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FSUMpeg is a real-time Lossy compression plugin that emulates low quality audio codecs, poor quality noise reduction algorithms, glitched/broken audio transmission etc.
It is inspired by the strange artifacts and responsiveness of extremely compressed audio codecs. Similar to uploading a video to youtube, downloading it then reuploading, over and over until the quality gets reduced to a glitchy blur. The core of FSUMpeg is ELENA’s spectral modules, which are used to break down incoming signal into a spectrogram, to which various filters are applied. FSUMmpeg features two peak-following or static ring modulators – one pre-FFT and one post-FFT, a bitcrusher and custom waveshaping to achieve extremely lofi bizarre sounds. It has useful bass enhancement knobs and comes in a mono or stereo version.
TAL-NoiseMaker is a virtual analog synthesizer with a great sound and low CPU usage.
128 factory presets included, 80 made by Frank “Xenox” Neumann / Particular – Sound
FEATURES
• 3 Oscillators
Osc 1, +- 24 semitones, fine tune, phase control (saw, pulse, noise).
Osc 2, +- 24 semitones, fine tune, phase control (saw, rectangle, triangle, sine).
Sub Osc (rectangle).
• Osc 1 PM for pulse waveform.
• Osc 2 FM controled by Osc 1.
• Osc 1 & Osc 2 sync to sub osc (saw, pulse, rectangle, triangle(bipolar sync)).
• Adjustable master tune and transpose.
• Up to 6 voices.
• Portamento in mono and poly mode (off, auto, on).
• Ringmod modulates Osc 1 with Osc 2
• Self resonating 4x oversampled filters (24 dB LP, 18 dB LP, 12 dB LP, 6 dB LP, 12 dB HP, 12 dB BP, Notch)
• Filter ADSR (negative and positive)
• Volume ADSR
• Routable ADSR, modulates Filter, Osc 1, Osc 2, PW, FM (negative and positive)
• 2 LFO’s with different running modes: free, sync to host, triggered by note.
Modulates filter, osc 1, osc 2, fm, pw, lfo rate, panorama and volume.
Sine, triangle, saw square, s&h, noise.
Positive and negative modulation.
Phase control.
• Adjustable Velocity dependent control over volume filtercontour and cutoff.
• Adjustable Pitch Wheel control over Cutoff and Pitch.
• One pole HP filter.
• Detune, detunes notes randomly.
• Juno chorus with different modes.
• A built in reverb.
• A built in delay.
• Adjustable filter drive.
• Bitcrusher, affects osc 1 and osc 2. Its a pre the filter stage effect.
• Midi learn for all knobs.
• • Panic button.
Easy to use, no hidden panels.
• 256 great presets (Presets by Frank “Xenox” Neumann / Particular – Sound, The Unshushable Coktor, Alexandra Sendy, TAL, Patrick Kunz).
Requirements:
• Windows: Windows 7 or higher (64 bit host)
• OS X: 10.9 or higher (64 bit host). Universal Binary 2 with native Apple M1 support.
• AAX: Pro Tools 10.3.6 or higher (64 bit).
• LINUX: 64 bit / Ubuntu 18 or similar.
Podolski
Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.
• Oscillator with variable symmetry (sawtooth to triangle, PWM) and glide
• Polyphonic (up to 16 voices), mono, legato and arpeggiator modes
• 4 envelope modes: ADSR or HDSR, linear or exponential. Sustain has Fall/Rise control
• 2 LFOs: one global, one per voice. Absolute time or host sync, multiple waveforms
• Multimode filter: lowpass, bandpass or highpass with drive and FM
• Combination arpeggiator / 16-step sequencer with extra modulation source
• 2 built-in effects: stereo delay, chorus / flanger
• Resizable UI from 70% to 200%
• Skinnable UI
• Global preferences page
• MIDI learn page and editable list
• Over 300 factory presets
• NEW in v1.2.3: Support for Oddsound MTS-ESP
Requirements
• Apple – Mac OS X 10.9 or newer
• Windows – 7 or newer
• Linux
Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer
NKS-readyPodolski is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.
Podolski
Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.
• Oscillator with variable symmetry (sawtooth to triangle, PWM) and glide
• Polyphonic (up to 16 voices), mono, legato and arpeggiator modes
• 4 envelope modes: ADSR or HDSR, linear or exponential. Sustain has Fall/Rise control
• 2 LFOs: one global, one per voice. Absolute time or host sync, multiple waveforms
• Multimode filter: lowpass, bandpass or highpass with drive and FM
• Combination arpeggiator / 16-step sequencer with extra modulation source
• 2 built-in effects: stereo delay, chorus / flanger
• Resizable UI from 70% to 200%
• Skinnable UI
• Global preferences page
• MIDI learn page and editable list
• Over 300 factory presets
• NEW in v1.2.3: Support for Oddsound MTS-ESP
Requirements
• Apple – Mac OS X 10.9 or newer
• Windows – 7 or newer
• Linux
Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer
NKS-readyPodolski is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.
We say that Arminator2 is designed as a homage to the Yamaha CS80, it can not be considered to be a faithful emulation of that fantastic instrument but rather it’s aim is to offer patches that hint at the original instruments power.
Others say that Arminator is a stunning homage to the Yamaha CS-80. It’s one of the best emulations you’ll find and it’s completely free.
Version 2 includes the following enhancements:
The scaling of various controls has been improved, the LFO can now be synced to a KeyPress. KeySplit can be anywhere on a key across the 10 octave range. KeyTracking is now available on the LowPass and HighPass Filters. The Sine oscillator in the Line Amp can now also be a -1 or -2 octave sub. Mono Poly on individual lines and a Chorus effect has been added. Lastly line 2’s envelopes can be delayed by up to 500ms from KeyPress.
But none of that is particularly important unless you’re an existing owner. For anyone else all you need to know is that this is a fabulous CS-80 emulation with some great presets, for free, wrapped up in a rather cramped, small but functional GUI. The only slight weirdness is that it’s a 32bit plug-in for Windows only. But provided your DAW supports 32bit plug-ins or you use some bridging software then it should be fine.
Dual Mono, Stereo, Mid/Side N****nn style 4 Band Mastering Equalizer with High Pass Filter.
Features
– High Pass Filter : 20-80-140 Hz
– Low Shelf : 50Hz to 400Hz with +/-15dB
– Low Mid Band : 600Hz to 1000Hz with +/-15dB
– High Mid Band : 1000Hz to 7500Hz with +/-15dB
– High Shelf : 3kHz to 10kHz with +/-15dB
– MODE : Left/Right or Mid/Side Processing
– LINK : Linking Left/Right or Mid/Side
– M-BYPASS : Master Bypass to inactive whole system
– L-BYPASS : Left Channel Bypass
– R-BYPASS : Right Channel Bypass
– MASTER : Master Output
– Seperate Left/Right or Mid/Side Output Controls
Note : Bottom side won’t work when you link L/R
Available Formats
VST/VST3/AU | Mac 10.9 – 11.X
VST/VST3 | Windows 7 – 8 – 10
VERSION 6.0 – 17.7.2021
– Improved DSP and circuit design
– Added 4x oversampling
– Readout for knobs
– Redesigned GUI
– Catalina & Big Sur(Intel/M1) support
AMP is our new effect plugin designed specifically as a tool to quickly make drum sounds punchier, more present and more demanding in a mix. AMP is also a great all-around tool for individual instrument sounds when it comes to making them sound louder and more interesting without over processing or clipping.:
AMP brings you a highly sensitive EQ, a near transparent Limiter with Soft Clip, Saturation and Stereo Control.
Easily make drums, 808’s and other sounds louder and more present in your mix without over processing.
Quick, point and click EQ with unlimited bands, Easy to read Analyzers and straight forward controls.
Stereo shape any sound. Either make things wide or even mono.
Saturation is also conveniently placed into this plugin for those who would like to add color.
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