Tag Archives: filter

Nettle by Fellusive 0 (0)

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Nettle explores the unique and relatively under-explored world of scanned synthesis.

The timbre of the sounds you create constantly evolve, as the waveform produced is made by tracing (scanning) the positions of masses that are always in motion. These masses are set into motion when you press a key on your MIDI controller – this simulates the action of a hammer striking the connection of masses.
Through the user’s manipulation of the masses, the springs that connect them, and the hammer that excites them, a wide range of dynamic, almost sentient, sounds are possible.
  • 32-voice polyphony.
  • Fully automatable knobs.
  • Filter (low-pass, high-pass) and reverb available for signal processing.
  • Four LFOs and ADSRs available for modulation, along with two sources for modulation via your MIDI controller.
  • Built-in presets, as well as the ability for users to save and modify their own presets.
  • A randomize button.

https://fellusive.gumroad.com

 

Echo Sound Works House Piano Kontakt [FREE for Limited Time] 0 (0)

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Echo Sound Works has announced its House Piano sample library for Kontakt 6 (full version) is free for a limited time.

Anyone who produces dance music knows the “House Piano” sound. The iconic sound first debuted in the late 1980s on a Korg M1 and still gets used today.

This library is inspired by the sound of Joel Corry, Sigala, Jonas Blue, MK, Nathan Dawe, Kygo and so many more.

The interface is simple and easy to use with the following controls:

Transient – use this macro to add a snappy pluck to the attack of the sound. Perfect when you need the piano to cut through a mix.
Bowed Keys – This macro adds a sustained layer to the notoriously short M1 piano sound.
Synth Keys – This macro adds a synthesized key sound to the main M1 piano.
Effects – Filter out high frequencies with the LP Filter and add some dimension with the reverb control.
Performance – These three macros allow you to fine-tune the performance of the piano to fit your playing style or MIDI.

House Piano works with a full version of Native Instrument Kontakt only (the free Player version isn’t supported).

https://www.echosoundworks.com/house-pianos

 

Analog Obsession N492ME v6.0 VST VST3 AU WiN MAC [FREE] 0 (0)

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Dual Mono, Stereo, Mid/Side N****nn style 4 Band Mastering Equalizer with High Pass Filter.

Features
– High Pass Filter : 20-80-140 Hz
– Low Shelf : 50Hz to 400Hz with +/-15dB
– Low Mid Band : 600Hz to 1000Hz with +/-15dB
– High Mid Band : 1000Hz to 7500Hz with +/-15dB
– High Shelf : 3kHz to 10kHz with +/-15dB
– MODE : Left/Right or Mid/Side Processing
– LINK : Linking Left/Right or Mid/Side
– M-BYPASS : Master Bypass to inactive whole system
– L-BYPASS : Left Channel Bypass
– R-BYPASS : Right Channel Bypass
– MASTER : Master Output
– Seperate Left/Right or Mid/Side Output Controls

Note : Bottom side won’t work when you link L/R

Available Formats
VST/VST3/AU | Mac 10.9 – 11.X
VST/VST3 | Windows 7 – 8 – 10

VERSION 6.0 – 17.7.2021
– Improved DSP and circuit design
– Added 4x oversampling
– Readout for knobs
– Redesigned GUI
– Catalina & Big Sur(Intel/M1) support

Patreon

Bedroom Compressor by ViatorDSP 0 (0)

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Bedroom Compressor is a a diode bridge-based compressor.

This compressor has some great features like a blend knob and a high-pass filter side-chain. This compressor expects a signal in dBU’s, so -18 to -15 is the sweet spot!  It is based on a famous channel strip re-issue.

  • Make-Up Gain – Output volume control to make up for the compressed signal.
  • High-Pass Filter – High-pass filter with a cutoff range between 20 to 350 Hz.
  • High-Pass Side-Chain – Toggle between the filter in input mode or side-chain mode. In filter mode (button off), the filter will act like a normal filter on the input. In side-chain mode (button on),  the filter will only affect the signal that the threshold checks, which means you can filter out bass from the threshold so that it doesn’t hit the compressor as hard, but the bass will still pass through. This is great if you want to compress your drums without the kick affecting the compression amount.
  • In Button – Turns the compressor on or off.
  • Threshold – What level the compressor kicks in.
  • Ratio – How much the signal is turned down when compressed.
  • Speed – Combination of attack and release parameters, from slow – auto.
  • Blend – Mix between the dry and compressed signal.

Patreon

Acon Digital Multiply Free 1.3.1 (Win/Mac) 0 (0)

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Acon Digital Multiply is a free and versatile chorus effect with a unique twist. Each simulated voice is processed with a phase randomizing filter so that unpleasant comb filter effects are avoided. The effect can be used to simulate the effect of several performers playing the same tones simultaneously, to widen the spatial image or to create special effects for sound design. Multiply can simulate up to 6 additional voices and both the pitch and the loudness of the voices can be modulated. There is also an integrated equalizer consisting of low cut, low shelf, high shelf and high cut filters that can be applied to the effect signal. An integrated pre-delay section makes it possible to create modulated and diffuse echo effects.

Platforms and Plug-in Formats
Available as VST or AAX plug-ins on PC (Windows)
Available as VST, AAX or AU plug-ins on Apple Macintosh (OS X)
Native 32 bit or 64 bit versions of all plug-ins are available
Supports sampling rates up to 96 kHz
Mono and stereo (true stereo processing)

Acon Digital Multiply
Chorus effect with up to six separate voices
Randomized phase filters in order to avoid comb filtering effects while keeping delay times short
Amplitude modulation
Frequency modulation
Adjustable pre-delay
Integrated equalizer for the effect signal
Graphical visualization of equalizer frequency response
Undo and redo parameter changes
A/B comparisons
Preset manager
Save, load and categorize user presets

Requirements:
PC Version (Windows)
Windows 10 / 8 / 7
Intel Core i3 or AMD multi-core processor (Intel Core i5 or faster recommended)
1366 x 768 display resolution (1920 x 1080 or higher recommended)
1 GB RAM (4 GB or more recommended)
1 GB free HD space
A host application that is compatible with (32 bit or 64 bit) VST , VST3 or AAX (Pro Tools 10.3.5 or higher)
Macintosh Version (macOS)
macOS / OS X 10.8 or later
1 GB RAM (4 GB or more recommended)
1 GB free HD space
A host application that is compatible with (64 bit) AU, VST, VST3 or AAX (Pro Tools 11 or higher)

https://acondigital.com/products/multiply/

 

CHANNEV by Analog Obsession 0 (0)

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Here is CHANNEV!

Ultimate channel-strip with Mic Preamp, De-Esser, Line-Amp, 4 band equalizer, Compressor, Limiter and Tape Saturation!

Features

– Simple trim screw on preamp section will set input level.

– Mic preamp with 60dB Virtual Gain, PAD, and Phase Invert. Also, Pre-EQ (Low Shelf/High Shelf) and HPF/LPF.

– De-Esser with Bell and Soft options. It will help you to tame highs!

– 4 Band 81 Style Eq with variable frequency instead limited selectable frequencies. While Low and High bands have bell option, mid bands have Hi-Q option. Also, included Post-Filter same as Pre-Filter.

– Limiter and Compressor based on 2264 but now totally independent and each has its own external side-chain.

– Latest module is Tape Saturation. It will help you add tape saturation and glue overall signal.

– Fixed 2X light oversampling to keep CPU lower

You can see “ROUTING” to understand signal-chain.

Available Formats

VST/VST3/AU | Mac 10.9 – 11.X

VST/VST3 | Windows 7 – 8 – 10

VERSION 1.2 – 9.7.2021

– Added input trim

– Minor bug fixes

VERSION 1.1 – 8.7.2021

– Fixed Limiter Dry/Wet knob

Patreon

FKFX Influx by FKFX 0 (0)

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FKFX Influx is a modulated distortion / resonator.
Called as an instant “Sonic Retox” engine, the resonator module (FLUX) goes thru a Low Pass and a Tube distortion. Flux resonator Note and Dry/Wet have their dedicated editors.


FKFX Influx lets you create new grooves from your current input. Selecting “WET ONLY” will output only the transformed part of the signal.

  • Flux Resonator: multi-point LFO Editor on resonator note.
  • Flux Chaos: Resonator realtime re-fuel with audio input.
  • Flux Center Note: Select the root note for the Flux Resonator, with optional MIDI control.
  • Flux Scale Snap: 38 automatic scale modes: Off / Octave / I-V / I-IV / I-IV-V / Tetratonic / Tetratonic minor / Tritonic / Major Pentatonic / Suspended Pentatonic / Blues Minor Pentatonic / Blues Major Pentatonic / Minor Pentatonic / Miyako-Bushi / Iwato / Hirajoshi / Insen / Whole Tone / Blues Common / Enigmatic / Persian / Ionian / Dorian / Phrygian / Lydian / Mixolydian / Aeolian / Locrian / Harmonic Minor / Melodic Minor / Phrygian 6 / Lydian Augmented / Lydian Dominant / Mixolydian b6 / Locrian 2 / Altered Min Scale / Harmonic Major / Chromatic.
  • Flux Stereo: adds stereo pitch shift between left and right Flux Resonator.
  • Flux LFO: controls Low Pass Filter.
  • LFO Rate: From 4 Bars to 16th, with polyrhythmic rate (i.e. 5th, 7th).
  • Low Pass Filter: can be controlled with Flux Resonator LFO.
  • 16 Waveshapers
  • Tube Distortion
  • Low Cut Filter: Remove low rumble from signal.
  • Gain: Sets post distortion gain, 48dB/+48dB, exponential.
  • Dry/Wet Maximum
  • Dry/Wet LFO Editor
  • WET ONLY switch: get only the resonator wet signal.
  • FULL WET button, with extra strike animation.
  • Editor Tools: Smooth, Normalize, Flip, Chop, Roll, Pencils, snap modes, etc..
  • Editor Modes: Point edit mode, and a global Select Mode.
  • Preferences on OpenGL animations, MIDI Note, MIDI Thru.
  • Vumeters: Input and Output Vu Meter.
  • Preset Manager.Preset Locking option: Locks part of the plugin, so to stay unchanged on preset load.

https://www.patreon.com/posts/fkfx-influx-free-53221341

Chowdhury DSP ChowKick free kick drum synthesizer 0 (0)

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ChowKick is a kick drum synthesizer based on creative modelling of old drum machine circuits. Along with a highly parameterizable pulse shaper, Chow Kick uses a resonant filter with several nonlinear modes, creating a wide range of possibilities for sound designers. The kick drum can also be easily “tuned” with incoming MIDI notes to match the key of your song.

https://chowdsp.com/products.html#kick

WhispAir by Full Bucket Music 0 (0)

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WhispAir is a wavetable synthesizer.

It is written in native C++ code for high performance and low CPU consumption.
All parameters on one single page.
3 flexible wavetable oscillators.
Classic Full Bucket stereo filter.
3 modulation and four envelope generators.
Unison mode and Chorus.
TUN/SCL/KBL micro-tuning file import.
Supports MTS-ESP by ODDSound dynamic micro-tuning.
Resizable user interface.
MIDI Learn – all parameters can be controlled by MIDI CC.
Plug-in supports Windows and macOS (32 bit and 64 bit).

https://www.fullbucket.de/music/whispair.html

 

Olitanh by John Crosby Acoustics 0 (0)

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Olitanh – Vintage Vibe Compressor.

Distortion coupled with compressor brings interdependent wave-shaping and envelope-shaping. Controlled adding of harmonics. Level boosting and stereo enhancing.

Good for “warming up” bass instruments, guitars and vocals, or for “gluing” stereo mixes and groups.

List of parameters:

  • Drive, 0-40 db of gain to Tanh curve waveshaper.
  • Power, .25-4 tilts distortion curve from soft to hard.
  • Threshold, -18-0 db sensitivity of the compressor from low to off.
  • VU, 0-1000 peak detection response from modern to vintage.
  • Attack, 0-1000 speed of gain reduction from fast to slow.
  • Gap, 0-9 db offset between gain reduction and gain recovery.
  • Release, 0-1000 speed of gain recovery from fast to slow.
  • Knee, .25-4 response of the compressor from soft to hard.
  • Link, 0-100 % linking of the compressor’s LRMS channels.
  • Para, 0-100 % mix of the compressor from off to full.
  • Filter, 0-100 % Low Pass filtering from dark to off.
  • Mix, 0-200 % from Dry to Wet and to Solo Effect.
  • 1/8, switch between none or 8 times oversampled processing.

Principle of operation

From Left-Right stereo signal Mid and Side signals are also extracted, then each of the four channels passes through 8x Upsampler, Gain Reduction Unit, Tanh waveshaper, Level Detection Unit, Filter, Downsampler and than all four channels are mixed to Left and Right output.

Set the desired amount of peak limiting, harmonic generation or distortion (Drive). Change type of the distortion (Power). Control the distortion of loud notes (Threshold). Control the responsiveness of the compressor (Attack, Release, VU, Gap, Knee and Para). Enhance stereo image (Link). Darken the distorted part of the signal (Filter). Move Mix knob towards 0% in order to lessen the effect, to bring back some original dynamics or just to compare with the input signal. Move Mix knob to 150% in order to strengthen the effect and ease settings of the parameters. Mix 200% can be useful in parallel chains of processors, but in most cases Mix should be at 100%.

The story behind

Olitanh was made using iPlug2 C++ framework, and it evolved from Oli Larkin’s Oversampling Example. At first, it was just an exercise of adapting it from Mono to multichannel LRMS Stereo, but as I started to like its softness and was using it more and more in my daily productions, it deserved an upgrade. Power knob to bend the soft knee of Tanh curve. Filter knob to tame the highest harmonics and further decrease aliasing. The Compressor story. When I was excited about how versatile Olitanh became, it occurred to me that this would be just the right type of waveshaper to answer the common question: “Should I plug distortion after compressor or before?” As both answers have its own merits and its own flaws, the best of both worlds brings Olitanh – feedback compressor – where Compressor’s Level Detection Unit monitors Distortion’s output, but Compressor’s Gain Reduction Unit reduces Distortion’s input. Interdependent play of wave-shaping and envelope-shaping.

https://www.kvraudio.com/product/olitanh-by-john-crosby-acoustics