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It was designed to create a vintage electric piano feel. It uses subtle tonal changes that are influenced by velocity. This is not a Rompler or Sample based instrument. It uses various tuned frequencies to achieve its tonal quality. These can be varied using the Timbre control.
The effect of pickup phase is influenced by the Phase control. The Envelope is designed to respond as it would on an Electric Piano and is changed using the Decay control. There is a Treble and Bass control to alter the overall tone of the instrument. The Vibrato section is a simple design and is included an emphasis switch to change the sound of the Vibrato. Emphasis is somewhere between a Phaser and a Chorus and adds a bit more interest to the sound.
Meet AURORA — over 500 royalty-free Lofi drum, vocal and melody samples full of gorgeous vintage vibe & analog warmth. With AURORA you get:
• Rich breakbeats & loops full of flavor and character—played by top session drummers
• Resampled, warped, & re-pitched vocals for tons of ethereal flavor
• Dusty, degraded melodies to kickstart your next track
• Intricate, textured chords on piano, keys & guitar all basking in vintage analog warmth
• Drum chops, one shots, & fills dripping with vinyl character 100% Royalty-free & ready to drop in your tracks today
WHAT DO YOU GET IN AURORA?
• 151 Drum Loops
• 176 Drum One Shots
• 125 Melody Loops
• 17 Melody One Shots
• 186 Vocals
What exactly is Origin?
Origin is a vintage/lofi plugin created to make your samples sound like they’re straight from an old tape machine.
The main knob is a resampler/bitcrusher with two special filters to make your samples sound “underwater” (this effect can often be heard in Drake songs)
The other four knobs are Tape Saturation, Noise, Movement, and Chorus. Using these 5 powerful controls you can instantly give your samples a vintage vibe.
*Origin is 64 bit only
What’s under the hood of Origin?
Origin was built based on vintage gear to give the most realistic analog sound.
The “Movement” knob (or Wow/Flutter) has a special mode that uses a randomizer algorithm to create realistic tape pitch wobbles.
We also replicated the famous Juno 106 chorus sound with the two classic slow and fast chorus modes.
Finally, the tape saturation modes are modeled from vintage tape machines. Using these in tandem with the noise knob and Resampler, you will get an undeniable vintage tone to your sounds.
How does the Resampler engine work?
The core of Origin is its resampler, which changes the sample rate of your running audio in real-time. However, reducing the sample rate alone will produce bitcrusher-style artifacts called “images.” In many cases, these aren’t desirable. Removing these images using Origin’s special filters results in an effect similar to a brick-wall lowpass filter, but with an altogether different sonic character.
Rather than turning down the cutoff on a lowpass filter to cut high frequencies, Origin mathematically forbids high frequencies from existing above the resampler cutoff frequency.
*This effect is the famous “underwater” effect you hear on a lot of melodies in Drake songs.
“Based off of a VCA design, this compressor has a unique compressor/limiter/expander function that can shape the dynamics of your source. This compressor was the main compressor for vinyl disc cutting from the late 1970’s and on. Known for transparent clean compression, you can really compress the source without the typical negative effects.
The expander controls are found to the left with yellow knobs. The expander has a fixed attack and ratio, giving the user control of the Threshold and Recovery of the expander. The compressor is controlled by the black knobs, with the ratio knob being red. The compressor has a fixed threshold, to manage the fixed threshold, the user can add gain with the “Compr Gain” knob.
Like the original hardware, this compressor has a small learning curve. But once you get accustom to how this compressor works, you will see how it deals with dynamics in a extremely musical way.
This compressor really excels on Mastering, Mix Bus, Drum Groups, and Vocals.”
Add the smoothest high end you’ve ever heard without even a hint of harshness. Fresh Air is a dynamic high frequency processor that breathes new life into your mix with just two knobs.
MORE THAN JUST A PRETTY FACE
Fresh Air combines serious audio processing behind a gorgeous facade. Based on vintage exciter circuits and advanced dynamics processing, Fresh Air lets you add just the right amount of brilliance & shine to your mix in simple interface you can start using right away. Put it on individual tracks or your entire mixbus— whatever you choose, the results will blow you away.
MIX LIKE A PRO
Breathe life into your music by adding clarity without the harsh—just like award-winning producers have been doing for years. Based on vintage exciter technology, Fresh Air adds brilliance and shimmer to make your tracks stand out.
THE CLARITY YOU NEED
Based on classic, Dolby-A noise reduction modded exciters, Fresh Air adds brilliance & excitement to your top end without even a hint of brittleness. We’ve combined several advanced parallel processes under the hood to magically elevate individual tracks or lift your entire mix with stunning clarity.
ZERO LEARNING CURVE
And all this advanced processing lives in just 2 knobs—Mid Air and High Air. That means you’ll hear the difference in seconds. Use Fresh Air on everything—lead vocals, drums, individual tracks or your entire mixbus. Once you hear Fresh Air, you’ll never hear yourself without it again.
Getting started with Fresh Air is easy! Check out these short videos to see a few examples of how it can transform your mix.
“Fresh Air is my new go-to plugin when it comes to adding presence to any vocal—or even my entire mix. It’s like taking a blanket off my speakers.”
(Justin Bieber, Frank Ocean, Mary J. Blige, Katy Perry).
GET IT free.
For a limited time, we’re giving Fresh Air away FOR free!
Create a free account on Slate Digital and you’ll be making incredible mixes with Fresh Air in seconds.
No iLok dongle required.
You do not need an iLok USB dongle, but you do need an Internet connection to use Slate Digital plugins with iLok Cloud.
Distortion coupled with compressor brings interdependent wave-shaping and envelope-shaping. Controlled adding of harmonics. Level boosting and stereo enhancing.
Good for “warming up” bass instruments, guitars and vocals, or for “gluing” stereo mixes and groups.
List of parameters:
Drive, 0-40 db of gain to Tanh curve waveshaper.
Power, .25-4 tilts distortion curve from soft to hard.
Threshold, -18-0 db sensitivity of the compressor from low to off.
VU, 0-1000 peak detection response from modern to vintage.
Attack, 0-1000 speed of gain reduction from fast to slow.
Gap, 0-9 db offset between gain reduction and gain recovery.
Release, 0-1000 speed of gain recovery from fast to slow.
Knee, .25-4 response of the compressor from soft to hard.
Link, 0-100 % linking of the compressor’s LRMS channels.
Para, 0-100 % mix of the compressor from off to full.
Filter, 0-100 % Low Pass filtering from dark to off.
Mix, 0-200 % from Dry to Wet and to Solo Effect.
1/8, switch between none or 8 times oversampled processing.
Principle of operation
From Left-Right stereo signal Mid and Side signals are also extracted, then each of the four channels passes through 8x Upsampler, Gain Reduction Unit, Tanh waveshaper, Level Detection Unit, Filter, Downsampler and than all four channels are mixed to Left and Right output.
Set the desired amount of peak limiting, harmonic generation or distortion (Drive). Change type of the distortion (Power). Control the distortion of loud notes (Threshold). Control the responsiveness of the compressor (Attack, Release, VU, Gap, Knee and Para). Enhance stereo image (Link). Darken the distorted part of the signal (Filter). Move Mix knob towards 0% in order to lessen the effect, to bring back some original dynamics or just to compare with the input signal. Move Mix knob to 150% in order to strengthen the effect and ease settings of the parameters. Mix 200% can be useful in parallel chains of processors, but in most cases Mix should be at 100%.
The story behind
Olitanh was made using iPlug2 C++ framework, and it evolved from Oli Larkin’s Oversampling Example. At first, it was just an exercise of adapting it from Mono to multichannel LRMS Stereo, but as I started to like its softness and was using it more and more in my daily productions, it deserved an upgrade. Power knob to bend the soft knee of Tanh curve. Filter knob to tame the highest harmonics and further decrease aliasing. The Compressor story. When I was excited about how versatile Olitanh became, it occurred to me that this would be just the right type of waveshaper to answer the common question: “Should I plug distortion after compressor or before?” As both answers have its own merits and its own flaws, the best of both worlds brings Olitanh – feedback compressor – where Compressor’s Level Detection Unit monitors Distortion’s output, but Compressor’s Gain Reduction Unit reduces Distortion’s input. Interdependent play of wave-shaping and envelope-shaping.
MI-EP reproduces the vintage analog electronic piano from US manufacturer, Rocky Mount Instruments Electra Piano, produced from 1967 until 1980.
The sound engine of the RMI-EP is a software emulation of the real analog oscillators and filters used inside the original instrument. The RMI-EP implements the same presets and controls that you can find in the real instrument. Furthermore there is also a effect sections that includes Reverb, Phaser and Chorus.
Any configuration of the electric piano is storable in up to 128 programs and can be reloaded through midi program change. All the controls can be handled through midi control change messages.
Lo-Fi Keys is a processed piano rompler inspired by today’s modern Lo-Fi music.
This small VST / AU plugin gives you the ability to lay out soft & dusty piano chord progressions and melodies.
Lo-Fi Keys comes with 10 sampled piano instruments. To create each preset we first started by sampling actual pianos. These pianos include a classic grand piano, upright piano, and electric keyboard. After recording the instruments we lightly edited and processed each sample. The processing technique included applying vinyl and tape textures to emulate a vintage sound. Finally, each sample showcases the characteristics found in today’s most popular lo-fi piano beats.
A replicant is a mirrored, artificial human, or fictitious, bioengineered android. But how much of a human being is actually in it, and where are the differences? Questions upon questions 🙂
Ein Replikant ist ein gespiegelter, künstlicher Mensch, oder fiktiver, biotechnisch entwickelter Android. Aber wie viel Menschliches steckt tatsächlich in ihm, und wo liegen die Unterschiede? Fragen über Fragen 🙂
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