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The samples were recorded in 44.1kHz 16bit audio quality. There are 2 velocity layers, which make this plugin ideal for simple piano lines. With its sharp and fuzzy sound, it will fit well in dark and sad melodies.
Upright Piano sports an easy-to-use GUI. You will notice typical controls such as attack & release, global gain, also a simple reverb. The “Tremolo” section consists of an LFO section with LFO destination (pitch, expression, or pan), rate & depth. Underneath there’s a simple lowpass/highpass filter with cutoff.
If you’re wondering what’s that “Key” little knob, it simply sets the amount of noise for keys release.
Sampled Kawai Upright Piano.
2 velocity layers.
44.1kHz 16bit audio quality.
Only 57 MB size on disk.
Attack & release.
LFO (pitch, expression, or pan destination) with rate & depth.
Grand Piano XXL is a sampled Yamaha C5 6’7″ Grand Piano.
The original samples (Creative Commons Attribution 3.0 license) were recorded by Alexander Holm with two AKG c414 condenser microphones placed in an AB position at around 12 centimeters above the strings.
All the samples were captured in 48kHz 24-bit audio quality with 16 velocity layers which are all present in this virtual plugin, hence the 1.19 GB size on disk.
The GUI is simple and intuitive with attack & release controls, reverb module, and gain. In the middle, there’s a “Tremolo” section with LFO rate & depth for pitch, expression, and pan, plus filter cutoff with selectable lowpass/highpass. The “Key” knob acts as a gain for piano keys release.
Sampled Yamaha C5 Grand Piano.
16 velocity layers.
48kHz 24-bit audio quality.
1.19 GB size on disk.
Attack & release.
LFO with rate & depth.
Filter cutoff (lowpass & highpass).
Grand Piano XXL comes in two plugin versions: VST (VST2) and VST3. It works within DAWs or other plugin hosts loaded on Windows 8.1/10. You will need 1.19 GB of hard drive space.
OS-251 is a pure digital lo-fi synthesizer plugin for Mac, Windows and Linux
OS-251 is a “JUNO” style digital subtractive synthesizer with a simple yet powerful DSP algorithm. Unlike other plugins that use analogue simulation, OS-251 uses digital algorithms to give warm, lo-fi sounds. The design of the oscillators and the selection of parameters were influenced by the JUNO-106, making it easier to express a thicker, chunkier sound.
The oscillator has alias noise (specific to digital signal processing) famous on classic samplers like E-mu SP-12 which adds lo-fi feeling to the sound. You can enjoy the powerful sound at modern sampling rates with your DAW.
Easy to use
Tired of overwhelming synthesizers with hundreds of parameters and presets? Then OS-251 is for you! OS-251 is equipped with only carefully selected parameters, allowing musicians to concentrate on music production. You can see every parameter at once, so you can have a stress-free experience. Because the number of the parameters is limited, you can create the desired sounds yourself quickly and you don’t have to spend your precious time choosing presets.
• Up to 10 voices of polyphony
• Oscillators (Sin, Square, Saw), with Shape parameter
• Square sub oscillator
• Noise oscillator
• Biquad low-pass filter (LPF) with Frequency and Resonance parameters
• Biquad high-pass filter (HPF) with Frequency parameter
• Envelope generator which can control LPF and amplitude
• Low-frequency oscillator (LFO) which can control LPF, amplitude, and Shape parameter
• LFO sync
• Flexible pitch controls (pitch bend width, octave, semitone, fine tuning)
Alphatron is a hybrid analog / digital oscillators synthesizer.
Alphatron is not just a simple VA synthesizer instead in using a 3rd oscillator with digital waves (quite similar to an Ensoniq ESQ-1 / SQ 80 from the late 1980ies) it does offer a lot more sonic potential. Also this 3 rd oscillator serves as sync master for oscillator 2 thus creating a lot more sonic flavours. Amplitude Modulation has got it’s dedicated adjustable output and uses oscillator 2 as main source being modulated either by osc. 1 or 3. Oscillator 1 is a polywave oscillator with up to 5 additional waves, so you might have something like Super Saw(tm), Super Pulse, Super Ramp etc.
1 VA Oscillator with up to 6 poly waves for Saw, Ramp, Sine, Tri, and Pulse.
1 VA Oscillator with single waves as above plus white and pink noise, Sync slave.
1 Sample Oscillator with fairly typical digital waves with different hamonic content, Sync master.
1 Amplitude Modulation with dedicated output.
1 24 dB resonant Low Pass filter with dedicated ADSR EG, 4 mixable mod sources.
1 VCA EG.
Both EG have 3 modes: exponential, reverse exponential, and linear; and optional control for Attack and Decay by velocity.
1 Booster or Enciter selectable.
1 Mystify with three selctable types (Brite, Soft, Dark).
1 bpm synced Delay with adjustable Offset controlley manually or by modsource, Pan.
1 Bass Boost.
1 Pan for undelayed signal.
1 small Reverb for adding some nice flavour.
1 main Volume.
3 x LFO, 1 x Duo LFO (with two waves and phase control for 2nd wave), 1 x S&H.
1 Pitch LFO with option to speed up or down the LFO speed controlled by Modwheel or Aftertouch.
Spectral Destroyer is an audio-mangling/FSU plugin designed around spectral processing. It uses pitch-shifting and delay to do what it does, but isn’t really designed to be either of those things. It is designed more for audio destruction and feedback effects.
Off-Grid is a drum machine oriented for layering and experimentation.
The plugin contains a large variety of different percussive types, which can be accessed/cycled entirely from the UI on the fly without ever breaking the signal flow.
Each of the 7 channels run on 4 voices distributed for each cell unit where you can select and do other processing such as pitching, reverse, loop, as well as layer mixing etc.
A series of random triggers are significant part of the plugin workflow as a single touch may change the entire channel output, or simply adjust the panning or gain values.
Fast Unique workflow.
Responsive and instant load of sounds.
448 percussive sounds.
Rock solid sample interpolation (tested in multiple DAW’s).
TAL-NoiseMaker is a virtual analog synthesizer with a great sound and low CPU usage.
128 factory presets included, 80 made by Frank “Xenox” Neumann / Particular – Sound
• 3 Oscillators
Osc 1, +- 24 semitones, fine tune, phase control (saw, pulse, noise).
Osc 2, +- 24 semitones, fine tune, phase control (saw, rectangle, triangle, sine).
Sub Osc (rectangle).
• Osc 1 PM for pulse waveform.
• Osc 2 FM controled by Osc 1.
• Osc 1 & Osc 2 sync to sub osc (saw, pulse, rectangle, triangle(bipolar sync)).
• Adjustable master tune and transpose.
• Up to 6 voices.
• Portamento in mono and poly mode (off, auto, on).
• Ringmod modulates Osc 1 with Osc 2
• Self resonating 4x oversampled filters (24 dB LP, 18 dB LP, 12 dB LP, 6 dB LP, 12 dB HP, 12 dB BP, Notch)
• Filter ADSR (negative and positive)
• Volume ADSR
• Routable ADSR, modulates Filter, Osc 1, Osc 2, PW, FM (negative and positive)
• 2 LFO’s with different running modes: free, sync to host, triggered by note.
Modulates filter, osc 1, osc 2, fm, pw, lfo rate, panorama and volume.
Sine, triangle, saw square, s&h, noise.
Positive and negative modulation.
• Adjustable Velocity dependent control over volume filtercontour and cutoff.
• Adjustable Pitch Wheel control over Cutoff and Pitch.
• One pole HP filter.
• Detune, detunes notes randomly.
• Juno chorus with different modes.
• A built in reverb.
• A built in delay.
• Adjustable filter drive.
• Bitcrusher, affects osc 1 and osc 2. Its a pre the filter stage effect.
• Midi learn for all knobs.
• • Panic button.
Easy to use, no hidden panels.
• 256 great presets (Presets by Frank “Xenox” Neumann / Particular – Sound, The Unshushable Coktor, Alexandra Sendy, TAL, Patrick Kunz).
• Windows: Windows 7 or higher (64 bit host)
• OS X: 10.9 or higher (64 bit host). Universal Binary 2 with native Apple M1 support.
• AAX: Pro Tools 10.3.6 or higher (64 bit).
• LINUX: 64 bit / Ubuntu 18 or similar.
PHILTHY Virtual Analog Synthesizer by Phuturetone
Sound and control sources can be routed directly to audio output. Play at reasonable levels until you get some experience with the instrument.
ROUTING MATRIX is essential. No sound will be heard unless some source is routed to one of the outputs.
By default, OSC 3 FREQ is in low range (LFO). Routing KEY TRACKING to OSC 3 FREQ will make OSC 3 pitch range similar to the other two OSCs.
ENVELOOP behaves differently than a standard synth envelope. In LOOP mode, it will play constantly regardless a key is pressed or not. NOTE ON signal retrigs the ENVELOOP. To turn the LOOP OFF set the ENVELOOP REST control to maximum, the ENVELOOP will then behave more like a standard synth envelope.
REVERB FEEDBACK modification can be accessed from PANEL B.
Switch to PANEL B to:
• View OSCs & FILTER FREQ in semitones
• View ENVELOOP times in milliseconds
• Adjust REVERB FEEDBACK
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