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This VST effect can be used for light analog coloration, to add color and warmth to the tracks, but also for heavy distortions and signal destruction. The plugin can be used with synths, drums, guitars, in mix etc.
It includes 2x over-sampled analog modeled liquid filter and analog type distortion.
The plugin is available as a 32/64-bit VST for Windows.
A valid email address is required for the free download.
SC-3 is a clavinet influenced instrument.
Keys Section: Phase simulates Pickup mixing. Octave can be used to switch between 3 octaves. +Keys introduces a 1 octave higher instrument (this is a subtle effect).
Timbre Section: Tone is used to control the frequency brightness. Timbre Velocity is used to add a level of attack brightness. Experiment between these two controls to introduce various shapes, especially for Twang effect.
Tone Section: Simple cut and boost for overall tone of the instrument.
Shape Section: These controls are used to create various feel to the playing and adjust the envelope of the instrument. The effect of these controls work closely with the Timbre Section.
Amplifier Section: These controls influence the final output of the instrument.
Velocity sensitivity can be increased from less active to more. The distortion control provides a natural saturation to the output.
Mute: This slider simulates a dampen effect on strings.
denise wanted to create a fun and inspiring crusher, with the same brutal power of the Bite Harder, but the simplicity of preset controls and way to shape your sound in a quick and inspiring way. My Crush gives you the possibility to create the same, classic bit-crushing tones and audio destruction, in a simplified way, for no cost at all.
Refined crush controls.
The same insane bit crushing algorithm from the Bite Harder drives the My Crush plugin. The individual bit (reduce) and re-sample dials help you to gradually destroy your sound. The stutter fader adds a layer of creativity on top.
Logelloop Le is the free version of Logelloop Pro, it’s a Live Looping tool with several modules for stage, sound design and backstage management.
Check this page for full PRO/LE comparison
The main looper features:
Modular Live Looping with the inserted looper modules:
Mixing desk:
Plug-ins:
Sound Design tools:
LFO:
Scene memories:
Slicer:
Zebralette: easy spectral synth
Zebralette is our version of a Trojan horse. A free synthesizer and an introduction to Zebra2’s fantastic oscillators. Perhaps it will persuade you to try Zebra2 and upgrade. If one oscillator is this powerful, imagine what you can achieve with four… and all the other great features available in Zebra2.
Features
• A single Zebra2 oscillator with a 16-slot waveset. Read more below
• Oscillator waveform editing with geomorph, spectromorph, geoblend and spectroblend modes. Read more below
• 24 spectral effects including filter, sync, scatter, phase distortion and many more
• Polyphonic (up to 16 voices), monophonic and legato modes
• Stereo VCA with pan and volume modulation
• VCA oscillator stacking with adjustable stereo width: single, dual, quad and eleven modes
• ADSR envelope with fall/rise (sustain slope) and velocity controls
• Modulation options including: modwheel, velocity, pressure, breath, key follow, gate and more
• 2 LFOs: one global, one per voice
• A 32-stage MSEG (multi-stage envelope generator)
• 3 built-in effects: chorus/phaser, EQ, delay
• MIDI learn / unlearn of hardware controls (CC)
• Polyphonic aftertouch support
• 300 factory presets
• Scalable UI from 70% to 200%
• NEW in v2.9.3: Support for Oddsound MTS-ESP
What is a Zebralette?
-ette: an English suffix indicating a diminutive form
Zebralette is an introduction to Zebra2’s powerful oscillators. Zebra2 can seem overwhelming at first glance, so we stripped it down to a single oscillator plus a few other features and created Zebralette, the little Zebra. Once you master Zebralette you can move up to Zebra2 with confidence. And your presets can come with you, as Zebralette presets can be opened in Zebra2.
But more than a teaching tool, Zebralette is an incredible sounding synth in its own right. Surrounding Zebra’s spectral oscillator with a few core modulation options and effects make Zebralette highly capable. With unsion options (think supersaw, but Zebralette is not limited to saw waves, so we refer to it as superwave), 16 voice polyphony and two different envelopes, you have everything needed to create some marvellously complex sounds.
Diminutive? Yes. Powerful? Yes.
Zebra oscillator
One oscillator may not seem like enough for a synthesizer, but Zebra2 oscillators are rather powerful and clever.
It resembles many other oscillators you may have used. You can choose a waveset from the included library, or use the waveform editor to draw your own shapes. Here is where things start to get interesting: The Waveform Editor manages up to 16 different waves and lets you rearrange, duplicate and morph between individual waves. Use one of modulation sources and the WaveWarp control to scan through the 16 waves and create unusual, dynamic sounds.
There are four drawing modes: GeoMorph, SpectroMorph, GeoBlend, SpectroBlend, each offering a different approach to creating and manipulating waveforms.
Using the two Geo modes you draw the waveform shape using up to 32 points, while the Spectro modes let you create the harmonic spectrum over 128 columns. When using WaveWarp to scan through the waveset, Morph alters the waveform, whereas Blend blends (crossfades) between adjacent waves.
Requirements:
• Apple OS X 10.9 or newer
or
• Windows 7 or newer
or
• Linux
Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer
Formats
Zebralette is not a standalone product, it requires host software. Zebralette is compatible with nearly all DAWs.
macOS:
• AUv2, VST2, VST3, 64-bit only
• temporarily no AAX (read more)
Windows:
• VST2, VST3, AAX*
• 32-/64-bit
* AAX requires Pro Tools 10.3.7 or later
Zebralette 2.9.3 (revision 12092)
Native M1 ARM support
Improvements:
• Native support for Apple Silicon chips (M1)
• Improved GUI performance (Mac only)
• Support for Oddsound MTS-ESP
• Improved handling of junction links on Windows
• Preset list scroll direction preferenceFixed Bugs:
• Fixed some old Zebralette presets not loading in Zebra2
• Fixed multiple things in preset browser
• Fixed crash when loading script presets (e.g. Randomizer)
• Fixed rare crash on project reload
• Fixed audio clicks when switching presetsKnown Issues:
• Context menus need plugin focus to work (Apple issue)Special Notes:
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinued
Multi-mode distortion plugin. A tube and an op-amp circuit with different op-amps and tubes.
Features
– INPUT(dB): -30 to 30
– OUTPUT (dB): -30 to 30
– HPF: 20Hz to 2kHz
– LPF: 20kHz to 10kHz
– MODE: 2 circuits. 3 op-amps and 4 tubes. Same circuit and different op-amp/tube models for each circuit.
– 4x oversampling (ANALOG OBSESSION LOGO: Oversampling. It will turn to red when oversampling is engaged. Also, show you a notification.)
22/8/2021 – v4.0 Update
– Improved DSP and circuit design
– Added 4x oversampling
– Readout for knobs
– Catalina & Big Sur (Intel/M1) support
Available Formats
VST/VST3/AU | Mac 10.9 – 11.X
VST/VST3 | Windows 7 – 8 – 10
SPKR-v1.dll is 32-bit windows ONLY Broken Speaker FX / distortion plugin. Designed to emulate blown speakers, malfunctioning stereos and obscure acoustics.
Input is fed into two parallel bandpass filters, and then into a few custom waveshapers (select via “M” mode knob). Before going into waveshaper, DC Offset and Gain can be adjusted. After going through the waveshapers, two more parallel bandpass filters are used, and then “fake stereo” is added via delaying stereo channels, and volume of each filter independently adjustable.
This design comes from the concept of poorly assembled tone circuitry or circuit bent amplification, combined with the effect of broken/blown speakers or speakers with weird frequency response caused by physical conditions. Basically is a circuit-bendable amplifier. This can mangle sound really intensely to almost unrecognizable, or add subtler excitation, saturation or filtering.
Comes with a few built in presets. Made with synthedit, with the blessings of Jeff himself. Thanks Jeff :). x86
https://cybergrunge.net/resources/vst/SPKR-v1.dll
Based on 3 Seed numbers each note on the keyboard is a different random sound.
Presets can be selected by entering their Seed numbers, or you can save them the normal way.
This one has velocity responsiveness, and a tone stack for more interesting timbres, plus randomised stereophony.
BASE1 and BASE2 are seed numbers for random generator.
BASE3 randomizes post-processing of the synthesized sounds: filters, envelopes, tone, panning, distortion.
Velocity controls how much note velocity effects a randomly-assigned parameter of the sound (usually pitch, filter cutoff/resonance or distortion drive).
Skin by Oli Larkin.
Made with synthedit, with the blessings of Jeff himself. Thanks Jeff :).
x86 Windows
https://cybergrunge.net/resources/vst/0seeleOTMpercV4.dll
Ultra clean peak compressor/limiter with punchy attack, musical release, and optional lookahead smoothing, for tracks or busses. Zero/low latency and low CPU. Warm distortion at extreme settings.
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