Surge XT 1.0.0 Windows/MacOS/LiNUX [FREE] 0 (0)


Over 2021, after the succesful release of Surge 1.9, the Surge Synth team undertook an effort to rebuild Surge in JUCE and add a variety of features. This project resulted in the new version of Surge, called ‘Surge XT’.
Synthesis method: Subtractive hybrid

Each patch contain two scenes which are separate instances of the entire synthesis engine (except effects) that can be used to create layered or split patches.

Quick category-based patch browser with textual search and favorites

Runs on a variety of operating systems, plugin formats, and architectures

2779 patches

614 wavetables

3 oscillators per scene, with 12 versatile oscillator algorithms: Classic, Modern, Wavetable, Window, Sine, FM2, FM3, String, Twist, Alias, S&H Noise and Audio Input.

Classic oscillator is a morphable pulse/saw/dual saw oscillator with a sub-oscillator and hard sync.

Modern oscillator is a mixable saw/pulse/triangle oscillator with an optional sub-oscillator mode for triangle (which can also change to sine or square) and hard sync.

FM2/FM3 oscillators consist of a carrier and 2 or 3 modulators and various options.

String oscillator uses two filtered waveguides to emulate plucked or bowed string sounds.

Twist oscillator is based on a very famous Eurorack macro oscillator, and it offers a myriad of synthesis options in a very simple and quick way.

Most algorithms (except FM2, FM3, Twist and Audio Input) offer up to 16-voice unison at the oscillator level.

Oscillator FM in 3 different configurations and ring modulation between oscillators 1-2 and 2-3.

Most oscillator algorithms (except FM2, FM3, Sine and Alias) are strictly band-limited, yet still cover the entire audible spectrum, delivering a clear, punchy and clean sound.

Noise generator with variable spectrum (available directly in the oscillator mixer).

Two filter units in 8 different configurations.

Feedback loop available in 7 of those configurations.

Available filter algorithms: Lowpass (12 and 24 dB/oct, each with 3 variations), Legacy Ladder Lowpass (6-24 dB/oct), Vintage Ladder Lowpass (2 variations, each with and without gain compensation), Highpass (12 and 24 dB/oct, each with 3 variations), Bandpass (12 and 24 dB/oct, each with 3 variations), Notch (12 and 24 dB/oct, each with 2 variations), Allpass (3 variations), Comb (positive and negative), S&H.

Open-source additions to our filter algorithms include: K35 and Diode Ladder filter types from Odin 2 synthesizer, 12 and 24 dB/oct multimode filters from OB-Xd, and weird but fascinating Cutoff Warp, Resonance Warp and Tri-Pole filters by Jatin Chowdhury!

Filters can self-oscillate (with excitation) and respond amazingly fast to cutoff frequency changes.

Waveshaper (43 shapes).

12 LFO units available, 6 are per voice and 6 are global for the whole scene.

DAHDSR envelope generators on every LFO.

LFO shapes consist of 7 deformable LFO waveforms, step sequencer, a fully-fledged multi-segment envelope generator (MSEG) with various curves and up to 128 nodes, and last but not the least – a formula modulator which utilizes Lua scripting language to provide completely custom modulator output.

Voice LFOs allow envelope retriggering in step sequencer mode.

Extremely fast and flexible modulation routing. Almost every continuous parameter can be modulated!

16 effect units arranged as 4 inserts per scene, 4 sends and 4 master effects.

27 effect algorithms:

3-band fully parametric EQ
11-band graphic EQ

Tape (based on ChowTapeModel!)

Frequency Shifter
Ring Modulator

Rotary Speaker

Reverb 1
Reverb 2
Spring Reverb

Airwindows (itself containing 56 effects!)
Mid-Side Tool


Supermatic S-12 by Digital Systemic Emulations 0 (0)


Supermatic S-12 is a vintage analog drum machine.

It is a sample based emulation of the 1971 Welson Supermatic S-12.

  • The original sounds… with editable synthesis parameters.
  • Vintage mono spring tank effect included for that 70’s vibe.
  • Heat parameter which overdrives VCAs and adds variability.
  • Mono output (free version).
no webside

Nasca by 2MGT/Metamusic Generative Tools 4 (1)

2021-12-05 07.04.53 189053629a2c


Nasca by 2MGT/Metamusic Generative Tools is a Standalone Application for Windows. It functions as a Standalone Application.

Nasca is an standalone tool application for Windows that employs Wavetable / Granular / Sample-based synthesis in two separate and programmable layers each with extensive FX, Modulation Matrix, Chord Sequencer and two Arpeggiators modules which provide the user with maximum control over sound creation.

With the built-in 16steps Chord Sequencer and two Arpeggiators, long evolving ambient and atmospheric sounds can be created. Also, the Sequencer and Arpeggiators allows for more rhythmic based compositions or patches as well. It is possible to create an entire composition just by creating many layers.

Nasca is Free/Donate. The Free version has some limitations. No installation is necessary, and it works without problems in Windows XP and Windows 10 (32/64-bit). (Nasca is 32-bit.).

Nasca is JCS module / Joystick Controlled Synthesizer. Use a Joystick Gamepad (xBox type) to control some of the Nasca parameters in real time, as a controller. This function will allow you to control chords, launch layers A and B separately, adjust the volume and mixing of layers, as well as modulate some parameters in the Mod Matrix.

The following example were done exclusively with Nasca and no additional effects or instruments were used. The track demonstrates the range of possibilities from abstract ambient sound scapes and more traditional synth sounds. Nasca has an extensive range of sound creation that would fit just about any modern genre of electronic music.


VCV Rack v2.0 Standalone WiN MACOS LiNUX [FREE] 0 (0)


Dark room mode
Save your eyes at night with adjustable room brightness.

Module selections
Save, share, edit, and move around selections of modules.

Enhanced module browser
Zoom, favorite, and sort your module collection.

DAW plugin
only in Rack Pro

VST2 + more plugin formats coming soon
Save patches inside your DAW project
Use multiple Rack instances
Render offline
Instrument/effect plugin
Up to 16 audio inputs/outputs
16 MIDI inputs/outputs
Parameter automation

the virtual modular platform based on Eurorack synthesizers

modular synthesis basics and advanced patch techniques.

sounds in real-time and process live audio.

unique rhythms and melodies with algorithmic and generative techniques.

complete multi-track pieces and design your own synth patches.

beyond hardware limitations with polyphonic cables, module preset sharing, total patch recall, and more.

Integrate with hardware and software
Multi-interface input/output for audio or CV.
Polyphonic MIDI input/output for hardware control.
VST plugin for hosting VCV Rack in your DAW (Pro only).
Host VST plugins inside Rack and control parameters with CV using VCV Host (purchased separately).

30+ built-in modules with all the tools you need to get started.
170+ official modules from Eurorack manufacturers.
2000+ modules available on the VCV Library.
Develop your own modules with the C++ VCV SDK.


MiniSpillage Drum Machine by AudioSpillage 0 (0)


MiniSpillage is a free professional quality drum synthesizer plugin featuring high resolution 64-bit DSP processing.

MiniSpillage includes 3 exclusive drum synthesis algorithms along with distortion effects and resonant filters.


Bass Drum

  • Single oscillator bass drum synth with pitch sweep, internal FM and harmonic controls.

Wood Drum

  • Flexible wooden drum model synthesizes natural and synthetic timbres from log drums to toms.


  • 6 oscillator closed and open hi-hat generator with noise source and dual resonant filters.

Compact Drum Synthesizer

Simple but powerful. MiniSpillage features 3 fully editable drum pads capable of creating a wide variety of original drum and percussion sounds. MiniSpillage includes 3 exclusive AudioSpillage drum models – BassDrum, WoodDrum and ElectroHiHat. Combined these 3 models can form the basis of any electronic rhythm track.

HD 64-bit Digital Sound

MiniSpillage features the same high definition 64-bit DSP engine as found in its larger brother DrumSpillage. The synthesis models are 100% algorithmic and take full advantage of today’s high quality sound cards and studio equipment.

System Requirements

Audio Spillage plugins are AudioUnit plugin instruments for Mac and as such require an AudioUnit plugin host program to run. Some example hosts are: Apple Logic Pro/Express, Ableton Live, MOTU Digital Performer, Five12 Numerology, PreSonus Studio One, Renoise, Plogue Bidule, Sagan Metro, Cockos Reaper, MuLab, Garage Band etc.


  • Apple Macintosh Computer with minimum 1GHz CPU.


  • Apple Mac OS X 10.4 or higher including 10.5 (Leopard) and 10.6 (Snow Leopard).
  • An AudioUnit host application capable of supporting Cocoa GUIs e.g. Apple Logic Pro, MOTU Digital
  • Performer (v6+), Ableton Live (v8.0.5+), PreSonus Studio One, Five12 Numerology, AudioMulch,
  • Renoise, Plogue Bidule, Apple GarageBand etc.

Mac Only

Sonic Lion Nitrox VSTi v1.11 free and Standalone WIN (32-bit) (2009) 0 (0)


Nitrox is an analog type poly synth with three oscillators, two stereo filters and a fully equipped stereo effects bank. The unique thing about Nitrox is its comprehensiveness paired with high flexibility and numerous modulation possibilities. The oscillators, filters and effects have been implemented with sound quality in mind.
Nitrox comes in two versions: there is a stand-alone version which can be connected to a stereo audio output channel and to multiple MIDI input channels which is called Nitrox solo. The second version is a VST™ plug-in simply called Nitrox.
Key Features:
(up to 16 voices), with 3 oscillators
and many modulation possibilities (PWM, FM, Hard Sync, AM, Ring…), 5 inbuilt and
5 custom waveforms, 3 wave shapers,2 stereo filters, effects bank with 3 independent
effect units (chorus/flanger, phaser, echo, reverb,filter, formant), several modulation
sources (5 ADSRs, 4 LFOs, 5 custom envelopes, 5 mini sequencers), and
automation… Its sound is not the big fat one, but has something special,
original, nice, sweet and clear, not very far from FM or additive synthesis…

No longer available


Glitchedtones Scare Tactics WAV [FREE For Limited Time] 0 (0)


Scare Tactics is a collection of unsettling atonal textures, menacing drones, abstract hits and ghostly transitions, providing all of the elements needed to construct convincingly creepy horror scenes full of dark ambience, jump scares and ominous presence.

Created using a combination of heavily-processed string instruments, manipulated field recordings and cutting-edge synthesis techniques, these production-ready sounds can be dropped straight into your project out of the box or further tweaked and tailored to your liking with your tools of choice.

Prepare to unleash some serious Scare Tactics on to your audience!

• 40 Abstract Textures
• 20 Drones
• 100 Oneshot Jump Scare Elements
• 40 Transitions/Passbys

Total Files
• 200

Quilcom SIM-DIDGE 5 (1)


The Quilcom SIM-DIDGE aims to simulate some of the sounds of a Didgeridoo using synthesis methods only, along with optional vocal input.

Click on the picture to download the zip which contains the FlowStone schematic (not needed for the plugins to work), 32 and 64 bit plugins (including 32 bit for XP), the User Guide and background info. The “NA” plugins (exported as instruments) don’t have the audio input for microphone if you don’t need it.

You can watch the YouTube video here to get more idea:

Now you can create some ethnic Aboriginal rhythms and atmospheres without having to master circular breathing!


U-he BeatZille v1.0.2 x64 x86 VST VST3 AU AAX WiN MAC LiNUX [FREE] 0 (0)


Beatzille: little monster
Beatzille is a compact version of our monster modular synthesizer Bazille. Although its condensed feature set makes it the ‘little brother’, Beatzille is still an engaging and capable synthesizer. Power and style run in the family. Digital oscillators, analogue-style filter and flexible patching will keep you busy for a good while before thinking about tackling Bazille.

• Modular architecture
• 2 digital oscillators with simultaneous frequency modulation (FM), phase distortion (PD) and fractal resonance (FR)
• Polyphonic (up to 8 voices), duophonic (split oscillator pitches), legato or retriggered monophonic
• Pitch transpose, drift and glide control
• 1 multimode analogue-style filter with 6 parallel outputs (4× lowpass, bandpass, highpass)
• 2 ADSR envelopes with sustain slope (fall/rise) and 5 trigger modes
• 1 LFO with 3 parallel outputs with various waveforms
• 16-step sequencer with 8 morphable snapshots. 4 output sockets for parallel sequences, envelope triggers and more
• 2 multiplex units for mixing, crossfades, ring modulation or amplitude modulation
• Built-in stereo delay with tape wow, feedback and damping filters
• 1 mapping generator (waveshaper / incrementer)
• Audio-rate signal processors: inverter, rectifier, sample & hold, dual lag generator and quantizer
• White and pink noise generators
• MIDI modulation sources include modwheel, velocity, breath, pressure, key follow, gate and more
• Single-page interface
• Skinnable UI
• Resizable UI from 70% to 200%
• Global preferences page
• MIDI learn overlay and editable MIDI CC list
• Over 160 factory presets
• NEW in v1.0.2: Support for Oddsound MTS-ESP

Small and mighty
Striking the balance between too much and too little, Beatzille is the happy medium. It presents an introduction to modular synthesis and a taste of the power of Bazille without being overwhelming.

Beatzille’s oscillators embrace two digital synthesis methods developed during the 1980s: frequency modulation (FM) and phase distortion (PD). We also added a process we call fractal resonance (Fractalize), which sounds similar to the classic oscillator sync effect when swept.

All three synthesis methods run simultaneously, so you can combine them to create an extensive range of sounds. Beatzille is great at generating weird modular blips and squeaks, but you can even coax soft pads and organic keys from the oscillators—as demonstrated by the factory library. Add modulation for even more sound possibilities.

The filter is a favourite in the sound designer’s toolkit. Cut frequencies, boost others, add texture and colour. Beatzille’s analogue-style filter complements the digital oscillators, providing warmth and drive. And its self-oscillation capability opens up some intriguing sound design opportunities.

Even with a single filter Beatzille offers plenty of creative horizons. The six parallel outputs (highpass, bandpass and four types of lowpass) with multiple modulation options make it easy to create complex, shifting textures.

Beatzille has only one built-in effect, but it’s good one: stereo delay with optional host sync. Push your sound around in space with independent delay times and volumes for each channel. Conjure ghostly echoes using tape-like wobble and filtering or set up endless repetitions. Tweak all controls to find the perfect delay.

Release notes:

Beatzille 1.0.2 (revision 12092)

Native M1 ARM support

• Native support for Apple Silicon chips (M1)
• macOS Big Sur compatibility
• Improved GUI performance
• Support for Oddsound MTS-ESP
• Improved handling of junction links on Windows
• VST3 support added
• Improved preset browser
• Improved soundset installation
• Pitch Bend range now +/-48
• Minor GUI fixes/tweaks
• Various Mac and Windows installer improvements
• System info displayed in GUI (revision, OS, plugin format)
• Hold pedal behaviour improved (0-63 = off, 64-127 = on)
• Ctrl A/B replaces fixed Breath and Expression modulation
• Changed how LFO Wave and LFO Phase influence envelope triggering

Fixed Bugs:
• Fixed multiple sequencer issues
• Fixed multiple issues with envelope triggering via LFO and sequencer
• Fixed notes starting on same time stamp but different MIDI channel might not play
• Fixed LFO in sync mode being too slow on its first cycle
• Fixed mapping generator not updating instantly
• Fixed multiplex potentially killing audio output
• Fixed crash when loading script presets (e.g. Randomizer)
• Fixed rare crash on project reload
• Fixed audio clicks when switching presets
• Various small fixes and improvements

Known Issues:
• Context menus need plugin focus to work (Apple issue)
• Cable style “natural” can cause GUI glitches

Special Notes:
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinued

The Windows installer was improved to prevent common installations issues. Please check the suggested installation paths during installation, making sure the update is installed into the same location as the previous version, and all installed plugin formats are being updated.

Envelope triggering via LFO and sequencer was reworked in order to fix multiple bugs in this area. This means some presets might not sound as intended anymore. We therefore recommend to finish ongoing projects before updating to the new version. Please refer to the “Patch Conversion Tips” file to get more info on how to adjust your presets.

Logelloop Le by Logellou 5 (1)


Logelloop Le is the free version of Logelloop Pro, it’s a Live Looping tool with several modules for stage, sound design and backstage management.

Check this page for full PRO/LE comparison

The main looper features:

  • Many Live Looping functionalities (Record, Overdub, Multiply, etc.).
  • Overdub in Mix Mode and Replace Mode.
  • Mute and autofade with multiple functionalities.
  • 4 tracks.
  • 1 loop bank.

Modular Live Looping with the inserted looper modules:

  • Aggregation of Looper’s with Korpus (limited).
  • Record several loops at the same time.

Mixing desk:

  • 1 Inserts per track.
  • 2 auxiliary channels per track.
  • Solo, Mute, volume, etc. on each track.
  • Logarithmic audio faders.


  • More than 16 native plug-ins.
  • Plug-in insertion in inputs, looper tracks and FX channels.

Sound Design tools:

  • Impulse reverberation.
  • Granular synthesis with Granulaterre.
  • Many delay types.
  • Convolution, distortion, ring modulation.
  • Parametric equalization, low pass, hi pass, band pass.
  • Convert audio to LFO.


  • LFO synced to your loops.
  • Sine, Ramp, Triangle, Square shapes.
  • Random LFO shapes.
  • Sync any track setting to the LFO.

Scene memories:

  • Every setting can be memorized in presets.
  • Interpolation between presets.


  • Make real-time slices in your loops.