Native Instruments Twenty Five KONTAKT [FREE] 5 (2)

img-ce-twenty-five-product-page-01-intro-a56c494965b4e1b5ed8d401cdf4c9f51-d

Explore and experiment with a time capsule of classic sounds from the NI vault – from GENERATOR to MASSIVE X – only available until December 31
Pair up two sound sources, then sculpt them into something new with intuitive macro mapping and a powerful FX section
Uncover 150 brand-new takes on 25 years of pads, leads, basses, and more from 37 classic instruments

CLASSIC SOUNDS, NEW TWISTS
Back in 1996, we launched GENERATOR, our first ever synthesizer – and also the precursor to REAKTOR. Now, 25 years and countless other instruments later, we’ve been digging through the archives to unearth a sonic time capsule of our most iconic instruments from the past quarter-century.

The limited-edition TWENTY FIVE is a powerful, free instrument designed to let future generations recombine and reimagine our sonic legacy into something entirely new. As part of the KONTAKT Play Series, it comes mapped with intuitive macro controls, powerful FX, and a built-in sequencer.

25 YEARS OF NATIVE INSTRUMENTS
TWENTY FIVE isn’t the only thing we’re doing to mark this special occasion. Be sure to check out the 25th Anniversary Collection – an ultra-exclusive range of KOMPLETE. MASCHINE, and TRAKTOR hardware in your choice of Ultraviolet or Vapor Gray.

AT A GLANCE: TWENTY FIVE

Product type: KOMPLETE Instrument
For use with: The latest version of the free KONTAKT PLAYER. Download via KOMPLETE START.
Number of Sounds: 73 resampled presets plus 43 Play Series wavetables
Number of Presets: 150
Preset Categories: Bass
Brass
Flute
Mallet Instruments
Organ
Piano & Keys
Plucked Strings
Sound Effects
Soundscapes
Synth Lead
Synth Misc
Synth Pad
Vocal
Download size: 2.41 GB
System requirements: Free KONTAKT PLAYER or KONTAKT (Version 6.61 or higher)

Please also see the KONTAKT PLAYER system requirements and the KONTAKT PLAYER FAQ

 

https://www.native-instruments.com/en/products/komplete/play-series/twenty-five/

Analog Obsession PREDD v1.0 VST VST3 AU WiN MAC [FREE] 0 (0)

PREDD

PREDD

Vintage Mic Preamp / DI

Features

– MIC/DI : Will select input section. Mic preamp or DI input.

– PAD : -20dB PAD. Fully gain compensated.

– POLE : Phase invert

– VOLTAGE GAIN : Selectable main gain knob. Fully gain compensated.

– FINE GAIN SET : Variable +/- 5dB gain for fine settings. Fully gain compensated.

– OUTPUT : Main output knob.

– RUMBLE FILTER : 20 to 180Hz Highpass Filter.

– HF : 10dB high boost

– ANALOG OBSESSION : Oversampling

Available Formats

VST/VST3/AU | Mac 10.9 – 11.X

VST/VST3 | Windows 7 – 8 – 10

Patreon

One Small Clue Grace v1.0.4.0 VSTi x86 x64 WiN FREE 0 (0)

grace-box-shot

Features

  • Key Groups for detailed tweaking of sample layers
  • 2 x AHDSR Envelopes
  • 2 x LFOs
  • 2 x Step Sequencers
  • 4 x XY Control Pads for Meta Modulation
  • Inbuilt effects include lowpass filter, highpass filter and ring modulation
  • Supports WAV, AIF and SND audio file formats
  • Imports SFZ patches
  • Drag and Drop sample loading

 

Library Contents

  • 14 bass patches
  • 18 synth pad patches
  • 10 vintage keys patches
  • 12 drum kit patches

 

Changes v 1.0.4.0:
– Latency reduced to 2 samples.
– Removed frequency display filter visualisations.

https://www.onesmallclue.com/index.html

Husserl2 Mocha Edition by Yofiel 0 (0)

husserl2Mocha

A 32-voice complex waveset synthesizer with 5D filter,
internal 151×143 modulation matrix, and more

The Mocha Edition enhances Husserl2 with a more soothing, less vibrant interface. Husserl2 continues to aim to be one of the best free synths you can get. It took a couple of years to make, but I am retired and have no need for more money, so it will stay free. This is not a ‘beta buggy’ version to build a customer base before I start selling it. It will stay free. And I do not require registration or email to download it, which apparently is very unusual these days.

Because Husserl2 takes advantage of all the cores available on your machine, it cannot run inside plugin hosts, which only support one core thread per plugin. As a result, this is a standalone app with native, ASIO, and ReWire client drivers for connection to all current standard DAWs. Although the app includes anti-aliased oscillators and a 4x-oversampled filter, for professional applications a sample rate of at least 88kHz is recommended to provide crisp results in the C8 octave, but if you only play to C7 then standard sample rates are sufficient.

Features include:

  • Fully Compiled 64-bit Multithreaded Audio Path, carefully optimized for performance without sacrificing quality.
  • Up to 32 voices with custom LRU voice allocator; base CPU usage ~10%, +1% per playing voice, on 4GHz i7 @44.1kHz sample rate with Windows10 DirectX drivers.
  • 2 Oscillators with dual contour, phase, ring modulation, frequency modulation, oscillator mix, plus gate/osc sync controls. EPTR-antialiased square/pulse and saw/triangle waveforms are followed by 44 wavesets, including filter sweeps, morphs, formants, and harmonic bundles. The dual-axis spline-interpolated wavesets contain 127 tables of 256 sample points for each continuously variable waveform.
  • ‘5d’ SVF Filter with continuously variable cutoff, resonance, 0/2/4 pole mix, LP/BP/HP mix, and 4x-oversampled saturation provides a virtual infinite sound palette.
  • Compressor and limiter with polyphonic and monophonic modes.
  • Internal Modulation Matrix with 143 modulation destinations and 151 sources including:
    • 3 ADSR Envelopes with graphical control of velocity shaping.
    • 3 LFOs: two polyphonic, one monophonic linked to mod wheel; sine/double-sine, square/pulse, saw/tri, stepped, and random with contour shaping, freq mod, amp mod, and sync.
    • Sample and Hold with trigger-level control.
    • XY Pad to mix up to four modulation sources to any modulation destination.
    • 120 Mapped MIDI Controllers, plus bend, modwheel + LFO, note pitch, velocity, and #notes.
  • 50 Microtuning Tables.
  • Preset Manager with simple button controls, preset naming, and bank load/save.
  • Lots of Demo Presets. Notes may be stored and recalled with presets too.
  • MIDI file player built in, with channel selection.
  • MIDI I/O: note on/off, MIDI clock, program change, pitch bend, all 90 panel controls, and standard MIDI controllers such as pedals, etc.
  • Optimized Graphical Display of oscillator waveforms, output waveform, filter curve, and modulation values for most recent voice; velocity display of all active voices.
  • Resizable Panel. Zoom in or out as much as you like. Synth reopens the way you closed it.
  • Interactive Help built in for wavesets, filter characteristics, microtuning tables, and with complete description of all panel controls.
  • Open Source distribution in Cycling74 Max8, if you wish to change it in any way. sacrificing quality.

Husserl2 Mocha Edition by Yofiel is a Virtual Instrument Audio Plugin and a Standalone Application for Windows. It functions as a Rack Extension Plugin and a Standalone Application. It supports ReWire.

https://yofiel.com/audio/husserl2.php

Husserl2 by Yofiel 0 (0)

husserl2Panel

A 32-voice complex waveset synthesizer with 5D filter,
internal 28×35 modulation matrix, and more

with standalone and ReWire drivers:

  • Fully Compiled 64-bit Audio Path, carefully optimized for performance without sacrificing quality.
  • Open Source distribution in Cycling74 Max8, if you wish to change it in any way. sacrificing quality.
  • Up to 32 voices with custom LRU voice allocator; base CPU usage ~10%, +1% per playing voice, on 4GHz i7 @44.1kHz sample rate with Windows10 DirectX drivers.
  • 2 Oscillators each with EPTR antialiased square/pulse, EPTR antialiased saw/triangle, + 44 dual-axis spline-interpolated wavesets; contour, phase, ring, and freqg modulation; gate/osc sync.
  • ‘5d’ SVF Filter with variable Fc, resonance, 0/2/4 pole mix, LP/BP/HP mix, and 4x-oversampled saturation.
  • Compressor and limiter with polyphonic and monophonic modes.
  • Internal Modulation Matrix with 28 modulation destinations and 35 sources including:
    • 3 ADSR Envelopes with graphical control of velocity shaping.
    • 3 LFOs: two polyphonic, one monophonic linked to mod wheel; sine/double-sine, square/pulse, saw/tri, stepped, and random with contour shaping, freq mod, amp mod, and sync.
    • Sample and Hold with trigger-level control.
    • XY Pad to mix up to four modulation sources to any modulation destination.
    • 120 Mapped MIDI Controllers, plus bend, modwheel + LFO, note pitch, velocity, and #notes.
  • 50 Microtuning Tables.
  • Preset Manager with simple button controls, preset naming, and bank load/save.
  • Lots of Demo Presets. Notes may be stored and recalled with presets too.
  • MIDI file player built in, with channel selection.
  • MIDI I/O: note on/off, MIDI clock, program change, pitch bend, all 90 panel controls, and standard MIDI controllers such as pedals, etc.
  • Optimized Graphical Display of oscillator waveforms, filter settings, audio waveform, and modulation values for most recent voice.
  • Resizable Panel. Zoom in or out as much as you like. Synth reopens the way you closed it.
  • Interactive Help built in for wavesets, filter characteristics, microtuning tables, and with complete description of all panel controls.

There’s some youtube videos on the page of it playing, if you can be patient enough for a couple of seconds before they get going.

Husserl2 by Yofiel is a Virtual Instrument Audio Plugin and a Standalone Application for Windows. It functions as a Rack Extension Plugin and a Standalone Application. It supports ReWire.

https://yofiel.com/audio/husserl2.php

Wavegrove Vastaus v1.1.3 Germanium x64 x86 VST VST3 AU WIN MAC [FREE] 0 (0)

1.1.0

Vastaus is a high-end fixer.
Vastaus lives on instrument channels, buses and it is known to have been spotted on the master channel too. Feel free to use and abuse it. Try to add an EQ before Vastaus and push the highs way overboard and how Vastaus reacts.

It is at it’s most neutral at Input Gain and Tame at 0, at which time it brings down and blocks overly harsh high frequencies present in vocal esses, smooths cymbals, guitars and pretty much anything you throw at it.

Increasing Tame brings enhances that effect, but also brings in more options with the React switch, as well as with the Bias setting. React is a mode, where Tame starts to let through some transients in a really interesting way, bringing out more detail and clarity, but still smoothing the sound. With Bias, you can further control the sound by limiting the effect to either the positive or negative side of the audio samples, generating harmonics in the process. I have heard this referred to as silky, and apparently some well-known hardware unit makers use a process similar to this.

Lastly there is Gain. With the Input Gain, you control the overall signal boost you get going into the thing, while the Output Gain works as a pad, with 100% level adding no additional volume. Boosting the input gain can bring additional high end to the signal after taming it, which is especially useful with instruments such as the electric guitar. In conjunction with the use of the Bias knob, Vastaus can even act as a leveling tool, which also boosts and extends the high end frequencies far above where they ended in the original signal.

Use the Wet knob to blend the changed signal with the original in whatever way you want.

patreon

 

ProtoPlasm Pro by HG Fortune[win, VSTI, x86] 5 (1)

ProtoPlasm_3

ProtoPlasm Pro is a pad and texture synthesizer.

  • 1 dedicated Attack Oscillator with 128 waveforms controllable by adjustable velocity amount.
  • Super Modulation Morphing via Mod Wheel at selectable rows for the Mod Matrix.
  • Modulation Matrix for LFOs with positive and negative inputs.
  • LKO system for delay with four key-dependant modes.
  • 3 digital PCM-wave oscillators powered by 128 different waveforms (123 new ones).
  • Each oscillator’s level can be modulated by different sources via mod matrix.
  • 1 LP filter (24db Lowpass) with ADSR EG, Filter FM and keytracking.
  • 1 HP filter (12db Hipass) with ADSR EG, Filter FM and keytracking.
  • 2 shapeable LFO with pattern-like waveforms (BPM-synced).
  • 1 LFO with 21 complex waveforms and free speed adjustment.
  • 1 shapeable Sample & Hold with pattern (BPM-synced).
  • Adjustable level for direct, LP and HP output with separate pan each.
  • Stereo-delay (BPM-synced).
  • Soundfonts for oscillators as external SF2 files and wav-files loadable.

R.I.P.

ProtoPlasm-Pro-2011

Monica 3 by Fanan Team 0 (0)

c1

Monica 3 is the successor to Monica evo. An analog dual-layered 90’s style synth with 2 completely different aggressive and incredibly high dynamic range oscillators. The first oscillator is wavetable based with 50 wavetables + additional 50 wavtables for morphing. The second is an old style 8 waveforms pad oscillator that emulates the 90′ type monster pads. The oscillators work on dual-layered basis and have each own separate controls, synthesis section, chords driven pattern sequencer and some more new features.

The Arp

Monica Evo is armed with an extremely flexible 16 steps built-in chords driven arppeggiator based on played note’s position with it’s own dedicated pattern file manager and vast of tweaking options including time signature, gate, speed, the total number of steps and DAW syncing.

The modulation options

Monica 3 has 2 different modulation options. The first offers 6 traditional LFO’s, 3 per oscillator, each with 50 possible wavetables and BPM syncing option. The second option is MMM – MIDI clock motorized modulation. The MMM allows motorizing knobs and controls and by that, creating interesting motion effects.

The effects

Monica 3 is equipped with 6 effects:

  • up to 8 voices unison.
  • Cabinet.
  • Wah.
  • Chorus.
  • Phaser.
  • Delay.

Each effect has 2 separate send channels, one for each oscillator (it can also work in global mode).

https://www.fananteampro.com/monica3

Vastaus Is A FREE High-Frequency Enhancer Plugin By Wavegrove 0 (0)

Vastaus lives on instrument channels, buses and it is known to have been spotted on the master channel too. Feel free to use and abuse it. Try to add an EQ before Vastaus and push the highs way overboard and how Vastaus reacts.

It is at it’s most neutral at Input Gain and Tame at 0, at which time it brings down and blocks overly harsh high frequencies present in vocal esses, smooths cymbals, guitars and pretty much anything you throw at it.

Increasing Tame brings enhances that effect, but also brings in more options with the React switch, as well as with the Bias setting. React is a mode, where Tame starts to let through some transients in a really interesting way, bringing out more detail and clarity, but still smoothing the sound. With Bias, you can further control the sound by limiting the effect to either the positive or negative side of the audio samples, generating harmonics in the process. I have heard this referred to as silky, and apparently some well-known hardware unit makers use a process similar to this.

Lastly there is Gain. With the Input Gain, you control the overall signal boost you get going into the thing, while the Output Gain works as a pad, with 100% level adding no additional volume. Boosting the input gain can bring additional high end to the signal after taming it, which is especially useful with instruments such as the electric guitar. In conjunction with the use of the Bias knob, Vastaus can even act as a leveling tool, which also boosts and extends the high end frequencies far above where they ended in the original signal.

Use the Wet knob to blend the changed signal with the original in whatever way you want.

Patreon

 

CHANNEV by Analog Obsession 0 (0)

Here is CHANNEV!

Ultimate channel-strip with Mic Preamp, De-Esser, Line-Amp, 4 band equalizer, Compressor, Limiter and Tape Saturation!

Features

– Simple trim screw on preamp section will set input level.

– Mic preamp with 60dB Virtual Gain, PAD, and Phase Invert. Also, Pre-EQ (Low Shelf/High Shelf) and HPF/LPF.

– De-Esser with Bell and Soft options. It will help you to tame highs!

– 4 Band 81 Style Eq with variable frequency instead limited selectable frequencies. While Low and High bands have bell option, mid bands have Hi-Q option. Also, included Post-Filter same as Pre-Filter.

– Limiter and Compressor based on 2264 but now totally independent and each has its own external side-chain.

– Latest module is Tape Saturation. It will help you add tape saturation and glue overall signal.

– Fixed 2X light oversampling to keep CPU lower

You can see “ROUTING” to understand signal-chain.

Available Formats

VST/VST3/AU | Mac 10.9 – 11.X

VST/VST3 | Windows 7 – 8 – 10

VERSION 1.2 – 9.7.2021

– Added input trim

– Minor bug fixes

VERSION 1.1 – 8.7.2021

– Fixed Limiter Dry/Wet knob

Patreon