Gäste: Können in den meisten Foren ohne Anmeldung Dateien runterladen. Wer Hilfe oder Fragen braucht oder hat, muss sich anmelden Registrierung erforderlich sind: 1. Music-Society-Plugins 2. alle Support-Foren wie Help Me(Nur Hilfe für Plugins, Musikprogramme), Kujashi Sounds, Gyl Synths, Mira-Katharina-Plugins 3. Requests/suche/Search
G Deluxe Pro is here and it has over 128
sounds to kick-start your creativity! Browse through
the huge variety of built in presets or take full
control of your sound and dive into the many
modulation options, effects and parameters with the
ability to layer up to 3 different waveforms.
Includes over 128 presets.
Hundreds of waveforms with 2 categories.
(Standard, Special etc).
3 x Oscillators.
8 powerful FX modules to bring your sound to life.
denise wanted to create a fun and inspiring crusher, with the same brutal power of the Bite Harder, but the simplicity of preset controls and way to shape your sound in a quick and inspiring way. My Crush gives you the possibility to create the same, classic bit-crushing tones and audio destruction, in a simplified way, for no cost at all.
Refined crush controls.
The same insane bit crushing algorithm from the Bite Harder drives the My Crush plugin. The individual bit (reduce) and re-sample dials help you to gradually destroy your sound. The stutter fader adds a layer of creativity on top.
Off-Grid is a drum machine oriented for layering and experimentation.
The plugin contains a large variety of different percussive types, which can be accessed/cycled entirely from the UI on the fly without ever breaking the signal flow.
Each of the 7 channels run on 4 voices distributed for each cell unit where you can select and do other processing such as pitching, reverse, loop, as well as layer mixing etc.
A series of random triggers are significant part of the plugin workflow as a single touch may change the entire channel output, or simply adjust the panning or gain values.
Fast Unique workflow.
Responsive and instant load of sounds.
448 percussive sounds.
Rock solid sample interpolation (tested in multiple DAW’s).
Echo Sound Works has announced its House Piano sample library for Kontakt 6 (full version) is free for a limited time.
Anyone who produces dance music knows the “House Piano” sound. The iconic sound first debuted in the late 1980s on a Korg M1 and still gets used today.
This library is inspired by the sound of Joel Corry, Sigala, Jonas Blue, MK, Nathan Dawe, Kygo and so many more.
The interface is simple and easy to use with the following controls:
Transient – use this macro to add a snappy pluck to the attack of the sound. Perfect when you need the piano to cut through a mix.
Bowed Keys – This macro adds a sustained layer to the notoriously short M1 piano sound.
Synth Keys – This macro adds a synthesized key sound to the main M1 piano.
Effects – Filter out high frequencies with the LP Filter and add some dimension with the reverb control.
Performance – These three macros allow you to fine-tune the performance of the piano to fit your playing style or MIDI.
House Piano works with a full version of Native Instrument Kontakt only (the free Player version isn’t supported).
In order to obtain more depth and versatility to the sound, 3 sound sources have been recorded and processed to add beautiful background layers.
01. TAPE PAD
Its pad type created by denaturing the piano recording through a Tascam portastudio 414 mkII and a 70s mixer, Boss KM60.
02. TAPE PAD SUB
The same sound as Tape Pad but one octave lower for more flexibility when added to the piano sound.
03. LITTLE ORGAN
Recording of an electric Lorenzo Chord organ using a pair of Neumann KM184.
Independent controls for piano sound volume and Texture layer.
Volume control of the note release pedal sound.
Lowpass filter for the Texture layer.
Attack and release parameters for the Texture layer.
Control of low and high frequencies to change the timbre easily or simply to better integrate the instrument into your mix.
Delay and Reverb sends with their timing parameter
Bionic is a “transient splicing engine”, i.e. it is designed to give detailed control over a range of parameters needed to mix and match a number of different initial transients to another set of tails/longer sounds.
SOUND DESIGN POSSIBILITIES
The result are
Hybrid recreations of classic sounds with mostly organic attacks (taps, mallets, plucks, brush) and a mix of organic and synth/pure sine tails.
Creative, inventive sounds that push the combinations of previously unrelated sounds into new territory
Some of the “bionic” sounds included in this initial version of the product (Lite):
Replicas of classic house organ sounds
Celesta, Music Box, Xylophone
A range of bass sounds including a “reconstructed” pizzicato upright bass
There are four layers, accessible on page 1: two transient layers, and two tail layers. Levels can be adjusted as balance between each of the tail/transient layers respectively, and globally between transients and tails. Each layer contains sample offset and tuning controls as well as a “humanize” function which introduces subtle to not-so-subtle random pitch variations (especially helpful for making non-tonal transients more realistic).
The effects page includes filters, EQ, saturation and delay + reverb controls.
4 layers of sound: 2 transient layers and 2 tail layers
Extensive sound sculpting controls, including crossover fade (between transient and tail samples), crossover point, tail envelope, transient attack curve (shape)
Vibrato, Velocity Sensitivity (Volume, Low Pass and High Pass) and Humanize Controls for in-depth realism
20 Presets: Tap Celesta, Tap Bell, Mr Android Pluck, Plastic Pizzicato Bass, Breathy Stab, Expansive Xylophone, Rhodesian Scholar, House Organ, Vibey House Organ, Steel Drum Baby, Music Box, Starlight Swoosh, A Gong or Two, Plucky Squelchy Bass, White Noise Organ Stab, Pillow Harp, Gamelan, Hammond Bass, Electric Bass, Heavy Tines.
Replika Analog Style delay
Based on Riot Audio’s proprietary BIONIC TRANSIENT SPLICING ENGINE
Total size of sampled content: 0.36 GB
Requires Native Instruments Kontakt 6.4.2 (Full Version)
Reflekt Audio & DanFur Music teamed up yet again to bring music makers across the globe a new heavy hitting plug-in called REPLIK.
REPLIK is a futuristic type of plug-in for any producer of any caliber.
REPLIK is a bass engine that allows for it’s user
to shape a selected bass sound to something more suitable to taste.
REPLIK has 10 different bass tone presets and each of the 10 bass tone presets have 5 bass type sounds that make up that 1 preset sound. This means we can tweak 1 bass sound from 5 different layers.
So when we select 1 of the bass tones we can shape the 5 layers that make up that 1 bass tone to our liking by using the onboard GUI. REPLIK’S bass sounds range from slimy 808 type sounds to very futuristic type bass sounds. Equipped with onboard essential effects such as LFO, Filter, ADSR parameters for each layer, Pan & more.
REPLIK is a must have for all producers and not to mention it is free.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.