Off-Grid by Ricardo F Gomes 0 (0)

off-grid_3

Off-Grid is a drum machine oriented for layering and experimentation.

The plugin contains a large variety of different percussive types, which can be accessed/cycled entirely from the UI on the fly without ever breaking the signal flow.

Each of the 7 channels run on 4 voices distributed for each cell unit where you can select and do other processing such as pitching, reverse, loop, as well as layer mixing etc.

A series of random triggers are significant part of the plugin workflow as a single touch may change the entire channel output, or simply adjust the panning or gain values.

  • Fast Unique workflow.
  • Responsive and instant load of sounds.
  • 448 percussive sounds.
  • Rock solid sample interpolation (tested in multiple DAW’s).
  • Smooth Pitch Processing.
  • Reverse and Loop individual Cells.
  • Fast randomization of Layers and Channels.
  • Fully vector based UI.
  • Low / Moderate CPU usage.

https://ricardopluginsat.wixsite.com/my-site

Off-Grid

Off-Grid_(64)

Wavegrove Vastaus v1.1.3 Germanium x64 x86 VST VST3 AU WIN MAC [FREE] 0 (0)

1.1.0

Vastaus is a high-end fixer.
Vastaus lives on instrument channels, buses and it is known to have been spotted on the master channel too. Feel free to use and abuse it. Try to add an EQ before Vastaus and push the highs way overboard and how Vastaus reacts.

It is at it’s most neutral at Input Gain and Tame at 0, at which time it brings down and blocks overly harsh high frequencies present in vocal esses, smooths cymbals, guitars and pretty much anything you throw at it.

Increasing Tame brings enhances that effect, but also brings in more options with the React switch, as well as with the Bias setting. React is a mode, where Tame starts to let through some transients in a really interesting way, bringing out more detail and clarity, but still smoothing the sound. With Bias, you can further control the sound by limiting the effect to either the positive or negative side of the audio samples, generating harmonics in the process. I have heard this referred to as silky, and apparently some well-known hardware unit makers use a process similar to this.

Lastly there is Gain. With the Input Gain, you control the overall signal boost you get going into the thing, while the Output Gain works as a pad, with 100% level adding no additional volume. Boosting the input gain can bring additional high end to the signal after taming it, which is especially useful with instruments such as the electric guitar. In conjunction with the use of the Bias knob, Vastaus can even act as a leveling tool, which also boosts and extends the high end frequencies far above where they ended in the original signal.

Use the Wet knob to blend the changed signal with the original in whatever way you want.

patreon

 

SPKR-v1.dll by Cybergrunge.net 0 (0)

spkrv1

SPKR-v1.dll is 32-bit windows ONLY Broken Speaker FX / distortion plugin. Designed to emulate blown speakers, malfunctioning stereos and obscure acoustics.

Input is fed into two parallel bandpass filters, and then into a few custom waveshapers (select via “M” mode knob). Before going into waveshaper, DC Offset and Gain can be adjusted. After going through the waveshapers, two more parallel bandpass filters are used, and then “fake stereo” is added via delaying stereo channels, and volume of each filter independently adjustable.

This design comes from the concept of poorly assembled tone circuitry or circuit bent amplification, combined with the effect of broken/blown speakers or speakers with weird frequency response caused by physical conditions. Basically is a circuit-bendable amplifier. This can mangle sound really intensely to almost unrecognizable, or add subtler excitation, saturation or filtering.

Comes with a few built in presets. Made with synthedit, with the blessings of Jeff himself. Thanks Jeff :). x86

https://cybergrunge.net/resources/vst/SPKR-v1.dll

 

Sad Amp1 by Cybergrunge.net 0 (0)

sad_amp1

it uses two parametric waveshapers editable with sliders, .

4 bandpass filters PER CHANNEL.

gain and dc offset pre waveshaper, .

three random “walks”, which are random LFOs and has various mixing options.

Comes with a few built in presets. Made with synthedit, with the blessings of Jeff himself. Thanks Jeff :).

x86 Windows

https://cybergrunge.net/resources/vst/05_Sad%20Amp.rar

Elemental Child – Flower in the Subway 5 (1)

Theo, a lonely rat makes his way toward the subway, seemingly invisible to the rats around him. Until he purchases a dazzling jacket which he hopes will gain him social recognition. Theo is stopped in his tracks upon noticing a pretty rat, adorned by an exquisite flower seated inside an oncoming train. While they meet, Theo realizes that fashion isn’t everything.

Theo, eine einsamer Ratte, macht sich auf den Weg zur U-Bahn, scheinbar unsichtbar für die Ratten um ihn herum. Bis er eine schillernde Jacke kauft, von der er hofft, dass sie ihm gesellschaftliche Anerkennung verschafft. Theo wird aufgehalten, als er eine hübsche Ratte bemerkt. geschmückt mit einer exquisiten Blume, die in einem entgegenkommenden Zug sitzt.

Fircomp 1 by Jon V Audio 0 (0)

mac_screenshot_02

Ultra clean peak compressor/limiter with punchy attack, musical release, and optional lookahead smoothing, for tracks or busses. Zero/low latency and low CPU. Warm distortion at extreme settings.

Features:

  • Fast or same-sample attack times that never sound “clicky”, even in zero latency mode.
  • Innovative digital envelope detection algorithm allows for much lower distortion than typical peak compressors (see a plot of a 1kHz hard limited sine wave in zero latency mode).
  • Optional lookahead FIR gain smoothing for an even cleaner sound.
  • True zero attack (same-sample) when “0.0 ms” is selected.
  • Dual parallel release stage with musical, highly history-dependent behaviour. Avoids use of multiple compressors in series.
  • Easy sidechain filtering options for common mixing situations.
  • Low CPU, fully 64-bit DSP code, making full use of SSE instructions. Insert on every track without a second thought.
  • Zero latency with lookahead off. With lookahead on, compensated latency of 1.5ms.
  • No phase shift: can be used in parallel.

https://jonvaudio.com/fircomp/

SmackLabs SL473 free vintage vinyl disc cutting compressor plugin 0 (0)

SL473-VintageVinylDiscCuttingCompressor

“Based off of a VCA design, this compressor has a unique compressor/limiter/expander function that can shape the dynamics of your source. This compressor was the main compressor for vinyl disc cutting from the late 1970’s and on. Known for transparent clean compression, you can really compress the source without the typical negative effects.

The expander controls are found to the left with yellow knobs. The expander has a fixed attack and ratio, giving the user control of the Threshold and Recovery of the expander. The compressor is controlled by the black knobs, with the ratio knob being red. The compressor has a fixed threshold, to manage the fixed threshold, the user can add gain with the “Compr Gain” knob.

Like the original hardware, this compressor has a small learning curve. But once you get accustom to how this compressor works, you will see how it deals with dynamics in a extremely musical way.

This compressor really excels on Mastering, Mix Bus, Drum Groups, and Vocals.”

https://www.buymeacoffee.com/smacklabs/sl473-vintage-vinyl-disc-cutting-compressor

SL473 (64)

Prime Studio CHARLY 2 v1.40 VST, AAX, AU WIN.OSX [FREE] 0 (0)

Prime Studio® (powered by Acustica Audio) Charly is a summing tool based on an analogue tube device that has been modified according to our specifications. Charly refines signals with fine tube character and analog punch adding harmonic distortion.

Description from the previous version:

Charly is perfect to rhythmically enhance drum loops, to bring to life dull and boring sounds, as well as to fatten loops and mixes.

Its simplicity translates into an output gain divided between -10dB and +10dB, an on/off switch button which turns on the plugin or sets it in bypass mode, and a couple of left/right VU meters that measure the stereo input level. All the magic is done by the output gain rotary knob; it acts like a stereo enhancer and adds a slight compression and reverb. The amplification is made without distortions and artifacts.

https://primestudio.at/ps2015/

Analog Obsession LALA v2.1 VST VST3 AU WiN MACOS [FREE] 0 (0)

LALA

LALA update is ready to go with new features, improved DSP, alternative skins and more!

Features

– PEAK REDUCTION: Simply, it’s threshold setting. Will set you compression level.

– GAIN: Make up gain

– LIMIT: When you engage, it will work as limiter. Otherwise, it will react as compressor.

– EXT: External side chain option. You will still be to use sidechain filter with external sidechain.

– HPF: Will cut low end.

– MF / MG: – Will set sensitivity of compressor for mid frequencies.

– HF – Will set sensitivity of compressor for high frequencies (Enhanced version of original unit’s R37 setting)

– ANALOG OBSESSION LOGO: Oversampling. It will turn to red when oversampling is engaged. Also, show you a notification.

– POWER: Bypass button

Available Formats

VST/VST3/AU | Mac 10.9 – 11.X

VST/VST3 | Windows 7 – 8 – 10

VERSION 2.1 – 27.4.2021

– Fixed oversampling

– Fixed multi-instance audio drop

VERSION 2.0 – 24.4.2021

– Improved DSP with closer hardware finger-print

– 4x Oversampling Feature

– Retina/HiDPI

– Added Readout Feature for knobs

Special thanks to “Eugene Reznik” for GUI work!

Patreon

A2M real-time Audio to MIDI by beat bars 0 (0)

A2M detects the pitch of the audio and converts it into the corresponding MIDI notes in real time.

Thanks to this, you can play, e.g., the guitar, saxophone, or even sing, and simultaneously trigger sounds in virtual instruments (not only AU). These acoustic (or electric) instruments, or your voice, act as a MIDI controller.

A2M comes as an AU v3 plugin and as a standalone application (which is the AU host for this particular plugin).

The A2M is quite an unusual Audio Unit – it is both an audio effect and a MIDI effect. Due to its characteristics, it is something in between. On the one hand, it analyzes the input sound, just like any audio effect. On the other hand, it generates output MIDI events, just like any MIDI effect.

Compatibility

⁌ AUv3 plugin.

AU Hosts compatible with A2M Audio Unit:

  • Audiobus.
  • AUM.
  • apeMatrix.

A2M does not work as an AU plugin in GarageBand – on both iOS and MacOS.

A2M works (though imperfectly) as an AU plugin in Logic Pro (see below).

⁌ Standalone.

The standalone version works with all MIDI-compatible applications, including GarageBand (iOS and macOS) and Logic Pro. The app sends MIDI events via the virtual MIDI port. Active and inactive MIDI ports are available in the application settings in the MIDI Settings Outputs section.

Parameters

⁌ Host:

  • Audio input buffer size.

The smaller the buffer, the higher the CPU load and the lower the latency.
A buffer less than 512 should only be set if you have a strong processor.
For A2M standalone applications, the buffer size is available in the application settings under Audio Settings Buffer Size.

⁌ Plugin:

  • Pitch recognition method.

A2M offers two popular algorithms.

Based on autocorrelation, the beat bars proprietary method.

– FFT (with parabolic interpolation).

– Gate Threshold and Input Gain
A2M works best when it only recognizes sounds at an appropriate volume level.

To eliminate unnecessary background noises, select the appropriate value:

  • Latency / Accuracy.

2 dashes (default) – the best compromise between accuracy and latency.
The higher the accuracy, the more of the CPU’s capacity is used and the longer the latency (as opposed to the audio buffer size settings):

  • Velocity Gain.

It allows you to select the appropriate volume of the virtual instrument itself.

Known limitations in the current version:

  • No polyphony.
  • No pitch bending.

Requirements:

  • macOS 11 Big Sur or later.
  • iOS 14 or later.

https://beatbars.com/de/a2m-au.html