HoRNet Valvola by HoRNet 0 (0)

screenshot-valvola

HoRNet Valvola (the Italian word for vacuum tube) it’s an emulation of the electric behavior of a vacuum tube and its surrounding circuit.

The sound of the plugin is as close as you can get to the real tube behavior since the code it’s the direct modeling of the circuit characteristics obtained directly simulating the tube and the biasing circuit around it.
The same technology is found inside our Guitar Kit plugin and Analog Stage plugin and we decided to give it away for free because we are proud of it.

Valvola comes with many different vacuum tube emulations, including triodes and pentodes, from the classic 12AX7 used in pre amplifiers to the EL84 power tube, well using more than one instance of Valvola you could create your little tube amplifier emulation.

The typical tube distortion that Valvola provides is not static but changes with your music since tubes has some kind of “memory effect” that actually change their bias point if they processed high levels (this is the case with heavy bass drums, bass synths or guitars) in practice they distort more with low frequency peaks. Also vacuum tubes are not linear in frequency response and each one has its own characteristic sound that we carefully modeled using the original tube parameters.

All these interactions are controlled using just one “saturation” knob that also keeps the level constant so you can just add distortion without adding gain and keeping the aliasing at minimum thanks to the intelligent oversampling up to 4x.

HoRNet Valvola comes with an hardware accelerated graphic interface that is completely resizable and drawn using vectorial techniques so that it looks sharp and perfect on every monitor size.

Features:

  • Tube circuit emulation using electrical simulation.
  • Seven different tube types including triodes and pentodes.
  • Intelligent oversampling up to 4x.
  • macOS (10.11 and later) and Windows (Vista and later) support.
  • 64-bit only on both on Mac and Windows.
  • Audio Units VST2.4, VST3 and AAX format.

https://www.hornetplugins.com/plugins/hornet-valvola/

 

Noise Bleach by FKFX 0 (0)

FKFX-Noise-Bleach_3

Noise Bleach is a mixing tool system with 8 band noise gate, working on any kind of audio, like drums, guitar, bass, vocals.

FKFX Noise Bleach removes extra noise or unwanted resonances efficiently, turning any busy loop to its clearest version, and can also be used as a mixing expression tool, transforming a legato to a pizzicato with fast attack audio.
  • 8 Band Noise Gate with Dynamic Matrix Threshold level for each band.
  • 8 Solos for fine setting on each band.
  • Noise Gate : automatically sets thresholds levels for a simple noise gating.
  • Noise Bleach : automatically sets thresholds levels for a simple hard noise gating.
  • Transients : automatically sets thresholds levels to extract the main transients.
  • Gate Invert : reverses the gate opening to control the removed parts of the signal.
  • Latency Compensation : By default Noise Bleach uses Latency Compensation system which can be disabled in preferences for realtime live situation.
 
Warning : this free version shows a 10 sec nag screen before being useable.

Analog Obsession AMPER v2.0 VST VST3 AU WiN MAC [FREE] 0 (0)

AMPER

AMPER

Here is AMPER!

Mid/High gain metal amp for metal guitarist.

But, AMPER is little different than other metal amps. There are 2 different drive section. Sections are not parallel. Connected series.

Volume1 controlling pre-gain tube distortion before main pre-amp which is controlling by Volume 2.

Think like you have distortion pedal before your amp. But this drive modeled from tube amp distortion. Mid gain range to boost main pre-amp.

Tone control section based Sol**** amps.

Also, there is pre-tone shaper before preamp. Carefully designed for metal guitar to keep amp from annoying frequencies.

Hope you like!

v2.0 Update

– Improved DSP and circuit design

– Readout for knobs

– Catalina & Big Sur (Intel/M1) support

Available Formats

VST/VST3/AU | Mac 10.9 – 11.X

VST/VST3 | Windows 7 – 8 – 10

Patreon

SYNTHOPIA X2 by AGL VST Customs 0 (0)

synthopia_x2_for_web

SYNTHOPIA X2 it is a VST3 format plugin guitar effect for Windows 64-bits..

Creates tones emulating classical 70s synths.

Based on four voices. Two of them with modulation. Each with Q filter and volume controls. Plus clean signal.

Have slow attack and drive control levels.

In addition Tremolo, Chorus and Reverb to round the final tone.

https://aglangman.wixsite.com/aglvstcustoms2/copy-of-druid-bass-x2

DRUID BASS X2 by AGL VST Customs 0 (0)

DRUID BASS para web_JPG

DRUID BASS X2 it is a VST3 format plugin guitar multi-effect for Windows 64-bits..

Combines five essential effects for bassists in a rack chain:

PREAMP.

Emulation of a bass preamp with 6 bands EQ.

DISTORTION.

Drive control of a typical valve amplifier adding a distortion. In addition have the color control to creates different flavors of sound.

MODULATION.

Gentle and deep chorus and flanger effects.

Creates a wide and rich sound with stereo output.

COMPRESSOR.

Compressor effect with threshold, attack, ratio and gain controls.

Attack allows to creates a slow attack effect as a bow style.

REVERB.

Stereo spring reverb emulation.

In addition there is a noise gate, input and output level controls with VU meters.

GoogleDrive

STR-X by arborealaudio 0 (0)

str-x-1

Custom digital guitar amp head, featuring a one-knob pedal-style distortion, pre- and power-amplifier gain stages, and a custom tone stack.

The STR-X was built to be a simple but powerful, digitally-oriented guitar amp, one which isn’t based off of any pre-existing analog models. Tonally, it is capable of high gain, modest crunch, and cleaner tones with some added heat.

Mode: The Mode control in the center of the amp changes the crossover point that feeds the pre-amp distortion (after the “X” pedal-style distortion). Normal will give you a solid low-end, with retained clarity in the mids and highs even when cranked. Thick drops the crossover point lower, resulting in greater intermodulation of the distorted signal, and a fuzzy tone ready for a sludge or doom sound. Finally, Open separates all of the low-end from the mids and highs for a tight and bright tone, perfect for fast palm-muted playing or any situation where the low-end of the other two modes might be excessive.

X: This mysterious knob works like a one-knob distortion pedal (inspired by the Ibanez Tube Screamer), with filters that focus the tone on the mid-range the further it’s driven—good for an extra bump before the amp, dialing in a lead tone that cuts through everything else, or for tightening the bass on Thick mode while still remaining truly Thick.

Gain: This is the pre-amp drive section, ranging from not-quite-clean to a heavy wall of distortion. At high gain, the texture varies significantly, depending on the Mode used. This stage generates asymmetric distortion and both even and odd harmonics.

Master: This knob provides the output gain of the amp, with added distortion as well. Although not claiming to emulate any particular type of tube, it does generate the symmetric, odd-harmonic distortion you’d expect from pentode tubes. With low pre-amp gain, you can use this knob to dial in fairly clean tones down low, and bright crunch up high.

The Klone by Fazertone 0 (0)

theklone

The Klone recreates complex, non-linear analog distortion of the Klon Centaur guitar pedal.

Using a combination of circuit analysis and machine learning, we carefully recreated the tones of this legendary pedal, famous for its unique “transparent” overdrive that turns into crunchy but crisp distortion when pushed to its limits.

The result is a plugin that works on a completely different level from others – instead of traditional DSP, it’s directly powered by a custom neural network inference engine, optimised to work in real time without consuming excessive CPU power.

It’s right at home as part of any guitar tone stack, but also adds character to synths, drum machines, or even vocals.
 
VST3 / AU