Odin 2: A Synth to Please the Gods
The sound of this 24-voice polyphonic beast will take you from your studio right to Valhalla. Earth shattering basses, exquisite leads or mad FX, Odin’s got them all! Use the classic sound of analog waveforms – or draw your own. High quality emulations of legendary analog filters like the Moog-ladder or the Korg-35 further shape your signal. Round your sound off with five onboard FX, or get crazy with modulation. There’s much to discover in Odin 2.
Note: I don’t have mac so macOS build is not tested. If you find bug, please report it to https://github.com/ryukau/VSTPlugins.
Info: For Linux, LV2 version is available at https://github.com/ryukau/LV2Plugins.
SevenDelay is a stereo delay using 7th order Lagurange interpolated fractional delay. Also 7 times oversampled. Suitable for making sound with actively changing delay time by hand or DAW automation:
The package includes following builds:
occularScope is a bar or beat synchronised oscilloscope with side chain input.
View either a single beat or bar synchronised to your DAW
Line or filled waveform view
Can show side chain input overlaid or added to primary input
Freeze button
Adjustable delay compensation for manually correcting waveform offset
Fully scalable user interface
Dark and Light themes and more (or completely customise your own colour scheme)
System requirements:
Windows
Windows 7 or greater
32 or 64 bit compatible
3GHz or faster CPU
Minimum 4gb RAM
32mb free GPU RAM
VST 2 or 3 compatible host
macOs
macOS 10.11 or greater
64 bit version only
3GHz or faster Intel or ARM CPU
Minimum 4gb RAM
32mb free GPU RAM
VST 2/3 or Audio Unit compatible host
Experimental Linux support
Unfortunately due to the nature of Linux audio and our small size we are unable to offer anything beyond rudimentary support for the Linux build.
Beatzille: little monster
Beatzille is a compact version of our monster modular synthesizer Bazille. Although its condensed feature set makes it the ‘little brother’, Beatzille is still an engaging and capable synthesizer. Power and style run in the family. Digital oscillators, analogue-style filter and flexible patching will keep you busy for a good while before thinking about tackling Bazille.
Features:
• Modular architecture
• 2 digital oscillators with simultaneous frequency modulation (FM), phase distortion (PD) and fractal resonance (FR)
• Polyphonic (up to 8 voices), duophonic (split oscillator pitches), legato or retriggered monophonic
• Pitch transpose, drift and glide control
• 1 multimode analogue-style filter with 6 parallel outputs (4× lowpass, bandpass, highpass)
• 2 ADSR envelopes with sustain slope (fall/rise) and 5 trigger modes
• 1 LFO with 3 parallel outputs with various waveforms
• 16-step sequencer with 8 morphable snapshots. 4 output sockets for parallel sequences, envelope triggers and more
• 2 multiplex units for mixing, crossfades, ring modulation or amplitude modulation
• Built-in stereo delay with tape wow, feedback and damping filters
• 1 mapping generator (waveshaper / incrementer)
• Audio-rate signal processors: inverter, rectifier, sample & hold, dual lag generator and quantizer
• White and pink noise generators
• MIDI modulation sources include modwheel, velocity, breath, pressure, key follow, gate and more
• Single-page interface
• Skinnable UI
• Resizable UI from 70% to 200%
• Global preferences page
• MIDI learn overlay and editable MIDI CC list
• Over 160 factory presets
• NEW in v1.0.2: Support for Oddsound MTS-ESP
Small and mighty
Striking the balance between too much and too little, Beatzille is the happy medium. It presents an introduction to modular synthesis and a taste of the power of Bazille without being overwhelming.
Oscillators
Beatzille’s oscillators embrace two digital synthesis methods developed during the 1980s: frequency modulation (FM) and phase distortion (PD). We also added a process we call fractal resonance (Fractalize), which sounds similar to the classic oscillator sync effect when swept.
All three synthesis methods run simultaneously, so you can combine them to create an extensive range of sounds. Beatzille is great at generating weird modular blips and squeaks, but you can even coax soft pads and organic keys from the oscillators—as demonstrated by the factory library. Add modulation for even more sound possibilities.
Filter
The filter is a favourite in the sound designer’s toolkit. Cut frequencies, boost others, add texture and colour. Beatzille’s analogue-style filter complements the digital oscillators, providing warmth and drive. And its self-oscillation capability opens up some intriguing sound design opportunities.
Even with a single filter Beatzille offers plenty of creative horizons. The six parallel outputs (highpass, bandpass and four types of lowpass) with multiple modulation options make it easy to create complex, shifting textures.
Delay
Beatzille has only one built-in effect, but it’s good one: stereo delay with optional host sync. Push your sound around in space with independent delay times and volumes for each channel. Conjure ghostly echoes using tape-like wobble and filtering or set up endless repetitions. Tweak all controls to find the perfect delay.
Release notes:
Beatzille 1.0.2 (revision 12092)
Native M1 ARM support
Improvements:
• Native support for Apple Silicon chips (M1)
• macOS Big Sur compatibility
• Improved GUI performance
• Support for Oddsound MTS-ESP
• Improved handling of junction links on Windows
• VST3 support added
• Improved preset browser
• Improved soundset installation
• Pitch Bend range now +/-48
• Minor GUI fixes/tweaks
• Various Mac and Windows installer improvements
• System info displayed in GUI (revision, OS, plugin format)
• Hold pedal behaviour improved (0-63 = off, 64-127 = on)
• Ctrl A/B replaces fixed Breath and Expression modulation
• Changed how LFO Wave and LFO Phase influence envelope triggeringFixed Bugs:
• Fixed multiple sequencer issues
• Fixed multiple issues with envelope triggering via LFO and sequencer
• Fixed notes starting on same time stamp but different MIDI channel might not play
• Fixed LFO in sync mode being too slow on its first cycle
• Fixed mapping generator not updating instantly
• Fixed multiplex potentially killing audio output
• Fixed crash when loading script presets (e.g. Randomizer)
• Fixed rare crash on project reload
• Fixed audio clicks when switching presets
• Various small fixes and improvementsKnown Issues:
• Context menus need plugin focus to work (Apple issue)
• Cable style “natural” can cause GUI glitchesSpecial Notes:
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinuedThe Windows installer was improved to prevent common installations issues. Please check the suggested installation paths during installation, making sure the update is installed into the same location as the previous version, and all installed plugin formats are being updated.
Envelope triggering via LFO and sequencer was reworked in order to fix multiple bugs in this area. This means some presets might not sound as intended anymore. We therefore recommend to finish ongoing projects before updating to the new version. Please refer to the “Patch Conversion Tips” file to get more info on how to adjust your presets.
ZebraCM: Baby zebra
ZebraCM is a stripped-down version of Zebra2 with a selection of modules organised in a simple layout. Though smaller, ZebraCM is still an adept synthesizer with enough features to keep you busy before stepping up to the full experience of Zebra2.
Please note: ZebraCM was commissioned by Computer Music magazine for their readers. It is only available via Computer Music, not from u-he.com or our resellers.
2 wavetable (16) oscillators with integrated sync and spectral filter
Polyphonic (up to 16 voices), duophonic, mono or legato
Stereo signal path
Noise generator: White, pink, digital or crackles
Filter with 20 modes (various lowpass, bandpass, notch, shelf, allpass…)
3 LFOs
2 ADSR envelopes with fall/rise sustain
3 effects: chorus, delay, reverb
Resizable UI from 70% to 200%
Skinnable UI
221 factory presets
NEW in v1.1.1: Support for Oddsound MTS-ESP
Versatile Amp
Blacksun is a versatile two channel amp, featuring the “mode” control that lets you change the flavor of the amp.
Stomps
• We’ve included 3 stomp boxes before the amp to dial in your perfect tone.
• The Gate pedal will get rid of noise in your signal, the boost pedal can help shape the tone to your guitar and the drive pedal can make your amp even more aggressive and focused.
Dual Cab Loader
• Dual cab loader with movable mics for ANY IR.
• Link the loader to your favourite IR folders for quick and easy access!
• Blacksun includes a FREE IR Pack from Seacow Cabs.
FX Rack
• Included are 4 post effects to help you sculpt your tone the way you like.
• Use the 9 band EQ to fit the amp to your mix, add depth to your leads with the Delay, Chorus & Reverb
Blacksun is FREE until the 1st of December 2021
https://audioassault.mx/collections/plugins/products/blacksun
Bespoke is a software modular synthesizer. It contains a bunch of modules, which you can connect together to create sounds.
Bespoke is like a DAW* in some ways, but with less of a focus on a global timeline. Instead, it has a design more optimized for jamming and exploration.
Bespoke is a project I started in 2011 as a way for me to learn more about creating music. Instead of putting in the time to learn the intricacies of an existing DAW, I took on a foolhardy exercise to try to build my own. The software is custom built by me and for me, hence the name “Bespoke”.
Bespoke’s core design is to break everything into separate modules that can be patched together in a custom layout, much like a hardware modular. Bespoke is designed to be highly customizable, with the idea that any of the custom layouts that you create will be “bespoke” to you as well.
In a way, Bespoke is like if I smashed Ableton to bits with a baseball bat, and asked you to put it back together.
LoudMax is a Look-Ahead Brickwall Loudness Maximizer Plugin with a clean transparent sound. It is designed to retain the original character of the music as much as possible even at high compression levels.
Release notes v1.40:
• Peak hold function for the gain reduction meter.
• Improved meter responsiveness.
• VST3: Fixing meters not being displayed on some hosts.
• VST3: Added bypass functionality.
• VST3: Avoid unnecessary latency changes.
• Added legacy 32 Bit version for Win XP and Vista.
• Improved algorithm.
Usage notes for VST2 / VST3 / AU:
• Hold down the Shift key to adjust the sliders more precisely.
• Click in the lower right corner to toggle the GUI size between Normal and Large. Available only if the host supports resizing. Not available on Windows and Mac legacy versions.
• The “Fader Link” function works reliably only in the graphical user interface. In the “generic” or “controls” view of some DAW hosts, the link works, but the output fader change is not displayed.
• Installation instructions can be found in the readme in the zip file or through the links in the tutorials section.
Main range of application:
• Audio Mastering
• Output Limiter/Maximizer for web radio stations
Controls:
• One slider for threshold, one for the output level.
• Meters for input, output and gain reduction in relation to the desired threshold.
• Gain reduction meter with peak hold marker. Not available on legacy versions.
• Link: Output slider will be coupled to the threshold slider.
• ISP: Inter-sample peak detection for true peak limiting.
Features:
• True Peak Limiting (Further information for ISP below)
• Supported Samplerates: 2kHz – 384kHz
• Latency: 1.25ms (+ 6 samples with ISP)
• Look-Ahead and Attack Time: 1.25ms
• Release Time: Automatic – depending on the input signal
• No audible distortion
• Possible overdrive: 740dB
• Very low CPU usage
https://loudmax.blogspot.com/2021/09/loudmax-plugin-v140-released.html
OB-Xd is based on the Oberheim OB-X. It attempts to recreate its sound and behavior, but as the original was very limited in some important ways a number of things were added or altered to the original design. OB-Xd was designed to sound as good and as rich as the original. It implements micro random detuning which is a big part of that sound.
What’s new
• 7x faster GUI controls.
• Linux build.
• Standalone app.
• Signed and notarized installers.
• Updated JUCE framework to 5.4.7 for better stability and compatibility.
• Updated Banks with 2.0 compatibility.
• Ilkka Rosma Dark Theme.
• macOS Catalina support.
• MIDI CC Learn.
• MIDI CC support.
• Parameter refactor.
• XML based skinning.
• HiDPI (Retina) ready GUI themes.
Overview
While not copying originals, some of the features were taken to a better point. Continuous blendable multimode filter (HP-Notch(BP)-HP in 12 dB mode and 4-1 pole in 24 dB mode). Also, like many synths of the OB-X’s generation, the OB-Xd has no internal effects so its sounds and textures can be greatly enhanced by the use of additional processing like chorus, reverb, delay, etc.
Thanks to 2Dat for the original OB-Xd and Soshi Studio for giving the rights to continue this wonderful product. Also thanks to all KVR artists for making the amazing skins!. OB-Xd Desktop has no restrictions and is free to use. Buy to support further development, thank you! Source code is available under GPL license at GitHub.
What’s new in OB-Xd v2.5
• Added Scalable GUI (1x, 1.5x, 2x) with HiDPI support for all platforms.
• Added Luke’s Soundhouse 80s & Synthwave Presets bank.
• Preset Bar now uses bold font for better visibility.
• Specific fonts for each system (Helvetica Neue for macOS, Arial for Windows and DejaVu Sans for Linux).
• Revised all themes XML knob sizes and alignments.
• Updated assets with 4x bitmaps including Ilkka Rosma Dark theme.
• Streamlined Menu.
• Updated themes folder error dialog assets and window size.
• Added program popup menu when clicking Preset Bar name.
• Added Menu Help version and Open PDF manual (Windows and macOS).
• Miscellaneous fixes an enhancements.
https://www.discodsp.com/obxd/
OS-251 is a pure digital lo-fi synthesizer plugin for Mac, Windows and Linux
OS-251 is a “JUNO” style digital subtractive synthesizer with a simple yet powerful DSP algorithm. Unlike other plugins that use analogue simulation, OS-251 uses digital algorithms to give warm, lo-fi sounds. The design of the oscillators and the selection of parameters were influenced by the JUNO-106, making it easier to express a thicker, chunkier sound.
The oscillator has alias noise (specific to digital signal processing) famous on classic samplers like E-mu SP-12 which adds lo-fi feeling to the sound. You can enjoy the powerful sound at modern sampling rates with your DAW.
Easy to use
Tired of overwhelming synthesizers with hundreds of parameters and presets? Then OS-251 is for you! OS-251 is equipped with only carefully selected parameters, allowing musicians to concentrate on music production. You can see every parameter at once, so you can have a stress-free experience. Because the number of the parameters is limited, you can create the desired sounds yourself quickly and you don’t have to spend your precious time choosing presets.
Key features
• Up to 10 voices of polyphony
• Oscillators (Sin, Square, Saw), with Shape parameter
• Square sub oscillator
• Noise oscillator
• Biquad low-pass filter (LPF) with Frequency and Resonance parameters
• Biquad high-pass filter (HPF) with Frequency parameter
• Envelope generator which can control LPF and amplitude
• Low-frequency oscillator (LFO) which can control LPF, amplitude, and Shape parameter
• LFO sync
• Chorus
• Flexible pitch controls (pitch bend width, octave, semitone, fine tuning)
https://onsenaudio.com/products/os251
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