Tonelib GFX Lite by Tonelib[IOS] 0 (0)

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30-Day: 6329; 7-Day: 860; Yesterday: 68

With TL GFX Lite, you get a complete pocket-size guitar processor. Get access to massive collection of realistic sounding effects and amps right on your portable device.

ToneLib GFX Lite is a collection of guitar amps, speaker cabinets, and effects that let you easily turn your portable device into a powerful guitar and bass processor. With a massive collection of guitar effects and amps that fully captures the sound of their simulated equivalents, you can create a unique guitar tone and take it with you – to rehearsal, gig, or jam session.

A complete set of essential guitar amps and effects.

ToneLib GFX Lite provides its users with a set of 5 amplifiers that are suitable for creating a guitar tone for almost any musical genre. In addition, ToneLib GFX Lite includes 18 various effects, 12 speaker cabinet simulations, 5 built-in guitar cabinet impulses and 3 bass cabinet impulses.

High quality realistic sound at low CPU load.

All ToneLib GFX gear is precision-modeled based on actual circuit diagrams of highly-sought-after, real-world products. The oversampling is auto-adjusted to your session’s sample rate to save valuable CPU power while providing the most transparent sound possible.

Fully equipped workspace for guitar practice.

Among other things, ToneLib GFX Lite provides all the tools you need to organize your guitar practice routine: from a high-precision tuner to a full-featured rhythm player that includes both a variety of metronomes and a drum machine, with a huge number of recorded drum parts covering most musical genres.

Key Features:

• Intuitive and user-friendly interface.

• high-precision modeling based on actual circuit diagrams of highly-sought-after real-world products.

• 5 amps, 18 effects and 20 cab sims.

• Possibility to create parallel effect chains with the Splitter tool.

• Ultra-low latency, virtually undetectable for real-time playing.

• Low CPU power consumption in all operating modes.

• The number of effects in the chain is limited only by the capabilities of the device.

• Drag-and-drop effects in the chain for easy tone creation.

• 128 slot advanced built-in preset browser.

• Built-in high-precision tuner.

• Built-in flexible metronome and rhythm player.

• 99 pre-recorded drum loops of different music genres.

Apple Appstore

Majoris Free by Fanan Team 0 (0)

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Majoris Free is Majoris’es little brother. It’s a unique synth based arranger organ that can enhance creativity and help songwriters and composers to quickly compose new ideas and melodies. It emulates the automatic accompaniment organs method (like in korg pa900 and etc.) and powers a built-in drums & bass + acc oscillators to play styles that can be programmed by the user and played as a style with no additional MIDI routing, internal MIDI connection or MIDI cables straight from your instrument channel in the DAW.

The method

Like any other hardware arranger organ, Majoris splits the physical keyboard into 2 zones. The right zone plays solo while The left zone controls the played style’s chords which can be switched in fingered or one finger mode. Majoris Free has 6 variations slots per style include intro, main variations, fills and end. The variations can be controlled by any MIDI controller or even with MIDI pads or the keyboard notes. Even the “jump to” destinations can be re-programmed.

The internal sound generators

Majoris Free uses synths and a drum sampler as it’s own sound generators. The drum sampler’s kits can be deeply programmed and edited and the bass and the solo synths are quite basic but easy to operate. The style sequencer which create new styles uses almost the same programming method as our Callisto. You can program both minor and majors variations of your style and save each with it’s unique tempo or synced to the DAW.

An apology!

Since this project is too huge to count all it’s nuances and mini features, we recommend novice arranger users to first read the principles of the arranger organs. Sorry we can’t count them all, but we believe this tool is quite intuitive with a reasonable shallow learning curve, so please, make a little research before you dive into it.

Main features list:

  • 6 variations drums, bass and ACC styles slots with major and minor chords per variation.
  • One finger (jumps from minor to major with double clicking) or full fingered modes.
  • Dedicated style’s 10 slots drum sampler with built-in effects.
  • Dedicated style’s bass synth with built in effects and ducking option.
  • Dedicated solo synth with 3 variations per style and on-GUI switching buttons.
  • Transition sensitivity button.
  • Mute button.
  • Hold variation button.
  • split keyboard knob.
  • global and independent transpose knob.
  • Master, style and solo volume knobs.
  • “Jump to” menu selectors.
  • Dedicated or synced tempo.
  • Full automation.
  • Auto cymbal crash feature.
  • Internal “Callisto” style programming sequencer.
  • Visual info bar.
  • Resizable GUI.

Differences between Majoris Free and Majoris

Majoris Free is basically a complete free edition of Majoris that has few limitations: It has 6 variation instead of the 10 in the senior edition, it lack the solo MIDI out connection to 3th party VST’is in the D.A.W and it lacks the separate 6 audio outputs to individual D.A.W channels. Other than that, both versions share same structures, same styles and additional information (and therefore the same installer as well).

https://www.fananteampro.com/majoris

Samplab VST3 AU WiN MAC [FREE] 0 (0)

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Revolutionary audio sample editing.
When you drag and drop an audio file into the plugin, it is sent to our server for processing. Once this is completed, you recieve the result with all the notes in the audio seperated. In order to edit the notes, we generate a MIDI file that you can drag into the Samplab track. From now on, the plugin acts like a virtual instrument: It gets the MIDI events as input from your DAW and plays the (edited) notes. If you don’t make any changes to the MIDI, the result should sound the same as the original audio. Of course, you can also just use the MIDI file for other things.

The Samplab Plugin should be compatible with most DAW’s that support the VST3 or AU plugin formats. It has been verified to work with Ableton Live (10.1 or higher) and FL Studio on Windows and Mac.

An Internet connection is only required to transform new audio files. Once the result is received, you can use and manipulate it indefinitely without being connected to the Internet.

The playback speed of the notes is determined by the tempo of the MIDI files. When you upload a new audio, we estimate its tempo. You can adjust this estimate by changing the “Estimated BPM” in the plugin. For the change to take effect, you have to drag the MIDI file into your DAW again.”

https://samplab.com

 

Movementron by Flandersh Tech 0 (0)

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Movementron is a synthesizer that focus on movement in space and time, from sequenced oscillators and filters to sequenced modulation and mangling of samples. Combined with a master effect section with compressor, filter, delay, and reverb, it works great both as a performance synthesizer and sound design tool.

Features:

  • 8-step oscillator with individual shapes, LFOs and filters per step.
  • Drawable oscillator with detune and 8-step filter.
  • Loop player with detune and 8 step filter.
  • Keyboard split, oversampled compressors, delays, and reverbs.

https://www.flandersh.tech/movementron.html

Wavegrove Vastaus v1.1.3 Germanium x64 x86 VST VST3 AU WIN MAC [FREE] 0 (0)

1.1.0

Vastaus is a high-end fixer.
Vastaus lives on instrument channels, buses and it is known to have been spotted on the master channel too. Feel free to use and abuse it. Try to add an EQ before Vastaus and push the highs way overboard and how Vastaus reacts.

It is at it’s most neutral at Input Gain and Tame at 0, at which time it brings down and blocks overly harsh high frequencies present in vocal esses, smooths cymbals, guitars and pretty much anything you throw at it.

Increasing Tame brings enhances that effect, but also brings in more options with the React switch, as well as with the Bias setting. React is a mode, where Tame starts to let through some transients in a really interesting way, bringing out more detail and clarity, but still smoothing the sound. With Bias, you can further control the sound by limiting the effect to either the positive or negative side of the audio samples, generating harmonics in the process. I have heard this referred to as silky, and apparently some well-known hardware unit makers use a process similar to this.

Lastly there is Gain. With the Input Gain, you control the overall signal boost you get going into the thing, while the Output Gain works as a pad, with 100% level adding no additional volume. Boosting the input gain can bring additional high end to the signal after taming it, which is especially useful with instruments such as the electric guitar. In conjunction with the use of the Bias knob, Vastaus can even act as a leveling tool, which also boosts and extends the high end frequencies far above where they ended in the original signal.

Use the Wet knob to blend the changed signal with the original in whatever way you want.

patreon

 

Logelloop Le by Logellou 5 (1)

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Logelloop Le is the free version of Logelloop Pro, it’s a Live Looping tool with several modules for stage, sound design and backstage management.

Check this page for full PRO/LE comparison

The main looper features:

  • Many Live Looping functionalities (Record, Overdub, Multiply, etc.).
  • Overdub in Mix Mode and Replace Mode.
  • Mute and autofade with multiple functionalities.
  • 4 tracks.
  • 1 loop bank.

Modular Live Looping with the inserted looper modules:

  • Aggregation of Looper’s with Korpus (limited).
  • Record several loops at the same time.

Mixing desk:

  • 1 Inserts per track.
  • 2 auxiliary channels per track.
  • Solo, Mute, volume, etc. on each track.
  • Logarithmic audio faders.

Plug-ins:

  • More than 16 native plug-ins.
  • Plug-in insertion in inputs, looper tracks and FX channels.

Sound Design tools:

  • Impulse reverberation.
  • Granular synthesis with Granulaterre.
  • Many delay types.
  • Convolution, distortion, ring modulation.
  • Parametric equalization, low pass, hi pass, band pass.
  • Convert audio to LFO.

LFO:

  • LFO synced to your loops.
  • Sine, Ramp, Triangle, Square shapes.
  • Random LFO shapes.
  • Sync any track setting to the LFO.

Scene memories:

  • Every setting can be memorized in presets.
  • Interpolation between presets.

Slicer:

  • Make real-time slices in your loops.

U-he Zebralette v2.9.3 x64 x86 VST VST3 AU AAX WiN MAC LiNUX [FREE] 5 (1)

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Zebralette: easy spectral synth
Zebralette is our version of a Trojan horse. A free synthesizer and an introduction to Zebra2’s fantastic oscillators. Perhaps it will persuade you to try Zebra2 and upgrade. If one oscillator is this powerful, imagine what you can achieve with four… and all the other great features available in Zebra2.

Features

• A single Zebra2 oscillator with a 16-slot waveset. Read more below
• Oscillator waveform editing with geomorph, spectromorph, geoblend and spectroblend modes. Read more below
• 24 spectral effects including filter, sync, scatter, phase distortion and many more
• Polyphonic (up to 16 voices), monophonic and legato modes
• Stereo VCA with pan and volume modulation
• VCA oscillator stacking with adjustable stereo width: single, dual, quad and eleven modes
• ADSR envelope with fall/rise (sustain slope) and velocity controls
• Modulation options including: modwheel, velocity, pressure, breath, key follow, gate and more
• 2 LFOs: one global, one per voice
• A 32-stage MSEG (multi-stage envelope generator)
• 3 built-in effects: chorus/phaser, EQ, delay
• MIDI learn / unlearn of hardware controls (CC)
• Polyphonic aftertouch support
• 300 factory presets
• Scalable UI from 70% to 200%
• NEW in v2.9.3: Support for Oddsound MTS-ESP

What is a Zebralette?

-ette: an English suffix indicating a diminutive form
Zebralette is an introduction to Zebra2’s powerful oscillators. Zebra2 can seem overwhelming at first glance, so we stripped it down to a single oscillator plus a few other features and created Zebralette, the little Zebra. Once you master Zebralette you can move up to Zebra2 with confidence. And your presets can come with you, as Zebralette presets can be opened in Zebra2.

But more than a teaching tool, Zebralette is an incredible sounding synth in its own right. Surrounding Zebra’s spectral oscillator with a few core modulation options and effects make Zebralette highly capable. With unsion options (think supersaw, but Zebralette is not limited to saw waves, so we refer to it as superwave), 16 voice polyphony and two different envelopes, you have everything needed to create some marvellously complex sounds.

Diminutive? Yes. Powerful? Yes.

Zebra oscillator
One oscillator may not seem like enough for a synthesizer, but Zebra2 oscillators are rather powerful and clever.

It resembles many other oscillators you may have used. You can choose a waveset from the included library, or use the waveform editor to draw your own shapes. Here is where things start to get interesting: The Waveform Editor manages up to 16 different waves and lets you rearrange, duplicate and morph between individual waves. Use one of modulation sources and the WaveWarp control to scan through the 16 waves and create unusual, dynamic sounds.

There are four drawing modes: GeoMorph, SpectroMorph, GeoBlend, SpectroBlend, each offering a different approach to creating and manipulating waveforms.

Using the two Geo modes you draw the waveform shape using up to 32 points, while the Spectro modes let you create the harmonic spectrum over 128 columns. When using WaveWarp to scan through the waveset, Morph alters the waveform, whereas Blend blends (crossfades) between adjacent waves.

Requirements:
• Apple OS X 10.9 or newer
or
• Windows 7 or newer
or
• Linux

Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer

Formats
Zebralette is not a standalone product, it requires host software. Zebralette is compatible with nearly all DAWs.

macOS:
• AUv2, VST2, VST3, 64-bit only
• temporarily no AAX (read more)

Windows:
• VST2, VST3, AAX*
• 32-/64-bit
* AAX requires Pro Tools 10.3.7 or later

Zebralette 2.9.3 (revision 12092)

Native M1 ARM support

Improvements:
• Native support for Apple Silicon chips (M1)
• Improved GUI performance (Mac only)
• Support for Oddsound MTS-ESP
• Improved handling of junction links on Windows
• Preset list scroll direction preference

Fixed Bugs:
• Fixed some old Zebralette presets not loading in Zebra2
• Fixed multiple things in preset browser
• Fixed crash when loading script presets (e.g. Randomizer)
• Fixed rare crash on project reload
• Fixed audio clicks when switching presets

Known Issues:
• Context menus need plugin focus to work (Apple issue)

Special Notes:
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinued

https://u-he.com/products/zebralette/

Prime Studio CHARLY 2 v1.40 VST, AAX, AU WIN.OSX [FREE] 0 (0)

Prime Studio® (powered by Acustica Audio) Charly is a summing tool based on an analogue tube device that has been modified according to our specifications. Charly refines signals with fine tube character and analog punch adding harmonic distortion.

Description from the previous version:

Charly is perfect to rhythmically enhance drum loops, to bring to life dull and boring sounds, as well as to fatten loops and mixes.

Its simplicity translates into an output gain divided between -10dB and +10dB, an on/off switch button which turns on the plugin or sets it in bypass mode, and a couple of left/right VU meters that measure the stereo input level. All the magic is done by the output gain rotary knob; it acts like a stereo enhancer and adds a slight compression and reverb. The amplification is made without distortions and artifacts.

https://primestudio.at/ps2015/

Vastaus Is A FREE High-Frequency Enhancer Plugin By Wavegrove 0 (0)

Vastaus lives on instrument channels, buses and it is known to have been spotted on the master channel too. Feel free to use and abuse it. Try to add an EQ before Vastaus and push the highs way overboard and how Vastaus reacts.

It is at it’s most neutral at Input Gain and Tame at 0, at which time it brings down and blocks overly harsh high frequencies present in vocal esses, smooths cymbals, guitars and pretty much anything you throw at it.

Increasing Tame brings enhances that effect, but also brings in more options with the React switch, as well as with the Bias setting. React is a mode, where Tame starts to let through some transients in a really interesting way, bringing out more detail and clarity, but still smoothing the sound. With Bias, you can further control the sound by limiting the effect to either the positive or negative side of the audio samples, generating harmonics in the process. I have heard this referred to as silky, and apparently some well-known hardware unit makers use a process similar to this.

Lastly there is Gain. With the Input Gain, you control the overall signal boost you get going into the thing, while the Output Gain works as a pad, with 100% level adding no additional volume. Boosting the input gain can bring additional high end to the signal after taming it, which is especially useful with instruments such as the electric guitar. In conjunction with the use of the Bias knob, Vastaus can even act as a leveling tool, which also boosts and extends the high end frequencies far above where they ended in the original signal.

Use the Wet knob to blend the changed signal with the original in whatever way you want.

Patreon

 

AMP Soft Clipper, EQ and Stereo Shaping Effect by ProduceRNB 0 (0)

AMP is our new effect plugin designed specifically as a tool to quickly make drum sounds punchier, more present and more demanding in a mix. AMP is also a great all-around tool for individual instrument sounds when it comes to making them sound louder and more interesting without over processing or clipping.:

  • AMP brings you a highly sensitive EQ, a near transparent Limiter with Soft Clip, Saturation and Stereo Control.
  • Easily make drums, 808’s and other sounds louder and more present in your mix without over processing.
  • Quick, point and click EQ with unlimited bands, Easy to read Analyzers and straight forward controls.
  • Stereo shape any sound. Either make things wide or even mono.
  • Saturation is also conveniently placed into this plugin for those who would like to add color.

https://www.producernb.com/amp/