KUJASHI Soundbank for the SYSTEM ONE D_mv by Kevin Brown 5 (1)

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Soundbank (128 Patches) +Drumsound-Bank (31 Patches) für den SystemONE-D_mv  (Buchla 200 series-Emulation) von Kevin Brown

Wer weiß, wie ein Buchla eigentlich klingt? Einfach mal in die Werke von Suzanne Ciani oder Kaitlyn-Aurelia Smith oder auch Alessandro Cortini (Orchesterwerke) reinhören.

Der SystemOneD ist nach Entwicklerangaben (K. Brown) eine Emulation von früheren Buchla-200 series Modulen und ich habe versucht, in diese Modulserie einzutauchen und Klänge “herauszuschälen”.

Herausgekommen ist ein Sammelsurium von “Strange Noises”, Drone-Klängen, Bässen, majestätischen FM-Gebilden, Modularsweeps, Modular-Vocal/FOrmant-Stimmen, Glocken und Keyboardsounds, Buchla typischen Percussionsounds, verrückten Effektklängen und Sequencersounds (der SystemOneD-mv) hat allerdings keinen integrierten Sequencer (daher extern in den Klangbeispielen) sowie Klängen, wie sie wohl nur ein Modularsystem hervorbringen kann.

Außerdem habe ich noch eine kleine Drum/Percussionsoundbank mit 30 Klängen dazuprogrammiert.

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A soundbank with 128 patches and a Drumsoundbank with 31 patches for the SYSTEM ONE D_mv by Kevin Brown

SystemOne D_mv is a emulation of the earlier BucHLA 200 Series:

Do U know how a Buchla sounds? Please, listen to the works of Suzanne Cziani or Kaithleen-Aurelia Smith for example.

This synth is a emulation with some modules of the 200e Series of Buchla and I´ve tried to get into the secrets.

I´ve made a whole bunch of sounds – from strange noises to strong Drones, Basses and majestic patches of FM-synthesis, Modularsweeps, Modular Vox, Bells and analog Keys, Buchla typical Percussion, Crazy SFX and Sequencerfood (this synth has no internal Sequencer) and sounds that only a modular synth can generate.
There´s a little bank with Drum & Percussionsounds for any needs, too.

Einfach mal das Sounddemo durchhören, welches zeigt, was man mit den Klängen der Bank (inkl. Drumbank) so anstellen kann. Eingespielt nur mit Klängen aus der Bank (inkl. Drums/Perc) und ohne externe Effekte.

Pleaste, listen to the sounddemo – this shows the usage of the soundbank. Played only with sounds from this banks and without the use of external effects.

Demo:

For download the banks you have to register and login in the forum, it is free!

Mike Moreno Lira-8 free plugin synth 5 (1)

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Disclaimer: The Lira•8 project is not affiliated and does not represent SOMA laboratories.

The Lira•8 is a digital attempt at emulating SOMA Lab’s Lyra-8 signal flow and sound.

The Lyra-8 is a Russian drone synthesizer with 8 tunable voices each, FM, dual delay, hyper LFO and distortion.

It is optimal for drones, ambient landscapes, outer space sounds, etc.

http://msp.ucsd.edu/software.html

pd-0.51-0-ppc.mac.tar

pd-0.51-4.msw

pd-0.51-4.windows-installer

pd-0.51-4-i386.mac.tar

pd-0.51-4-i386.msw

pd-0.51-4-i386.windows-installer

pd-0.51-4-macosx7.mac.tar

pdmax-msw-0.54

Jim’s Gems 2: The Freedbacker 0 (0)

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So here’s the second of my gems. The freedbacker. For all intents and purposes this is a somewhat failed experiment – in 2014 I worked in a really wonderful studio – it had all the great gear – Neve Console, Studer Tape Machine, and wonderful mics from the golden era of Neumann, AKG etc so I set about experimenting and recording some instruments. As a lover of all things doom metal, drone and noise – I wanted to try and create a chromatic feedback instrument – which I did – It was rubbish, it didn’t sound very good AT ALL.

And so it lived on a hard drive in the sound purgatory section never to be used!

Until years later, I found that one of those feedback loops stretched sounded amazing, something about the tension in the movement of the feedback tuning that I loved.

Sometimes a simple one shot sample stretched is perfect.

This is that instrument.

Since then I’ve used it loads underpinning or creating tension in productions or simply as a drone instrument. A recent production I used it in was Diego Philips’ 2020 track ‘The Sun’ – The Freedbacker runs the length of the track, with added tape loops and guitar swells over the top.

The amp used was a Lazy J combo, the guitar a Silvertone – mic-ed with a Sennheiser md441 in to a Neve 8058 console.

24bit 44.1khz

With delay and reverb on/off switches.

Kontakt Preset Instruments:

Freedbacker

Delay – simple delay

Frippertronics – A long tape like delay

Keep on Truckin’ – reverb taken in the same truck as our TRUCK DRUMS instrument

Long Robert – A stereo reverby version of frippertronics or tapey delay – think the classic ‘No Pussyfooting’ sort of sound. A personal favourite.

Reverse

Spongy – I was thinking a kind of Bebe & Louie Barron/Raymond Scott kind of thing

The Peter Criss Jazz – An ode to one of my favourite albums – American Don by Don Caballero & the chopped guitar textures on track 2: ‘The Peter Criss Jazz’. Nothing to do with Kiss, although they’re great as well. This almost sounds calliope like.

The Peter Criss Truck – The Peter Criss Jazz but in a truck

Truck Delay – Delayed feedback with our Truck IR

Truck Verb – Slightly altered Truck Reverb

https://www.majetone.com/shop/p/jims-gems-2-the-freedbacker?fbclid=IwAR2YDwtq3Z9qq85QNveE5WNEa7PZagZ0BHOiaIbTdqOCK-qQbMcfkhcSmWQ

Majetone+Freedbacker+