U-he BeatZille v1.0.2 x64 x86 VST VST3 AU AAX WiN MAC LiNUX [FREE] 0 (0)

uhe-beatzille-screenshot-fullui-1150x881

Beatzille: little monster
Beatzille is a compact version of our monster modular synthesizer Bazille. Although its condensed feature set makes it the ‘little brother’, Beatzille is still an engaging and capable synthesizer. Power and style run in the family. Digital oscillators, analogue-style filter and flexible patching will keep you busy for a good while before thinking about tackling Bazille.

Features:
• Modular architecture
• 2 digital oscillators with simultaneous frequency modulation (FM), phase distortion (PD) and fractal resonance (FR)
• Polyphonic (up to 8 voices), duophonic (split oscillator pitches), legato or retriggered monophonic
• Pitch transpose, drift and glide control
• 1 multimode analogue-style filter with 6 parallel outputs (4× lowpass, bandpass, highpass)
• 2 ADSR envelopes with sustain slope (fall/rise) and 5 trigger modes
• 1 LFO with 3 parallel outputs with various waveforms
• 16-step sequencer with 8 morphable snapshots. 4 output sockets for parallel sequences, envelope triggers and more
• 2 multiplex units for mixing, crossfades, ring modulation or amplitude modulation
• Built-in stereo delay with tape wow, feedback and damping filters
• 1 mapping generator (waveshaper / incrementer)
• Audio-rate signal processors: inverter, rectifier, sample & hold, dual lag generator and quantizer
• White and pink noise generators
• MIDI modulation sources include modwheel, velocity, breath, pressure, key follow, gate and more
• Single-page interface
• Skinnable UI
• Resizable UI from 70% to 200%
• Global preferences page
• MIDI learn overlay and editable MIDI CC list
• Over 160 factory presets
• NEW in v1.0.2: Support for Oddsound MTS-ESP

Small and mighty
Striking the balance between too much and too little, Beatzille is the happy medium. It presents an introduction to modular synthesis and a taste of the power of Bazille without being overwhelming.

Oscillators
Beatzille’s oscillators embrace two digital synthesis methods developed during the 1980s: frequency modulation (FM) and phase distortion (PD). We also added a process we call fractal resonance (Fractalize), which sounds similar to the classic oscillator sync effect when swept.

All three synthesis methods run simultaneously, so you can combine them to create an extensive range of sounds. Beatzille is great at generating weird modular blips and squeaks, but you can even coax soft pads and organic keys from the oscillators—as demonstrated by the factory library. Add modulation for even more sound possibilities.

Filter
The filter is a favourite in the sound designer’s toolkit. Cut frequencies, boost others, add texture and colour. Beatzille’s analogue-style filter complements the digital oscillators, providing warmth and drive. And its self-oscillation capability opens up some intriguing sound design opportunities.

Even with a single filter Beatzille offers plenty of creative horizons. The six parallel outputs (highpass, bandpass and four types of lowpass) with multiple modulation options make it easy to create complex, shifting textures.

Delay
Beatzille has only one built-in effect, but it’s good one: stereo delay with optional host sync. Push your sound around in space with independent delay times and volumes for each channel. Conjure ghostly echoes using tape-like wobble and filtering or set up endless repetitions. Tweak all controls to find the perfect delay.

Release notes:

Beatzille 1.0.2 (revision 12092)

Native M1 ARM support

Improvements:
• Native support for Apple Silicon chips (M1)
• macOS Big Sur compatibility
• Improved GUI performance
• Support for Oddsound MTS-ESP
• Improved handling of junction links on Windows
• VST3 support added
• Improved preset browser
• Improved soundset installation
• Pitch Bend range now +/-48
• Minor GUI fixes/tweaks
• Various Mac and Windows installer improvements
• System info displayed in GUI (revision, OS, plugin format)
• Hold pedal behaviour improved (0-63 = off, 64-127 = on)
• Ctrl A/B replaces fixed Breath and Expression modulation
• Changed how LFO Wave and LFO Phase influence envelope triggering

Fixed Bugs:
• Fixed multiple sequencer issues
• Fixed multiple issues with envelope triggering via LFO and sequencer
• Fixed notes starting on same time stamp but different MIDI channel might not play
• Fixed LFO in sync mode being too slow on its first cycle
• Fixed mapping generator not updating instantly
• Fixed multiplex potentially killing audio output
• Fixed crash when loading script presets (e.g. Randomizer)
• Fixed rare crash on project reload
• Fixed audio clicks when switching presets
• Various small fixes and improvements

Known Issues:
• Context menus need plugin focus to work (Apple issue)
• Cable style “natural” can cause GUI glitches

Special Notes:
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinued

The Windows installer was improved to prevent common installations issues. Please check the suggested installation paths during installation, making sure the update is installed into the same location as the previous version, and all installed plugin formats are being updated.

Envelope triggering via LFO and sequencer was reworked in order to fix multiple bugs in this area. This means some presets might not sound as intended anymore. We therefore recommend to finish ongoing projects before updating to the new version. Please refer to the “Patch Conversion Tips” file to get more info on how to adjust your presets.

https://u-he.com/products/beatzille/

U-he Podolski v1.2.3 x64 x86 VST AU AAX WIN MAC LiNUX [FREE] 0 (0)

uhe-podolski-screenshot-fullui-1150x553Podolski
Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.

• Oscillator with variable symmetry (sawtooth to triangle, PWM) and glide
• Polyphonic (up to 16 voices), mono, legato and arpeggiator modes
• 4 envelope modes: ADSR or HDSR, linear or exponential. Sustain has Fall/Rise control
• 2 LFOs: one global, one per voice. Absolute time or host sync, multiple waveforms
• Multimode filter: lowpass, bandpass or highpass with drive and FM
• Combination arpeggiator / 16-step sequencer with extra modulation source
• 2 built-in effects: stereo delay, chorus / flanger
• Resizable UI from 70% to 200%
• Skinnable UI
• Global preferences page
• MIDI learn page and editable list
• Over 300 factory presets
• NEW in v1.2.3: Support for Oddsound MTS-ESP

Requirements
• Apple – Mac OS X 10.9 or newer
• Windows – 7 or newer
• Linux

Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer

NKS-readyPodolski is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.

Podolski
Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.

• Oscillator with variable symmetry (sawtooth to triangle, PWM) and glide
• Polyphonic (up to 16 voices), mono, legato and arpeggiator modes
• 4 envelope modes: ADSR or HDSR, linear or exponential. Sustain has Fall/Rise control
• 2 LFOs: one global, one per voice. Absolute time or host sync, multiple waveforms
• Multimode filter: lowpass, bandpass or highpass with drive and FM
• Combination arpeggiator / 16-step sequencer with extra modulation source
• 2 built-in effects: stereo delay, chorus / flanger
• Resizable UI from 70% to 200%
• Skinnable UI
• Global preferences page
• MIDI learn page and editable list
• Over 300 factory presets
• NEW in v1.2.3: Support for Oddsound MTS-ESP

Requirements
• Apple – Mac OS X 10.9 or newer
• Windows – 7 or newer
• Linux

Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer

NKS-readyPodolski is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.

https://u-he.com/products/podolski/podolski.html

Invader 2 by E-Phonic(pay what you want) 0 (0)

Invader 2 is an 8 voice polyphonic synthesizer. It was designed to be easy to program while still offering a wide range of sounds and possibilities.

Features:

  • Knob-per-function interface, what you see it what you get.
  • 2 oscillators + 1 sub oscillator (tri, saw, pw, sync).
  • Polyphonic stereo unison with optional low CPU unison emulation mode (up to 48 voices).
  • 2 low pass resonant filter types (clean and raw).
  • Filter drive or high pass option.
  • Stereo noise generator.
  • Ring modulation.
  • 2 LFOs with delay function.
  • 2 Envelopes.
  • Delay effect with normal, ping pong, tape and diffusion delay modes.
  • Arpeggiator / 16 step sequencer.
  • 4 x oversampled engine.
  • Medium and high quality modes.
  • 200+ presets.

https://www.e-phonic.com/invader.html#/

HY-SEQ32 free by HY-Plugins 0 (0)

HY-SEQ32 free is a 32 step sequencer inspired by analog sequencers.

  • 1 Pitch SEQ unit with 2 modulation source units.
  • Drag & drop modulation assignment.
  • Pattern sequencer for chaining unit snapshots.
  • Chord and Scale FX .
  • Midi Recorder.
  • Resizable interface.

U-he Podolski v1.2.2 x64 x86 VST AU AAX WIN MACOS LiNUX [FREE] 0 (0)

Podolski
Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.

• Oscillator with variable symmetry (sawtooth to triangle, PWM) and glide
• Polyphonic (up to 16 voices), mono, legato and arpeggiator modes
• 4 envelope modes: ADSR or HDSR, linear or exponential. Sustain has Fall/Rise control
• 2 LFOs: one global, one per voice. Absolute time or host sync, multiple waveforms
• Multimode filter: lowpass, bandpass or highpass with drive and FM
• Combination arpeggiator / 16-step sequencer with extra modulation source
• 2 built-in effects: stereo delay, chorus / flanger
• Resizable UI from 70% to 200%
• Skinnable UI
• Global preferences page
• MIDI learn page and editable list
• Over 300 factory presets

Requirements
• Apple – Mac OS X 10.9 or newer
• Windows – 7 or newer
• Linux

Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
• Modern CPU (Sandy Bridge or newer recommended)

NKS-readyPodolski is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.

New Features
Changelog: Podolski 1.2.2 (revision 9724) Improvements: • Mac installer notarized (Catalina) • NKS compatible • Windows installer improvements • UTF-8 support for installation paths • Improved VST3 implementation • New Preset Browser • Factory presets have been tagged • Drag & drop between browser and system file windows • Improved GUI response time on some Macs (sluggish GUI) • Windows UI performance improved (less CPU load with open GUI) • Mac installer improved to prevent permission issues • User defined MIDI CC sources replace expression and breath • Mouseover shows parameter values in Data Display • Plugin format and OS info shown next to revision number • Init preset can be loaded from Data Display (for Win users: also works via right-click) • Increased maximum number of installed skins from 10 to 20 • Improved handling of 14-bit MIDI CC assignment • Sustain pedal now working according to standard (0-63 = off, 64-127 = on) Fixed Bugs: • Fixed an issue with dialogs appearing transparent in Cubase 10.5 and Logic • Various small fixes and improvements

https://u-he.com/products/podolski/

Podolski.v1.2.2

 

Tonetta Blue by Flandersh Tech 0 (0)

Tonetta Blue  is a semi-modular 8-voices polyphonic synthesizer.

The frontside spots two type of oscillators, each with 19 waveforms to choose from, analog style filters, curve and LFO modulation, waveshaper, and a convolution reverb.

Turning the back-button reveal a modular environment with internal and additional signal sources and destinations, signal splitter and mixer, step sequencer, S&H, and additional, modular effects.

  • 2 primary sound sources with 19 custom waveforms to choose from.
  • 2 analog style filters.
  • Curve and LFO modulation.
  • Shapeable waveshaper.
  • Convolution reverb, waveshaper, modular EQ, and modular delay.

https://flandersh.weebly.com/tonetta-blue.html

Setup_Tonetta-Blue

Stochas by Surge Synth Team 0 (0)

Stochas is a revolutionary new type of step sequencer that has a unique randomization engine. Designed to work either in mono or polyphonic modes the engine will select from a set of user inputted notes and takes into consideration the probability set for each, this means Stochas can be used to create evolving melodies, rich sounding string and synth sections, unique bass lines and even chaotic yet looping drum patterns, perfect for live and recorded performances. Chord input and predefined scales, make editing and inputting patterns quick and easy, without any knowledge needed of music theory.

With the ability to create polyrhythmic and polymetric patterns up to 64 steps in length, independently on each of the 4 layers, Stochas can create interesting ideas for your next musical project, be it a Phillip Glass style classical piece with varying rhythmical and metric sequences playing against each other, to a polymeric dance style project that has more life and rhythm than the standard 4/4 patterns. Patterns can be chained and created so that little phrases can be triggered randomly during the playback sequence, this can also be used to prevent repetition of the same note if using Stochas to write a bass line or to keep the pattern evolving.

With the groove template editor, you have total control over the timing and feel of the playback in Stochas, these can also be saved and loaded into other sessions, allowing you to recreate the same feel from track to track easily. MIDI input control means that you can use any hardware controller or another MIDI channel to control Stochas, allowing for live performance control of the polymeric lengths, transpositions, the bias of the maximum number of notes played.

Features:

  • Randomisation engine works in both mono and polyphonic modes.
  • Groove templates with export and import function.
  • Chord input.
  • Predefined key and scales, including custom import.
  • Note chains for phrase creation.
  • up to 64 grid steps and 125 rows.
  • Humanization control.
  • Polyrhythmic and polymetric control.
  • 4 layers and 8 patterns.
  • Midi input for live performance control.

https://stochas.org

 

music-society presents Spirit of the Age by Mira-Katharina 0 (0)

4 x Oscillators
Two of them are normal oscillators with waveforms and harmonics function and
the other two oscillators are spectral oscillators with noise functions.

2 x VCA Envelope (ADSR)

2 x VCF Envelope (ADSR)

2 x VCF (each have 9 filter mods, Cutoff, Resonance, Velocity, Tracking)

2 x LFO (Speed, Waveforms, Sync and Modulation)
The LFO´s are also splitted as both Filter Units.

2 x Joystick
Each Control Section has 12 on/off-switchable Destinations.

The FX Section have an EQ, Flanger and Panning

The Key Section have an Pitch control, Portamento control and switch, Mono/Poly switch
and a Master volume

Page change between Joystick, 8-step Sequencer and ARP

32 Bit

For download you have to register or login, it is free!

Rainbow by BigTick[win][x86][free] 0 (0)

  • VSTi & Standalone versions.
  • FM, AM, additive and subtractive synthesis.
  • 1 to 4 oscillators per voice.
  • Up to 24 voices (CPU dependant).
  • Selectable shape (sine, saw, square, triangle, noise).
  • Coarse / Fine tuning knobs, with selectable keyboard tracking mode.
  • LFO mode.
  • Distortion (Waveshaping knob).
  • APDSR (Attack/Peak/ Decay/ Sustain/ Release) level envelope.
  • Control of the level by MIDI velocity and/or key position.
  • 4×4 Frequency and Amplitude modulation matrix.
  • Selectable Low, High, or Band pass double mode filter, with cutoff and resonance controls.
  • APDSR envelope and env mod knob.
  • Resonance controllable by MIDI velocity.
  • APDSR pitch envelope.
  • Portamento.
  • High-quality oversampling mode with antialias filter.
  • Fully midi-controlled, all controllers can be customised.
  • Supports Doepfer Pocket Dial controller.
  • 16 step sequencer.
  • Microtuning support.

No longer available

Rainbow-VSTI