GSat+ is an exclusive saturation plug-in featuring an incredible saturation algorithm, VU meters, clip protection and over sampling. Although derived from the saturation module in our CS5501 channel strip plug-in, the team at Gearspace.com suggested a few new tricks and features that we’ve incorporated to help make this plug-in stand alone as a superb tool that will cover all your saturation needs.
Saturation with three different “tube-based” character modes
What is it?
This tube preamp emulation has been developed Philipp Bulling as a thesis work. Philipp has been offering the plugin in VST format for some time on his own website. He has now moved on to new areas for some time already but didn’t want to let down his users. Hence, DDMF took over the code and will continue to offer the plugin as freeware, with the intent to further improve it and maybe add some more bells and whistles in the future.
The plugin is very unique in the sense that it gives you full control over all aspects of the modelled circuit. All values of all the capacitors, resistors etc. can be tuned by the user. Here is what Philipp had written on the original page.
AbstractSince the sound of an analogue tube amplifier has always exerted a strong fascination, electrical circuits with tubes play a certain role in the world of audio engineering up to now. On the other hand, audio technology becomes more and more digitised. In many cases, digital models emulate real devices in such a way that differences in sound are hardly audible. In this work a model is developed which is able to emulate the typical sound of a tube amplifier on digital devices. Here the main focus is on preamplifiers with triodes, since they have a particular influence to the sound.
Based on the physical properties of real tubes, a tube model is developed first. This mathematical model includes results of theoretical studies as well as analysis of data sheets. The model is then used to implement an entire amplifier circuit. In addition to the tube itself amplifier circuits contain several passive elements. In the domain of digital signal processing the latter are described by finite difference equations, which are solved recursively.
The resulting algorithm is finally implemented as an audio plugin in order to examine its tonal properties. The behavior of the digital model corresponds satisfactorily to real amplifier circuits. Important sound effects of analogue tube amplifiers can also be attested to the digital model.
Diode modelThe first step was to develop a triode model, based on the characteristic curves of real tubes. In theory, the characteristic curve of a vacuum tube is described by Langmuir-Child’s law. However, it was quickly realised that compared to real tubes, this law is not accurate enough. So a new model has been developed. This model describes a triode as a mathematical function. With the model, it is possible to compute the plate voltage (Upc) as a function of the grid voltage (Ugc), depending on the working resistor (Ra) and the supply voltage (Ub).
The following graph shows this function for a 12AU7 triode with Ra = 10k and Ub = 250V: Circuit modelingBased on this model, a plate follower stage was implemented. Cathode biasingIn this circuit, cathode biasing is used to adjust the bias point of the tube. This is realised by a resistor (Rc) and a capacitor (Cc), placed between the cathode and ground. The effect of cathode biasing can then be modeled by a simple first order RC low pass filter, with Ic*Rc being the input of the filter, and the cathode voltage (Uc) being the output.
If the input signal jumps for example from 0 V to 5 V, the cathode voltage follows quite similar to the step response of a RC-low pass filter: Signal limitingThere are two reasons for signal clipping in this circuit. The first one is caused by the tube itself. If there is a high peak at the negative half-wave of the input signal, the tube can’t amplify the signal anymore since the flow of current is completely cut-off. Thus, the positive half-wave of the output is clipped. This effect can be intensified by a more negative bias point.
Here the bias point of an 12AU7 is at around -12 V: The second reason for clipping is caused by grid current. High peaks of the positive half-wave of the input signal make the grid voltage positive compared to the cathode voltage. In this case electrons are attracted by the grid. The grid current causes a voltage drop at the internal resistance of the previous stage, which limits the input signal. The following figure shows the effect. The grid voltage is obtained by shifting down the input signal (Uin) by the cathode voltage (Uc). In the upper picture the maximum grid voltage (Ugc) is ~ 0 V compared to the cathode. Hence, there is no grid current. In the lower picture the input signal has an amplitude of 10 V. At the positive peaks of the input signal the grid voltage rises above 0 V (compared to the cathode). The grid current begins to flow and clips the grid voltage.
The Analog Rack Chorus plugin is a very simple but powerful chorus plugin inspired by the most famous Chorus pedals and rack effect units.
Nembrini Audio has taken the guitarists most preferred analog and digital effect pedals and has repacked it in new rack style plugins easy to use and extremely powerful at the same time, with the addition of a custom design tube preamp virtual circuit which gives color to the signal in a very special way. Just insert the Analog Rack Chorus plugin in your tracks to hear its beautiful analog tube coloration!
The Analog Rack Chorus is ideal not only for Guitarist, but for every Musician, Producer and Audio Engineer in search of the last milestone in Analog and Digital Fx plugin emulations!
The Analog Rack Delay plugin is the power of Nembrini Audio’s delay algorithms in a simple package! BPM Sync, stereo spread circuit and a very juicy sound!
Nembrini Audio has taken the guitarists most preferred analog and digital effect pedals and has repacked it in new rack style plugins easy to use and extremely powerful at the same time, with the addition of a custom design tube preamp virtual circuit which gives color to the signal in a very special way. Just insert the Analog Rack Delay plugin in your tracks to hear its beautiful analog tube coloration!
The Analog Rack Delay is ideal not only for Guitarist, but for every Musician, Producer and Audio Engineer in search of the last milestone in Analog and Digital Fx plugin emulations!
Prime Studio® (powered by Acustica Audio) Charly is a summing tool based on an analogue tube device that has been modified according to our specifications. Charly refines signals with fine tube character and analog punch adding harmonic distortion.
Description from the previous version:
Charly is perfect to rhythmically enhance drum loops, to bring to life dull and boring sounds, as well as to fatten loops and mixes.
Its simplicity translates into an output gain divided between -10dB and +10dB, an on/off switch button which turns on the plugin or sets it in bypass mode, and a couple of left/right VU meters that measure the stereo input level. All the magic is done by the output gain rotary knob; it acts like a stereo enhancer and adds a slight compression and reverb. The amplification is made without distortions and artifacts.
ToneDeluxe V2 is designed as a complete tube amplifier from the preamplification stage to the baffles. It is based on a simulation of the ECC83 and EL34 tubes, its temporal modeling makes it possible to reduce the signal processing time and This provides “pleasure to play” for guitarists. It offers two independent channels: clean and high gain. The high gain channel is versatile thanks to the DriveTone which cuts or boosts the high frequencies before the 3-band EQ. The Clean channel has a “Dirty” mode which allows boosting the gain and having a crunch of hell.
Swanky Amp is a tube amplifier based on detailed simulations of tube amplification.
Swanky AMP is powered by a state-of-the-art tube amplifier model. The model is based on detailed simulations of real tube amplifier circuits, and is built using a variety of modern digital signal processing techniques.
Measurements were taken of the response of the full amplifier circuitry. In this way, the subtle interplay of the various sections of an amplifier were captured.
Sag isn’t just voltage starvation, it is the coordinated response of a variety of electrical components to this voltage drop. Note bloom isn’t just the compression of notes near breakup, it is the balance of the onset of distortion with the release time of the distortion ceiling.
By capturing these nuances, and exposing them as intuitive controls, Swanky AMP offers endless sonic possibilities.
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