Giorgio Sancristoforo release Berna 3 (simulation of an early electronic music studio) 0 (0)

berna 3b

NOT A PLUGIN BUT
AN EXPERIENCE

This is a standalone software only.( Mac currently)

Windows version in about 7-10 days

Eligibility for free upgrade:
Customers who bought Berna2 in August and September 2021

Price 25.00€

more infos and download

Creating a couple of sinusoidal oscillators was never the goal.
Berna is an experience, a world of instruments that transport you to the age of the pioneers of electronic music.
Use 12 Function generators, 6 filters, 8 modulators, plus oscilloscope, four tracks tape recorder, two track tape recorder and four independent tape loops and effects with warm analog sound.

REQUIREMENTS
Mac: OS X 10.11.6 or later, Intel® Core™2 Duo processor. Intel® Core™ i5 processor or faster recommended (runs also on M1),
4 GB RAM (8 GB or more recommended).
Windows: Windows 7, Windows 8 or Windows 10, 64-bit Intel® or AMD multi-core processor.
Intel® Core™ i5 processor or faster recommended, and GB RAM (8 GB or more recommended).

Tonelib GFX Lite by Tonelib[IOS] 0 (0)

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30-Day: 6329; 7-Day: 860; Yesterday: 68

With TL GFX Lite, you get a complete pocket-size guitar processor. Get access to massive collection of realistic sounding effects and amps right on your portable device.

ToneLib GFX Lite is a collection of guitar amps, speaker cabinets, and effects that let you easily turn your portable device into a powerful guitar and bass processor. With a massive collection of guitar effects and amps that fully captures the sound of their simulated equivalents, you can create a unique guitar tone and take it with you – to rehearsal, gig, or jam session.

A complete set of essential guitar amps and effects.

ToneLib GFX Lite provides its users with a set of 5 amplifiers that are suitable for creating a guitar tone for almost any musical genre. In addition, ToneLib GFX Lite includes 18 various effects, 12 speaker cabinet simulations, 5 built-in guitar cabinet impulses and 3 bass cabinet impulses.

High quality realistic sound at low CPU load.

All ToneLib GFX gear is precision-modeled based on actual circuit diagrams of highly-sought-after, real-world products. The oversampling is auto-adjusted to your session’s sample rate to save valuable CPU power while providing the most transparent sound possible.

Fully equipped workspace for guitar practice.

Among other things, ToneLib GFX Lite provides all the tools you need to organize your guitar practice routine: from a high-precision tuner to a full-featured rhythm player that includes both a variety of metronomes and a drum machine, with a huge number of recorded drum parts covering most musical genres.

Key Features:

• Intuitive and user-friendly interface.

• high-precision modeling based on actual circuit diagrams of highly-sought-after real-world products.

• 5 amps, 18 effects and 20 cab sims.

• Possibility to create parallel effect chains with the Splitter tool.

• Ultra-low latency, virtually undetectable for real-time playing.

• Low CPU power consumption in all operating modes.

• The number of effects in the chain is limited only by the capabilities of the device.

• Drag-and-drop effects in the chain for easy tone creation.

• 128 slot advanced built-in preset browser.

• Built-in high-precision tuner.

• Built-in flexible metronome and rhythm player.

• 99 pre-recorded drum loops of different music genres.

Apple Appstore

Logelloop Le by Logellou 5 (1)

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Logelloop Le is the free version of Logelloop Pro, it’s a Live Looping tool with several modules for stage, sound design and backstage management.

Check this page for full PRO/LE comparison

The main looper features:

  • Many Live Looping functionalities (Record, Overdub, Multiply, etc.).
  • Overdub in Mix Mode and Replace Mode.
  • Mute and autofade with multiple functionalities.
  • 4 tracks.
  • 1 loop bank.

Modular Live Looping with the inserted looper modules:

  • Aggregation of Looper’s with Korpus (limited).
  • Record several loops at the same time.

Mixing desk:

  • 1 Inserts per track.
  • 2 auxiliary channels per track.
  • Solo, Mute, volume, etc. on each track.
  • Logarithmic audio faders.

Plug-ins:

  • More than 16 native plug-ins.
  • Plug-in insertion in inputs, looper tracks and FX channels.

Sound Design tools:

  • Impulse reverberation.
  • Granular synthesis with Granulaterre.
  • Many delay types.
  • Convolution, distortion, ring modulation.
  • Parametric equalization, low pass, hi pass, band pass.
  • Convert audio to LFO.

LFO:

  • LFO synced to your loops.
  • Sine, Ramp, Triangle, Square shapes.
  • Random LFO shapes.
  • Sync any track setting to the LFO.

Scene memories:

  • Every setting can be memorized in presets.
  • Interpolation between presets.

Slicer:

  • Make real-time slices in your loops.

Slate Digital AURORA (Lo-Fi Sample Pack) WAV [FREE] 5 (1)

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Meet AURORA — over 500 royalty-free Lofi drum, vocal and melody samples full of gorgeous vintage vibe & analog warmth. With AURORA you get:

• Rich breakbeats & loops full of flavor and character—played by top session drummers
• Resampled, warped, & re-pitched vocals for tons of ethereal flavor
• Dusty, degraded melodies to kickstart your next track
• Intricate, textured chords on piano, keys & guitar all basking in vintage analog warmth
• Drum chops, one shots, & fills dripping with vinyl character 100% Royalty-free & ready to drop in your tracks today

WHAT DO YOU GET IN AURORA?
• 151 Drum Loops
• 176 Drum One Shots
• 125 Melody Loops
• 17 Melody One Shots
• 186 Vocals

Get AURORA now while it’s 100% FREE!

https://ac.slatedigital.com/aurora-lofi-sample-pack

CX5M-V by Digital Systemic Emulation 0 (0)

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CX5M-V is an emulation about the 1984 Yamaha CX5M and 1985 Yamaha CX5M-II. (Almost identical).

The CX5M incorporates a classic Yamaha FM sound process, using 4 operators and 8 algorithms. It also includes the Yamaha-type feedback, which routes the output of an operator to its own input.

Referring to Fourier Series, an important feedback will generate a Sawtooth spectrum, but with important Gibbs distortion. Due to some approximations, the feedback effect is hard to reproduce. SynthEdit – that was used to develop this software – cannot run instant feedback loops, so I had to use a special third party module from Elena Design.

This module uses Lagrange polynominal cubic interpolations, so we can’t obtain a perfect sine. In FM, every single harmonic plays an important role as it sometimes modulates to high coefficients other harmonics. Yet as at the beginning we don’t have a perfect sine, the result differs from a true DX-type Feedback process.

Though I tried to correct the feedback spectrum using butterworth filters, that better fits the original behavior. Anyway, because of this issue, some differences can be heard when comparing this software with an original unit, as feedback rate goes over 50%. This specific module isn’t available for Mac, so that’s why this software is Windows-only (And 64-bits).

The original CX5M runs on a 3.58 Mhz processor, in 8 bits. As a result, strong aliasing can be heard on low frequencies. I have recreated this distortion the very same way it sounds on an actual CX5M. Since it runs on 8 bits, the envelopes are not perfectly smooth. On long attacks/releases, you can hear steps – this was recreated in this plugin too.

Regarding envelopes, the CX5M had an ADSDR outline, that I changed to ADSR + Delay, to my mind more interesting. The CX5M also provided a weird HF attenuator/envelope shortener parameter, that I changed into a low pass gatted filter, as the original idea was too complicated for pretty useless results.

The volume adjustment parameter was deleted (it wasn’t even used in factory presets). Same for a FM noise generator thing on OP1 – it wasn’t used again (And I never succeeded to activate it – but the results are identical to max feedback effect). Finally, LFO was simplified from a useless distinction of PMD/PMS and AMD/AMS.

Prime Studio CHARLY 2 v1.40 VST, AAX, AU WIN.OSX [FREE] 0 (0)

Prime Studio® (powered by Acustica Audio) Charly is a summing tool based on an analogue tube device that has been modified according to our specifications. Charly refines signals with fine tube character and analog punch adding harmonic distortion.

Description from the previous version:

Charly is perfect to rhythmically enhance drum loops, to bring to life dull and boring sounds, as well as to fatten loops and mixes.

Its simplicity translates into an output gain divided between -10dB and +10dB, an on/off switch button which turns on the plugin or sets it in bypass mode, and a couple of left/right VU meters that measure the stereo input level. All the magic is done by the output gain rotary knob; it acts like a stereo enhancer and adds a slight compression and reverb. The amplification is made without distortions and artifacts.

https://primestudio.at/ps2015/

Premier Sound Factory Hellotron Premier G Kontakt [FREE] 0 (0)

Premier Sound Factory has announced an updated version of its Hellotron Premier G Kontakt library – now with new look and controls.

Features

48kHz/24bit samples (you can load it in any sample rate session)
All samples were recorded in whole sound with no loop
Original Mellotron sounds in their natural element
35 keys of Flute, Strings, and Cello samples
True and tasteful analog feel
Simple “1 sample per 1 key” structure (original does not have velocities)
7-second key duration with no loops as an authentic Mellotron
Recorded Mellotron M400S

https://premiersoundfactory.com/hellotron-premier-g/

 

NB01 – distortion/sustainer by Noizebox – KVR Challenge 0 (0)

NB01 – distortion/sustainer is the first plugin from Noizebox Industries. Made for KVR DC21.

Inspired by a circuit from an ancient guitar pedal that was originally intended as a soft-distortion-sustainer for guitars. Giving that singing sustain without a lot of harsh distortion. This is a modern take on the same circuit, not a straight up clone, more of a work-alike inspired by the original circuit. Though a fair amount of work has gone into modelling the peculiar anomalies of an overdriven, asymmetrically clipping, amplifier circuit with a FET-based feedback loop that works like a crude compressor, prone to overcompensating.

NB01 adds control over the amount of compression applied and the response time. It its fastest setting it is not really a compressor as it starts altering the waveform of the incoming sound. It also add tone controls for more versatility in shaping the sound. The tone controls are a mix of pre and post filtering that makes them interact with the overdriven amplifier circuit in interesting ways.

The signal chain is processed with 4x times oversampling with high quality elliptical downsampling filters to limit aliasing and accurate modelling. Real time parameter smoothing for glitch-free operation. Written in native C++ for performance and small footprint. Hardware accelerated, vector based UI.

Use it as overdrive before a guitar amp plugin for a sweet, compressed and singing tone. Preferably with a bit of midrange boost to cut through. It’s is also perfect for destroying drum loops. Either by rolling off the bass and making the compressor slam the transients.

Or by cranking up the low end for really making the compressor duck like crazy on the kicks, by setting the response time to moderately fast, you can tweak the gain knob to find a sweetspot where the bass triggers the compression in just the right way.

Or try it on any other material, lofi vocals, adding grime to basslines or any other creative ways of destroying sounds.

Controls:

  • Gain: Sets the gain of the circuit, higher values produce more distortion.
  • Compression amount: Sets the amount of compression applied. There’s a lot of range here. At extreme settings the compression will be negative, i.e. a 3 dB volume increase will result in more than 3 dB gain reduction. This can cause a bubbling/pumping/grinding artefacts at some combinations of high reaction speed and high compression when the circuit switches back and forth between overcompensation. This is not a bug, it’s a feature and lot’s of weird distortions can be discovered here.
  • Compression Speed: Sets the reaction time of the compressor feedback, higher values create more distortion as the compressor starts to chew on the waveform rather that the envelope of the sound.
  • Stereo: This switches between Fully independent stereo processing, stereo processing with linked compressors and mono processing.
  • Tonelomidhigh: Tone controls are fairly straight forward. All controls at 12 o clock means a reasonably flat response. Tone controls are also a combination of pre and post clipping, which creates more interesting textures.
  • Scope: Just for amusement really. but it’s fun to watch.
  • Master level: Sets the output volume for balancing the mix.

https://www.kvraudio.com/product/nb01—distortion-sustainer-by-noizebox-industries

HammerHead RythmusStation by threechords 0 (0)

What is HammerHead ?

HammerHead is a simple TR-909-like drumcomputer
program aiming at the dance-scene. You can use it
to create perfect Techno-loops, Jungle patterns and
real BAD-MOFO-KICK-ASS-NOISY-GABBA-SHIT.

What is HammerHead not ?

HammerHead is not Shareware, it’s Freeware ! No
frustrating save-disabling, no grayed-out-menu-features,
no paying serious money, no annoying messages and
most of all NO TIME LIMIT…

HammerHead is not a Bossa Nova tool… This means
that you won’t find any sucky Tom-Toms, Shakers,
Cowbells, Congas and Bongos in this box… What you
WILL find is cool 909 shit, bad overdriven bassdrums,
lotsa snaredrums, claps, and complete breakbeats to
spice up the lot. Buckets-o-fun for making Jungle.

A MUST-CHECK-IT-OUT for everyone who has always wanted
to make his own block-rocking beats !

by Bram Bos
Version 1.0 (25-05-1997)

HAMMER10