Tag Archives: FM

G Deluxe Pro 2 VSTI by Infected-Sounds 0 (0)

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G-Deluxe-Pro-Real-View

G Deluxe Pro

***IMPORTANT*** This VSTI requires ‘Visual C++
Redistributable Packages for Visual Studio 2013’
which you can download here for free.

https://www.microsoft.com/en-au/download /details.aspx?id=40784

G Deluxe Pro is here and it has over 128
sounds to kick-start your creativity! Browse through
the huge variety of built in presets or take full
control of your sound and dive into the many
modulation options, effects and parameters with the
ability to layer up to 3 different waveforms.

Main features:

  • Includes over 128 presets.
  • Hundreds of waveforms with 2 categories.
  • (Standard, Special etc).
  • 3 x Oscillators.
  • 8 powerful FX modules to bring your sound to life.
  • Easy modulation possibilities.
  • Unique Fat Mode engine with unison sound.
  • 1 Filter with 12 Filter modes + Vowel Filter.
  • 7 LFO’s, Pitch, cut, vowel, seq, pan, vol, res.
  • 3 Envelopes, Amplifier, filter, pitch.
  • FM and RM to shape your sound.
  • Portamento / Legato for those bendy notes.
  • Size options.

IMPORTANT:
32 / 64-bit (Windows Only)

Update Log:

2.0.0/2.0.1 :

Fixed A New Better Waveform For The LFOs.

https://infectedsounds.se/

https://infectedsounds.se/produkt/g-deluxe-pro-vst/

U-he BeatZille v1.0.2 x64 x86 VST VST3 AU AAX WiN MAC LiNUX [FREE] 0 (0)

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uhe-beatzille-screenshot-fullui-1150x881

Beatzille: little monster
Beatzille is a compact version of our monster modular synthesizer Bazille. Although its condensed feature set makes it the ‘little brother’, Beatzille is still an engaging and capable synthesizer. Power and style run in the family. Digital oscillators, analogue-style filter and flexible patching will keep you busy for a good while before thinking about tackling Bazille.

Features:
• Modular architecture
• 2 digital oscillators with simultaneous frequency modulation (FM), phase distortion (PD) and fractal resonance (FR)
• Polyphonic (up to 8 voices), duophonic (split oscillator pitches), legato or retriggered monophonic
• Pitch transpose, drift and glide control
• 1 multimode analogue-style filter with 6 parallel outputs (4× lowpass, bandpass, highpass)
• 2 ADSR envelopes with sustain slope (fall/rise) and 5 trigger modes
• 1 LFO with 3 parallel outputs with various waveforms
• 16-step sequencer with 8 morphable snapshots. 4 output sockets for parallel sequences, envelope triggers and more
• 2 multiplex units for mixing, crossfades, ring modulation or amplitude modulation
• Built-in stereo delay with tape wow, feedback and damping filters
• 1 mapping generator (waveshaper / incrementer)
• Audio-rate signal processors: inverter, rectifier, sample & hold, dual lag generator and quantizer
• White and pink noise generators
• MIDI modulation sources include modwheel, velocity, breath, pressure, key follow, gate and more
• Single-page interface
• Skinnable UI
• Resizable UI from 70% to 200%
• Global preferences page
• MIDI learn overlay and editable MIDI CC list
• Over 160 factory presets
• NEW in v1.0.2: Support for Oddsound MTS-ESP

Small and mighty
Striking the balance between too much and too little, Beatzille is the happy medium. It presents an introduction to modular synthesis and a taste of the power of Bazille without being overwhelming.

Oscillators
Beatzille’s oscillators embrace two digital synthesis methods developed during the 1980s: frequency modulation (FM) and phase distortion (PD). We also added a process we call fractal resonance (Fractalize), which sounds similar to the classic oscillator sync effect when swept.

All three synthesis methods run simultaneously, so you can combine them to create an extensive range of sounds. Beatzille is great at generating weird modular blips and squeaks, but you can even coax soft pads and organic keys from the oscillators—as demonstrated by the factory library. Add modulation for even more sound possibilities.

Filter
The filter is a favourite in the sound designer’s toolkit. Cut frequencies, boost others, add texture and colour. Beatzille’s analogue-style filter complements the digital oscillators, providing warmth and drive. And its self-oscillation capability opens up some intriguing sound design opportunities.

Even with a single filter Beatzille offers plenty of creative horizons. The six parallel outputs (highpass, bandpass and four types of lowpass) with multiple modulation options make it easy to create complex, shifting textures.

Delay
Beatzille has only one built-in effect, but it’s good one: stereo delay with optional host sync. Push your sound around in space with independent delay times and volumes for each channel. Conjure ghostly echoes using tape-like wobble and filtering or set up endless repetitions. Tweak all controls to find the perfect delay.

Release notes:

Beatzille 1.0.2 (revision 12092)

Native M1 ARM support

Improvements:
• Native support for Apple Silicon chips (M1)
• macOS Big Sur compatibility
• Improved GUI performance
• Support for Oddsound MTS-ESP
• Improved handling of junction links on Windows
• VST3 support added
• Improved preset browser
• Improved soundset installation
• Pitch Bend range now +/-48
• Minor GUI fixes/tweaks
• Various Mac and Windows installer improvements
• System info displayed in GUI (revision, OS, plugin format)
• Hold pedal behaviour improved (0-63 = off, 64-127 = on)
• Ctrl A/B replaces fixed Breath and Expression modulation
• Changed how LFO Wave and LFO Phase influence envelope triggering

Fixed Bugs:
• Fixed multiple sequencer issues
• Fixed multiple issues with envelope triggering via LFO and sequencer
• Fixed notes starting on same time stamp but different MIDI channel might not play
• Fixed LFO in sync mode being too slow on its first cycle
• Fixed mapping generator not updating instantly
• Fixed multiplex potentially killing audio output
• Fixed crash when loading script presets (e.g. Randomizer)
• Fixed rare crash on project reload
• Fixed audio clicks when switching presets
• Various small fixes and improvements

Known Issues:
• Context menus need plugin focus to work (Apple issue)
• Cable style “natural” can cause GUI glitches

Special Notes:
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinued

The Windows installer was improved to prevent common installations issues. Please check the suggested installation paths during installation, making sure the update is installed into the same location as the previous version, and all installed plugin formats are being updated.

Envelope triggering via LFO and sequencer was reworked in order to fix multiple bugs in this area. This means some presets might not sound as intended anymore. We therefore recommend to finish ongoing projects before updating to the new version. Please refer to the “Patch Conversion Tips” file to get more info on how to adjust your presets.

https://u-he.com/products/beatzille/

Phuturetone GR-8 v1.1.1 x64 VST3 AU WiN MAC [FREE] 0 (0)

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gr-8

GR-8 is an 8 voices virtual analog synthesizer with built-in effects and an arpeggiator.

Features:
• Arpeggiator: 5 Modes (Up, Down, Alt 1, Alt 2, Random), 4 Octaves Range.
• Voice Modes: Mono, Unison (8 voices), Chord (4 stereo notes), Poly (8 voices).
• Voice Effects: Glide, Legato, Voice Detune, Voice Stereo Spread.
• Oscillators: OSC 1 (Tri, Saw, Pulse, Square), OSC 2 (Sine, Saw, Pulse, Noise).
• Oscillator Effects: Cross Modulation (FM), Pulse Width Modulation (PWM), Sync.
• Filters: Non-resonant High Pass, Resonant Low Pass (12, 18, or 24 dB/Octave).
• Modulation: Pitch Bender, Mod Wheel, LFO, 2 Envelopes.
• Effects: EQ, Distortion, Phaser, Chorus/Flanger, Delay, Reverb.
• Presets: 88.

Caution: Each preset has its own MIDI assignment. If you make a MIDI assignment you need to save the preset. Otherwise, the MIDI assignment you’ve made will be lost as soon you change the preset. If you want to make your own presets with the same MIDI assignments, you can do it by assigning MIDI controls to the Initial preset, saving a copy of it, and using it as a template for your sounds.

Change Log.

v1.1.1 – 2021-09-25:
• Added global Octave control (+/- 2 Octaves) (per request).

v1.1.0 – 2021-09-22:
• Added version number to the GUI.
• Added Synth/Effects Randomize and Reset functions (per request).
• Changed Arp controls to drop-down menus (per request).
• Fixed popup hint text for all switches.
• Removed random phase from Oscillators in Mono and Poly modes.
• Moved Pitch Bender and Mod Wheel controls above the wheels.
• Added Pitch Transpose control (+/- 6 semitones) (per request).
• Added Velocity to Filter Cutoff and Amplitude (per request).
• Optimized LFOs to save CPU.
• Added LFO Retrig button – this will affect some old presets (per request).
• Added internal ON/OFF switches to Chorus, Delay & Reverb to save CPU.
• Preset List returns to top on a Category change.
• Improved Preset List scrollbar motion.
• Updated GUI and About screen.

https://phuturetone.com

Crio by Solcito Música[win, VSTI, x86] 0 (0)

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crio_1_985

Crio is a virtual analog/FM/Ring modulation synthesizer to make arpeggios, bass, solos, leads, FX-style sounds. Its goal is to achieve maximum functionality with minimal controls, to be used at studio or live, with facilities to drastically modify the sounds while playing.

The LFO has special functions for rhythmic uses, such as quantization of waveforms synchronized with tempo. For example, If the user applies tone modulation from the LFO with quantization, the resulting tones are forced to a scale, like an autotuner. An interesting result occurs when quantized noise wave is selected there.

The modulation wheel can be linked to the overall function of the LFO. Therefore, the user must use that wheel to check the importance of the sound modifications that can be done. For example, in certain presets, the player can use the modulation wheel to add automatic tone variations.

Features:

– 1 monophonic oscillator with:
noise generator
3 voices, including sub oscillator.
Frequency modulation (FM)
Ring modulation (RM)

​.

– 1 LFO with functions of wave quantization and tempo synchronization.

– 2 filters: typical state variable filter and comb filter.

– 1 envelope generator.

– 1 amplifier with booster and saturation.

– slide tone control that applies to keyboard and tone modulation from LFO.

– MIDI learn in most of the controls.

https://solcitomusica.blogspot.com/p/virtuales.html

Solcito Musica Crio 2.0 VSTi

TheWaveWarden Odin 2 v2.3.1 x64 VST3 AU WiN MAC LiNUX [FREE] 0 (0)

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odin2_fading

Odin 2: A Synth to Please the Gods
The sound of this 24-voice polyphonic beast will take you from your studio right to Valhalla. Earth shattering basses, exquisite leads or mad FX, Odin’s got them all! Use the classic sound of analog waveforms – or draw your own. High quality emulations of legendary analog filters like the Moog-ladder or the Korg-35 further shape your signal. Round your sound off with five onboard FX, or get crazy with modulation. There’s much to discover in Odin 2.

Version 2.3.1
– LFO Waves now selectable from a dropdown
– reversed order of LFO waves to make them align with dropdown
– Debian package: fixed data file being owned by root (introduced in 2.3.0)

Version 2.3.0
– new FX Module: Reverb (sourced from zita-rev1)
– added microtuning functionality: Scala and KeyboardMapping files (Credits to Team Surge with their FOSS tuning library)
– Added MIDI Breath (CC 2) as modulation source
– ModMatrix amounts now range up to [-300, 300] – FM- PM Osc ratio ranges increased to [1,16] – Init Patch now has the LP-Filter fully open
– default GUI size is now 150%
– Retrig playmode now restarts the ADSR Attack from the current value, rather than zero
– added indicator triangles to dropdowns to make them more visible
– factory presets are now contained in the binary
– all paths opened with patchbrowsers are now remembered after reopening plugin and shared among different plugin instances
– fixed Filters not being modulatable beyond +150 in modmatrix
– renamed debian package from odin to odin2-synth to avoid conflicts with repositories
– linux: removed unnessecary dependency to libcurl4
– linux: enabled link-time optimization
– created Azure-CI pipelines for Ubuntu-18.04, MacOs 10.14 and Windows2019 to create installers automatically
– updated Manual to 2.3.0
– updated to JUCE 6.0.8
– major code cleanup

https://www.thewavewarden.com/odin2

 

Togu Audio Line TAL-NoiseMaker v5.0.4 x64 VST VST3 AU AAX WiN MAC LiNUX [FREE] 0 (0)

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tal-noisemaker-new2

TAL-NoiseMaker is a virtual analog synthesizer with a great sound and low CPU usage.
128 factory presets included, 80 made by Frank “Xenox” Neumann / Particular – Sound

FEATURES
• 3 Oscillators
Osc 1, +- 24 semitones, fine tune, phase control (saw, pulse, noise).
Osc 2, +- 24 semitones, fine tune, phase control (saw, rectangle, triangle, sine).
Sub Osc (rectangle).
• Osc 1 PM for pulse waveform.
• Osc 2 FM controled by Osc 1.
• Osc 1 & Osc 2 sync to sub osc (saw, pulse, rectangle, triangle(bipolar sync)).
• Adjustable master tune and transpose.
• Up to 6 voices.
• Portamento in mono and poly mode (off, auto, on).
• Ringmod modulates Osc 1 with Osc 2
• Self resonating 4x oversampled filters (24 dB LP, 18 dB LP, 12 dB LP, 6 dB LP, 12 dB HP, 12 dB BP, Notch)
• Filter ADSR (negative and positive)
• Volume ADSR
• Routable ADSR, modulates Filter, Osc 1, Osc 2, PW, FM (negative and positive)
• 2 LFO’s with different running modes: free, sync to host, triggered by note.
Modulates filter, osc 1, osc 2, fm, pw, lfo rate, panorama and volume.
Sine, triangle, saw square, s&h, noise.
Positive and negative modulation.
Phase control.
• Adjustable Velocity dependent control over volume filtercontour and cutoff.
• Adjustable Pitch Wheel control over Cutoff and Pitch.
• One pole HP filter.
• Detune, detunes notes randomly.
• Juno chorus with different modes.
• A built in reverb.
• A built in delay.
• Adjustable filter drive.
• Bitcrusher, affects osc 1 and osc 2. Its a pre the filter stage effect.
• Midi learn for all knobs.
• • Panic button.
Easy to use, no hidden panels.
• 256 great presets (Presets by Frank “Xenox” Neumann / Particular – Sound, The Unshushable Coktor, Alexandra Sendy, TAL, Patrick Kunz).

Requirements:
• Windows: Windows 7 or higher (64 bit host)
• OS X: 10.9 or higher (64 bit host). Universal Binary 2 with native Apple M1 support.
• AAX: Pro Tools 10.3.6 or higher (64 bit).
• LINUX: 64 bit / Ubuntu 18 or similar.

https://tal-software.com/products/tal-noisemaker

ProtoPlasm Pro by HG Fortune[win, VSTI, x86] 5 (1)

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ProtoPlasm_3

ProtoPlasm Pro is a pad and texture synthesizer.

  • 1 dedicated Attack Oscillator with 128 waveforms controllable by adjustable velocity amount.
  • Super Modulation Morphing via Mod Wheel at selectable rows for the Mod Matrix.
  • Modulation Matrix for LFOs with positive and negative inputs.
  • LKO system for delay with four key-dependant modes.
  • 3 digital PCM-wave oscillators powered by 128 different waveforms (123 new ones).
  • Each oscillator’s level can be modulated by different sources via mod matrix.
  • 1 LP filter (24db Lowpass) with ADSR EG, Filter FM and keytracking.
  • 1 HP filter (12db Hipass) with ADSR EG, Filter FM and keytracking.
  • 2 shapeable LFO with pattern-like waveforms (BPM-synced).
  • 1 LFO with 21 complex waveforms and free speed adjustment.
  • 1 shapeable Sample & Hold with pattern (BPM-synced).
  • Adjustable level for direct, LP and HP output with separate pan each.
  • Stereo-delay (BPM-synced).
  • Soundfonts for oscillators as external SF2 files and wav-files loadable.

R.I.P.

ProtoPlasm-Pro-2011

U-he Podolski v1.2.3 x64 x86 VST AU AAX WIN MAC LiNUX [FREE] 0 (0)

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uhe-podolski-screenshot-fullui-1150x553Podolski
Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.

• Oscillator with variable symmetry (sawtooth to triangle, PWM) and glide
• Polyphonic (up to 16 voices), mono, legato and arpeggiator modes
• 4 envelope modes: ADSR or HDSR, linear or exponential. Sustain has Fall/Rise control
• 2 LFOs: one global, one per voice. Absolute time or host sync, multiple waveforms
• Multimode filter: lowpass, bandpass or highpass with drive and FM
• Combination arpeggiator / 16-step sequencer with extra modulation source
• 2 built-in effects: stereo delay, chorus / flanger
• Resizable UI from 70% to 200%
• Skinnable UI
• Global preferences page
• MIDI learn page and editable list
• Over 300 factory presets
• NEW in v1.2.3: Support for Oddsound MTS-ESP

Requirements
• Apple – Mac OS X 10.9 or newer
• Windows – 7 or newer
• Linux

Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer

NKS-readyPodolski is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.

Podolski
Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.

• Oscillator with variable symmetry (sawtooth to triangle, PWM) and glide
• Polyphonic (up to 16 voices), mono, legato and arpeggiator modes
• 4 envelope modes: ADSR or HDSR, linear or exponential. Sustain has Fall/Rise control
• 2 LFOs: one global, one per voice. Absolute time or host sync, multiple waveforms
• Multimode filter: lowpass, bandpass or highpass with drive and FM
• Combination arpeggiator / 16-step sequencer with extra modulation source
• 2 built-in effects: stereo delay, chorus / flanger
• Resizable UI from 70% to 200%
• Skinnable UI
• Global preferences page
• MIDI learn page and editable list
• Over 300 factory presets
• NEW in v1.2.3: Support for Oddsound MTS-ESP

Requirements
• Apple – Mac OS X 10.9 or newer
• Windows – 7 or newer
• Linux

Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer

NKS-readyPodolski is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.

https://u-he.com/products/podolski/podolski.html

Triple Cheese by U-HE 5 (2)

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uhe-triplecheese-screenshot-fullui-1150x703

Triple Cheese, winner of the 2006 KVR Developer Challenge, is a truly unique freeware synthesizer. No traditional oscillators or wavetables, no FM or phase distortion and no analogue modelled filters here. A touch unusual and a little cheesy, Triple Cheese is quite capable of some surprising sounds.

  • 3 comb filters for sound generation (Read more below)
  • 8 different modes per comb filter module (11 modes total)
  • Polyphonic (up to 16 voices), duophonic, monophonic (retriggered) or legato mode
  • VCA with amplitude modulation, pan
  • Skinnable UI
  • 254 factory presets
  • NEW in v1.3: Support for Oddsound MTS-ESP

https://u-he.com/products/triplecheese/?fbclid=IwAR2I6tBXNNDAIKiVgMpdGFNPS8rBKHCpxR6w1O93f7iuwHg9wuwQGVhUDhU

Xenharmonic FMTS 2 by Xen-Arts 0 (0)

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14-08-_2021_21-25-28

Xenharmonic FMTS 2 is a 4 Operator FM Synthesis VSTi with a specialized set of features for computer
musicians interested in exploring the vast expressive possibilities of making music with alternative
intonation systems. It is a 32-bit plugin instrument for Windows.
Microtuning Features

Internally loads and externally receives both MTS (MIDI Tuning Standard) Bulk Dump and Single Note
Microtuning Files

Operator ratios can easily be set to values that are coincident with the microtuning being used,
thereby producing intonation related sidebands in the timbre of the instrument

Microtonal pitch-bend ranges may be configured in cents, harmonics and superparticular ratios

Arbitrary microtonal pitch shifting makes it possible to easily pitch transpose the oscillators in both
octave and non-octave increments
FM-RM Oscillator

4 Operator FM Synthesis with Ring-Modulation

57 Operator Algorithms

11 different Operator Waveforms

Analog Pitch Drift Emulator

Transposition by cents offsets

Partials text files may be used to quantize the frequency ratios of the operators to user specified
values

Velocity-to-Harmonics Modulation enables oscillators to dynamically sound harmonics of the
fundamental pitch
Modulators

Seven dedicated hybrid modulators for Operators A, B, C, D, Filters, Amplifier and Pitch

Each modulator includes an ADSR style envelope generator, and an LFO which can be switched to run
at audio-rate

Each ADSR Envelope Generator features Per-Stage Keyboard Tracking

LFOs can either be synchronized to the host DAW tempo or set in Hertz. They include 24 Waveforms,
a Slewer and can be switched to run at audio-rate
Filter Section

Pre-Filter Saturation Stage with 20 Saturation Types

Two Independent Filters with Six Filter Types: LP4, LP2, HPF, BPF, BRF, APF

One and Two Stage Filter Cascade
Effects

Chorus

Lowpass Filter Cascade (Warm Filter) with 6 dB to 48 dB per-octave filters

Stereo Ensemble
Performance Control

Full controller MIDI Pitch Microtuning with MTS (MIDI Tuning Standard)

MTS Support for both Single Note and Bulk Dump

Loads MTS Microtuning Format Files Internally and Receives MTS Externally

Local (Per-Patch) and Global Microtuning (Static Microtuning for All Patches)

Microtunings can be loaded from any directory on hard drives or storage devices connected to the PC

12 Note Polyphonic

Monophonic Legato Mode

Monophonic Portamento

Microtonal Pitch Bend

Vibrato

Effects include Chorus, Lowpass Filter Cascade (Warm Filter) with 6 dB to 48 dB per-octave filters and
Stereo Ensemble

No longer available

Xen-FMTS_2