DirtyPumper by SNFK Music is a Virtual Effect Audio Plugin for macOS and Windows. It functions as a VST3 Plugin.
DirtyPumper is an extreme saturator that punishes a mix. It was designed with drum processing in mind, but it can easily saturate anything you’d like. Features:
Dirt: Shapes the sound and pushes it to its limits – warps harmonics and stability.
Drive: Increases the input gain and other internal parameters.
Lowpass: Applies a lowpass filter to the input signal – helps emulate warmer sounds.
Pos / Neg knobs: Affects the positive and negative amplitudes’.
In order to obtain more depth and versatility to the sound, 3 sound sources have been recorded and processed to add beautiful background layers.
01. TAPE PAD
Its pad type created by denaturing the piano recording through a Tascam portastudio 414 mkII and a 70s mixer, Boss KM60.
02. TAPE PAD SUB
The same sound as Tape Pad but one octave lower for more flexibility when added to the piano sound.
03. LITTLE ORGAN
Recording of an electric Lorenzo Chord organ using a pair of Neumann KM184.
Independent controls for piano sound volume and Texture layer.
Volume control of the note release pedal sound.
Lowpass filter for the Texture layer.
Attack and release parameters for the Texture layer.
Control of low and high frequencies to change the timbre easily or simply to better integrate the instrument into your mix.
Delay and Reverb sends with their timing parameter
Nu Guzheng is a sampled guzheng chinese plucked zither.
This traditional instrument has been recorded in stereo using a pair of Blue spark condenser microphones. Recorded in 32-bit and downsampled to 24-bit for the plugin version, the end result is clean-sounding and authentic.
1 Chinese Guzheng instrument sound.
Based on a high-quality 32-bit 44.1 kHz recording.
Amplitude range controls.
3 voice modes: polyphonic, monophonic, and legato.
Windows 8.1/10 or macOS El Capitan to Mojave (not compatible with Catalina and up).
Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.
• Oscillator with variable symmetry (sawtooth to triangle, PWM) and glide
• Polyphonic (up to 16 voices), mono, legato and arpeggiator modes
• 4 envelope modes: ADSR or HDSR, linear or exponential. Sustain has Fall/Rise control
• 2 LFOs: one global, one per voice. Absolute time or host sync, multiple waveforms
• Multimode filter: lowpass, bandpass or highpass with drive and FM
• Combination arpeggiator / 16-step sequencer with extra modulation source
• 2 built-in effects: stereo delay, chorus / flanger
• Resizable UI from 70% to 200%
• Skinnable UI
• Global preferences page
• MIDI learn page and editable list
• Over 300 factory presets
• Apple – Mac OS X 10.9 or newer
• Windows – 7 or newer
Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
• Modern CPU (Sandy Bridge or newer recommended)
NKS-readyPodolski is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.
Changelog: Podolski 1.2.2 (revision 9724) Improvements: • Mac installer notarized (Catalina) • NKS compatible • Windows installer improvements • UTF-8 support for installation paths • Improved VST3 implementation • New Preset Browser • Factory presets have been tagged • Drag & drop between browser and system file windows • Improved GUI response time on some Macs (sluggish GUI) • Windows UI performance improved (less CPU load with open GUI) • Mac installer improved to prevent permission issues • User defined MIDI CC sources replace expression and breath • Mouseover shows parameter values in Data Display • Plugin format and OS info shown next to revision number • Init preset can be loaded from Data Display (for Win users: also works via right-click) • Increased maximum number of installed skins from 10 to 20 • Improved handling of 14-bit MIDI CC assignment • Sustain pedal now working according to standard (0-63 = off, 64-127 = on) Fixed Bugs: • Fixed an issue with dialogs appearing transparent in Cubase 10.5 and Logic • Various small fixes and improvements
Four EP is a collection of 4 electric piano sounds created using additive and FM synthesis. The sounds have been sampled at multiple velocities and embedded in a VST plugin instrument. The plugin is as simple as possible and comes with simple parameters to shape your sound. The tones the plugin produces sounds like a digital piano.
KarmaFX Plugin Pack is a collection of quality effect plugins that are small, simple and easy to use. Plugins that simply get the job done without too much knob tweaking. The pack includes a simple filter plugin, a tempo controlled delay, a 31 band graphic equalizer, a reverb and a User’s manual. It is available for PC/Windows in 32 bit and 64 bit. Download installer and view the full specifications below.
KarmaFX Filter: A simple stereo filter plugin
One Two Pole Multimode Filter (-12dB/oct).
Adjustable frequency, resonance (Q) and saturation drive.
Selection of Lowpass, Highpass, Bandpass or Bandstop output.
Two One Pole filters (LP, HP, -6dB/oct) with adjustable frequency.
Filter series: In -> Two pole -> One pole -> One pole -> Out.
Filters can be turned on or off (bypassed).
KarmaFX Deelay: A tempo controlled stereo delay
Two independent delay lines.
Coarse delay (0-16 beats/4) and fine delay (1 beat/4) adjustment.
Up to 4 second delay time (per channel) at 96kHz (8s at 48kHz).
Dry out, wet out, tempo sync control (auto/or 60-200 BPM)
Adjustable cross delay feedback mixer (pingpong).
Feedback gain and tap level adjustment.
Lowpass and Highpass filter with adjustable frequency (-6dB/oct).
Resonance with adjustable freq and Q.
DC block in feedback (-3dB at 30Hz).
5 ready made presets.
KarmaFX Equalizer: A graphic stereo equalizer
31 unique adjustable bands.
Fixed center frequencies ranging from 20Hz to 20kHz.
Accurate analog simulation of Boost and Cut EQ filters.
Fully symmetrical (reciprocal) filter response.
6, 12 and 24 dB boost/cut for gentle, medium and harsh equalization.
Boost option for extreme 36 to 96 dB equalization.
Low (20Hz-1kHz), Mid (1-5kHz), High (5-20kHz) or Full equalization.
Optional low and high shelving.
Adjustable overall mix and gain control.
Reset button and keyboard shortcuts for easy editing.
11 ready made presets.
KarmaFX Reverb: A stereo reverb
10 different reverb algorithms.
Up to 10 seconds of reverberation time (decay time).
Dry out, wet out, pan and signal mixer.
Full 4 channel stereo mix.
Mono, Stereo or Dual (cascade) mode.
Up to 500 ms Predelay with adjustable synced feedback.
Lowpass and Highpass filter with adjustable frequency (-12dB/oct).
Charlatan is a polyphonic subtractive synthesizer with focus on sound quality and easy usability.
It comes with a flexible, yet not overwhelming feature set which encourages artists to start tweaking instead of just relying on presets. Inspite of it’s simplicity, Charlatan’s architecture is flexible enough to create both classic sounds and rather experimental noises. While making no compromise about sound quality, the sound engine has been highly optimized for efficient CPU usage making Charlatan well suited as a “bread and butter” synth even in projects with a large number of plugin instances.
2 oscillators with shape modulation.
Oscillator hard synchronization and ring modulation.
Unison mode with upto 7 voices and stereo spread.
Stereo noise generator.
2 ADSR envelope generators.
LFO with host tempo synchronization.
3 filter types modeled after classic analog hardware: 4-pole (24 db/oct) and 2-pole (12 db/oct) lowpass, bandpass.
3 voice modes: Monophonic, Monophonic Legato and 8-voice Polyphonic.
Ultra-low CPU usage.
T-Force Delay is a dual mode delay effect device. It can be used to add an echo effect to your sound. Its feedback signal can be modulated with filters and a degrader, to emulate the old vinage style analog tape echo effects. It can produce simple stereo delays, but also can be switched to ping pong mode for that typical left/right pingpong echo effect. it also has a flanger to create some crazy flanger effects on the feedback signal.
Available as 64 bit VST/VST3 and 32 bit VST.
Effect device for using as insert effect or send effect
Powe switch – can be switched off to turn the plugin into bypass mode
Sync switch for switching between free mode and host sync mode for the delay time
Switch for enabling ping pong mode
Delay time control – controls the time of the delay
Feedback control – controls the feedback signal length
Mix control for the dry signal
Mix control for the wet signal
Filter – used to create that typical analog tape echo style lowpass/high pass filter fitlering effect in the feedback signal
Degrader – used to create a degrade/downsampling the effect in the feedback signal
Adds a flanger effect to the wet signal
Rate control – used to control the tempo rate of the modulation
Depth control – used to control the modulation depth
Feedback control – used to control the amount how strong the flanged signal will fed back into the flanger which results in a more “metallic” sound.
Mix control – used to control how strong the flanger effect will be added to the wet signal.
All controls are fully automatable
Available as 64 bit VST2/VST3 and 32 bit VST2
How to install: instructions how to install this plugin are included in the zip file.
Info: the VST2 version of the plugin also uses the VST3 preset system (.vst3preset), to make the presets cross-compatible. For more infos please read the “Read me first!” text file included in the zip file.
Please note: supports Windows 7 and higher only, because the plugin uses a new graphics API – all graphics now will be rendered with your graphic card’s GPU instead of the CPU. Windows XP doesn’t support the new graphics API. No Mac support, because some 3rd party code modules are used inside the plugin which are just available for Windows. If the developers of these code modules make them available for Mac, i will also add a Mac AU version in future.
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