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Acon Digital Multiply is a free and versatile chorus effect with a unique twist. Each simulated voice is processed with a phase randomizing filter so that unpleasant comb filter effects are avoided. The effect can be used to simulate the effect of several performers playing the same tones simultaneously, to widen the spatial image or to create special effects for sound design. Multiply can simulate up to 6 additional voices and both the pitch and the loudness of the voices can be modulated. There is also an integrated equalizer consisting of low cut, low shelf, high shelf and high cut filters that can be applied to the effect signal. An integrated pre-delay section makes it possible to create modulated and diffuse echo effects.
Platforms and Plug-in Formats
Available as VST or AAX plug-ins on PC (Windows)
Available as VST, AAX or AU plug-ins on Apple Macintosh (OS X)
Native 32 bit or 64 bit versions of all plug-ins are available
Supports sampling rates up to 96 kHz
Mono and stereo (true stereo processing)
Acon Digital Multiply
Chorus effect with up to six separate voices
Randomized phase filters in order to avoid comb filtering effects while keeping delay times short
Integrated equalizer for the effect signal
Graphical visualization of equalizer frequency response
Undo and redo parameter changes
Save, load and categorize user presets
PC Version (Windows)
Windows 10 / 8 / 7
Intel Core i3 or AMD multi-core processor (Intel Core i5 or faster recommended)
1366 x 768 display resolution (1920 x 1080 or higher recommended)
1 GB RAM (4 GB or more recommended)
1 GB free HD space
A host application that is compatible with (32 bit or 64 bit) VST , VST3 or AAX (Pro Tools 10.3.5 or higher)
Macintosh Version (macOS)
macOS / OS X 10.8 or later
1 GB RAM (4 GB or more recommended)
1 GB free HD space
A host application that is compatible with (64 bit) AU, VST, VST3 or AAX (Pro Tools 11 or higher)
Caution: Each preset has its own MIDI assignment. If you make a MIDI assignment you need to save the preset. Otherwise, the MIDI assignment you’ve made will be lost as soon you change the preset. If you want to make your own presets with the same MIDI assignments, you can do it by assigning MIDI controls to the Initial preset, saving a copy of it, and using it as a template for your sounds.
TAL-NoiseMaker is an improved version of TAL-Elek7ro and has a completely new synth engine and a lot of improvements in sound and usability. The synth also includes a small effect section with a reverb, chorus and a simple bit crusher effect.
A display shows the knob and slider values. This allows more control over the synth. A ringmodulator and a syncable triangle are also part of this synth. TAL-NoiseMaker includes new filter types as the self resonating 6dB low pass and a notch filter. Its improved amplitude ADSR is very suitable for slow pads as for really fast envelopes. 128 factory presets included, 80 made by Frank “Xenox” Neumann / Particular – Sound
Osc 1, +- 24 semitones, fine tune, phase control (saw, pulse, noise).
Osc 2, +- 24 semitones, fine tune, phase control (saw, rectangle, triangle, sine).
Sub Osc (rectangle).
Osc 1 PM for pulse waveform.
Osc 2 FM controled by Osc 1.
Osc 1 & Osc 2 sync to sub osc (saw, pulse, rectangle, triangle(bipolar sync)).
Adjustable master tune and transpose.
Up to 6 voices.
Portamento in mono and poly mode (off, auto, on).
Ringmod modulates Osc 1 with Osc 2
Self resonating 4x oversampled filters (24 dB LP, 18 dB LP, 12 dB LP, 6 dB LP, 12 dB HP, 12 dB BP, Notch)
Filter ADSR (negative and positive)
Routable ADSR, modulates Filter, Osc 1, Osc 2, PW, FM (negative and positive)
2 LFO’s with different running modes: free, sync to host, triggered by note.
Modulates filter, osc 1, osc 2, fm, pw, lfo rate, panorama and volume.
Sine, triangle, saw square, s&h, noise.
Positive and negative modulation.
Adjustable Velocity dependent control over volume filtercontour and cutoff.
Adjustable Pitch Wheel control over Cutoff and Pitch.
One pole HP filter.
Detune, detunes notes randomly.
Juno chorus with different modes.
A built in reverb.
A built in delay.
Adjustable filter drive.
Bitcrusher, affects osc 1 and osc 2. Its a pre the filter stage effect.
Swamp XT is a timbre modulation synthesizer. It can create unique sounds from clear & harsh metallic sequenced sounds to soft & wide modulated Pads. This is achieved by modulating the timbre on the oscillator level.
Swamp XT features ‘Timbre-modulation’: It processes each oscillator’s waveform in a very unique way by changing (i.e. enriching or limiting) the harmonic spectrum making the sound fatter, wider or narrower, right down to nearly dissolving it to some kind of distorted noise, depending on the input wave.
While the original Swamp had an oscillator routing to balance its output between normal (i.e. direct signal) and timbre modulated signal, which could each be balanced to go to direct out or to filter, this has been simplified in Swamp XT: direct und timbre modulated signal can be balance mixed to one signal and the output of both oscillators can be balance mixed too. While the direct and filtered signal can be balanced at the amplifier stage of Swamp XT.
Swamp XT delivers a wide variety of sounds – including some really strange and weird.
2 digital oscillators running at a time to be selected from:– 2 PCM wave oscillators powered by 128 different waveforms.
– 2 additive wavetable generators to create various waves from up to 31 partials.
1 resonant filter (24db Lowpass).
4 ADSR-style envelope generators.
X-Torsion, one Spook effect, one Gator (Gater) effect.
The thinking behind the synth is to emulate the early single oscillator mono-synths like SH-04 etc. The oscillator is specially modulated to create a noisy, unstable sound which for some sounds is really wonderful and organic. The filter is firy and at times a bit tempramental (not smooth and polite like modern synths) so a compressor is highly recommended.
A quick rundown on the knobs:
Choose an OSC Wave
Set the Analog effect with a) Character and b) amount of Drift
Set the Pitch to follow the ENV
Filter Cutuff, Resonance and ENV Mod
Monophonic or simple Duophonic
Portamento and PANning
Watch the VOLume as this little fellow can be LOUD!
Set LFO Wave and switch between Std LFO and S&H
Set LFO Mod to Destinations
Mod Wheel is tied to LFO to OSC for finer control
ENVELOPE Interface – Amp, Filter, Pitch, User envelopes.
LFO Interface – LFO 1, LFO 2.
MODULATION Matrix Interface.
EFFECT Interface (EQ, Comp, Reverb, Delay).
ARPEGGIATOR – RECORDER Interface.
Yamaha C5 Grand by Freemusicproduction.net is a Virtual Instrument Audio Plugin and Soundware (samples or presets that load into other products) for macOS and Windows. It includes, and is therefore “powered by”, HALion Sonic SE, which functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin and an AAX Plugin.
The OS and Format icons below are for the latest version of HALion Sonic SE. The version numbers are for Yamaha C5 Grand.
With the modulation FX in Space, you can completely transform your reverb’s sound. Included FX modes are Pitch, Chorus, Flanger, and Phaser Rather than adding the FX to the entire sound, it only affects the reverb signal. For example, you can make the reverb have a psychedelic effect by adding a phaser or flanger.
Combining these powerful FX with the built in distortion, EQ, and filter, there’s limitless possibilities of how you can transform your reverb.
Space Lite is available to download as a 64-bit plugin for Windows and Mac in VST/VST3, AU, and AAX formats.
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