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3Sampler it’s a simple and easy-to-use sampler for those who want to save their resources using only three samples. Provides unique stereo dynamics.
Use 3Sampler where you only need three samples.
Three boxes with a visual audio profile for samples. You can use YSampler for five samples.
Easy allocation for notes range and root note.
Graphical visualization for each note played by velocity and time.
Note position view.
Attack and Release.
The possibility of multiplying the semitones interval – unique feature. For example, if we set this multiplier to 12 and the root note value is C4, we will get the C5 value if we play the C#4 key. If you want to set subunit or decimal values, use YSampler.
Pan position setting.
Pan alternate – a unique and very useful feature which give you dynamics of stereo to your music. For example, if we set pan position to 90% and activate the alternating pan, the first key played will be 90% to right and the next 90% to left.
Reverse and loop buttons.
Can be used for drums, pluck, keys, leads and pads.
Can upload sfz files with a maximum of three samples. Available directives:
lokey=(12-127 or string like C2) – only in
pitch_keycenter=(12-127 or string like C2) – only in
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Value input by key: over to any knob and right click, insert value by key then hit enter
Also click left on the note to change its value by key.
Set default value: double click on the knob.
DAW (VST host), Windows 32/64-bits or MacOS VST and AU.
Throughout the years, I’ve owned several guitar amps with built-in spring reverb, and I’ve always loved that twangy, metallic sound. Spring reverb in electric guitar amps works by taking the signal from a guitar’s pickups, amplifying it, passing it into one end of a long coil, picking it up at the other end, and then amplifying that signal some more. Because the internal coil is long and twisty, the sound waves don’t travel directly from one end of the reverb tank to another, but instead take their time and bounce around. This produces the characteristic reverb effect we’ve all come to know and love.
I’ve always wondered what a violin would sound like if it were subjected to a similar treatment. Of course, an acoustic violin is a bit more analog than an electric guitar – there is no pickup – which raises the question: what if you were to attach the spring directly to the body of the instrument you were trying to add reverb to? After seeing a Simon the Magpie Youtube video in which Simon attempted a similar experiment on his acoustic guitar, I knew exactly what I had to do. You can watch my experiment unfold in the video linked above.
(And yes, I’ve since replaced the slinky I stole from my son.)
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