MONSTER Bass by MonsterDAW 0 (0)



Here are the complete features of Monster Bass:

  • Simple GUI / easy to use.
  • Every sound is unique because each sound is programmed and sampled from scratch.
  • There are 25 Preset in this version 1.0, ranging from Synth Bass sound, Electric Bass sound, and Acoustic Bass sound (more to come in later version).
    • Very little RAM usage.
    • Simple parameter, only Master Reverb and Master Volume, and Level Meter with a bunch of basic things like ADSR curve, Filter section, Glide knob, LFO and Voice Mode (Polyphonic, Monoponic or Legato Mode).
    • It’s only 2 octave+ range (from MIDI Notes B0 to E3) because this is only for Bass part of your music, not for melodies!
    • Major plugin format: Windows 32bit DAW and 64bit DAW, Mac VST, and Mac Audio Unit (AU) so it can be used in the majority of DAWs (Sorry, no support for Pro Tools, but you can use VST to AAX converter like Blue Cat’s PatchWork).


    Here are a few tips when using Monster Bass:

    • Try to change Filter Mode and tweak the Cutoff Frequency to find your desired tone!
    • Set the Voice Mode to Monophonic or Legato Mode and set the Glide knob and play some legato notes (might not work on some of the preset).
    • Try to route a source (Mod Wheel or Velocity) to Pitch destination, or pan and tweak the LFO’s Rate and Depth.
    • If you find your favorit tone, use ‘Save As Preset’ command on your DAW software to make it permanent so you can recall it on another project.


Gatelab by Audiomodern 4 (1)


Gatelab by Audiomodern is a Virtual Effect Audio Plugin and a Mobile Audio App and a Standalone Application for macOS, Windows and iOS. It functions as a VST Plugin, an Audio Units Plugin, a VST3 Plugin, an AAX Plugin and a Standalone Application.

Gatelab is a creative gate sequencer, volume Modulation generator and beyond.
It randomizes a unique combination of parameters and is delivering
ever-evolving patterns and endless rhythmic effects.

Chop up any audio signal through a number of music-creation and sound-mangling features
and generate fresh new ideas on the spot.

It can also send MIDI data, giving it the ability to control or randomize parameters in other plugins.


  • VST/VST3/AU/AAX/iOS & Standalone.
  • Generate Gate Sequences in real-time.
  • Syncs to Host tempo.
  • Wet/Dry mix control.
  • MIDI Controllable.
  • Infinity Mode.
  • Quick Load presets.
  • 64-bit Compatible.
  • Instant/Tap Bypass for live performance.
  • Gate/Flow modes.
  • Disintegration & Grow modes.
  • Customizable Sequence Range.
  • MIDI Output.
  • No Two Patterns will Ever be the Same.


discoDSP OB-XD v2.5 x64 VST VST3 AU WiN MAC LiNUX [FREE] 0 (0)


OB-Xd is based on the Oberheim OB-X. It attempts to recreate its sound and behavior, but as the original was very limited in some important ways a number of things were added or altered to the original design. OB-Xd was designed to sound as good and as rich as the original. It implements micro random detuning which is a big part of that sound.

What’s new

• 7x faster GUI controls.
• Linux build.
• Standalone app.
• Signed and notarized installers.
• Updated JUCE framework to 5.4.7 for better stability and compatibility.
• Updated Banks with 2.0 compatibility.
• Ilkka Rosma Dark Theme.
• macOS Catalina support.
• MIDI CC Learn.
• MIDI CC support.
• Parameter refactor.
• XML based skinning.
• HiDPI (Retina) ready GUI themes.

While not copying originals, some of the features were taken to a better point. Continuous blendable multimode filter (HP-Notch(BP)-HP in 12 dB mode and 4-1 pole in 24 dB mode). Also, like many synths of the OB-X’s generation, the OB-Xd has no internal effects so its sounds and textures can be greatly enhanced by the use of additional processing like chorus, reverb, delay, etc.

Thanks to 2Dat for the original OB-Xd and Soshi Studio for giving the rights to continue this wonderful product. Also thanks to all KVR artists for making the amazing skins!. OB-Xd Desktop has no restrictions and is free to use. Buy to support further development, thank you! Source code is available under GPL license at GitHub.

What’s new in OB-Xd v2.5
• Added Scalable GUI (1x, 1.5x, 2x) with HiDPI support for all platforms.
• Added Luke’s Soundhouse 80s & Synthwave Presets bank.
• Preset Bar now uses bold font for better visibility.
• Specific fonts for each system (Helvetica Neue for macOS, Arial for Windows and DejaVu Sans for Linux).
• Revised all themes XML knob sizes and alignments.
• Updated assets with 4x bitmaps including Ilkka Rosma Dark theme.
• Streamlined Menu.
• Updated themes folder error dialog assets and window size.
• Added program popup menu when clicking Preset Bar name.
• Added Menu Help version and Open PDF manual (Windows and macOS).
• Miscellaneous fixes an enhancements.

Majoris Free by Fanan Team 0 (0)


Majoris Free is Majoris’es little brother. It’s a unique synth based arranger organ that can enhance creativity and help songwriters and composers to quickly compose new ideas and melodies. It emulates the automatic accompaniment organs method (like in korg pa900 and etc.) and powers a built-in drums & bass + acc oscillators to play styles that can be programmed by the user and played as a style with no additional MIDI routing, internal MIDI connection or MIDI cables straight from your instrument channel in the DAW.

The method

Like any other hardware arranger organ, Majoris splits the physical keyboard into 2 zones. The right zone plays solo while The left zone controls the played style’s chords which can be switched in fingered or one finger mode. Majoris Free has 6 variations slots per style include intro, main variations, fills and end. The variations can be controlled by any MIDI controller or even with MIDI pads or the keyboard notes. Even the “jump to” destinations can be re-programmed.

The internal sound generators

Majoris Free uses synths and a drum sampler as it’s own sound generators. The drum sampler’s kits can be deeply programmed and edited and the bass and the solo synths are quite basic but easy to operate. The style sequencer which create new styles uses almost the same programming method as our Callisto. You can program both minor and majors variations of your style and save each with it’s unique tempo or synced to the DAW.

An apology!

Since this project is too huge to count all it’s nuances and mini features, we recommend novice arranger users to first read the principles of the arranger organs. Sorry we can’t count them all, but we believe this tool is quite intuitive with a reasonable shallow learning curve, so please, make a little research before you dive into it.

Main features list:

  • 6 variations drums, bass and ACC styles slots with major and minor chords per variation.
  • One finger (jumps from minor to major with double clicking) or full fingered modes.
  • Dedicated style’s 10 slots drum sampler with built-in effects.
  • Dedicated style’s bass synth with built in effects and ducking option.
  • Dedicated solo synth with 3 variations per style and on-GUI switching buttons.
  • Transition sensitivity button.
  • Mute button.
  • Hold variation button.
  • split keyboard knob.
  • global and independent transpose knob.
  • Master, style and solo volume knobs.
  • “Jump to” menu selectors.
  • Dedicated or synced tempo.
  • Full automation.
  • Auto cymbal crash feature.
  • Internal “Callisto” style programming sequencer.
  • Visual info bar.
  • Resizable GUI.

Differences between Majoris Free and Majoris

Majoris Free is basically a complete free edition of Majoris that has few limitations: It has 6 variation instead of the 10 in the senior edition, it lack the solo MIDI out connection to 3th party VST’is in the D.A.W and it lacks the separate 6 audio outputs to individual D.A.W channels. Other than that, both versions share same structures, same styles and additional information (and therefore the same installer as well).

SpectMorph win, Linux, MacOS 0 (0)


Linux LV2 plugin – preferred for all sequencers that support LV2
VST plugin – especially for proprietary solutions that don’t support LV2
JACK standalone – application using JACK for midi input and audio output
Windows VST plugin – 64-bit VST usable in many Windows DAWs
macOS VST plugin – 64-bit VST for macOS 10.9 and later

SpectMorph is a free software project which allows to analyze samples of musical instruments, and to combine them (morphing). It can be used to construct hybrid sounds, for instance a sound between a trumpet and a flute; or smooth transitions, for instance a sound that starts as a trumpet and then gradually changes to a flute. In its current version, SpectMorph ships with many ready-to-use instruments which can be combined using morphing.
SpectMorph is implemented in C++ and licensed under the GNU LGPL version 3.

TheWaveWarden Odin 2 v2.3.1 x64 VST3 AU WiN MAC LiNUX [FREE] 0 (0)


Odin 2: A Synth to Please the Gods
The sound of this 24-voice polyphonic beast will take you from your studio right to Valhalla. Earth shattering basses, exquisite leads or mad FX, Odin’s got them all! Use the classic sound of analog waveforms – or draw your own. High quality emulations of legendary analog filters like the Moog-ladder or the Korg-35 further shape your signal. Round your sound off with five onboard FX, or get crazy with modulation. There’s much to discover in Odin 2.

Version 2.3.1
– LFO Waves now selectable from a dropdown
– reversed order of LFO waves to make them align with dropdown
– Debian package: fixed data file being owned by root (introduced in 2.3.0)

Version 2.3.0
– new FX Module: Reverb (sourced from zita-rev1)
– added microtuning functionality: Scala and KeyboardMapping files (Credits to Team Surge with their FOSS tuning library)
– Added MIDI Breath (CC 2) as modulation source
– ModMatrix amounts now range up to [-300, 300] – FM- PM Osc ratio ranges increased to [1,16] – Init Patch now has the LP-Filter fully open
– default GUI size is now 150%
– Retrig playmode now restarts the ADSR Attack from the current value, rather than zero
– added indicator triangles to dropdowns to make them more visible
– factory presets are now contained in the binary
– all paths opened with patchbrowsers are now remembered after reopening plugin and shared among different plugin instances
– fixed Filters not being modulatable beyond +150 in modmatrix
– renamed debian package from odin to odin2-synth to avoid conflicts with repositories
– linux: removed unnessecary dependency to libcurl4
– linux: enabled link-time optimization
– created Azure-CI pipelines for Ubuntu-18.04, MacOs 10.14 and Windows2019 to create installers automatically
– updated Manual to 2.3.0
– updated to JUCE 6.0.8
– major code cleanup


LibreArp by The LibreArp contributors 0 (0)


LibreArp by The LibreArp contributors is a Virtual Instrument Audio Plugin for macOS, Windows and Linux. It functions as a VST3 Plugin and a LV2 Plugin.

LibreArp is an open-source pattern-based arpeggio generator plugin. It is a MIDI effect (currently supporting any VST3 host on Windows, Mac, and Linux) that takes chords in the form of MIDI input and outputs so-called arpeggios based on the input chords.

Arpeggios are generated using a user-created pattern, which is very very similar in nature to a MIDI pattern in your favourite DAW.

Samplab VST3 AU WiN MAC [FREE] 0 (0)


Revolutionary audio sample editing.
When you drag and drop an audio file into the plugin, it is sent to our server for processing. Once this is completed, you recieve the result with all the notes in the audio seperated. In order to edit the notes, we generate a MIDI file that you can drag into the Samplab track. From now on, the plugin acts like a virtual instrument: It gets the MIDI events as input from your DAW and plays the (edited) notes. If you don’t make any changes to the MIDI, the result should sound the same as the original audio. Of course, you can also just use the MIDI file for other things.

The Samplab Plugin should be compatible with most DAW’s that support the VST3 or AU plugin formats. It has been verified to work with Ableton Live (10.1 or higher) and FL Studio on Windows and Mac.

An Internet connection is only required to transform new audio files. Once the result is received, you can use and manipulate it indefinitely without being connected to the Internet.

The playback speed of the notes is determined by the tempo of the MIDI files. When you upload a new audio, we estimate its tempo. You can adjust this estimate by changing the “Estimated BPM” in the plugin. For the change to take effect, you have to drag the MIDI file into your DAW again.”


Echo Sound Works Vinyl Guitar x64 VST3 AU WiN MAC [FREE] 0 (0)

A uniquely sampled guitar vst perfect for Lofi and Trap
Vinyl Guitar is a character guitar plugin. We sampled a guitar through an actual vinyl record player and then made a playable instrument out of those samples.

Vinyl Guitar comes with an easy to use interface allowing you to sculpt the sound as needed.

• Fret Noise – Use this macro to control the level of the fret noise you hear when changing notes and chords.

• String Buzz – This macro adds buzz to some strings randomly to more accurately recreate the sound of a real guitar.

• Pick Noise – This macro adds a picked attack to the start of the sound.

• Reverb – The reverb knob is a dry wet knob. The reverb settings panel opens a pop up box allowing you to dial in other settings.

• Attack/Release/Dynamics – This section of the GUI allows you to change how the guitar plays to fit your playing style or MIDI.

Togu Audio Line TAL-NoiseMaker v5.0.4 x64 VST VST3 AU AAX WiN MAC LiNUX [FREE] 0 (0)


TAL-NoiseMaker is a virtual analog synthesizer with a great sound and low CPU usage.
128 factory presets included, 80 made by Frank “Xenox” Neumann / Particular – Sound

• 3 Oscillators
Osc 1, +- 24 semitones, fine tune, phase control (saw, pulse, noise).
Osc 2, +- 24 semitones, fine tune, phase control (saw, rectangle, triangle, sine).
Sub Osc (rectangle).
• Osc 1 PM for pulse waveform.
• Osc 2 FM controled by Osc 1.
• Osc 1 & Osc 2 sync to sub osc (saw, pulse, rectangle, triangle(bipolar sync)).
• Adjustable master tune and transpose.
• Up to 6 voices.
• Portamento in mono and poly mode (off, auto, on).
• Ringmod modulates Osc 1 with Osc 2
• Self resonating 4x oversampled filters (24 dB LP, 18 dB LP, 12 dB LP, 6 dB LP, 12 dB HP, 12 dB BP, Notch)
• Filter ADSR (negative and positive)
• Volume ADSR
• Routable ADSR, modulates Filter, Osc 1, Osc 2, PW, FM (negative and positive)
• 2 LFO’s with different running modes: free, sync to host, triggered by note.
Modulates filter, osc 1, osc 2, fm, pw, lfo rate, panorama and volume.
Sine, triangle, saw square, s&h, noise.
Positive and negative modulation.
Phase control.
• Adjustable Velocity dependent control over volume filtercontour and cutoff.
• Adjustable Pitch Wheel control over Cutoff and Pitch.
• One pole HP filter.
• Detune, detunes notes randomly.
• Juno chorus with different modes.
• A built in reverb.
• A built in delay.
• Adjustable filter drive.
• Bitcrusher, affects osc 1 and osc 2. Its a pre the filter stage effect.
• Midi learn for all knobs.
• • Panic button.
Easy to use, no hidden panels.
• 256 great presets (Presets by Frank “Xenox” Neumann / Particular – Sound, The Unshushable Coktor, Alexandra Sendy, TAL, Patrick Kunz).

• Windows: Windows 7 or higher (64 bit host)
• OS X: 10.9 or higher (64 bit host). Universal Binary 2 with native Apple M1 support.
• AAX: Pro Tools 10.3.6 or higher (64 bit).
• LINUX: 64 bit / Ubuntu 18 or similar.