Beatzille: little monster
Beatzille is a compact version of our monster modular synthesizer Bazille. Although its condensed feature set makes it the ‘little brother’, Beatzille is still an engaging and capable synthesizer. Power and style run in the family. Digital oscillators, analogue-style filter and flexible patching will keep you busy for a good while before thinking about tackling Bazille.
Features:
• Modular architecture
• 2 digital oscillators with simultaneous frequency modulation (FM), phase distortion (PD) and fractal resonance (FR)
• Polyphonic (up to 8 voices), duophonic (split oscillator pitches), legato or retriggered monophonic
• Pitch transpose, drift and glide control
• 1 multimode analogue-style filter with 6 parallel outputs (4× lowpass, bandpass, highpass)
• 2 ADSR envelopes with sustain slope (fall/rise) and 5 trigger modes
• 1 LFO with 3 parallel outputs with various waveforms
• 16-step sequencer with 8 morphable snapshots. 4 output sockets for parallel sequences, envelope triggers and more
• 2 multiplex units for mixing, crossfades, ring modulation or amplitude modulation
• Built-in stereo delay with tape wow, feedback and damping filters
• 1 mapping generator (waveshaper / incrementer)
• Audio-rate signal processors: inverter, rectifier, sample & hold, dual lag generator and quantizer
• White and pink noise generators
• MIDI modulation sources include modwheel, velocity, breath, pressure, key follow, gate and more
• Single-page interface
• Skinnable UI
• Resizable UI from 70% to 200%
• Global preferences page
• MIDI learn overlay and editable MIDI CC list
• Over 160 factory presets
• NEW in v1.0.2: Support for Oddsound MTS-ESP
Small and mighty
Striking the balance between too much and too little, Beatzille is the happy medium. It presents an introduction to modular synthesis and a taste of the power of Bazille without being overwhelming.
Oscillators
Beatzille’s oscillators embrace two digital synthesis methods developed during the 1980s: frequency modulation (FM) and phase distortion (PD). We also added a process we call fractal resonance (Fractalize), which sounds similar to the classic oscillator sync effect when swept.
All three synthesis methods run simultaneously, so you can combine them to create an extensive range of sounds. Beatzille is great at generating weird modular blips and squeaks, but you can even coax soft pads and organic keys from the oscillators—as demonstrated by the factory library. Add modulation for even more sound possibilities.
Filter
The filter is a favourite in the sound designer’s toolkit. Cut frequencies, boost others, add texture and colour. Beatzille’s analogue-style filter complements the digital oscillators, providing warmth and drive. And its self-oscillation capability opens up some intriguing sound design opportunities.
Even with a single filter Beatzille offers plenty of creative horizons. The six parallel outputs (highpass, bandpass and four types of lowpass) with multiple modulation options make it easy to create complex, shifting textures.
Delay
Beatzille has only one built-in effect, but it’s good one: stereo delay with optional host sync. Push your sound around in space with independent delay times and volumes for each channel. Conjure ghostly echoes using tape-like wobble and filtering or set up endless repetitions. Tweak all controls to find the perfect delay.
Release notes:
Beatzille 1.0.2 (revision 12092)
Native M1 ARM support
Improvements:
• Native support for Apple Silicon chips (M1)
• macOS Big Sur compatibility
• Improved GUI performance
• Support for Oddsound MTS-ESP
• Improved handling of junction links on Windows
• VST3 support added
• Improved preset browser
• Improved soundset installation
• Pitch Bend range now +/-48
• Minor GUI fixes/tweaks
• Various Mac and Windows installer improvements
• System info displayed in GUI (revision, OS, plugin format)
• Hold pedal behaviour improved (0-63 = off, 64-127 = on)
• Ctrl A/B replaces fixed Breath and Expression modulation
• Changed how LFO Wave and LFO Phase influence envelope triggeringFixed Bugs:
• Fixed multiple sequencer issues
• Fixed multiple issues with envelope triggering via LFO and sequencer
• Fixed notes starting on same time stamp but different MIDI channel might not play
• Fixed LFO in sync mode being too slow on its first cycle
• Fixed mapping generator not updating instantly
• Fixed multiplex potentially killing audio output
• Fixed crash when loading script presets (e.g. Randomizer)
• Fixed rare crash on project reload
• Fixed audio clicks when switching presets
• Various small fixes and improvementsKnown Issues:
• Context menus need plugin focus to work (Apple issue)
• Cable style “natural” can cause GUI glitchesSpecial Notes:
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinuedThe Windows installer was improved to prevent common installations issues. Please check the suggested installation paths during installation, making sure the update is installed into the same location as the previous version, and all installed plugin formats are being updated.
Envelope triggering via LFO and sequencer was reworked in order to fix multiple bugs in this area. This means some presets might not sound as intended anymore. We therefore recommend to finish ongoing projects before updating to the new version. Please refer to the “Patch Conversion Tips” file to get more info on how to adjust your presets.
Zebralette: easy spectral synth
Zebralette is our version of a Trojan horse. A free synthesizer and an introduction to Zebra2’s fantastic oscillators. Perhaps it will persuade you to try Zebra2 and upgrade. If one oscillator is this powerful, imagine what you can achieve with four… and all the other great features available in Zebra2.
Features
• A single Zebra2 oscillator with a 16-slot waveset. Read more below
• Oscillator waveform editing with geomorph, spectromorph, geoblend and spectroblend modes. Read more below
• 24 spectral effects including filter, sync, scatter, phase distortion and many more
• Polyphonic (up to 16 voices), monophonic and legato modes
• Stereo VCA with pan and volume modulation
• VCA oscillator stacking with adjustable stereo width: single, dual, quad and eleven modes
• ADSR envelope with fall/rise (sustain slope) and velocity controls
• Modulation options including: modwheel, velocity, pressure, breath, key follow, gate and more
• 2 LFOs: one global, one per voice
• A 32-stage MSEG (multi-stage envelope generator)
• 3 built-in effects: chorus/phaser, EQ, delay
• MIDI learn / unlearn of hardware controls (CC)
• Polyphonic aftertouch support
• 300 factory presets
• Scalable UI from 70% to 200%
• NEW in v2.9.3: Support for Oddsound MTS-ESP
What is a Zebralette?
-ette: an English suffix indicating a diminutive form
Zebralette is an introduction to Zebra2’s powerful oscillators. Zebra2 can seem overwhelming at first glance, so we stripped it down to a single oscillator plus a few other features and created Zebralette, the little Zebra. Once you master Zebralette you can move up to Zebra2 with confidence. And your presets can come with you, as Zebralette presets can be opened in Zebra2.
But more than a teaching tool, Zebralette is an incredible sounding synth in its own right. Surrounding Zebra’s spectral oscillator with a few core modulation options and effects make Zebralette highly capable. With unsion options (think supersaw, but Zebralette is not limited to saw waves, so we refer to it as superwave), 16 voice polyphony and two different envelopes, you have everything needed to create some marvellously complex sounds.
Diminutive? Yes. Powerful? Yes.
Zebra oscillator
One oscillator may not seem like enough for a synthesizer, but Zebra2 oscillators are rather powerful and clever.
It resembles many other oscillators you may have used. You can choose a waveset from the included library, or use the waveform editor to draw your own shapes. Here is where things start to get interesting: The Waveform Editor manages up to 16 different waves and lets you rearrange, duplicate and morph between individual waves. Use one of modulation sources and the WaveWarp control to scan through the 16 waves and create unusual, dynamic sounds.
There are four drawing modes: GeoMorph, SpectroMorph, GeoBlend, SpectroBlend, each offering a different approach to creating and manipulating waveforms.
Using the two Geo modes you draw the waveform shape using up to 32 points, while the Spectro modes let you create the harmonic spectrum over 128 columns. When using WaveWarp to scan through the waveset, Morph alters the waveform, whereas Blend blends (crossfades) between adjacent waves.
Requirements:
• Apple OS X 10.9 or newer
or
• Windows 7 or newer
or
• Linux
Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer
Formats
Zebralette is not a standalone product, it requires host software. Zebralette is compatible with nearly all DAWs.
macOS:
• AUv2, VST2, VST3, 64-bit only
• temporarily no AAX (read more)
Windows:
• VST2, VST3, AAX*
• 32-/64-bit
* AAX requires Pro Tools 10.3.7 or later
Zebralette 2.9.3 (revision 12092)
Native M1 ARM support
Improvements:
• Native support for Apple Silicon chips (M1)
• Improved GUI performance (Mac only)
• Support for Oddsound MTS-ESP
• Improved handling of junction links on Windows
• Preset list scroll direction preferenceFixed Bugs:
• Fixed some old Zebralette presets not loading in Zebra2
• Fixed multiple things in preset browser
• Fixed crash when loading script presets (e.g. Randomizer)
• Fixed rare crash on project reload
• Fixed audio clicks when switching presetsKnown Issues:
• Context menus need plugin focus to work (Apple issue)Special Notes:
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinued
Protoverb: prototype reverb
A natural sounding reverb based on the concept of a room simulator. Protoverb is an experimental researchware plug-in, developed to aid our research. Download and use it for free.
Feel it in the air
What is Protoverb?
Protoverb is an experimental room simulator reverb. Most algorithmic reverbs try to avoid resonances or model the reflections of sound from a room’s walls. Protoverb does the opposite. It builds up as many room resonances as possible, modelling the body of air in the room. No need to modulate or colour the signal. The result is a very natural sounding reverberation with interesting characteristics:
• Notes held for a longer time tend to build up resonance, as if the air takes a while to get excited
• Multiple instruments remain distinct, without disappearing in a wash
• When you play a short melody, the room seems to repeat a ghost echo of that melody
Random
The text box at the bottom of Protoverb’s interface contains a text string made up of two random parts. The first half dictates the network structure, strategies for spatial layout and distribution of delay taps, strategies for finding useful delay lengths and so on. The second half is a seed for a pseudo-random number generator—used to set various parameters such as the average delay length, which prime number to choose (if any) etcetera.
You can either edit the text, or randomise each part independently using the buttons below the text box.
Requirements
• Apple logoMac OS X 10.9 or newer
or
• Windows logoWindows 7 or newer
or
• Linux logoLinux
Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer
Formats
Protoverb is not a standalone product, it requires host software. Protoverb is compatible with nearly all DAWs.
macOS:
• AUv2, VST2, VST3, 64-bit only
• temporarily no AAX
Windows:
• VST2, VST3, AAX*
• 32-/64-bit
* AAX requires Pro Tools 10.3.7 or later
Protoverb 1.0.1 (revision 12092)
Native M1 ARM support
Improvements:
• Native support for Apple Silicon chips (M1)
• macOS Big Sur compatibility
• Improved GUI performance
• Improved handling of junction links on Windows
• Preset browser added
• Minor GUI fixes/tweaks
• Various Mac and Windows installer improvements
• System info displayed in GUI (revision, OS, plugin format)Fixed Bugs:
• Fixed low level input signals potentially scratching on left channel
• Fixed crash in Bandlab Cakewalk when reloading a project using VST3
• Fixed rare crash on project reload
• Fixed audio clicks when switching presets
• Various framework fixes and improvementsSpecial Notes:
• Presets can only be saved in the user folder section
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinuedThe Windows installer was improved to prevent common installations issues. Please check the suggested installation paths during installation, making sure the update is Installed into the same location as the previous version, and all installed plugin formats are being updated.The factory preset library has been cleaned and sorted for this update. Files are replaced automatically on Mac.
Windows and Linux users, please consider removing the factory library folder before running the update installer.
The VREV-666 is a very rare spring reverb from the 1960s that was first designed to alter the apparent acoustic properties of listening environments. Originally built for the BBC, this compact studio legend oozes the typical rich, bouncy, and unpredictable vibe of a true electromechanical reverb in a very authentic way
Our entire line of products is fully compatible with the VST, VST3, AAX and AU plugin formats and runs on Mac OS and Windows.
https://fuseaudiolabs.com/#/pages/product?id=301009892
Obvious Filter turns any input sound to rhythmical sequence, using a morphing filter sequencer, with numerous modulations options.
The 10 resonant filters emulate well-known analog circuits, with unprecedented response quality and depth.
5 Soundbanks (40 Sounds) für den RMI Harmonic Synthesizer von Tom Saouz
Das Original (RockyMoutainsInstruments HarmonicSynthesizer) von 1974 war sehr selten. Nur 250 Stück wurden je produziert und einsame 4 Stück insgesamt in Europa verkauft.
Bekannteste User waren u.a. Jean-Michael Jarre oder Klaus Schulze, Aphex Twin……
Das RMI Harmonic VSTi ist eine gelungene Emulation und kann durchaus einige der spezifischen Sounds des Originals wiedergeben. Es verfügt jedoch über u. a. keinen Arpeggiator, Sequencer, Portamento und ist nicht in Mono.
In den Soundbänken findest Du einige “gewaltige” Additiv-Padsounds, Vocal-artiges, einige Keyboard- und Glockenklänge, sehr gute Orgeln, einige SFX, Additive Soloklänge, Sequenzer-Stoff und so einige Retroklänge der 70er Ära.
Zu entpacken sind 5 Fxb-Bänke mit jeweils 8 Sounds (40 Sounds insgesamt).
5 Soundbanks (total amount of 40 Patches) for the RMI Harmonic Vsti by Tom Saouz
The Original was a very rare (only 4 units were sold) and special Synthesizer – a real gem in Additive Synthesis.
It was used by Jean-Michel Jarre and Klaus Schulze, for example.
The RMI Harmonic VSTi is an accurate emulation and could produce some of the original sounds (without the original sequencer).
In my soundbanks you can find huge additive pads, Vocalsounds, some Keys and Bells, many Sequencer-Food, some SFX, for sure really good organs, Additive Leads and a lot of retrosounds from the 70s.
There are 5 banks (8 sounds pro bank) with a total amount of 40 Patches.
Unbedingt vorher mal ins Sounddemo lauschen – somit, was man mit den Klängen anstellen kann. Im Demo verwendet wurden ausschließlich Klänge aus den Soundbänken (außer den Drums) und wurden eingespielt ohne Verwendung externer Effecte (außer einem Sequencer).
Have a good listen to this sounddemo – it shows, what these sounds are made for. Only sounds from the banks were used in this demo (except the drums) and played without the use of external effects (except a sequencer).
Demo:
For download the banks you have to register in the forum – it´s free!
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