Vastaus Is A FREE High-Frequency Enhancer Plugin By Wavegrove 0 (0)

Vastaus lives on instrument channels, buses and it is known to have been spotted on the master channel too. Feel free to use and abuse it. Try to add an EQ before Vastaus and push the highs way overboard and how Vastaus reacts.

It is at it’s most neutral at Input Gain and Tame at 0, at which time it brings down and blocks overly harsh high frequencies present in vocal esses, smooths cymbals, guitars and pretty much anything you throw at it.

Increasing Tame brings enhances that effect, but also brings in more options with the React switch, as well as with the Bias setting. React is a mode, where Tame starts to let through some transients in a really interesting way, bringing out more detail and clarity, but still smoothing the sound. With Bias, you can further control the sound by limiting the effect to either the positive or negative side of the audio samples, generating harmonics in the process. I have heard this referred to as silky, and apparently some well-known hardware unit makers use a process similar to this.

Lastly there is Gain. With the Input Gain, you control the overall signal boost you get going into the thing, while the Output Gain works as a pad, with 100% level adding no additional volume. Boosting the input gain can bring additional high end to the signal after taming it, which is especially useful with instruments such as the electric guitar. In conjunction with the use of the Bias knob, Vastaus can even act as a leveling tool, which also boosts and extends the high end frequencies far above where they ended in the original signal.

Use the Wet knob to blend the changed signal with the original in whatever way you want.

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CHANNEV by Analog Obsession 0 (0)

Here is CHANNEV!

Ultimate channel-strip with Mic Preamp, De-Esser, Line-Amp, 4 band equalizer, Compressor, Limiter and Tape Saturation!

Features

– Simple trim screw on preamp section will set input level.

– Mic preamp with 60dB Virtual Gain, PAD, and Phase Invert. Also, Pre-EQ (Low Shelf/High Shelf) and HPF/LPF.

– De-Esser with Bell and Soft options. It will help you to tame highs!

– 4 Band 81 Style Eq with variable frequency instead limited selectable frequencies. While Low and High bands have bell option, mid bands have Hi-Q option. Also, included Post-Filter same as Pre-Filter.

– Limiter and Compressor based on 2264 but now totally independent and each has its own external side-chain.

– Latest module is Tape Saturation. It will help you add tape saturation and glue overall signal.

– Fixed 2X light oversampling to keep CPU lower

You can see “ROUTING” to understand signal-chain.

Available Formats

VST/VST3/AU | Mac 10.9 – 11.X

VST/VST3 | Windows 7 – 8 – 10

VERSION 1.2 – 9.7.2021

– Added input trim

– Minor bug fixes

VERSION 1.1 – 8.7.2021

– Fixed Limiter Dry/Wet knob

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Swamp XT by HG Fortune[win][x86][vsti] 5 (1)

Swamp XT is a timbre modulation synthesizer. It can create unique sounds from clear & harsh metallic sequenced sounds to soft & wide modulated Pads. This is achieved by modulating the timbre on the oscillator level.

Swamp XT features ‘Timbre-modulation’: It processes each oscillator’s waveform in a very unique way by changing (i.e. enriching or limiting) the harmonic spectrum making the sound fatter, wider or narrower, right down to nearly dissolving it to some kind of distorted noise, depending on the input wave.

While the original Swamp had an oscillator routing to balance its output between normal (i.e. direct signal) and timbre modulated signal, which could each be balanced to go to direct out or to filter, this has been simplified in Swamp XT: direct und timbre modulated signal can be balance mixed to one signal and the output of both oscillators can be balance mixed too. While the direct and filtered signal can be balanced at the amplifier stage of Swamp XT.

Swamp XT delivers a wide variety of sounds – including some really strange and weird.

  • 2 digital oscillators running at a time to be selected from:– 2 PCM wave oscillators powered by 128 different waveforms.
    – 2 additive wavetable generators to create various waves from up to 31 partials.
  • 1 resonant filter (24db Lowpass).
  • 4 ADSR-style envelope generators.
  • X-Torsion, one Spook effect, one Gator (Gater) effect.
  • 4 LFO (BPM-synced).
  • 1 dedicated Pitch LFO (BPM-synced).
  • 1 Sample & Hold (BPM-synced).
  • 1 BPM-synced Delay.
  • XY Super-modulation Pad.

no more website

SwampXT

 

Yamaha C5 Grand by Freemusicproduction.net[halionSonic SE] 0 (0)

Yamaha C5 Grand features:

  • Instrument Interface (Headroom).
  • VOICE Management Interface – Unison, Glide, Audiowarp, Pitch.
  • FILTER Section Interface – Filter types X-Y Pad.
  • ENVELOPE Interface – Amp, Filter, Pitch, User envelopes.
  • LFO Interface – LFO 1, LFO 2.
  • MODULATION Matrix Interface.
  • EFFECT Interface (EQ, Comp, Reverb, Delay).
  • ARPEGGIATOR – RECORDER Interface.

Yamaha C5 Grand by Freemusicproduction.net is a Virtual Instrument Audio Plugin and Soundware (samples or presets that load into other products) for macOS and Windows. It includes, and is therefore “powered by”, HALion Sonic SE, which functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin and an AAX Plugin.
The OS and Format icons below are for the latest version of HALion Sonic SE. The version numbers are for Yamaha C5 Grand.

Product
Version
1.0

https://freemusicproduction.net/soundfonts.html#Oobj3194

Yamaha_C5_Grand

Welcome to India – Miss Magic Pad feat dhinda (Tablaloops) 5 (1)

Git: Gibson

Bass: 5-string

Drums: BFD Eco

Synth: Dune 3, Cherry Audio Eight Voice, Tube Ohm Anti-Transpirant, ObXd

Tabla-Loops: dhinda (sequencer.de)

Quilcom Mystery 0 (0)

The Quilcom Mystery synthesiser was designed to explore a specific type of technique whereby an additive synth (with sub) can have the amplitude of each partial modulated by its own independent polyphonic LFO. Many settings can be randomised manually or via a trigger generator, and there are two identical sound generators for nice stereo effects and a fuller sound.

The technique seems to be most useful for pad and soundscape making, so that’s what the presets focus on.

Try it on headphones, and I hope you like it!

Nami Audio Midnight Upright KONTAKT [FREE] 0 (0)

In order to obtain more depth and versatility to the sound, 3 sound sources have been recorded and processed to add beautiful background layers.

01. TAPE PAD
Its pad type created by denaturing the piano recording through a Tascam portastudio 414 mkII and a 70s mixer, Boss KM60.

02. TAPE PAD SUB
The same sound as Tape Pad but one octave lower for more flexibility when added to the piano sound.

03. LITTLE ORGAN
Recording of an electric Lorenzo Chord organ using a pair of Neumann KM184.

Independent controls for piano sound volume and Texture layer.
Volume control of the note release pedal sound.
Lowpass filter for the Texture layer.
Attack and release parameters for the Texture layer.
Control of low and high frequencies to change the timbre easily or simply to better integrate the instrument into your mix.
Delay and Reverb sends with their timing parameter

Full version of Kontakt 6 software required.

https://namiaudio.com/en/piano-keys/31-midnight-upright.html

Midnight Upright Library