Creepy Piano 2 Lite by Electronik Sound Lab 0 (0)

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Enter the dark side of sound with Creepy Piano 2 Lite, the follow-up of our popular mutated and utterly scary piano plugin for Windows and macOS. This new version comes with a renewed interface and structure, preserving all the parameters of the full version, but with a smaller number of presets. Creepy Piano 2 Lite has a lo-fi touch and contains processed piano samples originally recorded from Steinway & Sons A-188 and Yamaha C3 pianos.

The sound shape & feel can be further manipulated with the ADSR envelope, but also the included tremolo section – LFO modulation with rate & depth. Last but not least, volume (gain) and pan complete the global controls.

Creepy Piano 2 Lite is perfect in the creation of cinematic background music for games and videos, lo-fi hip hop, trap, creative sound design, also in any production where a dark piano sound is needed.

The virtual instrument is available in VST / VST3 & AU plugin versions for DAWs and other plugin hosts running on Windows and macOS.

Features:

  • ADSR.
  • 25 Multi-Sampled Piano Presets.
  • LFO Modulation.
  • Easy to use.
  • 4 Field Recordings.
  • 100% royalty free.
  • MacOS Big Sur Support.

AVAILABLE Formats: WINDOWS VSTi/VSTi3 32 & 64-bit MAC VSTi/VSTi3/AU 32 & 64-bit.

System Requirements on Windows:

  • Windows 8.1/10.
  • 1 GB Disk Space.
  • 1 GB RAM.
  • VST VST3 host 32 or 64-bit.

System Requirements on Mac OS X:

  • OS X 10.13.6 And Above.
  • 1 GB Disk Space.
  • 1 GB RAM.
  • AU or VST host (32-bit or 64-bit).

Get Creepy Piano 2 Full now for only € 20 (exVAT) https://electroniksoundlab.com/creepy-piano-2/

Creepy Piano 2 Lite

 

U-he BeatZille v1.0.2 x64 x86 VST VST3 AU AAX WiN MAC LiNUX [FREE] 0 (0)

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Beatzille: little monster
Beatzille is a compact version of our monster modular synthesizer Bazille. Although its condensed feature set makes it the ‘little brother’, Beatzille is still an engaging and capable synthesizer. Power and style run in the family. Digital oscillators, analogue-style filter and flexible patching will keep you busy for a good while before thinking about tackling Bazille.

Features:
• Modular architecture
• 2 digital oscillators with simultaneous frequency modulation (FM), phase distortion (PD) and fractal resonance (FR)
• Polyphonic (up to 8 voices), duophonic (split oscillator pitches), legato or retriggered monophonic
• Pitch transpose, drift and glide control
• 1 multimode analogue-style filter with 6 parallel outputs (4× lowpass, bandpass, highpass)
• 2 ADSR envelopes with sustain slope (fall/rise) and 5 trigger modes
• 1 LFO with 3 parallel outputs with various waveforms
• 16-step sequencer with 8 morphable snapshots. 4 output sockets for parallel sequences, envelope triggers and more
• 2 multiplex units for mixing, crossfades, ring modulation or amplitude modulation
• Built-in stereo delay with tape wow, feedback and damping filters
• 1 mapping generator (waveshaper / incrementer)
• Audio-rate signal processors: inverter, rectifier, sample & hold, dual lag generator and quantizer
• White and pink noise generators
• MIDI modulation sources include modwheel, velocity, breath, pressure, key follow, gate and more
• Single-page interface
• Skinnable UI
• Resizable UI from 70% to 200%
• Global preferences page
• MIDI learn overlay and editable MIDI CC list
• Over 160 factory presets
• NEW in v1.0.2: Support for Oddsound MTS-ESP

Small and mighty
Striking the balance between too much and too little, Beatzille is the happy medium. It presents an introduction to modular synthesis and a taste of the power of Bazille without being overwhelming.

Oscillators
Beatzille’s oscillators embrace two digital synthesis methods developed during the 1980s: frequency modulation (FM) and phase distortion (PD). We also added a process we call fractal resonance (Fractalize), which sounds similar to the classic oscillator sync effect when swept.

All three synthesis methods run simultaneously, so you can combine them to create an extensive range of sounds. Beatzille is great at generating weird modular blips and squeaks, but you can even coax soft pads and organic keys from the oscillators—as demonstrated by the factory library. Add modulation for even more sound possibilities.

Filter
The filter is a favourite in the sound designer’s toolkit. Cut frequencies, boost others, add texture and colour. Beatzille’s analogue-style filter complements the digital oscillators, providing warmth and drive. And its self-oscillation capability opens up some intriguing sound design opportunities.

Even with a single filter Beatzille offers plenty of creative horizons. The six parallel outputs (highpass, bandpass and four types of lowpass) with multiple modulation options make it easy to create complex, shifting textures.

Delay
Beatzille has only one built-in effect, but it’s good one: stereo delay with optional host sync. Push your sound around in space with independent delay times and volumes for each channel. Conjure ghostly echoes using tape-like wobble and filtering or set up endless repetitions. Tweak all controls to find the perfect delay.

Release notes:

Beatzille 1.0.2 (revision 12092)

Native M1 ARM support

Improvements:
• Native support for Apple Silicon chips (M1)
• macOS Big Sur compatibility
• Improved GUI performance
• Support for Oddsound MTS-ESP
• Improved handling of junction links on Windows
• VST3 support added
• Improved preset browser
• Improved soundset installation
• Pitch Bend range now +/-48
• Minor GUI fixes/tweaks
• Various Mac and Windows installer improvements
• System info displayed in GUI (revision, OS, plugin format)
• Hold pedal behaviour improved (0-63 = off, 64-127 = on)
• Ctrl A/B replaces fixed Breath and Expression modulation
• Changed how LFO Wave and LFO Phase influence envelope triggering

Fixed Bugs:
• Fixed multiple sequencer issues
• Fixed multiple issues with envelope triggering via LFO and sequencer
• Fixed notes starting on same time stamp but different MIDI channel might not play
• Fixed LFO in sync mode being too slow on its first cycle
• Fixed mapping generator not updating instantly
• Fixed multiplex potentially killing audio output
• Fixed crash when loading script presets (e.g. Randomizer)
• Fixed rare crash on project reload
• Fixed audio clicks when switching presets
• Various small fixes and improvements

Known Issues:
• Context menus need plugin focus to work (Apple issue)
• Cable style “natural” can cause GUI glitches

Special Notes:
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinued

The Windows installer was improved to prevent common installations issues. Please check the suggested installation paths during installation, making sure the update is installed into the same location as the previous version, and all installed plugin formats are being updated.

Envelope triggering via LFO and sequencer was reworked in order to fix multiple bugs in this area. This means some presets might not sound as intended anymore. We therefore recommend to finish ongoing projects before updating to the new version. Please refer to the “Patch Conversion Tips” file to get more info on how to adjust your presets.

https://u-he.com/products/beatzille/

Patchbanks Lo-Fi Drums AIFF [FREE] by patchbank 0 (0)

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Lo-Fi Drums includes 165 free drum samples sourced from in-house archives of old recordings, tape cassettes and even sampler floppy disks. We layered these sounds and then crushed them with vintage analog gear to regenerate even more lo-fi saturation. The results… we’ll leave it up to our users to decide.

Item Specifications:

• Label: Patchbanks
• Released: 09/15/2021
• Version: Original
• SKU: LFI-DRM-MCL
• Quality: Pro
• Genre: Hip Hop • Boom Bap
• Related Genres: Hip Hop, Throwback
• Audio Format: One-Shot • Drum
• File Format: 24bit Aiff
• Recording Sources: Acoustic
• Audio Channels: Stereo
• BPM Range: N/A
• Performance Style: Sound Design
• Instruments: Acoustic Drums
• Compositions:
• Total Files: 165
• Content List: x40 Kick, x35 Snare, x20 Rimshot, x51 Hat, x19 Extras

The Planets Soundbank by Abc Sound Design for the E-phonic – Invader 2 VST (FREE) 0 (0)

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83 Presets for E-phonic Invader 2 VST.

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Here are 83 High-Quality-Patches as a Thank-You Present
for the excellent E-phonic – Invader 2 Virtual Synthesizer.

Soundbank Details
• Inside you find: 1 Planets Soundbank by Abc Sound Design with 83 Patches
• Genre: Ambient – Electro – Sci-Fi – Trance – Modern Synth Music
• 34 x Arpeggios, 20 x Effects, 08 x Leads, 21 x Sequences
• BPM /Tempo: Select ” 120 ” in your DAW
• For: E-phonic – Invader 2 v1.0.9 or later
• Release Date: November 2021
• Format: *. IVP (Presets)
• File Size: 664 KB
• Price: Free – Gift

Installation :

1. Unrar, copy the “Abc” folder and paste it inside the Presets folder of the VST or VST3 where you installed it. Typically :
C:\Program Files\Common Files\VST3
C:\Program Files\VSTplugins

http://ohlenbostelhelge.magix.net/public/misc.htm

The Planets Soundbank by Abc Sound Design for the E-phonic – Invader 2 VSTi

T-De-Esser Plus by Techivation 0 (0)

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T-De-Esser + Delta-listening

The T-De-Esser Plus has the same functionality as the original T-De-Esser, but the interface now displays our upcoming premium features. These features will be available shortly in our paid upgrade, T-De-Esser Pro. The T-De-Esser Plus has one of the Pro features activated, the ‘Audition’ (Delta-listening) feature, and it is free to use.

You can always change back to the original T-De-Esser after installing this version.

The Magic

Unlike the majority of De-Esser plug-ins available on the market, T-De-Esser gives a pure natural sound while smoothing the high-frequencies. The only noticeable difference will be the removal of harshness.

Remove sibilance and harshness, fast

You can use T-De-Esser to:

  • Remove harshness from sound sources that were closely mic’d.Manage sibilance in vocals and dialog in a transparent manner.

    Treat irregular tonal balance caused by poor recording quality.

    Reduce the glare from unnecessarily bright guitar and piano recordings.

    Tame piercing synth sounds.

    Control the high-frequencies in overheads’ transients, such as snare, hi-hats, or clash.

    Give more dynamic range to your tracks while mastering, due to the reduction of unnecessary high frequencies.

T-De-Esser Plus can streamline your audio project workflow by saving you both vital time and effort. It works as effectively on individual tracks as it does on buses. It performs efficiently in a wide range of implementations, from sound design and post-production to the most demanding of mastering applications.

Graphic user interface (GUI)

Visuals can distract your hearing, digital graphs are very likely to affect your decision-making when it comes to audio editing. T-De-Esser, however, helps you just stay focused on keeping it as simple as possible visually and help you focus on the output sound.

The T-De-Esser Plus has the same functionality as the original T-De-Esser, but the interface now displays our upcoming premium features. These features will be available shortly in our paid upgrade, T-De-Esser Pro. The T-De-Esser Plus has one of the Pro features activated, the ‘Audition’ feature, which is free to use.

We’ve added the most advanced cutting-edge features in the upcoming T-De-Esser Pro that’ll help you with significant sound quality improvements. Less is more, so just to avoid getting caught in the trap of making infinite, minuscule tweaks, we made sure only to have the essential options available for you on the GUI.

The options available are designed in a way to quickly give you a pleasant sound with just a few tweaks.

Quick yet powerful

T-De-Esser has been designed with simplicity in mind. It is fast to set up and easy to use, yet allows you to adjust the processing to your needs.

Turning the processing knob starts the plug-in’s operation, you then set how intense you want to go according to your taste. There are 4 frequency bands available to choose between, depending on where the harshness and sibilance are coming from.

The ‘Audition’ (Delta-listening) feature in T-De-Esser Plus allows you to listen to the selected frequency range modes, as well as letting you listen to the audio sounds that are being processed, by the plug-in. This helps when it comes to making specific comparisons.

Available as

Windows 7 and up as 32 / 64-bit VST and VST3, and 64-bit AAX (PT11 and up).

Mac OS X 10.10 (Yosemite) – macOS 10.15 (Big Sur) as 32/64-bit VST, VST3 and AU, and 64-bit AAX, Intel, and M1 Rosetta 2 Macs

https://techivation.com/t-de-esser-plus/

Movementron by Flandersh Tech 0 (0)

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Movementron is a synthesizer that focus on movement in space and time, from sequenced oscillators and filters to sequenced modulation and mangling of samples. Combined with a master effect section with compressor, filter, delay, and reverb, it works great both as a performance synthesizer and sound design tool.

Features:

  • 8-step oscillator with individual shapes, LFOs and filters per step.
  • Drawable oscillator with detune and 8-step filter.
  • Loop player with detune and 8 step filter.
  • Keyboard split, oversampled compressors, delays, and reverbs.

https://www.flandersh.tech/movementron.html

Logelloop Le by Logellou 5 (1)

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Logelloop Le is the free version of Logelloop Pro, it’s a Live Looping tool with several modules for stage, sound design and backstage management.

Check this page for full PRO/LE comparison

The main looper features:

  • Many Live Looping functionalities (Record, Overdub, Multiply, etc.).
  • Overdub in Mix Mode and Replace Mode.
  • Mute and autofade with multiple functionalities.
  • 4 tracks.
  • 1 loop bank.

Modular Live Looping with the inserted looper modules:

  • Aggregation of Looper’s with Korpus (limited).
  • Record several loops at the same time.

Mixing desk:

  • 1 Inserts per track.
  • 2 auxiliary channels per track.
  • Solo, Mute, volume, etc. on each track.
  • Logarithmic audio faders.

Plug-ins:

  • More than 16 native plug-ins.
  • Plug-in insertion in inputs, looper tracks and FX channels.

Sound Design tools:

  • Impulse reverberation.
  • Granular synthesis with Granulaterre.
  • Many delay types.
  • Convolution, distortion, ring modulation.
  • Parametric equalization, low pass, hi pass, band pass.
  • Convert audio to LFO.

LFO:

  • LFO synced to your loops.
  • Sine, Ramp, Triangle, Square shapes.
  • Random LFO shapes.
  • Sync any track setting to the LFO.

Scene memories:

  • Every setting can be memorized in presets.
  • Interpolation between presets.

Slicer:

  • Make real-time slices in your loops.

ClickBox by UnplugRed 0 (0)

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generates randomized digital clicks.

made after people complained i fixed the annoying clicking issue in my first vst, plastic funeral (why??).

great for creative sound design, and useful as a vca controller for other parameters and side-chaining (fruity peak controller for fl users).

otherwise, not that useful.

available for both windows and linux
more info: https://vst.unplug.red/

Fugue State Audio Shapeulator free plugin synth VSTI3 0 (0)

shapeulator-new

 

Shapeulator is essentially the product of a modular patching session, and a desire to have the core setup used available for further sound design fun. At the most basic level, it is a subtractive synthesizer, with some additional features that make it especially useful for certain types of pads, fx sounds, and synthetic percussion.

The main features that separate Shapeulator from other analog-style subtractive synths are the waveshaper oscillator and resonator. The waveshaper oscillator is a fairly standard VA osc with a waveshaper that is controlled by another oscillator. This second oscillator can be modulated independently, and creates a sound something like amplitude modulation. The resonator is a stereo bank of tuned delays with feedback, which can also be modulated.

Patron

T-De-Esser by Techivation 0 (0)

Remove sibilance and harshness, fast

You can use T-De-Esser to:

  • Remove harshness from sound sources that were closely mic’d.
  • Manage sibilance in vocals and dialog in a transparent manner.
  • Treat irregular tonal balance caused by the poor recording quality.
  • Reduce the glare from unnecessarily bright guitar and piano recordings.
  • Tame piercing synth sounds.
  • Control the high-frequencies in overheads’ transients, such as snare, hi-hats, or clash.
  • Give more dynamic range to your tracks while mastering, due to the reduction of unnecessary high frequencies.

T-De-Esser can streamline your audio project workflow by saving you both vital time and effort. It works as effectively on individual tracks as it does on buses. It performs admirably in a wide range of implementations, from sound design and post-production to the most demanding of mastering applications.

Graphic user interface (GUI)

Visuals can distract your hearing, digital graphs are very likely to affect your decision-making when it comes to setting the values. T-De-Esser, however, helps you just stay focused on the output sound, rather than how things change visually as you tweak the settings.

Whilst there are only a few knobs and buttons on the GUI, each has a huge impact on the audio sound improvement. Less is more, so just to avoid getting caught in the trap of making infinite, minuscule tweaks, we made sure only to have the essential options available for you on the GUI.

The options available are designed in a way to quickly give you a pleasant sound in just a few adjustments.

Quick yet powerful.

TT-De-Esser has been designed with simplicity in mind. It is fast to set up and easy to use, yet allows you to adjust the processing to your needs.

Turning the processing knob starts the plug-in’s operation, you then set how intense you want to go according to your taste. There are 4 frequency bands available to choose between, choose depending on where the harshness and sibilance are coming from.

Available as

Windows 7 and up as 32 / 64-bit VST3, and 64-bit.
Mac OS X 10.10 (Yosemite) – macOS 10.15 (Big Sur) as 32/64-bit VST and AU, Intel and M1 Rosetta 2 Macs
Pro Tools AAX coming soon.