Elemental Child – Flower in the Subway 5 (1)

Theo, a lonely rat makes his way toward the subway, seemingly invisible to the rats around him. Until he purchases a dazzling jacket which he hopes will gain him social recognition. Theo is stopped in his tracks upon noticing a pretty rat, adorned by an exquisite flower seated inside an oncoming train. While they meet, Theo realizes that fashion isn’t everything.

Theo, eine einsamer Ratte, macht sich auf den Weg zur U-Bahn, scheinbar unsichtbar für die Ratten um ihn herum. Bis er eine schillernde Jacke kauft, von der er hofft, dass sie ihm gesellschaftliche Anerkennung verschafft. Theo wird aufgehalten, als er eine hübsche Ratte bemerkt. geschmückt mit einer exquisiten Blume, die in einem entgegenkommenden Zug sitzt.

Elemental Child – Clothed in Glory 0 (0)

Lan, the assassin of Weidu, gets the order to kill the child Cai Wen Ji. Then they both get lost on an island, where Cai Wen Ji heals the injured Lan with her magic. Later, Lan returns the favor and saves the little girl from an attack by the enemies…..

Lan, der Attentäter von Weidu, bekommt den Auftrag, das Kind Cai Wen Ji zu töten. Dann verschlägt es beide auf eine Insel, wo Cai Wen Ji den verletzten Lan durch ihre Magie heilt. Später revanchiert sich Lan, und rettet das kleine Mädchen vor einem Angriff der Feinde…..

Elemental Child – Adaption Disorder 0 (0)

“A young outcast will often feel that there is something wrong with himself, but as he gets older, grows more confident in who he is, he will adapt, he will begin to feel that there is something wrong with everyone else.” – Criss Jami

„Ein junger Ausgestoßener hat oft das Gefühl, dass mit ihm etwas nicht stimmt, aber wenn er älter wird, selbstbewusster wird, sich anpasst, wird er anfangen zu fühlen, dass mit allen anderen etwas nicht stimmt.“ – Criss Jami

High Voltage 5 (1)

“The old, slow, creaking descriptions are a thing of the past; today the rule is brevity – but every word must be supercharged, high-voltage.” – Yevgeny Zamyatin

“Die alten, langsamen, knarrenden Beschreibungen gehören der Vergangenheit an; heute ist die Regel die Kürze – aber jedes Wort muss aufgeladen sein, unter Hochspannung stehen.” – Yevgeny Zamyatin

Elemental Child – Rising 0 (0)

“Have the courage to rise from the challenges of life like a phoenix from the flames, or you’ll get lost in the ashes of despair, pain, and regret.” – Nanette Mathews

“Habe den Mut, dich aus den Herausforderungen des Lebens zu erheben wie ein Phönix aus den Flammen, oder du wirst dich in der Asche der Verzweiflung, des Schmerzes und des Bedauerns verlieren.” – Nanette Mathews

Stochas by Surge Synth Team 0 (0)

Stochas is a revolutionary new type of step sequencer that has a unique randomization engine. Designed to work either in mono or polyphonic modes the engine will select from a set of user inputted notes and takes into consideration the probability set for each, this means Stochas can be used to create evolving melodies, rich sounding string and synth sections, unique bass lines and even chaotic yet looping drum patterns, perfect for live and recorded performances. Chord input and predefined scales, make editing and inputting patterns quick and easy, without any knowledge needed of music theory.

With the ability to create polyrhythmic and polymetric patterns up to 64 steps in length, independently on each of the 4 layers, Stochas can create interesting ideas for your next musical project, be it a Phillip Glass style classical piece with varying rhythmical and metric sequences playing against each other, to a polymeric dance style project that has more life and rhythm than the standard 4/4 patterns. Patterns can be chained and created so that little phrases can be triggered randomly during the playback sequence, this can also be used to prevent repetition of the same note if using Stochas to write a bass line or to keep the pattern evolving.

With the groove template editor, you have total control over the timing and feel of the playback in Stochas, these can also be saved and loaded into other sessions, allowing you to recreate the same feel from track to track easily. MIDI input control means that you can use any hardware controller or another MIDI channel to control Stochas, allowing for live performance control of the polymeric lengths, transpositions, the bias of the maximum number of notes played.

Features:

  • Randomisation engine works in both mono and polyphonic modes.
  • Groove templates with export and import function.
  • Chord input.
  • Predefined key and scales, including custom import.
  • Note chains for phrase creation.
  • up to 64 grid steps and 125 rows.
  • Humanization control.
  • Polyrhythmic and polymetric control.
  • 4 layers and 8 patterns.
  • Midi input for live performance control.

https://stochas.org