Harmonus by LostIn70s 0 (0)

harmonus1

harmonus2

Originally, this organ was inspired by a Magnus Model 300 Harmonium / organ (a brand of the “Magnus Harmonica Corporation”) from our collection in perfect condition. It delivers a warm and unique sound between an accordion and a harmonica. The samples have been meticulously captured in stereo and denoised in order to render all the naturalness of the original organ without the noise of the mechanical fan.

Features:

  • Quality stereo capture.
  • Mode “one finger chord” on the left keyboard or a dedicated channel: one finger for a major chord two for a minor chord.
  • The original 2 octaves have been extended to a full 88 keyboard.
  • Built-in effects: Reverb, Chorus, Tremolo, EQ.

https://lostin70s.com/plugins/Harmonus

Caustic 3 by Single Cell Software 5 (1)

C3Render

Caustic 3 is a music creation tool inspired by rack-mount synthesizers / samplers rigs.
Everything is real-time and optimized for mobile devices.

Create your rack by adding up to 14 machines from a choice of:
Subsynth – Virtual analog subtractive synthesizer
PCMSynth – Multi-sample wave synthesizer
BassLine – 303-like monosynth
BeatBox – 8-channel sampling drum machine
PadSynth – Harmonic table pad synthesizer
8BitSynth – 8bit equation solver synthesizer
Modular – Fully configurable and routable synthesizer
Organ – Hammond-like tonewheel organ with rotary speaker
Vocoder – 8-band harmonic vocoder
FMSynth – DX-style 3-operator fm synthesizer
KSSynth – Karplus-Strong string modeling synth
SawSynth – Supersaw-type polysynth

The app also includes:
* Effects rack supporting 2 effects per machine. (20 effect types)
* Mixer desk with global Delay/Reverb effects
* Master section with parametric EQ and limiter
* Song sequencer

Supports automation on most controls and includes powerful editors for modifying recorded automation curves.

All files are stored on the user-accessible storage, and users can supply their own WAV files for use in the PCMSynth, BeatBox, and Vocoder.
Supports all uncompressed WAV files (8-16-24-32bit, any sampling rate).
The PCMSynth can also load SoundFont files (.sf2) and FL Studio mobile instruments (.instr, .ZIP)
Class-compliant USB MIDI controllers can be connected via USB OTG cable on devices running at least Android 3.2 and supporting USB host mode.

See the in-app help section for tutorial videos and full online manual.

https://singlecellsoftware.com/caustic

https://play.google.com/store/apps/details?id=com.singlecellsoftware.caustic

https://itunes.apple.com/us/app/caustic/id775735447?ls=1&mt=8

Caustic_3.2.0_installer

Caustic_3.2.0_installerXP

Caustic_3.2.0_MacOS

Wrongtools Trapeze Organ KONTAKT FREE 0 (0)

poster-b-small-gui-circus-SQ-LO

A vintage organ parallel routed to stereo spring reverbs and a mini-leslie. In addition to close mic, room mic and DI. All recorded through vintage studer 169 preamps and Lavry Blue converters. Mixed down and available as separate mixer-tracks within the Kontakt interface. Includes Round robins and Release samples.

REQUIREMENTS
485 MB of free space
Full Retail Version of Kontakt 6.4.2 (or later) Required

INCLUDES
4 track-patch + presets
384 individual samples
Release Samples + RR combined with scripted simulated RR.
Documentation

Die Verkennbare 5 (1)

Nach einem Jahr Pause hat die Frankfurter Buchmesse wieder stattgefunden. Hat sie? Klar, stand in der Zeitung. In der, wo Redakteurinnen ihre Artikel im Bett des Chefredakteurs schreiben müssen? In ALLEN Zeitungen stands, du Missbrauchsopfer! Die Buchmesse: Wo die ganze Welt in 20 Hallen über Bücher redet, die sie nicht gelesen hat? Nun, der Hallen waren es diesmal DREI. Was weiß denn ich, vielleicht ist die Welt kleiner geworden. Himmel, weiß echt KEINER, ob die Buchmesse stattgefunden hat? Wir fragen eins, das dagewesen sein müsste, wenn. Wir fragen das Buch:
Ja gut, ich war da. Sonst weiß ich nicht. Samstag Morgen um elf fegten die Steppenhexen über die Agora. Das Lesezelt war ein Sehfehler: Seine Buntheit hat sich mir in den vergangen Jahren so ins Hirn gebrannt, dass es wieder vor mir stand. Obwohl es eingespart wurde. Wie der komplette Hörbuchstand. Wie die Shuttles, mit denen ich so gerne gefahren bin. Wie die Computer für Journalisten. Wie die Antiquare. Wie die Duftöl- und Räucherstäbchenstände. Wie die … okay, ich hör auf. Schneller geht, was da war: Politiker, Polizei, Populisten- und Naziverlage, Poplig Rileischen oder wie das Gezappel heißt. Pop, Traian, der Edelparkett-Verleger aus Ludwigsburg, konnte nicht kommen wegen Corona kurz vor seinem siebzigsten Geburtstag. Ungefähr siebentausend weitere Verleger fehlten auch. Frag mich aber nicht, WEM. Mir nicht, hätt ich fast gesagt.
Es war fürchterlich, was immer es genau war. Hinter dem Messezaun wurde Frankfurt gesichtet, aber zu mir in eine Lesung durfte keiner, es sei denn, er hätte einen Dateneingabewettbewerb gewonnen und den Hauptgewinn, ein Elektroticket, nicht anschließend an das diesjährige Ehrengastland Datanirwana verloren. Ich hab mich verlassen gefühlt. Stand nachts frierend auf meinem Bord und hab mich gefreut, wenn morgens die Standbeleuchtung anging. Hab keinen meiner Nichtleser wiedererkannt, weil alle maskiert an mir vorbeiliefen. Nicht mal den Umsonstkaffee am taz-Stand gab es, für den die Leute immer so lange angestanden sind, dass sie fünf Seiten von mir aus dem Lautsprecher der benachbarten Leseinsel der unabhängigen Verlage mitanhören mussten. Die fünf Seiten ihres Nichtleserjahrs!
Einen, der praktisch immer liest, hab ich gehört von meiner Insel aus: den Dielmann, Axel, fröhlichen Bücherdealer aus dem Frankfurter Süden. Das lässt sich auch nicht vermeiden bei der Laune, die der aus seinem protzigen Verlagschalet pustet, aus einem Organ, das Wert darauf legt, kein Verhältnis mit seiner Körpergröße zu unterhalten. Mir ist wohler, wenn gelacht wird. Geradezu wohlig wird mir, wenn ich gekauft werde. Am allerhochwohlsten ergeht es mir aber, wenn eine meinetwegen schnapsrote Nase in meinen Seiten steckt und wenn dann aus verständnisvollen Augen Tränen der Seele oder des Zwerchfells auf mich hernieder tropfen. Dann bin ich, wozu ich tauge. Dann tue ich, was ich kann. Dann lebe ich und bin kein Gerücht mehr und keine Geschäftsidee unbelesener Vertriebsmenschen.
Zuletzt treffe ich Nicely, Catherine, den Büchervulkan aus Berlin Wilmersdorf, und weiß nach drei Sätzen von hinter deren Maske: Jawoll! Das, was die Frankfurter Buchmesse wirklich ist, hat stattgefunden. Du sollst deine Mütter und Väter ehren, knirsche ich durch meinen eingeschweißten Deckel, auf dass es dir wohl ergehe und du noch viele Nichtleser überlebst. Ehre sei ergo den Verlegenden!

ttm000(Organ) by ttm 4 (1)

ttm000

tm000 is a VSTi that recreates a certain world-famous organ.

1.Generates a basic waveform from nothing using a unique algorithm.

2.Reproduction of the difference in pronunciation time between each drawbar depending on the strength (speed) of the key press.

3.Basic waveform can be selected from Sin/Saw/Pulse.

4.Small memory usage and light load.

https://sites.google.com/view/ttm-works/home/vst/ttm000_eng

ttm000

Native Instruments Twenty Five KONTAKT [FREE] 5 (2)

img-ce-twenty-five-product-page-01-intro-a56c494965b4e1b5ed8d401cdf4c9f51-d

Explore and experiment with a time capsule of classic sounds from the NI vault – from GENERATOR to MASSIVE X – only available until December 31
Pair up two sound sources, then sculpt them into something new with intuitive macro mapping and a powerful FX section
Uncover 150 brand-new takes on 25 years of pads, leads, basses, and more from 37 classic instruments

CLASSIC SOUNDS, NEW TWISTS
Back in 1996, we launched GENERATOR, our first ever synthesizer – and also the precursor to REAKTOR. Now, 25 years and countless other instruments later, we’ve been digging through the archives to unearth a sonic time capsule of our most iconic instruments from the past quarter-century.

The limited-edition TWENTY FIVE is a powerful, free instrument designed to let future generations recombine and reimagine our sonic legacy into something entirely new. As part of the KONTAKT Play Series, it comes mapped with intuitive macro controls, powerful FX, and a built-in sequencer.

25 YEARS OF NATIVE INSTRUMENTS
TWENTY FIVE isn’t the only thing we’re doing to mark this special occasion. Be sure to check out the 25th Anniversary Collection – an ultra-exclusive range of KOMPLETE. MASCHINE, and TRAKTOR hardware in your choice of Ultraviolet or Vapor Gray.

AT A GLANCE: TWENTY FIVE

Product type: KOMPLETE Instrument
For use with: The latest version of the free KONTAKT PLAYER. Download via KOMPLETE START.
Number of Sounds: 73 resampled presets plus 43 Play Series wavetables
Number of Presets: 150
Preset Categories: Bass
Brass
Flute
Mallet Instruments
Organ
Piano & Keys
Plucked Strings
Sound Effects
Soundscapes
Synth Lead
Synth Misc
Synth Pad
Vocal
Download size: 2.41 GB
System requirements: Free KONTAKT PLAYER or KONTAKT (Version 6.61 or higher)

Please also see the KONTAKT PLAYER system requirements and the KONTAKT PLAYER FAQ

 

https://www.native-instruments.com/en/products/komplete/play-series/twenty-five/

Majoris Free by Fanan Team 0 (0)

maj_free_1

Majoris Free is Majoris’es little brother. It’s a unique synth based arranger organ that can enhance creativity and help songwriters and composers to quickly compose new ideas and melodies. It emulates the automatic accompaniment organs method (like in korg pa900 and etc.) and powers a built-in drums & bass + acc oscillators to play styles that can be programmed by the user and played as a style with no additional MIDI routing, internal MIDI connection or MIDI cables straight from your instrument channel in the DAW.

The method

Like any other hardware arranger organ, Majoris splits the physical keyboard into 2 zones. The right zone plays solo while The left zone controls the played style’s chords which can be switched in fingered or one finger mode. Majoris Free has 6 variations slots per style include intro, main variations, fills and end. The variations can be controlled by any MIDI controller or even with MIDI pads or the keyboard notes. Even the “jump to” destinations can be re-programmed.

The internal sound generators

Majoris Free uses synths and a drum sampler as it’s own sound generators. The drum sampler’s kits can be deeply programmed and edited and the bass and the solo synths are quite basic but easy to operate. The style sequencer which create new styles uses almost the same programming method as our Callisto. You can program both minor and majors variations of your style and save each with it’s unique tempo or synced to the DAW.

An apology!

Since this project is too huge to count all it’s nuances and mini features, we recommend novice arranger users to first read the principles of the arranger organs. Sorry we can’t count them all, but we believe this tool is quite intuitive with a reasonable shallow learning curve, so please, make a little research before you dive into it.

Main features list:

  • 6 variations drums, bass and ACC styles slots with major and minor chords per variation.
  • One finger (jumps from minor to major with double clicking) or full fingered modes.
  • Dedicated style’s 10 slots drum sampler with built-in effects.
  • Dedicated style’s bass synth with built in effects and ducking option.
  • Dedicated solo synth with 3 variations per style and on-GUI switching buttons.
  • Transition sensitivity button.
  • Mute button.
  • Hold variation button.
  • split keyboard knob.
  • global and independent transpose knob.
  • Master, style and solo volume knobs.
  • “Jump to” menu selectors.
  • Dedicated or synced tempo.
  • Full automation.
  • Auto cymbal crash feature.
  • Internal “Callisto” style programming sequencer.
  • Visual info bar.
  • Resizable GUI.

Differences between Majoris Free and Majoris

Majoris Free is basically a complete free edition of Majoris that has few limitations: It has 6 variation instead of the 10 in the senior edition, it lack the solo MIDI out connection to 3th party VST’is in the D.A.W and it lacks the separate 6 audio outputs to individual D.A.W channels. Other than that, both versions share same structures, same styles and additional information (and therefore the same installer as well).

https://www.fananteampro.com/majoris

ScandiClavia 2 by Fanan Team[win][VSTI, VSTI3][x86, x64][Free] 0 (0)

scandiclavia_ver_2_a1

Scandiclavia 2 is a bigger and richer successor to the first Scandiclavia virtual analog nordish organ model.  It yet works as an open mixer format like the previous, but now with 7 waveforms per channel, enhanced sound path and some more new exciting features.

The Engine

The main sound engine uses the same 32bit top quality oscillators as the previous, with the highest possible dynamic range and 7 waveforms per oscillator. The waveforms emulate the great Nord organs of all times and can be mixed together and create a vast of sound colors, textures and articulations.

Scandiclavia oscillators also include gleam effect, a user friendly global hipass-lopass filters per oscillator, a rotary speaker emulation, drawbars, hammer generator (click) and a rich effects rack.

Nuances everywhere

ScandiClavia got an exclusive hammer manager which manages the percussive effect  of the organ’s hammer. You can choose from 7 types from dull to noisy and determine every little nuance of the hammer.

The effects

Scandiclavia also offers a full section of built in effects (a new cabinet effect with 4 different cabinets emulation, chorus, phaser, wha-wha, reverb and delay).

ScandiClavia is free. Enjoy!

https://www.fananteampro.com/scandiclavia2

ScandiClavia 2 VSTi

Nami Audio Midnight Upright KONTAKT [FREE] 0 (0)

In order to obtain more depth and versatility to the sound, 3 sound sources have been recorded and processed to add beautiful background layers.

01. TAPE PAD
Its pad type created by denaturing the piano recording through a Tascam portastudio 414 mkII and a 70s mixer, Boss KM60.

02. TAPE PAD SUB
The same sound as Tape Pad but one octave lower for more flexibility when added to the piano sound.

03. LITTLE ORGAN
Recording of an electric Lorenzo Chord organ using a pair of Neumann KM184.

Independent controls for piano sound volume and Texture layer.
Volume control of the note release pedal sound.
Lowpass filter for the Texture layer.
Attack and release parameters for the Texture layer.
Control of low and high frequencies to change the timbre easily or simply to better integrate the instrument into your mix.
Delay and Reverb sends with their timing parameter

Full version of Kontakt 6 software required.

https://namiaudio.com/en/piano-keys/31-midnight-upright.html

Midnight Upright Library

 

Rotary Box Style ORGAN by VisareTone[x86][vst][win] 0 (0)

The Rotary Box Style ORGAN is a virtual simulation of the Scanner Vibrato and the Rotary Speakers.

Standard Scanner Vibrato: V1, V2, V3, C1, C2, C3.

Depth Scanner Vibrato.

Rotary Speakers:

Precise setting of modulation for the Bass and Treble, .

Simulation of effect Doppler, tremolo and tonal modulation, .

Acceleration and Deceleration of rotation for the Bass and Treble.

Separate Distortion for the Bass and Treble.

Reverberation.

Bank –76 Presets.