U-he Zebralette v2.9.3 x64 x86 VST VST3 AU AAX WiN MAC LiNUX [FREE] 5 (1)

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Zebralette: easy spectral synth
Zebralette is our version of a Trojan horse. A free synthesizer and an introduction to Zebra2’s fantastic oscillators. Perhaps it will persuade you to try Zebra2 and upgrade. If one oscillator is this powerful, imagine what you can achieve with four… and all the other great features available in Zebra2.

Features

• A single Zebra2 oscillator with a 16-slot waveset. Read more below
• Oscillator waveform editing with geomorph, spectromorph, geoblend and spectroblend modes. Read more below
• 24 spectral effects including filter, sync, scatter, phase distortion and many more
• Polyphonic (up to 16 voices), monophonic and legato modes
• Stereo VCA with pan and volume modulation
• VCA oscillator stacking with adjustable stereo width: single, dual, quad and eleven modes
• ADSR envelope with fall/rise (sustain slope) and velocity controls
• Modulation options including: modwheel, velocity, pressure, breath, key follow, gate and more
• 2 LFOs: one global, one per voice
• A 32-stage MSEG (multi-stage envelope generator)
• 3 built-in effects: chorus/phaser, EQ, delay
• MIDI learn / unlearn of hardware controls (CC)
• Polyphonic aftertouch support
• 300 factory presets
• Scalable UI from 70% to 200%
• NEW in v2.9.3: Support for Oddsound MTS-ESP

What is a Zebralette?

-ette: an English suffix indicating a diminutive form
Zebralette is an introduction to Zebra2’s powerful oscillators. Zebra2 can seem overwhelming at first glance, so we stripped it down to a single oscillator plus a few other features and created Zebralette, the little Zebra. Once you master Zebralette you can move up to Zebra2 with confidence. And your presets can come with you, as Zebralette presets can be opened in Zebra2.

But more than a teaching tool, Zebralette is an incredible sounding synth in its own right. Surrounding Zebra’s spectral oscillator with a few core modulation options and effects make Zebralette highly capable. With unsion options (think supersaw, but Zebralette is not limited to saw waves, so we refer to it as superwave), 16 voice polyphony and two different envelopes, you have everything needed to create some marvellously complex sounds.

Diminutive? Yes. Powerful? Yes.

Zebra oscillator
One oscillator may not seem like enough for a synthesizer, but Zebra2 oscillators are rather powerful and clever.

It resembles many other oscillators you may have used. You can choose a waveset from the included library, or use the waveform editor to draw your own shapes. Here is where things start to get interesting: The Waveform Editor manages up to 16 different waves and lets you rearrange, duplicate and morph between individual waves. Use one of modulation sources and the WaveWarp control to scan through the 16 waves and create unusual, dynamic sounds.

There are four drawing modes: GeoMorph, SpectroMorph, GeoBlend, SpectroBlend, each offering a different approach to creating and manipulating waveforms.

Using the two Geo modes you draw the waveform shape using up to 32 points, while the Spectro modes let you create the harmonic spectrum over 128 columns. When using WaveWarp to scan through the waveset, Morph alters the waveform, whereas Blend blends (crossfades) between adjacent waves.

Requirements:
• Apple OS X 10.9 or newer
or
• Windows 7 or newer
or
• Linux

Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer

Formats
Zebralette is not a standalone product, it requires host software. Zebralette is compatible with nearly all DAWs.

macOS:
• AUv2, VST2, VST3, 64-bit only
• temporarily no AAX (read more)

Windows:
• VST2, VST3, AAX*
• 32-/64-bit
* AAX requires Pro Tools 10.3.7 or later

Zebralette 2.9.3 (revision 12092)

Native M1 ARM support

Improvements:
• Native support for Apple Silicon chips (M1)
• Improved GUI performance (Mac only)
• Support for Oddsound MTS-ESP
• Improved handling of junction links on Windows
• Preset list scroll direction preference

Fixed Bugs:
• Fixed some old Zebralette presets not loading in Zebra2
• Fixed multiple things in preset browser
• Fixed crash when loading script presets (e.g. Randomizer)
• Fixed rare crash on project reload
• Fixed audio clicks when switching presets

Known Issues:
• Context menus need plugin focus to work (Apple issue)

Special Notes:
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinued

https://u-he.com/products/zebralette/

Monica 3 by Fanan Team 0 (0)

c1

Monica 3 is the successor to Monica evo. An analog dual-layered 90’s style synth with 2 completely different aggressive and incredibly high dynamic range oscillators. The first oscillator is wavetable based with 50 wavetables + additional 50 wavtables for morphing. The second is an old style 8 waveforms pad oscillator that emulates the 90′ type monster pads. The oscillators work on dual-layered basis and have each own separate controls, synthesis section, chords driven pattern sequencer and some more new features.

The Arp

Monica Evo is armed with an extremely flexible 16 steps built-in chords driven arppeggiator based on played note’s position with it’s own dedicated pattern file manager and vast of tweaking options including time signature, gate, speed, the total number of steps and DAW syncing.

The modulation options

Monica 3 has 2 different modulation options. The first offers 6 traditional LFO’s, 3 per oscillator, each with 50 possible wavetables and BPM syncing option. The second option is MMM – MIDI clock motorized modulation. The MMM allows motorizing knobs and controls and by that, creating interesting motion effects.

The effects

Monica 3 is equipped with 6 effects:

  • up to 8 voices unison.
  • Cabinet.
  • Wah.
  • Chorus.
  • Phaser.
  • Delay.

Each effect has 2 separate send channels, one for each oscillator (it can also work in global mode).

https://www.fananteampro.com/monica3

Deplike Guitar FX – Guitar Amps, Guitar FX for Windows by Deplike Software 0 (0)

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Download for free.

Deplike lets you enjoy a full studio guitar setup from your PC. It is a guitar and bass tone studio for Windows that works as a standalone application and as a VST plug-in for your favorite DAW.

Features:

13 Electric, 1 Bass, 1 Acoustic Guitar Tube Amp & Cab models | 15 great sounding Amp simulations.

VST & Standalone.

15 Amp Models:

Tangerine Rocker 100.

SLO 100.

Dual Recto.

JCM800.

P-5550.

JTM45.

SVT Bass.

Wapi.

BassBoy.

Fox AC30.

Acoustic Amp.

Deluxe (free).

ANRG.

Crafter.

DST (free).

20 Guitar Effects Pedals:

Classic Overdrive.

OD 808 Tubescreamer.

MetalHead Distortion.

Dr.Muff Fuzz.

1176 Compressor.

Noise Gate.

Sustainer.

Tremolo.

Chorus.

AutoWah.

Flanger.

Phaser.

Pitch Shifter.

Octaver guitar.

Delay.

Tape Delay.

Reverb.

Roads Reverb.

5 band Equalizer EQ.

Looper.

https://get.deplike.com/Deplike-Guitar-FX-Windows

A2M real-time Audio to MIDI by beat bars 0 (0)

A2M detects the pitch of the audio and converts it into the corresponding MIDI notes in real time.

Thanks to this, you can play, e.g., the guitar, saxophone, or even sing, and simultaneously trigger sounds in virtual instruments (not only AU). These acoustic (or electric) instruments, or your voice, act as a MIDI controller.

A2M comes as an AU v3 plugin and as a standalone application (which is the AU host for this particular plugin).

The A2M is quite an unusual Audio Unit – it is both an audio effect and a MIDI effect. Due to its characteristics, it is something in between. On the one hand, it analyzes the input sound, just like any audio effect. On the other hand, it generates output MIDI events, just like any MIDI effect.

Compatibility

⁌ AUv3 plugin.

AU Hosts compatible with A2M Audio Unit:

  • Audiobus.
  • AUM.
  • apeMatrix.

A2M does not work as an AU plugin in GarageBand – on both iOS and MacOS.

A2M works (though imperfectly) as an AU plugin in Logic Pro (see below).

⁌ Standalone.

The standalone version works with all MIDI-compatible applications, including GarageBand (iOS and macOS) and Logic Pro. The app sends MIDI events via the virtual MIDI port. Active and inactive MIDI ports are available in the application settings in the MIDI Settings Outputs section.

Parameters

⁌ Host:

  • Audio input buffer size.

The smaller the buffer, the higher the CPU load and the lower the latency.
A buffer less than 512 should only be set if you have a strong processor.
For A2M standalone applications, the buffer size is available in the application settings under Audio Settings Buffer Size.

⁌ Plugin:

  • Pitch recognition method.

A2M offers two popular algorithms.

Based on autocorrelation, the beat bars proprietary method.

– FFT (with parabolic interpolation).

– Gate Threshold and Input Gain
A2M works best when it only recognizes sounds at an appropriate volume level.

To eliminate unnecessary background noises, select the appropriate value:

  • Latency / Accuracy.

2 dashes (default) – the best compromise between accuracy and latency.
The higher the accuracy, the more of the CPU’s capacity is used and the longer the latency (as opposed to the audio buffer size settings):

  • Velocity Gain.

It allows you to select the appropriate volume of the virtual instrument itself.

Known limitations in the current version:

  • No polyphony.
  • No pitch bending.

Requirements:

  • macOS 11 Big Sur or later.
  • iOS 14 or later.

https://beatbars.com/de/a2m-au.html

music-society presents MM20 by Benedict Roff-Marsh for MidiMusiker[win][x86][vsti] 5 (1)

The thinking behind the synth is to emulate the early single oscillator mono-synths like SH-04 etc. The oscillator is specially modulated to create a noisy, unstable sound which for some sounds is really wonderful and organic. The filter is firy and at times a bit tempramental (not smooth and polite like modern synths) so a compressor is highly recommended.

A quick rundown on the knobs:

Choose an OSC Wave
Set the Analog effect with a) Character and b) amount of Drift
Set the Pitch to follow the ENV

Filter Cutuff, Resonance and ENV Mod

Monophonic or simple Duophonic
Portamento and PANning
Watch the VOLume as this little fellow can be LOUD!

Set LFO Wave and switch between Std LFO and S&H
Set LFO Mod to Destinations
Mod Wheel is tied to LFO to OSC for finer control

ADSR Env is assignable to AMP via Switch GATE/ENV

For download you have to register or login, it is free!

MV’s Plugins has La Voz Cantante, free 1024-band vocoder for Windows 0 (0)

An FFT-based 1024-channel vocoder. The modulator input – usually a sung or simpjy spoken voice – is analyzed with respect to its spectral content, which is then applied to the other sound source. The latter may be any externally supplied signal ranging from pink noise, synth pads, guitar or even drums. Alternatively, there is an internal, MIDI driven synth which is optimized for best speech reproduction fidelity. You can blend the high frequencies with noise for natural-sounding sibilants. There is also a noise gate, a compressor and a stereo reverb on board.

Here is a summary of La Voz Cantante’s features:

  • FFT based 1024-channel vocoder.
  • Stereo inputs for carrier and modulator, respectively.
  • Optional MIDI input to drive internal synth as carrier.
  • Polyphony with unlimited number of voices.
  • Up to three voices per note with adjustable relative detuning and stereo width.
  • Octave, semitone and fine tuning controls.
  • Option of noise blending for improved sibilant formation.
  • Built-in modulator noise gate with indicator.
  • Built-in soft knee limiter with color-coded LED indicator.
  • Built-in stereo reverb.
  • Master volume control with output clipping indicator.
  • LED indicators for inputs and outputs for quick check of signal routing.

New in Version 6.4:

  • 64-bit plugin version available.
  • VST3 plugin version available.
  • Extended modulator pitch range down to G#1.
  • Faster sibilant detector.
  • Improved voiced/unvoiced transitions.
  • Symmetric-crest output waveform.
  • Reverb uses velvet noise.
  • Consistent preset names.
  • Optimizations and bug fixes.

New in Version 6B:

  • Increased resolution to 1024 channels.
  • Full stereo processing.
  • Reduced latency.
  • Report latency to host.
  • GUI rework.
  • Reworked sibilant management (much improved!).
  • Internal synth dynamic response.
  • Hide ADSR controls.
  • Added portamento.
  • Added delayed vibrato option.
  • New reverb powered by MVerb 7B engine (much improved!).
  • Optimizations and bug fixes.

https://www.kvraudio.com/product/la-voz-cantante-by-mvs-plugins

lavozcantante6.4 (1)

TAL Software TAL-Filter-2 v3.0.0 free plugin 0 (0)

TAL-Filter-2 is a host synced filter module with different filter types, panorama and volume modulation possibilities. This can be used for tremolo or trance gate effects. Panorama modulation maybe is useful to pan your percussion, hats or sound effects in the stereo room for more interesting rythms and sounds.

FEATURES

  • Different modulation types: LP 12dB, BP 12dB, HP 12dB, Pan, Volume
  • Super clean SVF filter with diode clipper in the feedback path. Capable of self oscillation.
  • Easy to use spline editor.
  • Stereo offset for modulation when in filter mode.
  • Host sync with different sync options (normal, dotted…)
  • Trigger button sets the modulation position to the start without lose host sync. Can be automated.
  • Legacy Mode: Just for backward compatibity. Please don’t use if you create something new.
  • File based presets.

 

https://tal-software.com/products/tal-filter

install_TAL-Filter-2

TAL-Filter-2_64_linux

TAL-Filter-2-installer-mac

Preset VST3

TAL-Filter-2 vst3

Stone Voices Brandulator free effect plugin 0 (0)

Freeware VST Plugin Brandulator is a complex sound processor that allows you to get quite interesting combined effects – comb filters, trance gate, vocoder, wah-wah, various types of modulation (chorus, flanger, phaser, ring, etc.). The work of this plugin is based on splitting the original signal into uniform intervals, in accordance with the tempo of the musical composition, to each of which a certain type of processing can be applied.

To expand the functionality of the plug-in, there are three individual channels of sound processing, with adjustable volume and panning, which allows you to create a realistic stereo sound picture. Each channel has 16 pairs of mode / key controls called steps. It is possible to set the parameters of the steps both individually and in a group method. Also, this can be done both in manual and in automatic mode, in accordance with the required harmonic law, of which there are about three hundred different scales in the plugin’s database.

http://stone-voices.ru/vst/brandulator

Brandulator_2.0

Trans Gate by Gyl Synths 0 (0)

It is a stereo “trance gate”, started from that, what used in the Saturn.
Added many extras to it: step based LP-HP-BP filter with cutoff and resonance, step based and global smoothing, a stereo, step based delay with adjustable time, fixed feedback and mix to more rhythmic patterns and the usual extras, like resizable GUI, randomization,…
The lower radio buttons switch between the step bar windows.
I’ve made only 4 useless presets to test the working and the preset saving – seems good, so create your own patterns and try the possibilities!
The 32&64 bit effect plugins (Win VST) can be downloaded here: