OS-251 by Onsen Audio 0 (0)

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OS-251 is a pure digital lo-fi synthesizer plugin for Mac, Windows and Linux. Available in VST3 and AU plugin formats for free.

Digital lo-fi sounds

OS-251 is a “JUNO” style digital subtractive synthesizer with a simple yet powerful DSP algorithm. Unlike other plugins that use analogue simulation, OS-251 uses digital algorithms to give warm, lo-fi sounds. The design of the oscillators and the selection of parameters were influenced by the JUNO-106, making it easier to express a thicker, chunkier sound.

The oscillator has alias noise (specific to digital signal processing) famous on classic samplers like E-mu SP-12 which adds lo-fi feeling to the sound. You can enjoy the powerful sound at modern sampling rates with your DAW.

Easy to use

OS-251 is equipped with only carefully selected parameters, allowing musicians to concentrate on music production. You can see every parameter at once, so you can have a stress-free experience. Because the number of the parameters is limited, you can create the desired sounds yourself quickly and you don’t have to spend your precious time choosing presets.

Key features:

  • Up to 10 voices of polyphony.
  • Oscillators (Sin, Square, Saw), with Shape parameter.
  • Square sub oscillator.
  • Noise oscillator.
  • Biquad low-pass filter (LPF) with Frequency and Resonance parameters.
  • Biquad high-pass filter (HPF) with Frequency parameter.
  • Envelope generator which can control LPF and amplitude.
  • Low-frequency oscillator (LFO) which can control LPF, amplitude, and Shape parameter.
  • LFO sync.
  • Chorus.
  • Flexible pitch controls (pitch bend width, octave, semitone, fine tuning).

https://onsenaudio.com/products/os251

Nils Schneider Kawai K1v 1.24 [MacOS,WiN,LiNUX] (FREE) 5 (2)

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Features:

Very accurate emulation of all parameters
Includes 968 Single presets and 384 Multi presets, the original factory bank + all ROM cards + all 200 Kawai PHm Pop Synth Module Singles. Organized in banks and with search capability
Full editing support for both Singles and Multis
Can import & export SysEx presets & banks from/to the original device
Transmits & receives parameter changes via SysEx to act as an editor for the hardware or to be edited with external editors
Resizeable user interface
Full automation support
All 1352 presets can be edited and are stored as part of a project
Available for
Windows as VST2.4 & VST3 – 32 & 64-bit
Linux VST2.4 & VST3 – .rpm & .deb – 32 & 64 bit
Mac OS 64 Bit VST2.4, VST3 and AudioUnit AU (OS X 10.9 Mavericks and later)
Furthermore, the plugin features a fully fledged MIDI implementation:

Understands SysEx messages like the original hardware which allows to update & edit presets while running and even sends responses to the following SysEx requests: One block data request, All block data request & Device ID request
Program Changes are supported including Bank Select.
Hold Pedal, Volume, Pan, Velocity, Aftertouch, Modulation Wheel & Pitch Bend
Documentation: Nils‘ K1v MIDI Implementation
Synthesizer Engine:

8-bit synthesis engine
Four sources per voice
256 waveforms, 204 additive waveforms with 128 harmonics + 52 PCM wave forms
DADSR envelope
8 velocity curves
Coarse & Fine tune, adjustable key tracking, lots of modulation options
AM (Ring Modulation) between Source 1&2 and 3&4
Autobend
5 Key Scaling Curves
One LFO with triangle, square, saw & random shape support
Joystick for real-time control

https://www.nilsschneider.de/wp/nils-k1v/

 

Seeded Random Percussive Noises by Cybergrunge.net 0 (0)

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Based on 3 Seed numbers each note on the keyboard is a different random sound.
Presets can be selected by entering their Seed numbers, or you can save them the normal way.
This one has velocity responsiveness, and a tone stack for more interesting timbres, plus randomised stereophony.

BASE1 and BASE2 are seed numbers for random generator.
BASE3 randomizes post-processing of the synthesized sounds: filters, envelopes, tone, panning, distortion.

Velocity controls how much note velocity effects a randomly-assigned parameter of the sound (usually pitch, filter cutoff/resonance or distortion drive).

Skin by Oli Larkin.

Made with synthedit, with the blessings of Jeff himself. Thanks Jeff :).

x86 Windows

https://cybergrunge.net/resources/vst/0seeleOTMpercV4.dll

 

Xenharmonic FMTS 2 by Xen-Arts 0 (0)

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Xenharmonic FMTS 2 is a 4 Operator FM Synthesis VSTi with a specialized set of features for computer
musicians interested in exploring the vast expressive possibilities of making music with alternative
intonation systems. It is a 32-bit plugin instrument for Windows.
Microtuning Features

Internally loads and externally receives both MTS (MIDI Tuning Standard) Bulk Dump and Single Note
Microtuning Files

Operator ratios can easily be set to values that are coincident with the microtuning being used,
thereby producing intonation related sidebands in the timbre of the instrument

Microtonal pitch-bend ranges may be configured in cents, harmonics and superparticular ratios

Arbitrary microtonal pitch shifting makes it possible to easily pitch transpose the oscillators in both
octave and non-octave increments
FM-RM Oscillator

4 Operator FM Synthesis with Ring-Modulation

57 Operator Algorithms

11 different Operator Waveforms

Analog Pitch Drift Emulator

Transposition by cents offsets

Partials text files may be used to quantize the frequency ratios of the operators to user specified
values

Velocity-to-Harmonics Modulation enables oscillators to dynamically sound harmonics of the
fundamental pitch
Modulators

Seven dedicated hybrid modulators for Operators A, B, C, D, Filters, Amplifier and Pitch

Each modulator includes an ADSR style envelope generator, and an LFO which can be switched to run
at audio-rate

Each ADSR Envelope Generator features Per-Stage Keyboard Tracking

LFOs can either be synchronized to the host DAW tempo or set in Hertz. They include 24 Waveforms,
a Slewer and can be switched to run at audio-rate
Filter Section

Pre-Filter Saturation Stage with 20 Saturation Types

Two Independent Filters with Six Filter Types: LP4, LP2, HPF, BPF, BRF, APF

One and Two Stage Filter Cascade
Effects

Chorus

Lowpass Filter Cascade (Warm Filter) with 6 dB to 48 dB per-octave filters

Stereo Ensemble
Performance Control

Full controller MIDI Pitch Microtuning with MTS (MIDI Tuning Standard)

MTS Support for both Single Note and Bulk Dump

Loads MTS Microtuning Format Files Internally and Receives MTS Externally

Local (Per-Patch) and Global Microtuning (Static Microtuning for All Patches)

Microtunings can be loaded from any directory on hard drives or storage devices connected to the PC

12 Note Polyphonic

Monophonic Legato Mode

Monophonic Portamento

Microtonal Pitch Bend

Vibrato

Effects include Chorus, Lowpass Filter Cascade (Warm Filter) with 6 dB to 48 dB per-octave filters and
Stereo Ensemble

No longer available

Xen-FMTS_2

Cymatics Origin v1.0.0 VST AU AAX WiN MAC [FREE] 0 (0)

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What exactly is Origin?
Origin is a vintage/lofi plugin created to make your samples sound like they’re straight from an old tape machine.

The main knob is a resampler/bitcrusher with two special filters to make your samples sound “underwater” (this effect can often be heard in Drake songs)

The other four knobs are Tape Saturation, Noise, Movement, and Chorus. Using these 5 powerful controls you can instantly give your samples a vintage vibe.

*Origin is 64 bit only

What’s under the hood of Origin?
Origin was built based on vintage gear to give the most realistic analog sound.

The “Movement” knob (or Wow/Flutter) has a special mode that uses a randomizer algorithm to create realistic tape pitch wobbles.

We also replicated the famous Juno 106 chorus sound with the two classic slow and fast chorus modes.

Finally, the tape saturation modes are modeled from vintage tape machines. Using these in tandem with the noise knob and Resampler, you will get an undeniable vintage tone to your sounds.

How does the Resampler engine work?
The core of Origin is its resampler, which changes the sample rate of your running audio in real-time. However, reducing the sample rate alone will produce bitcrusher-style artifacts called “images.” In many cases, these aren’t desirable. Removing these images using Origin’s special filters results in an effect similar to a brick-wall lowpass filter, but with an altogether different sonic character.

Rather than turning down the cutoff on a lowpass filter to cut high frequencies, Origin mathematically forbids high frequencies from existing above the resampler cutoff frequency.

*This effect is the famous “underwater” effect you hear on a lot of melodies in Drake songs.

https://cymatics.fm/collections/store/products/origin-vintage-plugin

 

Deplike Guitar FX – Guitar Amps, Guitar FX for Windows by Deplike Software 0 (0)

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Download for free.

Deplike lets you enjoy a full studio guitar setup from your PC. It is a guitar and bass tone studio for Windows that works as a standalone application and as a VST plug-in for your favorite DAW.

Features:

13 Electric, 1 Bass, 1 Acoustic Guitar Tube Amp & Cab models | 15 great sounding Amp simulations.

VST & Standalone.

15 Amp Models:

Tangerine Rocker 100.

SLO 100.

Dual Recto.

JCM800.

P-5550.

JTM45.

SVT Bass.

Wapi.

BassBoy.

Fox AC30.

Acoustic Amp.

Deluxe (free).

ANRG.

Crafter.

DST (free).

20 Guitar Effects Pedals:

Classic Overdrive.

OD 808 Tubescreamer.

MetalHead Distortion.

Dr.Muff Fuzz.

1176 Compressor.

Noise Gate.

Sustainer.

Tremolo.

Chorus.

AutoWah.

Flanger.

Phaser.

Pitch Shifter.

Octaver guitar.

Delay.

Tape Delay.

Reverb.

Roads Reverb.

5 band Equalizer EQ.

Looper.

https://get.deplike.com/Deplike-Guitar-FX-Windows

K3-V Extended by Digital Systemic Emulations 0 (0)

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K3-V Extended is an advanced emulation of the Kawai K3 wavetable synthesizer.

  • 2 Wavetables Oscillators.
  • 32 original waveforms + 8 I created with the original K3.
  • 2 Additive Oscillators.
  • 16 Harmonics generators.
  • 2 Transients designers, for wavecrossing effects.
  • 2 Pitch EG with selectable phase.
  • 2 LFOs (Filter, Volume).
  • 2 ADSRs.
  • 3 Modes chorus.
  • Mono/Poly modes.
WARNING: You have to install VC runtimes c++ 2015 to make the software works (WINDOWS) :
No more online

A2M real-time Audio to MIDI by beat bars 0 (0)

A2M detects the pitch of the audio and converts it into the corresponding MIDI notes in real time.

Thanks to this, you can play, e.g., the guitar, saxophone, or even sing, and simultaneously trigger sounds in virtual instruments (not only AU). These acoustic (or electric) instruments, or your voice, act as a MIDI controller.

A2M comes as an AU v3 plugin and as a standalone application (which is the AU host for this particular plugin).

The A2M is quite an unusual Audio Unit – it is both an audio effect and a MIDI effect. Due to its characteristics, it is something in between. On the one hand, it analyzes the input sound, just like any audio effect. On the other hand, it generates output MIDI events, just like any MIDI effect.

Compatibility

⁌ AUv3 plugin.

AU Hosts compatible with A2M Audio Unit:

  • Audiobus.
  • AUM.
  • apeMatrix.

A2M does not work as an AU plugin in GarageBand – on both iOS and MacOS.

A2M works (though imperfectly) as an AU plugin in Logic Pro (see below).

⁌ Standalone.

The standalone version works with all MIDI-compatible applications, including GarageBand (iOS and macOS) and Logic Pro. The app sends MIDI events via the virtual MIDI port. Active and inactive MIDI ports are available in the application settings in the MIDI Settings Outputs section.

Parameters

⁌ Host:

  • Audio input buffer size.

The smaller the buffer, the higher the CPU load and the lower the latency.
A buffer less than 512 should only be set if you have a strong processor.
For A2M standalone applications, the buffer size is available in the application settings under Audio Settings Buffer Size.

⁌ Plugin:

  • Pitch recognition method.

A2M offers two popular algorithms.

Based on autocorrelation, the beat bars proprietary method.

– FFT (with parabolic interpolation).

– Gate Threshold and Input Gain
A2M works best when it only recognizes sounds at an appropriate volume level.

To eliminate unnecessary background noises, select the appropriate value:

  • Latency / Accuracy.

2 dashes (default) – the best compromise between accuracy and latency.
The higher the accuracy, the more of the CPU’s capacity is used and the longer the latency (as opposed to the audio buffer size settings):

  • Velocity Gain.

It allows you to select the appropriate volume of the virtual instrument itself.

Known limitations in the current version:

  • No polyphony.
  • No pitch bending.

Requirements:

  • macOS 11 Big Sur or later.
  • iOS 14 or later.

https://beatbars.com/de/a2m-au.html

FourHead by Fugue State Audio 0 (0)

FourHead is an experimental granulator effect, despite not really being a delay or a granulator, though it lives in that realm.
It is based on an audio buffer which constantly records the input in chunks. This buffer is then read by four “play heads” which play it back as looped segments.
The length of the chunk to be played back is set independently from the length of the recorded buffer, and the pitch and start offset for each “head” can be modulated (the playback on 3 of the 4 heads can also be delayed), creating odd retriggering arpeggiations and granular-style swarms of sound.
The output can also be fed back to the record buffer for endless noisy fun.

CVoice1 by SNFK Music 0 (0)

CVoice1 is a simple pitch modulation plugin that allows you to create vibrato and unison detune.

Features / Parameters:

  • Detune: An input signal is modulated by a sine LFO, creating a vibrato effect.
  • Stereo Enhancement: Provides differences in the left and right channel pitches.
  • Voices: The main element of the plugin – you can stack signals together to create unique detune and unison effects.
  • Saturation: Each voice can be saturated to add extra harmonics.

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