DirtyPumper by SNFK Music is a Virtual Effect Audio Plugin for macOS and Windows. It functions as a VST3 Plugin.
DirtyPumper is an extreme saturator that punishes a mix. It was designed with drum processing in mind, but it can easily saturate anything you’d like. Features:
Dirt: Shapes the sound and pushes it to its limits – warps harmonics and stability.
Drive: Increases the input gain and other internal parameters.
Lowpass: Applies a lowpass filter to the input signal – helps emulate warmer sounds.
Pos / Neg knobs: Affects the positive and negative amplitudes’.
MSED is a professional audio encoder-decoder AAX, AudioUnit and VST plugin for mid-side processing which is able to encode (split) the incoming stereo signal into two components: mid-side pair, and vice versa: decode mid-side signal pair into stereo signal.
MSED is also able to work in the “inline” mode with the ability to adjust mid and side channels’ gain and panning without the need of using two plugin instances in sequence.
MSED can be used to flip the phase of the mid and side channels by 180 degrees, and swap the stereo channels, and to extract the mid or side channel.
MSED features the “plasma” vector scope, stereo correlation and balance meters which make it easier to monitor the stereo information present in the audio signal.
Faetures:
Mid-side encoder and decoder
Inline mode
“Plasma” vector scope
Stereo correlation and balance meters
Input channel swapping
180-degree phase flipping
Mid-side panning
Preset manager
Undo/redo history
A/B comparisons
Contextual hint messages
All sample rates support
Zero processing latency
User interface color schemes
Resizable user interface
Retina and HighDPI support
Compatibility
This audio plugin can be loaded into any audio host application that conforms to the AudioUnit or VST plugin specification. Plugins with AAX version available can be loaded in ProTools 12+.
This plugin is compatible with Windows (32- and 64-bit Windows XP, Vista, 7, 8, 10 and later versions) and macOS (10.7 and later versions, 64-bit Intel processor-based) computers (2.5 GHz dual-core or faster processor with at least 4 GB of system RAM, SSE4.2 instructions support required, e.g. any Intel Core i-, AMD Bulldozer- or Zen-based processor). A separate binary distribution file is available for each target computer platform and audio plugin specification.
Compatible Windows and macOS plugin software: Cubase, Logic Pro, ProTools, Ableton Live, Reaper, Presonus Studio One, FL Studio, Cakewalk, Nuendo, WaveLab, GarageBand, Vegas, SoundForge, Audition, Samplitude, Digital Performer, Mixcraft, Bitwig Studio, Edius, others.
If you cannot get plugin to work on macOS High Sierra/Mojave, you have to logout from the system and login again, it’s a known issue not caused by plugin’s own bug.
It brings up lightning speed drum-kits loading and fast one stage control, fitted for live usage. Now, with better control, both mp3 and WAV. format support, faster workflow and only 0.5 sec. loading times for new core kit, Yumbu 2 is one of the quickest drum samplers in the market.
Yumbu 2 uses 10 (.wav, mp3) file sample slots to build 10 drum components drum-kits. According to this approach, every slot can be anything, from kicks to snares or cymbals or you name it. Each slot is triggered by its own unique MIDI note which noted on its slot button. For instance, slot 48 is triggered by note number 48 in the MIDI keyboard (c2). The samples menu is divided into 14 categories, including a wide range of drum-kit components types. Each type button (kicks, snares, claps, etc.) is directing to it’s own sample library folder which located at “C:UsersyournameDocumentsFananteamYumbuUSER”. Each sample slot has also a room for user’s imported samples which can be added manually to the “user” folder. Yumbu 2 comes with 30 full drum-kits to start with.
Yumbu 2 has a built-in mixer that allows you to tweak any sample separately. You can use the EQ, change the pitch, add a random pitch manipulation to every sample, pan and you can use our pitch based round robin effect which has a wide control ability on the final sound. The mixer is also armed with 3 master effects (compressor, reverb, delay) with a brand new unique effect called “F.R” which allows full scale frequency control over the wet signal. You can use the effect by sending a fx amount from the “master fx” knob on every channel or you can override the per cell sending and just send them directly to the master effect.
Yumbu 2 loads drumkits extremely fast, only 0.5 sec for full loading. It can set “sample start and “sample end” points with MIDI assignable knobs and it also allows you to tweak the active keyboard’s octaves starting points. Yumbu 2 uses 24 presets drumkit banks. Each preset represents a full drumkit containing all the components and settings.
Yumbu 2 is armed with brand new morphing system which can blend any 2 drum elements together (which can create tons of new fresh drum sounds). The morph system can also play with the blended element’s pitch and increase the invention of new drum sounds like never before.
Each channel in Yumbu 2 is armed with dedicated modulation effects which allow adding beautiful nuances and textures to each drum element separately. There is a yowling phaser effect, a delay and the new Zelda filter which can completely change the audio materials native character and morph it into a new interesting sound.
10 drum sample slots per kit.
14 drum element banks with full 30 drum-kits that adjusted to wide range of pop and EDM genres.
Morphing system for blending any 2 drum elements together.
Automation file manager.
4 additional WAV. pages in the element menu for user’s WAV. files.
MIDI assignable startend points manager.
Master effects.
Graphical MIDI keyboard with assignable keyboard starting points.
Full virtual mixer with gain knobs, master effect send knobs, pitch knobs, random pitch manager knobs, round robin and pan knobs, master compressor, delay and reverb effects armed with a unique F.R. feature.
MIDI route options (internal or sent to the DAW through MIDI channels).
Scalable and customizable GUI.
Dedicated modulation effects including phaser, delay and Zelda filter.
10 filter bands with 12 dB of negative and positive gain.
Low-shelf, high-shelf and 8 peak notches with two having the option to be shelves or bell shapes by toggling the bell buttons below the filters.
Analog-inspired saturation circuit. When the drive is set to 0, the drive is bypassed, any values higher than 0 engage the saturation circuit.
Proportional Q controlled by the gain of each filter. Gain values above 0 gradually thin the Q value. The negative end of the gain range has a much thinner Q than the positive end, so it’s great for cutting unwanted frequencies.
Trim knob to control the overall volume of the plugin.
Fully DAW-compatible automation parameters for each control.
Toggle button to turn off shadows. This helps under-powered laptops that lag when using the user interface.
ViatorDSP has announced the release of a free equalizer plugin that combines the sound and curves of two different hardware EQ’s that have defined music studios across the decades.
This EQ is inspired by real EQ’s, but it definitely has its own flavor. It sounds great on anything, but I think it’s great on the master bus, especially since the high and low filters are inspired by a famous mastering hardware EQ.
LV50A features
Oversampling of 8x when oversampling is turned on from the top-right dropdown menu. This makes a huge difference on the top end frequencies.
4 EQ bands with proportional Q and 12 dB of boost and attenuation.
When the gain of a band is set to 0 dB, the filter circuit disables, which saves loads of CPU if you aren’t using the band anyway.
Saturation algorithm on the output, the EQ pushes into it. When the drive is set to 0 dB, the circuit disables to save on CPU.
The low and high bands can be a shelf or bell depending on the state of the button under each band.
Reset button to set all band’s gains to 0 dB.
High and low pass filters to filter out the very top and bottom frequencies that aren’t super useful. Toggle the filters button under the drive. These filters really make a huge difference when oversampling is on.
Phase inversion button to flip the phase of the entire circuit. This is useful for parallel processing.
Trim gain to boost or attenuate the volume of the entire plugin.
From vintage to vavoom, the British Kolorizer, or the “BK” for short, takes sound to a whole new level. The opulent sound of tomorrow, comes to you today. The BK delivers the sharp ultra-modern advantage of AI.
AI makes it possible to interpret between the various forms of sound and science to analyze the system and perfect your music creation. The BK is endowed with the characteristics of human intellectual processes that can discover threads and learn, making repetition a thing of the past. The feeling is cozy and intimate, just like that of an exquisite sunset.
Features
● Make your sound FAT or BRIGHT by just two knobs.
● 10 presets, get your sound right by one click
● 96 kHz internal computing sampling rate
● Imperceivable latency with no compromise in quality
● Big knobs and elegant user interface, very easy to control
● An output gain slider that lets you rattenuate the output sound to the desired level
System Requirements
Hardware Resources:
● Memory: 2 GB RAM or higher
● Display resolution: 1280 × 960px or higher
macOS:
● OS X 10.9 and above, 64-bit only
● Intel CPU only (minimum 2 GHz recommended)
● Plug-in formats: VST3, AU
● DAWs supported: Cubase, Nuendo, Reaper, Studio One, Ableton Live, Logic Pro, FL Studio, and more.
Windows:
● Windows 10, 64-bit only
● Plug-in formats: VST3
● DAWs supported: Cubase, Nuendo, Reaper, Studio One, Ableton Live, FL Studio, and more.
The Crunck V2 Guitar Amplifier is one channel plugin designed for a wide range of music genre. It’s a version 2 of the first plugin designed by Igor Nembrini in the beginning of his career in DSP development more than ten years ago.
Just move the Gain knob from 0 to 10, and as you do you’ll find a variety of Crunck V2 Guitar Amplifier tones, from metal to fusion, rock to blues.
In the Crunck V2 Guitar Amplifier plugin you can choose to use the build in cabinet a 4×12 loaded with Vintage 30 speakers or bypass the cabinet section.
StupidCompressor by SNFK Music is a Virtual Effect Audio Plugin for Windows. It functions as a VST Plugin.
This plugin isn’t meant to be tweaked for hours – it’s designed with the set-and-forget mentality. StupidCompressor is designed to be stupid easy to use. It contains classic controls as well as some advanced features in the advanced panel for more control on your sound. StupidCompressor is open source in the hope that it will help other developers in their own development and that other developers can help make StupidCompressor even better.
Full Feature List
Stereo Compressor with ratio, attack, release, and gain staging
Visualizer for the ratio and threshold
Visualizer showing the input & output levels, the threshold, and gain reduction.
Bandpass Compressor – Only compress a certain frequency range.
Transient Shaper – features both increase and decrease in transients.
Limiter – Found in the clipping section; it is used for clipping without creating new harmonics (and also plain limiting if you wish).
Soft & Hard Clipper – Sometimes you will want new harmonics; these are perfect for adding them in.
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