Native Instruments Twenty Five KONTAKT [FREE] 5 (2)

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Explore and experiment with a time capsule of classic sounds from the NI vault – from GENERATOR to MASSIVE X – only available until December 31
Pair up two sound sources, then sculpt them into something new with intuitive macro mapping and a powerful FX section
Uncover 150 brand-new takes on 25 years of pads, leads, basses, and more from 37 classic instruments

CLASSIC SOUNDS, NEW TWISTS
Back in 1996, we launched GENERATOR, our first ever synthesizer – and also the precursor to REAKTOR. Now, 25 years and countless other instruments later, we’ve been digging through the archives to unearth a sonic time capsule of our most iconic instruments from the past quarter-century.

The limited-edition TWENTY FIVE is a powerful, free instrument designed to let future generations recombine and reimagine our sonic legacy into something entirely new. As part of the KONTAKT Play Series, it comes mapped with intuitive macro controls, powerful FX, and a built-in sequencer.

25 YEARS OF NATIVE INSTRUMENTS
TWENTY FIVE isn’t the only thing we’re doing to mark this special occasion. Be sure to check out the 25th Anniversary Collection – an ultra-exclusive range of KOMPLETE. MASCHINE, and TRAKTOR hardware in your choice of Ultraviolet or Vapor Gray.

AT A GLANCE: TWENTY FIVE

Product type: KOMPLETE Instrument
For use with: The latest version of the free KONTAKT PLAYER. Download via KOMPLETE START.
Number of Sounds: 73 resampled presets plus 43 Play Series wavetables
Number of Presets: 150
Preset Categories: Bass
Brass
Flute
Mallet Instruments
Organ
Piano & Keys
Plucked Strings
Sound Effects
Soundscapes
Synth Lead
Synth Misc
Synth Pad
Vocal
Download size: 2.41 GB
System requirements: Free KONTAKT PLAYER or KONTAKT (Version 6.61 or higher)

Please also see the KONTAKT PLAYER system requirements and the KONTAKT PLAYER FAQ

 

https://www.native-instruments.com/en/products/komplete/play-series/twenty-five/

Bespoke Synth v1.0.0 WiN MAC LiNUX [FREE] 5 (1)

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Bespoke is a software modular synthesizer. It contains a bunch of modules, which you can connect together to create sounds.

Bespoke is like a DAW* in some ways, but with less of a focus on a global timeline. Instead, it has a design more optimized for jamming and exploration.

Bespoke is a project I started in 2011 as a way for me to learn more about creating music. Instead of putting in the time to learn the intricacies of an existing DAW, I took on a foolhardy exercise to try to build my own. The software is custom built by me and for me, hence the name “Bespoke”.

Bespoke’s core design is to break everything into separate modules that can be patched together in a custom layout, much like a hardware modular. Bespoke is designed to be highly customizable, with the idea that any of the custom layouts that you create will be “bespoke” to you as well.

In a way, Bespoke is like if I smashed Ableton to bits with a baseball bat, and asked you to put it back together.

https://www.bespokesynth.com/

Majoris Free by Fanan Team 0 (0)

maj_free_1

Majoris Free is Majoris’es little brother. It’s a unique synth based arranger organ that can enhance creativity and help songwriters and composers to quickly compose new ideas and melodies. It emulates the automatic accompaniment organs method (like in korg pa900 and etc.) and powers a built-in drums & bass + acc oscillators to play styles that can be programmed by the user and played as a style with no additional MIDI routing, internal MIDI connection or MIDI cables straight from your instrument channel in the DAW.

The method

Like any other hardware arranger organ, Majoris splits the physical keyboard into 2 zones. The right zone plays solo while The left zone controls the played style’s chords which can be switched in fingered or one finger mode. Majoris Free has 6 variations slots per style include intro, main variations, fills and end. The variations can be controlled by any MIDI controller or even with MIDI pads or the keyboard notes. Even the “jump to” destinations can be re-programmed.

The internal sound generators

Majoris Free uses synths and a drum sampler as it’s own sound generators. The drum sampler’s kits can be deeply programmed and edited and the bass and the solo synths are quite basic but easy to operate. The style sequencer which create new styles uses almost the same programming method as our Callisto. You can program both minor and majors variations of your style and save each with it’s unique tempo or synced to the DAW.

An apology!

Since this project is too huge to count all it’s nuances and mini features, we recommend novice arranger users to first read the principles of the arranger organs. Sorry we can’t count them all, but we believe this tool is quite intuitive with a reasonable shallow learning curve, so please, make a little research before you dive into it.

Main features list:

  • 6 variations drums, bass and ACC styles slots with major and minor chords per variation.
  • One finger (jumps from minor to major with double clicking) or full fingered modes.
  • Dedicated style’s 10 slots drum sampler with built-in effects.
  • Dedicated style’s bass synth with built in effects and ducking option.
  • Dedicated solo synth with 3 variations per style and on-GUI switching buttons.
  • Transition sensitivity button.
  • Mute button.
  • Hold variation button.
  • split keyboard knob.
  • global and independent transpose knob.
  • Master, style and solo volume knobs.
  • “Jump to” menu selectors.
  • Dedicated or synced tempo.
  • Full automation.
  • Auto cymbal crash feature.
  • Internal “Callisto” style programming sequencer.
  • Visual info bar.
  • Resizable GUI.

Differences between Majoris Free and Majoris

Majoris Free is basically a complete free edition of Majoris that has few limitations: It has 6 variation instead of the 10 in the senior edition, it lack the solo MIDI out connection to 3th party VST’is in the D.A.W and it lacks the separate 6 audio outputs to individual D.A.W channels. Other than that, both versions share same structures, same styles and additional information (and therefore the same installer as well).

https://www.fananteampro.com/majoris

Wavegrove Vastaus v1.1.3 Germanium x64 x86 VST VST3 AU WIN MAC [FREE] 0 (0)

1.1.0

Vastaus is a high-end fixer.
Vastaus lives on instrument channels, buses and it is known to have been spotted on the master channel too. Feel free to use and abuse it. Try to add an EQ before Vastaus and push the highs way overboard and how Vastaus reacts.

It is at it’s most neutral at Input Gain and Tame at 0, at which time it brings down and blocks overly harsh high frequencies present in vocal esses, smooths cymbals, guitars and pretty much anything you throw at it.

Increasing Tame brings enhances that effect, but also brings in more options with the React switch, as well as with the Bias setting. React is a mode, where Tame starts to let through some transients in a really interesting way, bringing out more detail and clarity, but still smoothing the sound. With Bias, you can further control the sound by limiting the effect to either the positive or negative side of the audio samples, generating harmonics in the process. I have heard this referred to as silky, and apparently some well-known hardware unit makers use a process similar to this.

Lastly there is Gain. With the Input Gain, you control the overall signal boost you get going into the thing, while the Output Gain works as a pad, with 100% level adding no additional volume. Boosting the input gain can bring additional high end to the signal after taming it, which is especially useful with instruments such as the electric guitar. In conjunction with the use of the Bias knob, Vastaus can even act as a leveling tool, which also boosts and extends the high end frequencies far above where they ended in the original signal.

Use the Wet knob to blend the changed signal with the original in whatever way you want.

patreon

 

U-he Podolski v1.2.3 x64 x86 VST AU AAX WIN MAC LiNUX [FREE] 0 (0)

uhe-podolski-screenshot-fullui-1150x553Podolski
Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.

• Oscillator with variable symmetry (sawtooth to triangle, PWM) and glide
• Polyphonic (up to 16 voices), mono, legato and arpeggiator modes
• 4 envelope modes: ADSR or HDSR, linear or exponential. Sustain has Fall/Rise control
• 2 LFOs: one global, one per voice. Absolute time or host sync, multiple waveforms
• Multimode filter: lowpass, bandpass or highpass with drive and FM
• Combination arpeggiator / 16-step sequencer with extra modulation source
• 2 built-in effects: stereo delay, chorus / flanger
• Resizable UI from 70% to 200%
• Skinnable UI
• Global preferences page
• MIDI learn page and editable list
• Over 300 factory presets
• NEW in v1.2.3: Support for Oddsound MTS-ESP

Requirements
• Apple – Mac OS X 10.9 or newer
• Windows – 7 or newer
• Linux

Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer

NKS-readyPodolski is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.

Podolski
Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.

• Oscillator with variable symmetry (sawtooth to triangle, PWM) and glide
• Polyphonic (up to 16 voices), mono, legato and arpeggiator modes
• 4 envelope modes: ADSR or HDSR, linear or exponential. Sustain has Fall/Rise control
• 2 LFOs: one global, one per voice. Absolute time or host sync, multiple waveforms
• Multimode filter: lowpass, bandpass or highpass with drive and FM
• Combination arpeggiator / 16-step sequencer with extra modulation source
• 2 built-in effects: stereo delay, chorus / flanger
• Resizable UI from 70% to 200%
• Skinnable UI
• Global preferences page
• MIDI learn page and editable list
• Over 300 factory presets
• NEW in v1.2.3: Support for Oddsound MTS-ESP

Requirements
• Apple – Mac OS X 10.9 or newer
• Windows – 7 or newer
• Linux

Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer

NKS-readyPodolski is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.

https://u-he.com/products/podolski/podolski.html

U-he Zebralette v2.9.3 x64 x86 VST VST3 AU AAX WiN MAC LiNUX [FREE] 5 (1)

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Zebralette: easy spectral synth
Zebralette is our version of a Trojan horse. A free synthesizer and an introduction to Zebra2’s fantastic oscillators. Perhaps it will persuade you to try Zebra2 and upgrade. If one oscillator is this powerful, imagine what you can achieve with four… and all the other great features available in Zebra2.

Features

• A single Zebra2 oscillator with a 16-slot waveset. Read more below
• Oscillator waveform editing with geomorph, spectromorph, geoblend and spectroblend modes. Read more below
• 24 spectral effects including filter, sync, scatter, phase distortion and many more
• Polyphonic (up to 16 voices), monophonic and legato modes
• Stereo VCA with pan and volume modulation
• VCA oscillator stacking with adjustable stereo width: single, dual, quad and eleven modes
• ADSR envelope with fall/rise (sustain slope) and velocity controls
• Modulation options including: modwheel, velocity, pressure, breath, key follow, gate and more
• 2 LFOs: one global, one per voice
• A 32-stage MSEG (multi-stage envelope generator)
• 3 built-in effects: chorus/phaser, EQ, delay
• MIDI learn / unlearn of hardware controls (CC)
• Polyphonic aftertouch support
• 300 factory presets
• Scalable UI from 70% to 200%
• NEW in v2.9.3: Support for Oddsound MTS-ESP

What is a Zebralette?

-ette: an English suffix indicating a diminutive form
Zebralette is an introduction to Zebra2’s powerful oscillators. Zebra2 can seem overwhelming at first glance, so we stripped it down to a single oscillator plus a few other features and created Zebralette, the little Zebra. Once you master Zebralette you can move up to Zebra2 with confidence. And your presets can come with you, as Zebralette presets can be opened in Zebra2.

But more than a teaching tool, Zebralette is an incredible sounding synth in its own right. Surrounding Zebra’s spectral oscillator with a few core modulation options and effects make Zebralette highly capable. With unsion options (think supersaw, but Zebralette is not limited to saw waves, so we refer to it as superwave), 16 voice polyphony and two different envelopes, you have everything needed to create some marvellously complex sounds.

Diminutive? Yes. Powerful? Yes.

Zebra oscillator
One oscillator may not seem like enough for a synthesizer, but Zebra2 oscillators are rather powerful and clever.

It resembles many other oscillators you may have used. You can choose a waveset from the included library, or use the waveform editor to draw your own shapes. Here is where things start to get interesting: The Waveform Editor manages up to 16 different waves and lets you rearrange, duplicate and morph between individual waves. Use one of modulation sources and the WaveWarp control to scan through the 16 waves and create unusual, dynamic sounds.

There are four drawing modes: GeoMorph, SpectroMorph, GeoBlend, SpectroBlend, each offering a different approach to creating and manipulating waveforms.

Using the two Geo modes you draw the waveform shape using up to 32 points, while the Spectro modes let you create the harmonic spectrum over 128 columns. When using WaveWarp to scan through the waveset, Morph alters the waveform, whereas Blend blends (crossfades) between adjacent waves.

Requirements:
• Apple OS X 10.9 or newer
or
• Windows 7 or newer
or
• Linux

Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer

Formats
Zebralette is not a standalone product, it requires host software. Zebralette is compatible with nearly all DAWs.

macOS:
• AUv2, VST2, VST3, 64-bit only
• temporarily no AAX (read more)

Windows:
• VST2, VST3, AAX*
• 32-/64-bit
* AAX requires Pro Tools 10.3.7 or later

Zebralette 2.9.3 (revision 12092)

Native M1 ARM support

Improvements:
• Native support for Apple Silicon chips (M1)
• Improved GUI performance (Mac only)
• Support for Oddsound MTS-ESP
• Improved handling of junction links on Windows
• Preset list scroll direction preference

Fixed Bugs:
• Fixed some old Zebralette presets not loading in Zebra2
• Fixed multiple things in preset browser
• Fixed crash when loading script presets (e.g. Randomizer)
• Fixed rare crash on project reload
• Fixed audio clicks when switching presets

Known Issues:
• Context menus need plugin focus to work (Apple issue)

Special Notes:
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinued

https://u-he.com/products/zebralette/

Nils Schneider Kawai K1v 1.24 [MacOS,WiN,LiNUX] (FREE) 5 (2)

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Features:

Very accurate emulation of all parameters
Includes 968 Single presets and 384 Multi presets, the original factory bank + all ROM cards + all 200 Kawai PHm Pop Synth Module Singles. Organized in banks and with search capability
Full editing support for both Singles and Multis
Can import & export SysEx presets & banks from/to the original device
Transmits & receives parameter changes via SysEx to act as an editor for the hardware or to be edited with external editors
Resizeable user interface
Full automation support
All 1352 presets can be edited and are stored as part of a project
Available for
Windows as VST2.4 & VST3 – 32 & 64-bit
Linux VST2.4 & VST3 – .rpm & .deb – 32 & 64 bit
Mac OS 64 Bit VST2.4, VST3 and AudioUnit AU (OS X 10.9 Mavericks and later)
Furthermore, the plugin features a fully fledged MIDI implementation:

Understands SysEx messages like the original hardware which allows to update & edit presets while running and even sends responses to the following SysEx requests: One block data request, All block data request & Device ID request
Program Changes are supported including Bank Select.
Hold Pedal, Volume, Pan, Velocity, Aftertouch, Modulation Wheel & Pitch Bend
Documentation: Nils‘ K1v MIDI Implementation
Synthesizer Engine:

8-bit synthesis engine
Four sources per voice
256 waveforms, 204 additive waveforms with 128 harmonics + 52 PCM wave forms
DADSR envelope
8 velocity curves
Coarse & Fine tune, adjustable key tracking, lots of modulation options
AM (Ring Modulation) between Source 1&2 and 3&4
Autobend
5 Key Scaling Curves
One LFO with triangle, square, saw & random shape support
Joystick for real-time control

https://www.nilsschneider.de/wp/nils-k1v/

 

ossia score by ossia.io 0 (0)

score

Free and Opensource

ossia score is a sequencer for audio-visual artists, designed to enable the creation of interactive shows, museum installations, intermedia digital artworks, interactive music and more in an intuitive user interface.

It allows to sequence OSC, MIDI, DMX, sound, video, audio plug-ins, Javascript scripts, Faust programs, Pure Data patches, video effects and more, between multiple software and hardware. Its novel interactive timeline enables scores written with it to depend on external events and controls through a simple visual language.

https://ossia.io

SmackLabs SL473 free vintage vinyl disc cutting compressor plugin 0 (0)

SL473-VintageVinylDiscCuttingCompressor

“Based off of a VCA design, this compressor has a unique compressor/limiter/expander function that can shape the dynamics of your source. This compressor was the main compressor for vinyl disc cutting from the late 1970’s and on. Known for transparent clean compression, you can really compress the source without the typical negative effects.

The expander controls are found to the left with yellow knobs. The expander has a fixed attack and ratio, giving the user control of the Threshold and Recovery of the expander. The compressor is controlled by the black knobs, with the ratio knob being red. The compressor has a fixed threshold, to manage the fixed threshold, the user can add gain with the “Compr Gain” knob.

Like the original hardware, this compressor has a small learning curve. But once you get accustom to how this compressor works, you will see how it deals with dynamics in a extremely musical way.

This compressor really excels on Mastering, Mix Bus, Drum Groups, and Vocals.”

https://www.buymeacoffee.com/smacklabs/sl473-vintage-vinyl-disc-cutting-compressor

SL473 (64)

Analog Obsession LALA v2.1 VST VST3 AU WiN MACOS [FREE] 0 (0)

LALA

LALA update is ready to go with new features, improved DSP, alternative skins and more!

Features

– PEAK REDUCTION: Simply, it’s threshold setting. Will set you compression level.

– GAIN: Make up gain

– LIMIT: When you engage, it will work as limiter. Otherwise, it will react as compressor.

– EXT: External side chain option. You will still be to use sidechain filter with external sidechain.

– HPF: Will cut low end.

– MF / MG: – Will set sensitivity of compressor for mid frequencies.

– HF – Will set sensitivity of compressor for high frequencies (Enhanced version of original unit’s R37 setting)

– ANALOG OBSESSION LOGO: Oversampling. It will turn to red when oversampling is engaged. Also, show you a notification.

– POWER: Bypass button

Available Formats

VST/VST3/AU | Mac 10.9 – 11.X

VST/VST3 | Windows 7 – 8 – 10

VERSION 2.1 – 27.4.2021

– Fixed oversampling

– Fixed multi-instance audio drop

VERSION 2.0 – 24.4.2021

– Improved DSP with closer hardware finger-print

– 4x Oversampling Feature

– Retina/HiDPI

– Added Readout Feature for knobs

Special thanks to “Eugene Reznik” for GUI work!

Patreon