Analog Obsession STEQ v3.0 VST VST3 AU WiN MAC [FREE] 0 (0)

STEQ

STEQ is based small format console eq from well known tape machine brand.

FEATURES
Easy to use coloration eq with variable frequency (150Hz – 7kHz) on Mid band and fixed High (10kHz) & Low (80Hz) shelf.
Also, included one knob optical compressor.
Each modules have their own bypass. When you bypass EQ and Compressor, preamp section will be still active. So, you can use it as line preamp.
Simple but effective channel strip for you!
First one in native format!

Available Formats
VST/VST3/AU | Mac 10.9 – 11.X
VST/VST3 | Windows 7 – 8 – 10

Version 3.0
– Improved DSP and circuit design
– Added 4x oversampling
– Readout for knobs
– Redesigned GUI
– Catalina & Big Sur(Intel/M1) support

Patreon

Analog Obsession AMPER v2.0 VST VST3 AU WiN MAC [FREE] 0 (0)

AMPER

AMPER

Here is AMPER!

Mid/High gain metal amp for metal guitarist.

But, AMPER is little different than other metal amps. There are 2 different drive section. Sections are not parallel. Connected series.

Volume1 controlling pre-gain tube distortion before main pre-amp which is controlling by Volume 2.

Think like you have distortion pedal before your amp. But this drive modeled from tube amp distortion. Mid gain range to boost main pre-amp.

Tone control section based Sol**** amps.

Also, there is pre-tone shaper before preamp. Carefully designed for metal guitar to keep amp from annoying frequencies.

Hope you like!

v2.0 Update

– Improved DSP and circuit design

– Readout for knobs

– Catalina & Big Sur (Intel/M1) support

Available Formats

VST/VST3/AU | Mac 10.9 – 11.X

VST/VST3 | Windows 7 – 8 – 10

Patreon

DRUID BASS X2 by AGL VST Customs 0 (0)

DRUID BASS para web_JPG

DRUID BASS X2 it is a VST3 format plugin guitar multi-effect for Windows 64-bits..

Combines five essential effects for bassists in a rack chain:

PREAMP.

Emulation of a bass preamp with 6 bands EQ.

DISTORTION.

Drive control of a typical valve amplifier adding a distortion. In addition have the color control to creates different flavors of sound.

MODULATION.

Gentle and deep chorus and flanger effects.

Creates a wide and rich sound with stereo output.

COMPRESSOR.

Compressor effect with threshold, attack, ratio and gain controls.

Attack allows to creates a slow attack effect as a bow style.

REVERB.

Stereo spring reverb emulation.

In addition there is a noise gate, input and output level controls with VU meters.

GoogleDrive

DRUID X2 by AGL VST Customs 0 (0)

druid_x2_for_web

DRUID X2 it is a VST3 format plugin guitar multi-effect for Windows 64-bits.

Combines five essential effects for guitarists in a rack chain:

PREAMP

Emulation of a guitar preamp with 6 bands EQ.

DISTORTION

Drive control of a typical valve amplifier adding a distortion. In addition have the color control to creates different flavors of sound.

MODULATION

Gentle and deep chorus and flanger effects.

Creates a wide and rich sound with stereo output.

DELAY

Stereo delay with Feedback and Mix controls.

REVERB

Stereo spring reverb emulation.

In addition there is a noise gate, input and output level controls with VU meters.

https://aglangman.wixsite.com/aglvstcustoms2/coming-soon-02

Analog Obsession PREDD v1.0 VST VST3 AU WiN MAC [FREE] 0 (0)

PREDD

PREDD

Vintage Mic Preamp / DI

Features

– MIC/DI : Will select input section. Mic preamp or DI input.

– PAD : -20dB PAD. Fully gain compensated.

– POLE : Phase invert

– VOLTAGE GAIN : Selectable main gain knob. Fully gain compensated.

– FINE GAIN SET : Variable +/- 5dB gain for fine settings. Fully gain compensated.

– OUTPUT : Main output knob.

– RUMBLE FILTER : 20 to 180Hz Highpass Filter.

– HF : 10dB high boost

– ANALOG OBSESSION : Oversampling

Available Formats

VST/VST3/AU | Mac 10.9 – 11.X

VST/VST3 | Windows 7 – 8 – 10

Patreon

Analog Obsession Room041 v1.1 VST VST3 AU WiN MAC [FREE] 0 (0)

Room041

First reverb plugin by Analog Obsession!
Not 1:1 modeling based on any device (it’s room reverb plugin) but it has features like famous plate reverb!

Features
Preamp Section

DRIVE: +/-24dB input drive based on tube based reverb line input. Possible to get really dirty or clean reverb!
HPF: Pre-Filter 20 to 100Hz

Reverb Section

Stereo Sep.: Mono to Stereo stereo seperation
Pre-Delay: 0 to 250ms
Decay: 0.1 to 6 sec

Post Eq Section

Low: 20Hz to 2kHz with +/-24dB
High: 200Hz to 20kHz with +/-24dB

Master Section

DRY & WET: 0dB to inf

UPDATE VERSION 1.1 / 21.9.2021

– Added gain compensated DRIVE

Patreon

Analog Obsession Room041 v1.0 VST VST3 AU WiN MAC [FREE] 0 (0)

Room041

Room041

First reverb plugin by Analog Obsession!

Not 1:1 modeling based on any device (it’s room reverb plugin) but it has features like famous plate reverb!

Features

Preamp Section

DRIVE: +/-24dB input drive based on tube based reverb line input. Possible to get really dirty or clean reverb!

HPF: Pre-Filter 20 to 100Hz

Reverb Section

Stereo Sep.: Mono to Stereo stereo seperation

Pre-Delay: 0 to 250ms

Decay: 0.1 to 6 sec

Post Eq Section

Low: 20Hz to 2kHz with +/-24dB

High: 200Hz to 20kHz with +/-24dB

Master Section

DRY & WET: 0dB to inf

Available Formats

VST/VST3/AU | Mac 10.9 – 11.X

VST/VST3 | Windows 7 – 8 – 10

Patreon

 

STR-X by Arboreal Audio 0 (0)

The STR-X was built to be a simple but powerful, digitally-oriented guitar amp, one which isn’t based off of any pre-existing analog models. Tonally, it is capable of high gain, modest crunch, and cleaner tones with some added heat.

Mode: The Mode control in the center of the amp changes the crossover point that feeds the pre-amp distortion (after the “X” pedal-style distortion). Normal will give you a solid low-end, with retained clarity in the mids and highs even when cranked. Thick drops the crossover point lower, resulting in greater intermodulation of the distorted signal, and a fuzzy tone ready for a sludge or doom sound. Finally, Open separates all of the low-end from the mids and highs for a tight and bright tone, perfect for fast palm-muted playing or any situation where the low-end of the other two modes might be excessive.

X: This mysterious knob works like a one-knob distortion pedal (inspired by the Ibanez Tube Screamer), with filters that focus the tone on the mid-range the further it’s driven—good for an extra bump before the amp, dialing in a lead tone that cuts through everything else, or for tightening the bass on Thick mode while still remaining truly Thick.

Gain: This is the pre-amp drive section, ranging from not-quite-clean to a heavy wall of distortion. At high gain, the texture varies significantly, depending on the Mode used. This stage generates asymmetric distortion and both even and odd harmonics.

Master: This knob provides the output gain of the amp, with added distortion as well. Although not claiming to emulate any particular type of tube, it does generate the symmetric, odd-harmonic distortion you’d expect from pentode tubes. With low pre-amp gain, you can use this knob to dial in fairly clean tones down low, and bright crunch up high.

New In v1.1::

  • Mac OS X Catalina/Big Sur and M1 Mac Support.
  • 4x oversampling with option for higher-quality, linear phase oversampling when rendering.
  • “De-kinked” preamp distortion algorithm for more accurate asymmetrical distortion.
  • Expanded range of tone controls.
  • Allow option for using v1.0 tone controls.
  • Fully resizable GUI (VST3 only).

https://arborealaudio.com/2021/07/11/str-x-v1-1/

CHANNEV by Analog Obsession 0 (0)

Here is CHANNEV!

Ultimate channel-strip with Mic Preamp, De-Esser, Line-Amp, 4 band equalizer, Compressor, Limiter and Tape Saturation!

Features

– Simple trim screw on preamp section will set input level.

– Mic preamp with 60dB Virtual Gain, PAD, and Phase Invert. Also, Pre-EQ (Low Shelf/High Shelf) and HPF/LPF.

– De-Esser with Bell and Soft options. It will help you to tame highs!

– 4 Band 81 Style Eq with variable frequency instead limited selectable frequencies. While Low and High bands have bell option, mid bands have Hi-Q option. Also, included Post-Filter same as Pre-Filter.

– Limiter and Compressor based on 2264 but now totally independent and each has its own external side-chain.

– Latest module is Tape Saturation. It will help you add tape saturation and glue overall signal.

– Fixed 2X light oversampling to keep CPU lower

You can see “ROUTING” to understand signal-chain.

Available Formats

VST/VST3/AU | Mac 10.9 – 11.X

VST/VST3 | Windows 7 – 8 – 10

VERSION 1.2 – 9.7.2021

– Added input trim

– Minor bug fixes

VERSION 1.1 – 8.7.2021

– Fixed Limiter Dry/Wet knob

Patreon

DDMF phi-L Audio Tube Preamp v2.0.2 x64 x86 VST VST3 AU AAX WiN MAC [FREE] 0 (0)

What is it?
This tube preamp emulation has been developed Philipp Bulling as a thesis work. Philipp has been offering the plugin in VST format for some time on his own website. He has now moved on to new areas for some time already but didn’t want to let down his users. Hence, DDMF took over the code and will continue to offer the plugin as freeware, with the intent to further improve it and maybe add some more bells and whistles in the future.

The plugin is very unique in the sense that it gives you full control over all aspects of the modelled circuit. All values of all the capacitors, resistors etc. can be tuned by the user. Here is what Philipp had written on the original page.

AbstractSince the sound of an analogue tube amplifier has always exerted a strong fascination, electrical circuits with tubes play a certain role in the world of audio engineering up to now. On the other hand, audio technology becomes more and more digitised. In many cases, digital models emulate real devices in such a way that differences in sound are hardly audible. In this work a model is developed which is able to emulate the typical sound of a tube amplifier on digital devices. Here the main focus is on preamplifiers with triodes, since they have a particular influence to the sound.

Based on the physical properties of real tubes, a tube model is developed first. This mathematical model includes results of theoretical studies as well as analysis of data sheets. The model is then used to implement an entire amplifier circuit. In addition to the tube itself amplifier circuits contain several passive elements. In the domain of digital signal processing the latter are described by finite difference equations, which are solved recursively.

The resulting algorithm is finally implemented as an audio plugin in order to examine its tonal properties. The behavior of the digital model corresponds satisfactorily to real amplifier circuits. Important sound effects of analogue tube amplifiers can also be attested to the digital model.

Diode modelThe first step was to develop a triode model, based on the characteristic curves of real tubes. In theory, the characteristic curve of a vacuum tube is described by Langmuir-Child’s law. However, it was quickly realised that compared to real tubes, this law is not accurate enough. So a new model has been developed. This model describes a triode as a mathematical function. With the model, it is possible to compute the plate voltage (Upc) as a function of the grid voltage (Ugc), depending on the working resistor (Ra) and the supply voltage (Ub).

The following graph shows this function for a 12AU7 triode with Ra = 10k and Ub = 250V:
DDMF phi-L Audio Tube Preamp v2.0.2 x64 x86 VST VST3 AU AAX WiN MAC [FREE] screenshot
Circuit modelingBased on this model, a plate follower stage was implemented.
DDMF phi-L Audio Tube Preamp v2.0.2 x64 x86 VST VST3 AU AAX WiN MAC [FREE] screenshot
Cathode biasingIn this circuit, cathode biasing is used to adjust the bias point of the tube. This is realised by a resistor (Rc) and a capacitor (Cc), placed between the cathode and ground. The effect of cathode biasing can then be modeled by a simple first order RC low pass filter, with Ic*Rc being the input of the filter, and the cathode voltage (Uc) being the output.

If the input signal jumps for example from 0 V to 5 V, the cathode voltage follows quite similar to the step response of a RC-low pass filter:
DDMF phi-L Audio Tube Preamp v2.0.2 x64 x86 VST VST3 AU AAX WiN MAC [FREE] screenshot
Signal limitingThere are two reasons for signal clipping in this circuit. The first one is caused by the tube itself. If there is a high peak at the negative half-wave of the input signal, the tube can’t amplify the signal anymore since the flow of current is completely cut-off. Thus, the positive half-wave of the output is clipped. This effect can be intensified by a more negative bias point.

Here the bias point of an 12AU7 is at around -12 V:
DDMF phi-L Audio Tube Preamp v2.0.2 x64 x86 VST VST3 AU AAX WiN MAC [FREE] screenshotThe second reason for clipping is caused by grid current. High peaks of the positive half-wave of the input signal make the grid voltage positive compared to the cathode voltage. In this case electrons are attracted by the grid. The grid current causes a voltage drop at the internal resistance of the previous stage, which limits the input signal. The following figure shows the effect. The grid voltage is obtained by shifting down the input signal (Uin) by the cathode voltage (Uc). In the upper picture the maximum grid voltage (Ugc) is ~ 0 V compared to the cathode. Hence, there is no grid current. In the lower picture the input signal has an amplitude of 10 V. At the positive peaks of the input signal the grid voltage rises above 0 V (compared to the cathode). The grid current begins to flow and clips the grid voltage.

https://ddmf.eu/phi-L-Audio-Tube-Preamp/

DDMF.phi-L.v2.0.2