OSS by Analog Obsession – FREE Compressor 0 (0)

OSS

OSS

176 style compressor with improved sidechain section.

Features

– INPUT: Internally compensated input with 0 to 60dB range

– OUTPUT (dB): -30 to 30

– ATTACK (ms): 0.1 to 2

– RELEASE (ms): 27 to 572

– RATIO: 2, 4, 8, 12

– MIX (%): DRY to WET

– HPF / DETECTOR (Hz): 20 to 500

– MIDF / DETECTOR (Hz): 500 to 10k

– MIDG / DETECTOR (dB): -6 to 6

– HF / DETECTOR: High Frequency compression. 0 to -16 dB

– EXT-SC: External Sidechain

– INTERSTAGE: Engaging interstage transformers

– 4x oversampling (ANALOG OBSESSION LOGO: Oversampling. It will turn to red when oversampling is engaged. Also, show you a notification.)

18/8/2021 – v5.0 Update

– Improved DSP and circuit design

– Added 4x oversampling

– Readout for knobs

– Catalina & Big Sur (Intel/M1) support

Available Formats

VST/VST3/AU | Mac 10.9 – 11.X

VST/VST3 | Windows 7 – 8 – 10

Patreon

Quilcom SIM-WINDHARP 0 (0)

front-panel-with-Aeolous

The Quilcom SIM-WINDHARP is an effect plugin which actually generates the sound of Aeolian harps, together with wind and tree rustling sounds which can be mixed as appropriate.

It’s seen as an effect plugin, but the only inputs are for sidechain control of the wind speed. You can record the output in a DAW, but to hear the recording you may have to bypass the effect or turn it off in the DAW first.

The zip (click on the picture) contains 32 and 64 bit plugins and a 32 bit plugin for Windows XP. Also I provided a stand-alone version in case you just want the sound as a background. There’s a user guide and the FlowStone FSM schematic which isn’t needed for the plugins to run, but there if you have FlowStone and wish to look under the hood.

I hope you don’t think this really “blows”!

http://flowstoners.com/wp-content/uploads/2021/08/Quilcom-SIM-WINDHARP-v1.001.zip

Analog Obsession OSS v5.0 VST VST3 AU WiN MACOS [FREE] 0 (0)

OSS

176 style compressor with improved sidechain section.

Features
– INPUT: Internally compensated input with 0 to 60dB range
– OUTPUT (dB): -30 to 30
– ATTACK (ms): 0.1 to 2
– RELEASE (ms): 27 to 572
– RATIO: 2, 4, 8, 12
– MIX (%): DRY to WET
– HPF / DETECTOR (Hz): 20 to 500
– MIDF / DETECTOR (Hz): 500 to 10k
– MIDG / DETECTOR (dB): -6 to 6
– HF / DETECTOR: High Frequency compression. 0 to -16 dB
– EXT-SC: External Sidechain
– INTERSTAGE: Engaging interstage transformers

– 4x oversampling (ANALOG OBSESSION LOGO: Oversampling. It will turn to red when oversampling is engaged. Also, show you a notification.)

18/8/2021 – v5.0 Update
– Improved DSP and circuit design
– Added 4x oversampling
– Readout for knobs
– Catalina & Big Sur (Intel/M1) support

Available Formats
VST/VST3/AU | Mac 10.9 – 11.X
VST/VST3 | Windows 7 – 8 – 10

Patreon

Fircomp 1 by Jon V Audio 0 (0)

mac_screenshot_02

Ultra clean peak compressor/limiter with punchy attack, musical release, and optional lookahead smoothing, for tracks or busses. Zero/low latency and low CPU. Warm distortion at extreme settings.

Features:

  • Fast or same-sample attack times that never sound “clicky”, even in zero latency mode.
  • Innovative digital envelope detection algorithm allows for much lower distortion than typical peak compressors (see a plot of a 1kHz hard limited sine wave in zero latency mode).
  • Optional lookahead FIR gain smoothing for an even cleaner sound.
  • True zero attack (same-sample) when “0.0 ms” is selected.
  • Dual parallel release stage with musical, highly history-dependent behaviour. Avoids use of multiple compressors in series.
  • Easy sidechain filtering options for common mixing situations.
  • Low CPU, fully 64-bit DSP code, making full use of SSE instructions. Insert on every track without a second thought.
  • Zero latency with lookahead off. With lookahead on, compensated latency of 1.5ms.
  • No phase shift: can be used in parallel.

https://jonvaudio.com/fircomp/

Analog Obsession LALA v2.1 VST VST3 AU WiN MACOS [FREE] 0 (0)

LALA

LALA update is ready to go with new features, improved DSP, alternative skins and more!

Features

– PEAK REDUCTION: Simply, it’s threshold setting. Will set you compression level.

– GAIN: Make up gain

– LIMIT: When you engage, it will work as limiter. Otherwise, it will react as compressor.

– EXT: External side chain option. You will still be to use sidechain filter with external sidechain.

– HPF: Will cut low end.

– MF / MG: – Will set sensitivity of compressor for mid frequencies.

– HF – Will set sensitivity of compressor for high frequencies (Enhanced version of original unit’s R37 setting)

– ANALOG OBSESSION LOGO: Oversampling. It will turn to red when oversampling is engaged. Also, show you a notification.

– POWER: Bypass button

Available Formats

VST/VST3/AU | Mac 10.9 – 11.X

VST/VST3 | Windows 7 – 8 – 10

VERSION 2.1 – 27.4.2021

– Fixed oversampling

– Fixed multi-instance audio drop

VERSION 2.0 – 24.4.2021

– Improved DSP with closer hardware finger-print

– 4x Oversampling Feature

– Retina/HiDPI

– Added Readout Feature for knobs

Special thanks to “Eugene Reznik” for GUI work!

Patreon

VariMoon by Analog Obsession – VST, VST3, AU (WIN / OSX) 0 (0)

VariMoon

Famous 600 Style Vari-Mu Compressor/Limiter with extra features!

Features

– Input Atten: -18 to +18dB range. Internally compensated input knob to drive circuit and get more or less compression.

– Release: 6 selectable release time with their own compression curves.

Position 1: 0.3sec

Position 2: 0.8sec

Position 3: 2.0sec

Position 4: 5.0sec

Position 5: 2/10sec (Auto-Release up to your signal)

Position 6: 0.3/10/25sec (Auto-Release up to your signal)

– DC Threshold: No confusion! It’s working like regular ratio. 2:1 to 10:1

– AC Threshold: No confusion, again! It’s working like regular threshold with 50dB range.

– OUTPUT: -18 to +18dB Make-Up Gain to compensate compressed signal

– MIX: Will let you blend compressed and dry signal.

– HPF: 20 to 500Hz HPF to keep low frequencies from sidechain circuit. So, compressor won’t touch to low-end.

– EXT-SC: This will let you use external signal to compressed input signal.

– BIG ORANGE BUTTON: Plugin Bypass

– ANALOG OBSESSION (LABEL): Oversample

Fixed Attack Time: 10ms

22/6/2021 – v5.0 Update

– Improved DSP and circuit design

– Added 4x oversampling

– Readout for knobs

– Redesigned GUI

– Catalina & Big Sur(Intel/M1) support

Available Formats

VST/VST3/AU | Mac 10.9 – 11.X

VST/VST3 | Windows 7 – 8 – 10

Patreon

Leo McCormack SPARTA v1.5.0 free VST audio plugin suite 0 (0)

SPARTA is a collection of flexible VST audio plug-ins for spatial audio production, reproduction and visualisation, developed primarily by members of the Acoustics Lab at Aalto University, Finland.

In particular, this release sees the addition of 9 new plug-ins:

– compass_binauralVR: essentially, this is the same as the compass_binaural plugin, except it also supports listener translation around the receiver position and multiple simultaneous listeners.

– compass_spatedit: a flexible spatial editing plug-in intended to be used with 2 instances. The first instance you make of the plugin will allow you to specify marker directions and it will output the beamformed signals, which you can then equalise/re-balance/modulate/swap/modify as you wish. These modified signals can then be routed to the second instance of the plug-in. The ambient components of the first plugin are then also sent internally to the second plugin instance. The edited sound-field is then reconstructed and outputted by the second instance of the plugin.

– compass_gravitator: a sound-field focussing plugin affecting only the direct sound components in the sound scene. It essentially pulls sound sources towards user defined marker directions with a certain degree of “gravitational pull”.

– hodirac_binaural: a parametrically enhanced binaural ambisonic decoder, based on the higher-order Directional Audio Coding (HO-DirAC) method

– hodirac_decoder: the loudspeaker decoder variant

– hodirac_upmixer: the ambisonic upmixing variant

– sparta_spreader: a source panner with coherent and incoherent source spreading options. While by default it loads HRIR data for binaural spreading, the approach is quite general; for example, you could also create synthetic microphone array recordings of spread sources if you wish, by simply loading a SOFA file of microphone array IR measurements instead.

– sparta_ambiRoomSim: a basic shoebox room simulator with Ambisonics output, based on the image-source method. Its main niche is that it supports multiple sources and Ambisonic receivers. The output audio for the receivers is stacked up to the 64 channel limit. e.g., you can have up to 16x1st order, 4x3rd order receivers, or 1x7th order receiver.

– sparta_decorrelator: a multi-channel signal decorrelator, which you can use to make reproduced sound scenes more diffuse when applied, e.g., after sparta_ambiDEC on the loudspeaker signals.

http://research.spa.aalto.fi/projects/sparta_vsts/

Linux_SPARTA_2021_04_22_v1.5.0

MacOSX_SPARTA_2021_04_22_v1.5.0.pkg

Win64_SPARTA_2021_04_22_v1.5.0

PajSoil EiS by Pajczur[win][mac][aax][vst3][au][x64][free] 0 (0)

PajSoil EiS is a side chain andnegative ratiocapable compressor designed especially for creative, experimental and exaggerated compression.

Although it’s light it still has key features from classic pajSoil, like negative ratio, zero attack and release times, feedback compression, look ahead slider or side chain filters. It’s still high quality and versatile audio compressor with all features that modern compressor should have, but with lighter GUI and less CPU load.

With its ability of unbelievable deep negative ratio (up to -0.1) you can easly achieve nice ducking effect and other fascinating results.

With zero attack/release times mixed with unique lookahead functionality, you can destroy your sound in really creative way. Short times mixed with negative ratio also can introduce unexpected effects on drums elements.

PajSoil EiS also allows for:

  • Glue style compression on mix bus or master track.
  • Gentle and invisible levelling for guitars or synthesizers.
  • Up to face vocal compression.


PajSoil EiS compressor introduces many unique features like:

  • Unbelievable deep negative ratio – up to -0.10.
  • Extremely short times (up to total zero )of attack and release.
  • Look ahead option provided by new, sophisticated and unique algorithm that calculate
  • Signal volume in run time, and apply gain reduction gradually.
  • Low cut side chain filter.
  • Parallel compression thanks to mix knob.
  • Ability to choose external side chain signal.
  • And many more modern features…

https://pajczur.com/pajsoil/

pajSoil_EiS_WIN

pajSoil_EiS_OSX AU

pajSoil_EiS_OSX

MGATE-MULTI by Mogwai Audio Tools 0 (0)

MGATE-MULTI is a versatile multiband gate plugin with intuitive visual display controls, that offers up to six bands of separation.

Furthermore, each band is provided with the following functionality:

  • Add/remove frequency bands by hovering over the top of the visual display until a ‘+’ button appears. Click on this button at the desired crossover location. A band can be removed by clicking on the ‘x’ button on the crossover that appears before the band to be removed.
  • LOOKAHEAD can be activated to add a small amount of delay to the sidechain signal to deal with fast attack signals.
  • Adjust the gate by using the THRESHOLD, RATIO, ATTACK and RELEASE knobs. Adjust the output gain by using the GAIN knob.
  • Each band can be deactivated, bypassed or soloed by using the buttons at the top right of each band. Additionally, the frequency bands can be adjusted by dragging the crossovers in the visual display. Additionally, the output gain can be adjusted in the visual display. The A-B functionality can be used to compare and select desired settings. A good selection of presets are provided as a starting point.
Additional features:
  • Global output controls including gain, wet/dry mix and bypass. Use the ‘BAND|OUTPUT’ toggle to switch control views.
  • Compare and select desired settings by using the A-B functionality.
  • A selection of presets are provided as a starting point.

Tiny Comp by EXE Consulting 0 (0)

 

Compressor pedal emulator with compression, expansion, limiting, and gate modes. Has sidechain capability for ducking compression from sidechain signal, and sidechain signal can be filtered before application to allow a selected peak frequency with a selected Q to be used for compression.

Single channel, Left or Right.

The GUI is resizable: Tiny, Small, Medium, Normal, Large, and Giant.

Made using RackAFX.

This pedal emulator is based on the work of Will Pirkle as described in the earlier edition of his book on Audio Effects.

http://www.execonsultingtx.com

tinycompv0010_vst3_x64