Better and easy way it’s to use audio input on the delay rate.
Great effects are obtained if we set the same offset on the left and right, the forward direction on one channel and on the other reverse then activate Toggle for direction. So we’re going to have a delay reverse on one channel, when it’s over, it’s going to start delay forward on the other channel and to the next rate going to play vice versa on the two channels.
The toggle buttons for frequency and direction only make sense if there are different left-right settings. If we have the same left-right settings for frequency respectively direction these buttons have no effect.
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Value input by key: over the knob and right click, insert value by key then hit enter.
Set default value: double click on the knob.
DAW (VST host), Windows 32/64-bits or MacOS VST and AU.
NoizeClick is a kick drum synthesizer allowing you to make your own electronic kick quickly & with ease.
Don’t waste time looking for kick samples when you can make your own kick easily and quickly. It is made mostly for psytrance kicks but its possible to make kick for any genre even for hardcore.
NoizeClick is a single oscillator synthesizer and it produces Sine Wave.
CLICK ZONE: In the click zone you design the kick you want. The click zone is a set of complex envelopes that modulate pitch sinewave. You can control Start, Decay, Curve and add BOOST. In the Click zone you have three fields. Click1.Click 2 and Click 3. Each of them controls pitch independently of the other therefore each controls a certain frequency of the wave
FILTER: The filter is simple and enough to peak on your kick. It has low pass, high pass, band pass and band reject. In the Filter you can control CUTOFF, Resonance and Gain.
DISTORTION: Distortion is also simple but very powerful. With more distortion you can add a little texture to the kick as well as make a hardcore kick.In the Distortion you can control DRIVE and SHAPE
AMP SECTION: At the lower end of the plug-in is an ADSR envelope, which can be used to control the amplitude of the kick.To control the tail for example, we can adjust the sustain and release. Also it can be contoled volume of output.
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