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ValhallaSupermassive has been designed from the ground up for MASSIVE delays and reverbs. Get ready for luscious clouds of reverb, otherworldly delays, and swelling waves of feedback unlike any you’ve heard before.
Supermassive has 14 out-of-this-world reverb/delay modes:
Gemini: Fast attack, shorter decay, high echo density.
Hydra: Fast-ish attack, shorter decay, low to high echo density (depending on the DENSITY control setting)
Centaurus: Medium attack, longer decay, medium to high echo density (depending on the DENSITY control setting)
Sagittarius: Slow attack, longer decay, high echo density
Great Annihilator: Medium attack, very long decay, medium to high echo density (depending on the DENSITY control setting)
Andromeda: Slowest attack, very long decay, very high echo density
Lyra: Fast attack, shorter decay, low echo density
Capricorn: Fast attack, shorter decay, medium echo density
Large Magellanic Cloud: Long reverb, LOOOONG repeating echoes, long decay, medium attack
Triangulum: Long reverb, VERY LONG repeating echoes, long decay, slow attack
Cirrus Major: Low/medium echo density, strange repeating patterns, fast attack
Cirrus Minor: Low echo density, strange repeating patterns, fast attack, smaller than Cirrus Major
Cassiopeia: Initially low echo density that quickly builds to long and lush reverbs, mysterious repeating patterns, fast attack
Orion: the much bigger version of Cassiopeia. Low echo density that can build to enormous reverbs, fast attack, strange resonances and repeating patterns.
All Valhalla plugins are self-documenting, so you can rollover the controls for the tooltip.
And it’s free. No strings attached. Just download to blow your mind and your music to new levels of consciousness and experience.
Version 1.5.0 for Mac and Windows available.
Intel and ARM builds available for Apple M1 computers.
Nitrox is an analog type poly synth with three oscillators, two stereo filters and a fully equipped stereo effects bank. The unique thing about Nitrox is its comprehensiveness paired with high flexibility and numerous modulation possibilities. The oscillators, filters and effects have been implemented with sound quality in mind.
Nitrox comes in two versions: there is a stand-alone version which can be connected to a stereo audio output channel and to multiple MIDI input channels which is called Nitrox solo. The second version is a VST™ plug-in simply called Nitrox.
(up to 16 voices), with 3 oscillators
and many modulation possibilities (PWM, FM, Hard Sync, AM, Ring…), 5 inbuilt and
5 custom waveforms, 3 wave shapers,2 stereo filters, effects bank with 3 independent
effect units (chorus/flanger, phaser, echo, reverb,filter, formant), several modulation
sources (5 ADSRs, 4 LFOs, 5 custom envelopes, 5 mini sequencers), and
automation… Its sound is not the big fat one, but has something special,
original, nice, sweet and clear, not very far from FM or additive synthesis…
This is the new upgrade of the DSPplug esquire3, offering new advantages and a zero latency experience. Though the old was quite good, it took a brief millisecond to catch up. With this improved hybrid lu dbfs design, ther eis no such shortcoming.
Brickwall, true peak limiter limiting to -1.0 dbtp.
BPB Dirty Spring is a freeware spring reverb effect with adjustable pre-delay and a built-in bitcrusher.
Use the Decay and Tone knobs to shape the spring reverb algorithm, and adjust the reverb level with the Mix knob. You can preview the reverb effect by pressing the Kick button. It simulates kicking a hardware spring reverb.
The Dirt knob controls the bitcrushing effect. There are six bitcrusher presets which range from subtle to over-the-top.
BPB Dirty Spring is available in VST2, VST3, AU, and AAX plugin formats for digital audio workstations on Windows and macOS. Both 32-bit and 64-bit plugin hosts are supported.
SoundObject creates a binaural sound with the senses of three-dimensional sound localization from a monaural acoustic source and its positional information.
Conventional three-dimensional binaural sound processors implement sound localization with the convolution of an acoustic source and head-related impulse response (HRIR) that represents scattering by the head. Since the convolution consumes a large amount of computational resource, SoundObject assumes that scattering by a head consists of scattering by a rigid sphere and pinnae (earlobes), then enables sound localization with simplified sphere and pinna scattering effect filters.
And in many cases, conventional convolution-based binaural sound rarely creates a sense of front distance, while SoundObject enables it by reflected waves in a reverberation room.
Furthermore, Doppler effect inevitably results from a moving acoustic source. Generally, sine waves whose frequency difference is 0.3% are distinguishable as different sounds. This fact implies that the recognizable Doppler effect results from an acoustic source whose speed exceeds approximately 1m/s. Since it is never high speed, SoundObject constantly adds Doppler effect when an acoustic source is moving.
Magic Switch is a lush one-button chorus effect based on the “Magic” feature in our Super VHS plugin.
It is loosely inspired by the Juno-60 analog chorus effect*, but offers its own dark and detuned character.
“We wanted to create a one-button chorus effect as gratifying and magical as the Juno chorus. But since there’s already a thousand emulations of the Juno chorus, it made little sense to release #1001. Instead, we wanted Magic Switch to be its own thing, with its own sound.”
“Magic Switch is designed for the software age, where the source material is cleaner, louder and often begs for a more radical transformation. Super VHS is all about adding that bit of ‘otherness’ to a clean sound — and Magic Switch may be its most distinctive effect. So we’re excited to give it away as a free stand-alone plugin.”
Magic Switch reminds me about Push by Sampleson. Both have a “one-button” configuration, but the similarities end here, because Push is a synthesizer and creates a new patch every single time you hit that button in the middle.
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