Nu Guzheng is a sampled guzheng chinese plucked zither.
This traditional instrument has been recorded in stereo using a pair of Blue spark condenser microphones. Recorded in 32-bit and downsampled to 24-bit for the plugin version, the end result is clean-sounding and authentic.
1 Chinese Guzheng instrument sound.
Based on a high-quality 32-bit 44.1 kHz recording.
Amplitude range controls.
3 voice modes: polyphonic, monophonic, and legato.
Windows 8.1/10 or macOS El Capitan to Mojave (not compatible with Catalina and up).
TAL-Filter-2 is a host synced filter module with different filter types, panorama and volume modulation possibilities. This can be used for tremolo or trance gate effects. Panorama modulation maybe is useful to pan your percussion, hats or sound effects in the stereo room for more interesting rythms and sounds.
Different modulation types: LP 12dB, BP 12dB, HP 12dB, Pan, Volume
Super clean SVF filter with diode clipper in the feedback path. Capable of self oscillation.
Easy to use spline editor.
Stereo offset for modulation when in filter mode.
Host sync with different sync options (normal, dotted…)
Trigger button sets the modulation position to the start without lose host sync. Can be automated.
Legacy Mode: Just for backward compatibity. Please don’t use if you create something new.
The Crunck V2 Guitar Amplifier is one channel plugin designed for a wide range of music genre. It’s a version 2 of the first plugin designed by Igor Nembrini in the beginning of his career in DSP development more than ten years ago.
Just move the Gain knob from 0 to 10, and as you do you’ll find a variety of Crunck V2 Guitar Amplifier tones, from metal to fusion, rock to blues.
In the Crunck V2 Guitar Amplifier plugin you can choose to use the build in cabinet a 4×12 loaded with Vintage 30 speakers or bypass the cabinet section.
StupidCompressor by SNFK Music is a Virtual Effect Audio Plugin for Windows. It functions as a VST Plugin.
This plugin isn’t meant to be tweaked for hours – it’s designed with the set-and-forget mentality. StupidCompressor is designed to be stupid easy to use. It contains classic controls as well as some advanced features in the advanced panel for more control on your sound. StupidCompressor is open source in the hope that it will help other developers in their own development and that other developers can help make StupidCompressor even better.
Full Feature List
Stereo Compressor with ratio, attack, release, and gain staging
Visualizer for the ratio and threshold
Visualizer showing the input & output levels, the threshold, and gain reduction.
Bandpass Compressor – Only compress a certain frequency range.
Transient Shaper – features both increase and decrease in transients.
Limiter – Found in the clipping section; it is used for clipping without creating new harmonics (and also plain limiting if you wish).
Soft & Hard Clipper – Sometimes you will want new harmonics; these are perfect for adding them in.
Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.
• Oscillator with variable symmetry (sawtooth to triangle, PWM) and glide
• Polyphonic (up to 16 voices), mono, legato and arpeggiator modes
• 4 envelope modes: ADSR or HDSR, linear or exponential. Sustain has Fall/Rise control
• 2 LFOs: one global, one per voice. Absolute time or host sync, multiple waveforms
• Multimode filter: lowpass, bandpass or highpass with drive and FM
• Combination arpeggiator / 16-step sequencer with extra modulation source
• 2 built-in effects: stereo delay, chorus / flanger
• Resizable UI from 70% to 200%
• Skinnable UI
• Global preferences page
• MIDI learn page and editable list
• Over 300 factory presets
• Apple – Mac OS X 10.9 or newer
• Windows – 7 or newer
Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
• Modern CPU (Sandy Bridge or newer recommended)
NKS-readyPodolski is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.
Changelog: Podolski 1.2.2 (revision 9724) Improvements: • Mac installer notarized (Catalina) • NKS compatible • Windows installer improvements • UTF-8 support for installation paths • Improved VST3 implementation • New Preset Browser • Factory presets have been tagged • Drag & drop between browser and system file windows • Improved GUI response time on some Macs (sluggish GUI) • Windows UI performance improved (less CPU load with open GUI) • Mac installer improved to prevent permission issues • User defined MIDI CC sources replace expression and breath • Mouseover shows parameter values in Data Display • Plugin format and OS info shown next to revision number • Init preset can be loaded from Data Display (for Win users: also works via right-click) • Increased maximum number of installed skins from 10 to 20 • Improved handling of 14-bit MIDI CC assignment • Sustain pedal now working according to standard (0-63 = off, 64-127 = on) Fixed Bugs: • Fixed an issue with dialogs appearing transparent in Cubase 10.5 and Logic • Various small fixes and improvements
What is it?
This tube preamp emulation has been developed Philipp Bulling as a thesis work. Philipp has been offering the plugin in VST format for some time on his own website. He has now moved on to new areas for some time already but didn’t want to let down his users. Hence, DDMF took over the code and will continue to offer the plugin as freeware, with the intent to further improve it and maybe add some more bells and whistles in the future.
The plugin is very unique in the sense that it gives you full control over all aspects of the modelled circuit. All values of all the capacitors, resistors etc. can be tuned by the user. Here is what Philipp had written on the original page.
AbstractSince the sound of an analogue tube amplifier has always exerted a strong fascination, electrical circuits with tubes play a certain role in the world of audio engineering up to now. On the other hand, audio technology becomes more and more digitised. In many cases, digital models emulate real devices in such a way that differences in sound are hardly audible. In this work a model is developed which is able to emulate the typical sound of a tube amplifier on digital devices. Here the main focus is on preamplifiers with triodes, since they have a particular influence to the sound.
Based on the physical properties of real tubes, a tube model is developed first. This mathematical model includes results of theoretical studies as well as analysis of data sheets. The model is then used to implement an entire amplifier circuit. In addition to the tube itself amplifier circuits contain several passive elements. In the domain of digital signal processing the latter are described by finite difference equations, which are solved recursively.
The resulting algorithm is finally implemented as an audio plugin in order to examine its tonal properties. The behavior of the digital model corresponds satisfactorily to real amplifier circuits. Important sound effects of analogue tube amplifiers can also be attested to the digital model.
Diode modelThe first step was to develop a triode model, based on the characteristic curves of real tubes. In theory, the characteristic curve of a vacuum tube is described by Langmuir-Child’s law. However, it was quickly realised that compared to real tubes, this law is not accurate enough. So a new model has been developed. This model describes a triode as a mathematical function. With the model, it is possible to compute the plate voltage (Upc) as a function of the grid voltage (Ugc), depending on the working resistor (Ra) and the supply voltage (Ub).
The following graph shows this function for a 12AU7 triode with Ra = 10k and Ub = 250V: Circuit modelingBased on this model, a plate follower stage was implemented. Cathode biasingIn this circuit, cathode biasing is used to adjust the bias point of the tube. This is realised by a resistor (Rc) and a capacitor (Cc), placed between the cathode and ground. The effect of cathode biasing can then be modeled by a simple first order RC low pass filter, with Ic*Rc being the input of the filter, and the cathode voltage (Uc) being the output.
If the input signal jumps for example from 0 V to 5 V, the cathode voltage follows quite similar to the step response of a RC-low pass filter: Signal limitingThere are two reasons for signal clipping in this circuit. The first one is caused by the tube itself. If there is a high peak at the negative half-wave of the input signal, the tube can’t amplify the signal anymore since the flow of current is completely cut-off. Thus, the positive half-wave of the output is clipped. This effect can be intensified by a more negative bias point.
Here the bias point of an 12AU7 is at around -12 V: The second reason for clipping is caused by grid current. High peaks of the positive half-wave of the input signal make the grid voltage positive compared to the cathode voltage. In this case electrons are attracted by the grid. The grid current causes a voltage drop at the internal resistance of the previous stage, which limits the input signal. The following figure shows the effect. The grid voltage is obtained by shifting down the input signal (Uin) by the cathode voltage (Uc). In the upper picture the maximum grid voltage (Ugc) is ~ 0 V compared to the cathode. Hence, there is no grid current. In the lower picture the input signal has an amplitude of 10 V. At the positive peaks of the input signal the grid voltage rises above 0 V (compared to the cathode). The grid current begins to flow and clips the grid voltage.
The Analog Rack Chorus plugin is a very simple but powerful chorus plugin inspired by the most famous Chorus pedals and rack effect units.
Nembrini Audio has taken the guitarists most preferred analog and digital effect pedals and has repacked it in new rack style plugins easy to use and extremely powerful at the same time, with the addition of a custom design tube preamp virtual circuit which gives color to the signal in a very special way. Just insert the Analog Rack Chorus plugin in your tracks to hear its beautiful analog tube coloration!
The Analog Rack Chorus is ideal not only for Guitarist, but for every Musician, Producer and Audio Engineer in search of the last milestone in Analog and Digital Fx plugin emulations!
Decentralized by Bass Gnomes is a Virtual Effect Audio Plugin for Windows. It functions as a VST Plugin.
Decentralized is the result of an experiment done with some strange mid/side routing mixed with signal comparison and cancellation, and also an homage to Bitcoin and the decentralization movement. The result was surprisingly pleasant when use properly on either independent channels or even an entire mix. The stereo image is widened, but no delay is being used. It’s more than just boosting the side mix and I can’t exactly explain what it’s doing, and it can also create the effect of having no central point of sound when used properly. This plugin is 64-bit(x64).
Sawrizor Lite is an all-round wavetable / saw synthesizer that combines 2 high quality saw oscillators.
By mixing different generators for each oscillator, resulting in a matrix of recorded and hand made audio material of the last decades and unique new saw combinations.
Both units have voice unison features with detune, mix and other sound fattening abilities. The sub oscillator adds punch and more character to the sound. Chorus, delay and reverb effects enrich the sound with depth.
Sawrizor is aliasing free where necessary and allows up to 8x oversampling for high SNRs. Analogue sounding resonance/damp filters and an EQ complete the clearness of the digital synthesizer !
Double aliasing free wavetable synthesizer with unison and sub oscillator.
Famous high quality saw sounds of the last decades and new creations.
Resonance damping filter.
FX section with chorus, delay, reverb and equalizer.
Freely resizable GUI from very small up to Ultra-HD & 5K Retina.
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