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Odin 2: A Synth to Please the Gods
The sound of this 24-voice polyphonic beast will take you from your studio right to Valhalla. Earth shattering basses, exquisite leads or mad FX, Odin’s got them all! Use the classic sound of analog waveforms – or draw your own. High quality emulations of legendary analog filters like the Moog-ladder or the Korg-35 further shape your signal. Round your sound off with five onboard FX, or get crazy with modulation. There’s much to discover in Odin 2.
Enter the dark side of sound with Creepy Piano 2 Lite, the follow-up of our popular mutated and utterly scary piano plugin for Windows and macOS. This new version comes with a renewed interface and structure, preserving all the parameters of the full version, but with a smaller number of presets. Creepy Piano 2 Lite has a lo-fi touch and contains processed piano samples originally recorded from Steinway & Sons A-188 and Yamaha C3 pianos.
The sound shape & feel can be further manipulated with the ADSR envelope, but also the included tremolo section – LFO modulation with rate & depth. Last but not least, volume (gain) and pan complete the global controls.
Creepy Piano 2 Lite is perfect in the creation of cinematic background music for games and videos, lo-fi hip hop, trap, creative sound design, also in any production where a dark piano sound is needed.
The virtual instrument is available in VST / VST3 & AU plugin versions for DAWs and other plugin hosts running on Windows and macOS.
25 Multi-Sampled Piano Presets.
Easy to use.
4 Field Recordings.
100% royalty free.
MacOS Big Sur Support.
AVAILABLE Formats: WINDOWS VSTi/VSTi3 32 & 64-bit MAC VSTi/VSTi3/AU 32 & 64-bit.
Electric Piano is a free virtual piano instrument plugin (ROMpler) based on two sampled electric pianos.
The plugin has two selectable presets (instruments) with two velocity layers each. The samples were recorded in 24-bit 48kHz WAV.
From left to right there’s the attack/release section, a tremolo module with selectable speed, intensity and type, pan, lowpass/highpass filter with cutoff, pan, reverb module, and global gain. The two presets can be selected from the top menu display.
Electric Piano is suitable for a wide range of Urban styles including Hip Hop, Pop, Chillout, Lo-Fi, Jazz, etc.
2 sampled electric pianos.
2 velocity layers.
48kHz 24-bit audio quality.
338 MB size on disk.
LFO (pitch, expression, or pan destination) with rate & depth.
filter cutoff (lowpass & highpass).
global volume & pan.
Electric Piano works within DAWs or other plugin hosts loaded on Windows 8.1/10. You will need 338 MB of hard drive space.
The download size is 181 MB (compressed ZIP file, you will need to extract the files).
For the VST 64-bit version – place the extracted folder in C:\Program Files\VSTPlugins.
For the VST3 64-bit version – place the extracted folder in C:\Program Files\Common Files\VST3.
The Quilcom SIM-DIDGE aims to simulate some of the sounds of a Didgeridoo using synthesis methods only, along with optional vocal input.
Click on the picture to download the zip which contains the FlowStone schematic (not needed for the plugins to work), 32 and 64 bit plugins (including 32 bit for XP), the User Guide and background info. The “NA” plugins (exported as instruments) don’t have the audio input for microphone if you don’t need it.
You can watch the YouTube video here to get more idea:
Now you can create some ethnic Aboriginal rhythms and atmospheres without having to master circular breathing!
It was designed to create a vintage electric piano feel. It uses subtle tonal changes that are influenced by velocity. This is not a Rompler or Sample based instrument. It uses various tuned frequencies to achieve its tonal quality. These can be varied using the Timbre control.
The effect of pickup phase is influenced by the Phase control. The Envelope is designed to respond as it would on an Electric Piano and is changed using the Decay control. There is a Treble and Bass control to alter the overall tone of the instrument. The Vibrato section is a simple design and is included an emphasis switch to change the sound of the Vibrato. Emphasis is somewhere between a Phaser and a Chorus and adds a bit more interest to the sound.
Keys Section: Phase simulates Pickup mixing. Octave can be used to switch between 3 octaves. +Keys introduces a 1 octave higher instrument (this is a subtle effect).
Timbre Section: Tone is used to control the frequency brightness. Timbre Velocity is used to add a level of attack brightness. Experiment between these two controls to introduce various shapes, especially for Twang effect.
Tone Section: Simple cut and boost for overall tone of the instrument.
Shape Section: These controls are used to create various feel to the playing and adjust the envelope of the instrument. The effect of these controls work closely with the Timbre Section.
Amplifier Section: These controls influence the final output of the instrument.
Velocity sensitivity can be increased from less active to more. The distortion control provides a natural saturation to the output.
Mute: This slider simulates a dampen effect on strings.
Off-Grid is a drum machine oriented for layering and experimentation.
The plugin contains a large variety of different percussive types, which can be accessed/cycled entirely from the UI on the fly without ever breaking the signal flow.
Each of the 7 channels run on 4 voices distributed for each cell unit where you can select and do other processing such as pitching, reverse, loop, as well as layer mixing etc.
A series of random triggers are significant part of the plugin workflow as a single touch may change the entire channel output, or simply adjust the panning or gain values.
Fast Unique workflow.
Responsive and instant load of sounds.
448 percussive sounds.
Rock solid sample interpolation (tested in multiple DAW’s).
Movementron is a synthesizer that focus on movement in space and time, from sequenced oscillators and filters to sequenced modulation and mangling of samples. Combined with a master effect section with compressor, filter, delay, and reverb, it works great both as a performance synthesizer and sound design tool.
8-step oscillator with individual shapes, LFOs and filters per step.
Drawable oscillator with detune and 8-step filter.
Loop player with detune and 8 step filter.
Keyboard split, oversampled compressors, delays, and reverbs.
Monica 3 is the successor to Monica evo. An analog dual-layered 90’s style synth with 2 completely different aggressive and incredibly high dynamic range oscillators. The first oscillator is wavetable based with 50 wavetables + additional 50 wavtables for morphing. The second is an old style 8 waveforms pad oscillator that emulates the 90′ type monster pads. The oscillators work on dual-layered basis and have each own separate controls, synthesis section, chords driven pattern sequencer and some more new features.
Monica Evo is armed with an extremely flexible 16 steps built-in chords driven arppeggiator based on played note’s position with it’s own dedicated pattern file manager and vast of tweaking options including time signature, gate, speed, the total number of steps and DAW syncing.
The modulation options
Monica 3 has 2 different modulation options. The first offers 6 traditional LFO’s, 3 per oscillator, each with 50 possible wavetables and BPM syncing option. The second option is MMM – MIDI clock motorized modulation. The MMM allows motorizing knobs and controls and by that, creating interesting motion effects.
Monica 3 is equipped with 6 effects:
up to 8 voices unison.
Each effect has 2 separate send channels, one for each oscillator (it can also work in global mode).
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