Tag Archives: Voices

Onsen Audio OS-251 v1.0.1 VST3 AU WiN MAC LiNUX [FREE] 0 (0)

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OS-251_screenshot

OS-251 is a pure digital lo-fi synthesizer plugin for Mac, Windows and Linux
OS-251 is a “JUNO” style digital subtractive synthesizer with a simple yet powerful DSP algorithm. Unlike other plugins that use analogue simulation, OS-251 uses digital algorithms to give warm, lo-fi sounds. The design of the oscillators and the selection of parameters were influenced by the JUNO-106, making it easier to express a thicker, chunkier sound.

The oscillator has alias noise (specific to digital signal processing) famous on classic samplers like E-mu SP-12 which adds lo-fi feeling to the sound. You can enjoy the powerful sound at modern sampling rates with your DAW.

Easy to use
Tired of overwhelming synthesizers with hundreds of parameters and presets? Then OS-251 is for you! OS-251 is equipped with only carefully selected parameters, allowing musicians to concentrate on music production. You can see every parameter at once, so you can have a stress-free experience. Because the number of the parameters is limited, you can create the desired sounds yourself quickly and you don’t have to spend your precious time choosing presets.

Key features
• Up to 10 voices of polyphony
• Oscillators (Sin, Square, Saw), with Shape parameter
• Square sub oscillator
• Noise oscillator
• Biquad low-pass filter (LPF) with Frequency and Resonance parameters
• Biquad high-pass filter (HPF) with Frequency parameter
• Envelope generator which can control LPF and amplitude
• Low-frequency oscillator (LFO) which can control LPF, amplitude, and Shape parameter
• LFO sync
• Chorus
• Flexible pitch controls (pitch bend width, octave, semitone, fine tuning)

https://onsenaudio.com/products/os251

 

Off-Grid by Ricardo F Gomes 0 (0)

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off-grid_3

Off-Grid is a drum machine oriented for layering and experimentation.

The plugin contains a large variety of different percussive types, which can be accessed/cycled entirely from the UI on the fly without ever breaking the signal flow.

Each of the 7 channels run on 4 voices distributed for each cell unit where you can select and do other processing such as pitching, reverse, loop, as well as layer mixing etc.

A series of random triggers are significant part of the plugin workflow as a single touch may change the entire channel output, or simply adjust the panning or gain values.

  • Fast Unique workflow.
  • Responsive and instant load of sounds.
  • 448 percussive sounds.
  • Rock solid sample interpolation (tested in multiple DAW’s).
  • Smooth Pitch Processing.
  • Reverse and Loop individual Cells.
  • Fast randomization of Layers and Channels.
  • Fully vector based UI.
  • Low / Moderate CPU usage.

https://ricardopluginsat.wixsite.com/my-site

Off-Grid

Off-Grid_(64)

Togu Audio Line TAL-NoiseMaker v5.0.4 x64 VST VST3 AU AAX WiN MAC LiNUX [FREE] 0 (0)

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TAL-NoiseMaker is a virtual analog synthesizer with a great sound and low CPU usage.
128 factory presets included, 80 made by Frank “Xenox” Neumann / Particular – Sound

FEATURES
• 3 Oscillators
Osc 1, +- 24 semitones, fine tune, phase control (saw, pulse, noise).
Osc 2, +- 24 semitones, fine tune, phase control (saw, rectangle, triangle, sine).
Sub Osc (rectangle).
• Osc 1 PM for pulse waveform.
• Osc 2 FM controled by Osc 1.
• Osc 1 & Osc 2 sync to sub osc (saw, pulse, rectangle, triangle(bipolar sync)).
• Adjustable master tune and transpose.
• Up to 6 voices.
• Portamento in mono and poly mode (off, auto, on).
• Ringmod modulates Osc 1 with Osc 2
• Self resonating 4x oversampled filters (24 dB LP, 18 dB LP, 12 dB LP, 6 dB LP, 12 dB HP, 12 dB BP, Notch)
• Filter ADSR (negative and positive)
• Volume ADSR
• Routable ADSR, modulates Filter, Osc 1, Osc 2, PW, FM (negative and positive)
• 2 LFO’s with different running modes: free, sync to host, triggered by note.
Modulates filter, osc 1, osc 2, fm, pw, lfo rate, panorama and volume.
Sine, triangle, saw square, s&h, noise.
Positive and negative modulation.
Phase control.
• Adjustable Velocity dependent control over volume filtercontour and cutoff.
• Adjustable Pitch Wheel control over Cutoff and Pitch.
• One pole HP filter.
• Detune, detunes notes randomly.
• Juno chorus with different modes.
• A built in reverb.
• A built in delay.
• Adjustable filter drive.
• Bitcrusher, affects osc 1 and osc 2. Its a pre the filter stage effect.
• Midi learn for all knobs.
• • Panic button.
Easy to use, no hidden panels.
• 256 great presets (Presets by Frank “Xenox” Neumann / Particular – Sound, The Unshushable Coktor, Alexandra Sendy, TAL, Patrick Kunz).

Requirements:
• Windows: Windows 7 or higher (64 bit host)
• OS X: 10.9 or higher (64 bit host). Universal Binary 2 with native Apple M1 support.
• AAX: Pro Tools 10.3.6 or higher (64 bit).
• LINUX: 64 bit / Ubuntu 18 or similar.

https://tal-software.com/products/tal-noisemaker

OS-251 by Onsen Audio 0 (0)

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OS-251_screenshot

OS-251 is a pure digital lo-fi synthesizer plugin for Mac, Windows and Linux. Available in VST3 and AU plugin formats for free.

Digital lo-fi sounds

OS-251 is a “JUNO” style digital subtractive synthesizer with a simple yet powerful DSP algorithm. Unlike other plugins that use analogue simulation, OS-251 uses digital algorithms to give warm, lo-fi sounds. The design of the oscillators and the selection of parameters were influenced by the JUNO-106, making it easier to express a thicker, chunkier sound.

The oscillator has alias noise (specific to digital signal processing) famous on classic samplers like E-mu SP-12 which adds lo-fi feeling to the sound. You can enjoy the powerful sound at modern sampling rates with your DAW.

Easy to use

OS-251 is equipped with only carefully selected parameters, allowing musicians to concentrate on music production. You can see every parameter at once, so you can have a stress-free experience. Because the number of the parameters is limited, you can create the desired sounds yourself quickly and you don’t have to spend your precious time choosing presets.

Key features:

  • Up to 10 voices of polyphony.
  • Oscillators (Sin, Square, Saw), with Shape parameter.
  • Square sub oscillator.
  • Noise oscillator.
  • Biquad low-pass filter (LPF) with Frequency and Resonance parameters.
  • Biquad high-pass filter (HPF) with Frequency parameter.
  • Envelope generator which can control LPF and amplitude.
  • Low-frequency oscillator (LFO) which can control LPF, amplitude, and Shape parameter.
  • LFO sync.
  • Chorus.
  • Flexible pitch controls (pitch bend width, octave, semitone, fine tuning).

https://onsenaudio.com/products/os251

U-he Podolski v1.2.3 x64 x86 VST AU AAX WIN MAC LiNUX [FREE] 0 (0)

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uhe-podolski-screenshot-fullui-1150x553Podolski
Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.

• Oscillator with variable symmetry (sawtooth to triangle, PWM) and glide
• Polyphonic (up to 16 voices), mono, legato and arpeggiator modes
• 4 envelope modes: ADSR or HDSR, linear or exponential. Sustain has Fall/Rise control
• 2 LFOs: one global, one per voice. Absolute time or host sync, multiple waveforms
• Multimode filter: lowpass, bandpass or highpass with drive and FM
• Combination arpeggiator / 16-step sequencer with extra modulation source
• 2 built-in effects: stereo delay, chorus / flanger
• Resizable UI from 70% to 200%
• Skinnable UI
• Global preferences page
• MIDI learn page and editable list
• Over 300 factory presets
• NEW in v1.2.3: Support for Oddsound MTS-ESP

Requirements
• Apple – Mac OS X 10.9 or newer
• Windows – 7 or newer
• Linux

Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer

NKS-readyPodolski is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.

Podolski
Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.

• Oscillator with variable symmetry (sawtooth to triangle, PWM) and glide
• Polyphonic (up to 16 voices), mono, legato and arpeggiator modes
• 4 envelope modes: ADSR or HDSR, linear or exponential. Sustain has Fall/Rise control
• 2 LFOs: one global, one per voice. Absolute time or host sync, multiple waveforms
• Multimode filter: lowpass, bandpass or highpass with drive and FM
• Combination arpeggiator / 16-step sequencer with extra modulation source
• 2 built-in effects: stereo delay, chorus / flanger
• Resizable UI from 70% to 200%
• Skinnable UI
• Global preferences page
• MIDI learn page and editable list
• Over 300 factory presets
• NEW in v1.2.3: Support for Oddsound MTS-ESP

Requirements
• Apple – Mac OS X 10.9 or newer
• Windows – 7 or newer
• Linux

Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer

NKS-readyPodolski is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.

https://u-he.com/products/podolski/podolski.html

U-he Zebralette v2.9.3 x64 x86 VST VST3 AU AAX WiN MAC LiNUX [FREE] 5 (1)

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uhe-zebralette-screenshot-fullui-1150x619

Zebralette: easy spectral synth
Zebralette is our version of a Trojan horse. A free synthesizer and an introduction to Zebra2’s fantastic oscillators. Perhaps it will persuade you to try Zebra2 and upgrade. If one oscillator is this powerful, imagine what you can achieve with four… and all the other great features available in Zebra2.

Features

• A single Zebra2 oscillator with a 16-slot waveset. Read more below
• Oscillator waveform editing with geomorph, spectromorph, geoblend and spectroblend modes. Read more below
• 24 spectral effects including filter, sync, scatter, phase distortion and many more
• Polyphonic (up to 16 voices), monophonic and legato modes
• Stereo VCA with pan and volume modulation
• VCA oscillator stacking with adjustable stereo width: single, dual, quad and eleven modes
• ADSR envelope with fall/rise (sustain slope) and velocity controls
• Modulation options including: modwheel, velocity, pressure, breath, key follow, gate and more
• 2 LFOs: one global, one per voice
• A 32-stage MSEG (multi-stage envelope generator)
• 3 built-in effects: chorus/phaser, EQ, delay
• MIDI learn / unlearn of hardware controls (CC)
• Polyphonic aftertouch support
• 300 factory presets
• Scalable UI from 70% to 200%
• NEW in v2.9.3: Support for Oddsound MTS-ESP

What is a Zebralette?

-ette: an English suffix indicating a diminutive form
Zebralette is an introduction to Zebra2’s powerful oscillators. Zebra2 can seem overwhelming at first glance, so we stripped it down to a single oscillator plus a few other features and created Zebralette, the little Zebra. Once you master Zebralette you can move up to Zebra2 with confidence. And your presets can come with you, as Zebralette presets can be opened in Zebra2.

But more than a teaching tool, Zebralette is an incredible sounding synth in its own right. Surrounding Zebra’s spectral oscillator with a few core modulation options and effects make Zebralette highly capable. With unsion options (think supersaw, but Zebralette is not limited to saw waves, so we refer to it as superwave), 16 voice polyphony and two different envelopes, you have everything needed to create some marvellously complex sounds.

Diminutive? Yes. Powerful? Yes.

Zebra oscillator
One oscillator may not seem like enough for a synthesizer, but Zebra2 oscillators are rather powerful and clever.

It resembles many other oscillators you may have used. You can choose a waveset from the included library, or use the waveform editor to draw your own shapes. Here is where things start to get interesting: The Waveform Editor manages up to 16 different waves and lets you rearrange, duplicate and morph between individual waves. Use one of modulation sources and the WaveWarp control to scan through the 16 waves and create unusual, dynamic sounds.

There are four drawing modes: GeoMorph, SpectroMorph, GeoBlend, SpectroBlend, each offering a different approach to creating and manipulating waveforms.

Using the two Geo modes you draw the waveform shape using up to 32 points, while the Spectro modes let you create the harmonic spectrum over 128 columns. When using WaveWarp to scan through the waveset, Morph alters the waveform, whereas Blend blends (crossfades) between adjacent waves.

Requirements:
• Apple OS X 10.9 or newer
or
• Windows 7 or newer
or
• Linux

Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer

Formats
Zebralette is not a standalone product, it requires host software. Zebralette is compatible with nearly all DAWs.

macOS:
• AUv2, VST2, VST3, 64-bit only
• temporarily no AAX (read more)

Windows:
• VST2, VST3, AAX*
• 32-/64-bit
* AAX requires Pro Tools 10.3.7 or later

Zebralette 2.9.3 (revision 12092)

Native M1 ARM support

Improvements:
• Native support for Apple Silicon chips (M1)
• Improved GUI performance (Mac only)
• Support for Oddsound MTS-ESP
• Improved handling of junction links on Windows
• Preset list scroll direction preference

Fixed Bugs:
• Fixed some old Zebralette presets not loading in Zebra2
• Fixed multiple things in preset browser
• Fixed crash when loading script presets (e.g. Randomizer)
• Fixed rare crash on project reload
• Fixed audio clicks when switching presets

Known Issues:
• Context menus need plugin focus to work (Apple issue)

Special Notes:
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinued

https://u-he.com/products/zebralette/

Monica 3 by Fanan Team 0 (0)

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c1

Monica 3 is the successor to Monica evo. An analog dual-layered 90’s style synth with 2 completely different aggressive and incredibly high dynamic range oscillators. The first oscillator is wavetable based with 50 wavetables + additional 50 wavtables for morphing. The second is an old style 8 waveforms pad oscillator that emulates the 90′ type monster pads. The oscillators work on dual-layered basis and have each own separate controls, synthesis section, chords driven pattern sequencer and some more new features.

The Arp

Monica Evo is armed with an extremely flexible 16 steps built-in chords driven arppeggiator based on played note’s position with it’s own dedicated pattern file manager and vast of tweaking options including time signature, gate, speed, the total number of steps and DAW syncing.

The modulation options

Monica 3 has 2 different modulation options. The first offers 6 traditional LFO’s, 3 per oscillator, each with 50 possible wavetables and BPM syncing option. The second option is MMM – MIDI clock motorized modulation. The MMM allows motorizing knobs and controls and by that, creating interesting motion effects.

The effects

Monica 3 is equipped with 6 effects:

  • up to 8 voices unison.
  • Cabinet.
  • Wah.
  • Chorus.
  • Phaser.
  • Delay.

Each effect has 2 separate send channels, one for each oscillator (it can also work in global mode).

https://www.fananteampro.com/monica3

Triple Cheese by U-HE 5 (2)

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uhe-triplecheese-screenshot-fullui-1150x703

Triple Cheese, winner of the 2006 KVR Developer Challenge, is a truly unique freeware synthesizer. No traditional oscillators or wavetables, no FM or phase distortion and no analogue modelled filters here. A touch unusual and a little cheesy, Triple Cheese is quite capable of some surprising sounds.

  • 3 comb filters for sound generation (Read more below)
  • 8 different modes per comb filter module (11 modes total)
  • Polyphonic (up to 16 voices), duophonic, monophonic (retriggered) or legato mode
  • VCA with amplitude modulation, pan
  • Skinnable UI
  • 254 factory presets
  • NEW in v1.3: Support for Oddsound MTS-ESP

https://u-he.com/products/triplecheese/?fbclid=IwAR2I6tBXNNDAIKiVgMpdGFNPS8rBKHCpxR6w1O93f7iuwHg9wuwQGVhUDhU

CVoice1 by SNFK Music 0 (0)

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CVoice1 is a simple pitch modulation plugin that allows you to create vibrato and unison detune.

Features / Parameters:

  • Detune: An input signal is modulated by a sine LFO, creating a vibrato effect.
  • Stereo Enhancement: Provides differences in the left and right channel pitches.
  • Voices: The main element of the plugin – you can stack signals together to create unique detune and unison effects.
  • Saturation: Each voice can be saturated to add extra harmonics.

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Acon Digital Multiply Free 1.3.1 (Win/Mac) 0 (0)

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Acon Digital Multiply is a free and versatile chorus effect with a unique twist. Each simulated voice is processed with a phase randomizing filter so that unpleasant comb filter effects are avoided. The effect can be used to simulate the effect of several performers playing the same tones simultaneously, to widen the spatial image or to create special effects for sound design. Multiply can simulate up to 6 additional voices and both the pitch and the loudness of the voices can be modulated. There is also an integrated equalizer consisting of low cut, low shelf, high shelf and high cut filters that can be applied to the effect signal. An integrated pre-delay section makes it possible to create modulated and diffuse echo effects.

Platforms and Plug-in Formats
Available as VST or AAX plug-ins on PC (Windows)
Available as VST, AAX or AU plug-ins on Apple Macintosh (OS X)
Native 32 bit or 64 bit versions of all plug-ins are available
Supports sampling rates up to 96 kHz
Mono and stereo (true stereo processing)

Acon Digital Multiply
Chorus effect with up to six separate voices
Randomized phase filters in order to avoid comb filtering effects while keeping delay times short
Amplitude modulation
Frequency modulation
Adjustable pre-delay
Integrated equalizer for the effect signal
Graphical visualization of equalizer frequency response
Undo and redo parameter changes
A/B comparisons
Preset manager
Save, load and categorize user presets

Requirements:
PC Version (Windows)
Windows 10 / 8 / 7
Intel Core i3 or AMD multi-core processor (Intel Core i5 or faster recommended)
1366 x 768 display resolution (1920 x 1080 or higher recommended)
1 GB RAM (4 GB or more recommended)
1 GB free HD space
A host application that is compatible with (32 bit or 64 bit) VST , VST3 or AAX (Pro Tools 10.3.5 or higher)
Macintosh Version (macOS)
macOS / OS X 10.8 or later
1 GB RAM (4 GB or more recommended)
1 GB free HD space
A host application that is compatible with (64 bit) AU, VST, VST3 or AAX (Pro Tools 11 or higher)

https://acondigital.com/products/multiply/