U-he BeatZille v1.0.2 x64 x86 VST VST3 AU AAX WiN MAC LiNUX [FREE] 0 (0)

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Beatzille: little monster
Beatzille is a compact version of our monster modular synthesizer Bazille. Although its condensed feature set makes it the ‘little brother’, Beatzille is still an engaging and capable synthesizer. Power and style run in the family. Digital oscillators, analogue-style filter and flexible patching will keep you busy for a good while before thinking about tackling Bazille.

Features:
• Modular architecture
• 2 digital oscillators with simultaneous frequency modulation (FM), phase distortion (PD) and fractal resonance (FR)
• Polyphonic (up to 8 voices), duophonic (split oscillator pitches), legato or retriggered monophonic
• Pitch transpose, drift and glide control
• 1 multimode analogue-style filter with 6 parallel outputs (4× lowpass, bandpass, highpass)
• 2 ADSR envelopes with sustain slope (fall/rise) and 5 trigger modes
• 1 LFO with 3 parallel outputs with various waveforms
• 16-step sequencer with 8 morphable snapshots. 4 output sockets for parallel sequences, envelope triggers and more
• 2 multiplex units for mixing, crossfades, ring modulation or amplitude modulation
• Built-in stereo delay with tape wow, feedback and damping filters
• 1 mapping generator (waveshaper / incrementer)
• Audio-rate signal processors: inverter, rectifier, sample & hold, dual lag generator and quantizer
• White and pink noise generators
• MIDI modulation sources include modwheel, velocity, breath, pressure, key follow, gate and more
• Single-page interface
• Skinnable UI
• Resizable UI from 70% to 200%
• Global preferences page
• MIDI learn overlay and editable MIDI CC list
• Over 160 factory presets
• NEW in v1.0.2: Support for Oddsound MTS-ESP

Small and mighty
Striking the balance between too much and too little, Beatzille is the happy medium. It presents an introduction to modular synthesis and a taste of the power of Bazille without being overwhelming.

Oscillators
Beatzille’s oscillators embrace two digital synthesis methods developed during the 1980s: frequency modulation (FM) and phase distortion (PD). We also added a process we call fractal resonance (Fractalize), which sounds similar to the classic oscillator sync effect when swept.

All three synthesis methods run simultaneously, so you can combine them to create an extensive range of sounds. Beatzille is great at generating weird modular blips and squeaks, but you can even coax soft pads and organic keys from the oscillators—as demonstrated by the factory library. Add modulation for even more sound possibilities.

Filter
The filter is a favourite in the sound designer’s toolkit. Cut frequencies, boost others, add texture and colour. Beatzille’s analogue-style filter complements the digital oscillators, providing warmth and drive. And its self-oscillation capability opens up some intriguing sound design opportunities.

Even with a single filter Beatzille offers plenty of creative horizons. The six parallel outputs (highpass, bandpass and four types of lowpass) with multiple modulation options make it easy to create complex, shifting textures.

Delay
Beatzille has only one built-in effect, but it’s good one: stereo delay with optional host sync. Push your sound around in space with independent delay times and volumes for each channel. Conjure ghostly echoes using tape-like wobble and filtering or set up endless repetitions. Tweak all controls to find the perfect delay.

Release notes:

Beatzille 1.0.2 (revision 12092)

Native M1 ARM support

Improvements:
• Native support for Apple Silicon chips (M1)
• macOS Big Sur compatibility
• Improved GUI performance
• Support for Oddsound MTS-ESP
• Improved handling of junction links on Windows
• VST3 support added
• Improved preset browser
• Improved soundset installation
• Pitch Bend range now +/-48
• Minor GUI fixes/tweaks
• Various Mac and Windows installer improvements
• System info displayed in GUI (revision, OS, plugin format)
• Hold pedal behaviour improved (0-63 = off, 64-127 = on)
• Ctrl A/B replaces fixed Breath and Expression modulation
• Changed how LFO Wave and LFO Phase influence envelope triggering

Fixed Bugs:
• Fixed multiple sequencer issues
• Fixed multiple issues with envelope triggering via LFO and sequencer
• Fixed notes starting on same time stamp but different MIDI channel might not play
• Fixed LFO in sync mode being too slow on its first cycle
• Fixed mapping generator not updating instantly
• Fixed multiplex potentially killing audio output
• Fixed crash when loading script presets (e.g. Randomizer)
• Fixed rare crash on project reload
• Fixed audio clicks when switching presets
• Various small fixes and improvements

Known Issues:
• Context menus need plugin focus to work (Apple issue)
• Cable style “natural” can cause GUI glitches

Special Notes:
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinued

The Windows installer was improved to prevent common installations issues. Please check the suggested installation paths during installation, making sure the update is installed into the same location as the previous version, and all installed plugin formats are being updated.

Envelope triggering via LFO and sequencer was reworked in order to fix multiple bugs in this area. This means some presets might not sound as intended anymore. We therefore recommend to finish ongoing projects before updating to the new version. Please refer to the “Patch Conversion Tips” file to get more info on how to adjust your presets.

https://u-he.com/products/beatzille/

MONSTER Bass by MonsterDAW 0 (0)

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FEATURES

Here are the complete features of Monster Bass:

  • Simple GUI / easy to use.
  • Every sound is unique because each sound is programmed and sampled from scratch.
  • There are 25 Preset in this version 1.0, ranging from Synth Bass sound, Electric Bass sound, and Acoustic Bass sound (more to come in later version).
    • Very little RAM usage.
    • Simple parameter, only Master Reverb and Master Volume, and Level Meter with a bunch of basic things like ADSR curve, Filter section, Glide knob, LFO and Voice Mode (Polyphonic, Monoponic or Legato Mode).
    • It’s only 2 octave+ range (from MIDI Notes B0 to E3) because this is only for Bass part of your music, not for melodies!
    • Major plugin format: Windows 32bit DAW and 64bit DAW, Mac VST, and Mac Audio Unit (AU) so it can be used in the majority of DAWs (Sorry, no support for Pro Tools, but you can use VST to AAX converter like Blue Cat’s PatchWork).

    TIPS

    Here are a few tips when using Monster Bass:

    • Try to change Filter Mode and tweak the Cutoff Frequency to find your desired tone!
    • Set the Voice Mode to Monophonic or Legato Mode and set the Glide knob and play some legato notes (might not work on some of the preset).
    • Try to route a source (Mod Wheel or Velocity) to Pitch destination, or pan and tweak the LFO’s Rate and Depth.
    • If you find your favorit tone, use ‘Save As Preset’ command on your DAW software to make it permanent so you can recall it on another project.

https://monsterdaw.com/monster-bass-a-complete-bass-rompler-for-your-low-frequency-needs/

 

T-De-Esser by Techivation 0 (0)

Remove sibilance and harshness, fast

You can use T-De-Esser to:

  • Remove harshness from sound sources that were closely mic’d.
  • Manage sibilance in vocals and dialog in a transparent manner.
  • Treat irregular tonal balance caused by the poor recording quality.
  • Reduce the glare from unnecessarily bright guitar and piano recordings.
  • Tame piercing synth sounds.
  • Control the high-frequencies in overheads’ transients, such as snare, hi-hats, or clash.
  • Give more dynamic range to your tracks while mastering, due to the reduction of unnecessary high frequencies.

T-De-Esser can streamline your audio project workflow by saving you both vital time and effort. It works as effectively on individual tracks as it does on buses. It performs admirably in a wide range of implementations, from sound design and post-production to the most demanding of mastering applications.

Graphic user interface (GUI)

Visuals can distract your hearing, digital graphs are very likely to affect your decision-making when it comes to setting the values. T-De-Esser, however, helps you just stay focused on the output sound, rather than how things change visually as you tweak the settings.

Whilst there are only a few knobs and buttons on the GUI, each has a huge impact on the audio sound improvement. Less is more, so just to avoid getting caught in the trap of making infinite, minuscule tweaks, we made sure only to have the essential options available for you on the GUI.

The options available are designed in a way to quickly give you a pleasant sound in just a few adjustments.

Quick yet powerful.

TT-De-Esser has been designed with simplicity in mind. It is fast to set up and easy to use, yet allows you to adjust the processing to your needs.

Turning the processing knob starts the plug-in’s operation, you then set how intense you want to go according to your taste. There are 4 frequency bands available to choose between, choose depending on where the harshness and sibilance are coming from.

Available as

Windows 7 and up as 32 / 64-bit VST3, and 64-bit.
Mac OS X 10.10 (Yosemite) – macOS 10.15 (Big Sur) as 32/64-bit VST and AU, Intel and M1 Rosetta 2 Macs
Pro Tools AAX coming soon.

 

NB01 – distortion/sustainer by Noizebox – KVR Challenge 0 (0)

NB01 – distortion/sustainer is the first plugin from Noizebox Industries. Made for KVR DC21.

Inspired by a circuit from an ancient guitar pedal that was originally intended as a soft-distortion-sustainer for guitars. Giving that singing sustain without a lot of harsh distortion. This is a modern take on the same circuit, not a straight up clone, more of a work-alike inspired by the original circuit. Though a fair amount of work has gone into modelling the peculiar anomalies of an overdriven, asymmetrically clipping, amplifier circuit with a FET-based feedback loop that works like a crude compressor, prone to overcompensating.

NB01 adds control over the amount of compression applied and the response time. It its fastest setting it is not really a compressor as it starts altering the waveform of the incoming sound. It also add tone controls for more versatility in shaping the sound. The tone controls are a mix of pre and post filtering that makes them interact with the overdriven amplifier circuit in interesting ways.

The signal chain is processed with 4x times oversampling with high quality elliptical downsampling filters to limit aliasing and accurate modelling. Real time parameter smoothing for glitch-free operation. Written in native C++ for performance and small footprint. Hardware accelerated, vector based UI.

Use it as overdrive before a guitar amp plugin for a sweet, compressed and singing tone. Preferably with a bit of midrange boost to cut through. It’s is also perfect for destroying drum loops. Either by rolling off the bass and making the compressor slam the transients.

Or by cranking up the low end for really making the compressor duck like crazy on the kicks, by setting the response time to moderately fast, you can tweak the gain knob to find a sweetspot where the bass triggers the compression in just the right way.

Or try it on any other material, lofi vocals, adding grime to basslines or any other creative ways of destroying sounds.

Controls:

  • Gain: Sets the gain of the circuit, higher values produce more distortion.
  • Compression amount: Sets the amount of compression applied. There’s a lot of range here. At extreme settings the compression will be negative, i.e. a 3 dB volume increase will result in more than 3 dB gain reduction. This can cause a bubbling/pumping/grinding artefacts at some combinations of high reaction speed and high compression when the circuit switches back and forth between overcompensation. This is not a bug, it’s a feature and lot’s of weird distortions can be discovered here.
  • Compression Speed: Sets the reaction time of the compressor feedback, higher values create more distortion as the compressor starts to chew on the waveform rather that the envelope of the sound.
  • Stereo: This switches between Fully independent stereo processing, stereo processing with linked compressors and mono processing.
  • Tonelomidhigh: Tone controls are fairly straight forward. All controls at 12 o clock means a reasonably flat response. Tone controls are also a combination of pre and post clipping, which creates more interesting textures.
  • Scope: Just for amusement really. but it’s fun to watch.
  • Master level: Sets the output volume for balancing the mix.

https://www.kvraudio.com/product/nb01—distortion-sustainer-by-noizebox-industries

Monster DAW free Monster Drum VST plugin 5 (2)

Monster Drum VST is a free Drum ROMpler VST, a music producer’s friend for making music with many music genres.

Whether you are a rock or metal musician, R’nB or Hip Hop producer, singer/songwriter who composes jazz or acoustic music, or any other kind of musicians, you’ll find that Monster Drum is becoming your Go-To virtual instrument for your drum track.

The great things about this VST are it’s never complete. This VST gets new kit expansion continuously every week/month.

Here are the complete features of Monster Drum, which now is in version 2 release 1:

– Straight forward / easy to use.
– Every kit is unique because each music producer gave away their signature kit.
– Every kit is mixed so the user can use it right away.
– Very little RAM usage.
– A new kit preset will be release/update in the future.
– Every kit has a master volume of the kit, a master reverb, and a master filter.
– Each sound of every kit can be tweak (volume, pan, attack, release) through the Multi-Out feature.
– Major plugin format: Windows 32-bit DAW and 64-bit DAW, Mac VST, and Mac Audio Unit (AU) so it can be used in the majority of DAWs (Sorry, no support for Pro Tools).

https://monsterdaw.com/monster-drum-the-best-free-drum-vst-plugin-with-multi-kit-genre/

Yumbu 2 by Fanan Team 0 (0)

Yumbu 2 is wav / mp3 slot driven drum sampler.

It brings up lightning speed drum-kits loading and fast one stage control, fitted for live usage. Now, with better control, both mp3 and WAV. format support, faster workflow and only 0.5 sec. loading times for new core kit, Yumbu 2 is one of the quickest drum samplers in the market.

Yumbu 2 uses 10 (.wav, mp3) file sample slots to build 10 drum components drum-kits. According to this approach, every slot can be anything, from kicks to snares or cymbals or you name it. Each slot is triggered by its own unique MIDI note which noted on its slot button. For instance, slot 48 is triggered by note number 48 in the MIDI keyboard (c2). The samples menu is divided into 14 categories, including a wide range of drum-kit components types. Each type button (kicks, snares, claps, etc.) is directing to it’s own sample library folder which located at “C:UsersyournameDocumentsFananteamYumbuUSER”. Each sample slot has also a room for user’s imported samples which can be added manually to the “user” folder. Yumbu 2 comes with 30 full drum-kits to start with.

 

Yumbu 2 has a built-in mixer that allows you to tweak any sample separately. You can use the EQ, change the pitch, add a random pitch manipulation to every sample, pan and you can use our pitch based round robin effect which has a wide control ability on the final sound. The mixer is also armed with 3 master effects (compressor, reverb, delay) with a brand new unique effect called “F.R” which allows full scale frequency control over the wet signal. You can use the effect by sending a fx amount from the “master fx” knob on every channel or you can override the per cell sending and just send them directly to the master effect.

Yumbu 2 loads drumkits extremely fast, only 0.5 sec for full loading. It can set “sample start and “sample end” points with MIDI assignable knobs and it also allows you to tweak the active keyboard’s octaves starting points. Yumbu 2 uses 24 presets drumkit banks. Each preset represents a full drumkit containing all the components and settings.

Yumbu 2 is armed with brand new morphing system which can blend any 2 drum elements together (which can create tons of new fresh drum sounds). The morph system can also play with the blended element’s pitch and increase the invention of new drum sounds like never before.

Each channel in Yumbu 2 is armed with dedicated modulation effects which allow adding beautiful nuances and textures to each drum element separately. There is a yowling phaser effect, a delay and the new Zelda filter which can completely change the audio materials native character and morph it into a new interesting sound.

  • 10 drum sample slots per kit.
  • 14 drum element banks with full 30 drum-kits that adjusted to wide range of pop and EDM genres.
  • Morphing system for blending any 2 drum elements together.
  • Automation file manager.
  • 4 additional WAV. pages in the element menu for user’s WAV. files.
  • MIDI assignable startend points manager.
  • Master effects.
  • Graphical MIDI keyboard with assignable keyboard starting points.
  • Full virtual mixer with gain knobs, master effect send knobs, pitch knobs, random pitch manager knobs, round robin and pan knobs, master compressor, delay and reverb effects armed with a unique F.R. feature.
  • MIDI route options (internal or sent to the DAW through MIDI channels).
  • Scalable and customizable GUI.
  • Dedicated modulation effects including phaser, delay and Zelda filter.

https://www.fananteampro.com/

Yumbu2(64)

Yumbu2

Sonic Zest Eden LITE free guitar chop engine for Kontakt 0 (0)

Sonic Zest’s Eden LITE is a guitar chop engine designed for future pop and tropical pop. It comes with a collection of royalty free guitar loops. Each loop was recorded clean without overdoing the effects, so they’re mix ready and also ready for you to tweak to your liking.

https://soniczest.com/eden/

EdenLITE

SawPluck by RDGAudio 0 (0)

SAWPLUCK

SawPluck is our first Analogue Emulated Trance Pluck Synthesizer for quick Trance Chords, Riffs and Melody creation. We have carefully crafted all the details of analogue circuitry and electronic components through advanced DSP and Mathematics. Coded through C++ Framework.

Why did we make Analogue Virtual Emulation?

Although it’s a Single Oscillator Synthesizer still it has a very warm sound what is usually missing in regular subtractive synthesizer. When you will play and tweak it’s settings you will get pure rich analog Pluck sound inside your DAW.

Is It free for personal and commercial use?

Yes, It is currently giving away for free.

Features

  • SawPluck is free .
  • Single SAW OSC yet rich and warm.
  • 15 different Filter types (Low Pass, High Pass, Notch, Hybrid, Analog etc..).
  • Amp Envelope and Filter Envelope (ADSR).
  • Filter Cutoff, Reso and Filter Mod.
  • Built in Delay and Reverb Effects.
  • .rdg/.RDG user presets.
  • Comes with Factory presets.
  • User can create and save their own Presets as .rdg file format.
  • 32 voice Polyphony.

System Requirements:

  • Graphics Card 1GB (2 GB recommended).
  • RAM 1 GB (2 GB recommended).
  • Intel CPU.
  • ASIO driver and audio interface.
  • Windows VST3 64-bit.
  • Mac VST3.
  • Windows 8,10 (64-bit).
  • Mac Mojave or Up.

https://rdgaudio.com/sawpluck/

RDGAudio SawPluck with Library and Factory Presets

RDGAudio SawPluck Mac VST3 with Samples

ATK MT2 by Matthieu Brucher 0 (0)

ATK MT2 is an overdrive plugin modelling the Boss MT2 pedal.

It models all the tone shaping components of the pedal as well as the override section, leading to a precise reproduction of the characteristic sound on the MetalZone.

Additional hidden parameters allows you to tweak the tone control Q factors as the traditional level and frequencies.

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