Yum Audio LoFi Flux Light v1.0.1 x64 VST3 AU AAX WiN MAC [FREE] 0 (0)

1635064825_lofi-fluxlight_showcase.bfe208b

Analog modeled Tape Warble as pristine or characterful as you like

Intricate analog movement
LoFi Flux Light is the small version of Flux Machine, an instant classic effect that can be used to add appeal, life & character to any audio signal you feed into it. Flux Light’s intricate analog modeled tape warble gives you an easy solution to add some additional interest to any sound or instrument.

We took our established virtual tape circuits and used them in a way that gives you full control over the behavior and accuracy of the warble effect and add beautiful inconsistencies.

This plugin is only one of our growing LoFi Series

Key Features
• add variety, life & character to any audio signal you feed into it
• analog modeled Warble section for slow pitch changes
• freely adjustable Warble Instability
• two time modes – free running or in sync with your session
• Jitter mode for fast random changes
• Slow mode for smooth fluctuations

System Requirements
• AAX, VST3, AU versions included
• 64-bit only (Mac / PC)
• Mac OS X 10.11 or higher
• Windows 10
• At least 4GB of RAM, 16GB is recommended
• At least 200MB of free drive space (OS drive)

DAW Support
• AAX, AU, VST3 versions
• 64-bit only
• Ableton Live 10.1+ (Mac & PC: AU, VST3)
• Bitwig 2+ (Mac & PC: AU, VST3)
• Cubase 8+ (Mac & PC: VST3)
• Digital Performer 10+ (Mac & PC: AU, VST3)
• FL Studio 12+ (Mac & PC: VST3)
• Garageband 10+ (AU)
• Logic Pro 9+ (AU)
• Pro Tools 11+ (Mac & PC: AAX)
• Presonus Studio One 4+ (Mac & PC: AU, VST3)
• Reaper 5+ (Mac & PC: VST3)
• Cakewalk by BandLab (PC: VST3)

https://yum-audio.com/LoFi-FluxLight

 

 

Full Bucket FB7999 v1.0.1 x32 x64 VSTI AU WiN MACOS [FREE] 0 (0)

fb7999

FB-7999 is a software instrument for Microsoft Windows (VST) and Apple macOS (VST/AU) simulating the KORG DW-6000 and DW-8000 synthesizers from the 1980s. It is written in native C++ code for high performance and low CPU consumption.

Main features are:
• Two digital oscillators with 16 + 16 different waveforms
• Poly and Unison modes
• Built-in pseudo-stereo delay
• SysEx data communication, import and export
• Extended polyphony (up to 64 voices)
• Supports MTS-ESP by ODDSound dynamic micro-tuning
• Resizable user interface (not “N” version!)
• MIDI Learn – all parameters can be controlled by MIDI CC
• Plug-in supports Windows and macOS (32 bit and 64 bit)

Version 1.0.1 (02-Oct-2021)
—————————
• extended number of voices (1,2,4,6,8,16,32,64)
• implemented note-on “analog drift”
• DW-6000 mode default is now 6 voices
• fixed potential crashes in some hosts
• fixed clicks in DW-8000 mode
• fixed hanging notes
• fixed Aftertouch for OSC MG and VCF
• minor UI fixes

https://www.fullbucket.de/music/fb7999.html

U-he BeatZille v1.0.2 x64 x86 VST VST3 AU AAX WiN MAC LiNUX [FREE] 0 (0)

uhe-beatzille-screenshot-fullui-1150x881

Beatzille: little monster
Beatzille is a compact version of our monster modular synthesizer Bazille. Although its condensed feature set makes it the ‘little brother’, Beatzille is still an engaging and capable synthesizer. Power and style run in the family. Digital oscillators, analogue-style filter and flexible patching will keep you busy for a good while before thinking about tackling Bazille.

Features:
• Modular architecture
• 2 digital oscillators with simultaneous frequency modulation (FM), phase distortion (PD) and fractal resonance (FR)
• Polyphonic (up to 8 voices), duophonic (split oscillator pitches), legato or retriggered monophonic
• Pitch transpose, drift and glide control
• 1 multimode analogue-style filter with 6 parallel outputs (4× lowpass, bandpass, highpass)
• 2 ADSR envelopes with sustain slope (fall/rise) and 5 trigger modes
• 1 LFO with 3 parallel outputs with various waveforms
• 16-step sequencer with 8 morphable snapshots. 4 output sockets for parallel sequences, envelope triggers and more
• 2 multiplex units for mixing, crossfades, ring modulation or amplitude modulation
• Built-in stereo delay with tape wow, feedback and damping filters
• 1 mapping generator (waveshaper / incrementer)
• Audio-rate signal processors: inverter, rectifier, sample & hold, dual lag generator and quantizer
• White and pink noise generators
• MIDI modulation sources include modwheel, velocity, breath, pressure, key follow, gate and more
• Single-page interface
• Skinnable UI
• Resizable UI from 70% to 200%
• Global preferences page
• MIDI learn overlay and editable MIDI CC list
• Over 160 factory presets
• NEW in v1.0.2: Support for Oddsound MTS-ESP

Small and mighty
Striking the balance between too much and too little, Beatzille is the happy medium. It presents an introduction to modular synthesis and a taste of the power of Bazille without being overwhelming.

Oscillators
Beatzille’s oscillators embrace two digital synthesis methods developed during the 1980s: frequency modulation (FM) and phase distortion (PD). We also added a process we call fractal resonance (Fractalize), which sounds similar to the classic oscillator sync effect when swept.

All three synthesis methods run simultaneously, so you can combine them to create an extensive range of sounds. Beatzille is great at generating weird modular blips and squeaks, but you can even coax soft pads and organic keys from the oscillators—as demonstrated by the factory library. Add modulation for even more sound possibilities.

Filter
The filter is a favourite in the sound designer’s toolkit. Cut frequencies, boost others, add texture and colour. Beatzille’s analogue-style filter complements the digital oscillators, providing warmth and drive. And its self-oscillation capability opens up some intriguing sound design opportunities.

Even with a single filter Beatzille offers plenty of creative horizons. The six parallel outputs (highpass, bandpass and four types of lowpass) with multiple modulation options make it easy to create complex, shifting textures.

Delay
Beatzille has only one built-in effect, but it’s good one: stereo delay with optional host sync. Push your sound around in space with independent delay times and volumes for each channel. Conjure ghostly echoes using tape-like wobble and filtering or set up endless repetitions. Tweak all controls to find the perfect delay.

Release notes:

Beatzille 1.0.2 (revision 12092)

Native M1 ARM support

Improvements:
• Native support for Apple Silicon chips (M1)
• macOS Big Sur compatibility
• Improved GUI performance
• Support for Oddsound MTS-ESP
• Improved handling of junction links on Windows
• VST3 support added
• Improved preset browser
• Improved soundset installation
• Pitch Bend range now +/-48
• Minor GUI fixes/tweaks
• Various Mac and Windows installer improvements
• System info displayed in GUI (revision, OS, plugin format)
• Hold pedal behaviour improved (0-63 = off, 64-127 = on)
• Ctrl A/B replaces fixed Breath and Expression modulation
• Changed how LFO Wave and LFO Phase influence envelope triggering

Fixed Bugs:
• Fixed multiple sequencer issues
• Fixed multiple issues with envelope triggering via LFO and sequencer
• Fixed notes starting on same time stamp but different MIDI channel might not play
• Fixed LFO in sync mode being too slow on its first cycle
• Fixed mapping generator not updating instantly
• Fixed multiplex potentially killing audio output
• Fixed crash when loading script presets (e.g. Randomizer)
• Fixed rare crash on project reload
• Fixed audio clicks when switching presets
• Various small fixes and improvements

Known Issues:
• Context menus need plugin focus to work (Apple issue)
• Cable style “natural” can cause GUI glitches

Special Notes:
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinued

The Windows installer was improved to prevent common installations issues. Please check the suggested installation paths during installation, making sure the update is installed into the same location as the previous version, and all installed plugin formats are being updated.

Envelope triggering via LFO and sequencer was reworked in order to fix multiple bugs in this area. This means some presets might not sound as intended anymore. We therefore recommend to finish ongoing projects before updating to the new version. Please refer to the “Patch Conversion Tips” file to get more info on how to adjust your presets.

https://u-he.com/products/beatzille/

U-he Zebra CM 1.1.1 WiN/OSX/LiNUX FREE 0 (0)

uhe-zebracm-screenshot-fullui-1150x767

ZebraCM: Baby zebra

ZebraCM is a stripped-down version of Zebra2 with a selection of modules organised in a simple layout. Though smaller, ZebraCM is still an adept synthesizer with enough features to keep you busy before stepping up to the full experience of Zebra2.

Please note: ZebraCM was commissioned by Computer Music magazine for their readers. It is only available via Computer Music, not from u-he.com or our resellers.

2 wavetable (16) oscillators with integrated sync and spectral filter
Polyphonic (up to 16 voices), duophonic, mono or legato
Stereo signal path
Noise generator: White, pink, digital or crackles
Filter with 20 modes (various lowpass, bandpass, notch, shelf, allpass…)
3 LFOs
2 ADSR envelopes with fall/rise sustain
3 effects: chorus, delay, reverb
Resizable UI from 70% to 200%
Skinnable UI
221 factory presets
NEW in v1.1.1: Support for Oddsound MTS-ESP

Astral Dreamer Free by HG Fortune 5 (1)

Astral-Dreamer_Free_3

Astral Dreamer is a 3 PCM wave oscillators synthesizer.

There are dedicated routing options starting right at the oscillators which can be routed to one of the two filters, a flanger, or direct to the VCA. So you can have a dedicated soundmodifier for each oscillator allowing a wide variety of multicoloured sounds within a single patch very much like multilayered sounds.

Each oscillator has got an Additional Harmonics Shaper (AHS) to enrich sound in generating shapeable upper harmonics from the selected wave. The character of this additional sound ranges from rich choruslike to metallic sounds and can be mixed – also via modulation – to the original wave.

The new waveset coming with Astral Dreamer does contain carefully processed waves to provide a wide variety of soundsources: Synth waves from real analog, virtual analog and digital synths, complex waveforms, soundscapes (mostly image generated sounds), plus some XFx sounds. Besides the routing possibilities there are a lot of modulation options to shape the sound into some intricate motion. And the straightforward GUI provides instant access to all controls for quick editing and tweaking to shape your sound.

Soundsources:

  • 3 PCM wave Oscillators each with 128 waves plus Additional Harmonics Shaper.

Filters:

  • 1 24 dB resonant Lowpass filter with ADSR EG and 4 channel mod mixer.
  • 1 12 dB resonant Lo, Hi or Bandpass filter with ADSR EG and 4 channel mod mixer.
  • Filter Routing: parallel or serial possible.
  • 1 Flanger.

Mod sources:

  • 2 Aux ADSR EG (3 & 4).
  • 3 bpm synced LFO.
  • 1 bpm synced Sample & Hold.
  • 1 bpm synced double LFO with phase shifting.

Output:

  • 1 VCA ADSR EG.
  • 1 Pan for direct signal.
  • 1 Pan for delay signal.
  • 1 Delay.
  • 1 Stereo Reverb.
  • 1 Saturate/LoBoost (4 modes).

Other:

  • Lazy button system.
  • Velocity Sensivity slider.
  • visual display of LFO motion (can be hidden).
  • 4 voices, 128 patches.
  • MIDI Learn/CC Edit for most control elements.
  • Inbuilt MIDI CC display.

No more Webside

R.I.P.

A1-astralDreamer-free

Digital Systemic Emulations Elsita VST AU WIN OSX [FREE] 0 (0)

1590088580_elsita_2

Elsita is a soviet analog drum synthesizer produced from 1989 until 1991, when RMIF went bankrupt.

Although being released in a pretty late period, the Elsita was built following old standards from the mid 70’s/early 80’s : fully analog, trigger-only, with big knobs.

The Elsita has 4 channels, which are not perfectly identical, at least on my model. It sounds more like a A/B/A/B disposition (As the colors suggest actually), but they all have the same parameters.

https://sites.google.com/site/digitalsystemic/

Elsita-V

Elsita-V_MacAU

Onsen Audio OS-251 v1.0.1 VST3 AU WiN MAC LiNUX [FREE] 0 (0)

OS-251_screenshot

OS-251 is a pure digital lo-fi synthesizer plugin for Mac, Windows and Linux
OS-251 is a “JUNO” style digital subtractive synthesizer with a simple yet powerful DSP algorithm. Unlike other plugins that use analogue simulation, OS-251 uses digital algorithms to give warm, lo-fi sounds. The design of the oscillators and the selection of parameters were influenced by the JUNO-106, making it easier to express a thicker, chunkier sound.

The oscillator has alias noise (specific to digital signal processing) famous on classic samplers like E-mu SP-12 which adds lo-fi feeling to the sound. You can enjoy the powerful sound at modern sampling rates with your DAW.

Easy to use
Tired of overwhelming synthesizers with hundreds of parameters and presets? Then OS-251 is for you! OS-251 is equipped with only carefully selected parameters, allowing musicians to concentrate on music production. You can see every parameter at once, so you can have a stress-free experience. Because the number of the parameters is limited, you can create the desired sounds yourself quickly and you don’t have to spend your precious time choosing presets.

Key features
• Up to 10 voices of polyphony
• Oscillators (Sin, Square, Saw), with Shape parameter
• Square sub oscillator
• Noise oscillator
• Biquad low-pass filter (LPF) with Frequency and Resonance parameters
• Biquad high-pass filter (HPF) with Frequency parameter
• Envelope generator which can control LPF and amplitude
• Low-frequency oscillator (LFO) which can control LPF, amplitude, and Shape parameter
• LFO sync
• Chorus
• Flexible pitch controls (pitch bend width, octave, semitone, fine tuning)

https://onsenaudio.com/products/os251

 

Alphatron SE by HG Fortune[win, VSTI, x86] 0 (0)

AlphatronSE_3

Alphatron is a hybrid analog / digital oscillators synthesizer.

Alphatron is not just a simple VA synthesizer instead in using a 3rd oscillator with digital waves (quite similar to an Ensoniq ESQ-1 / SQ 80 from the late 1980ies) it does offer a lot more sonic potential. Also this 3 rd oscillator serves as sync master for oscillator 2 thus creating a lot more sonic flavours. Amplitude Modulation has got it’s dedicated adjustable output and uses oscillator 2 as main source being modulated either by osc. 1 or 3. Oscillator 1 is a polywave oscillator with up to 5 additional waves, so you might have something like Super Saw(tm), Super Pulse, Super Ramp etc.

  • 1 VA Oscillator with up to 6 poly waves for Saw, Ramp, Sine, Tri, and Pulse.
  • 1 VA Oscillator with single waves as above plus white and pink noise, Sync slave.
  • 1 Sample Oscillator with fairly typical digital waves with different hamonic content, Sync master.
  • 1 Amplitude Modulation with dedicated output.
  • 1 24 dB resonant Low Pass filter with dedicated ADSR EG, 4 mixable mod sources.
  • 1 VCA EG.
  • Both EG have 3 modes: exponential, reverse exponential, and linear; and optional control for Attack and Decay by velocity.
  • 1 Booster or Enciter selectable.
  • 1 Mystify with three selctable types (Brite, Soft, Dark).
  • 1 bpm synced Delay with adjustable Offset controlley manually or by modsource, Pan.
  • 1 Bass Boost.
  • 1 Pan for undelayed signal.
  • 1 small Reverb for adding some nice flavour.
  • 1 Saturator.
  • 1 main Volume.
  • 3 x LFO, 1 x Duo LFO (with two waves and phase control for 2nd wave), 1 x S&H.
  • 1 Pitch LFO with option to speed up or down the LFO speed controlled by Modwheel or Aftertouch.
  • 3 Lazy buttons.

No more Homepage – R.I.P.

AlphatronSE

T-De-Esser Plus by Techivation 0 (0)

t-de-esser_plus2

T-De-Esser + Delta-listening

The T-De-Esser Plus has the same functionality as the original T-De-Esser, but the interface now displays our upcoming premium features. These features will be available shortly in our paid upgrade, T-De-Esser Pro. The T-De-Esser Plus has one of the Pro features activated, the ‘Audition’ (Delta-listening) feature, and it is free to use.

You can always change back to the original T-De-Esser after installing this version.

The Magic

Unlike the majority of De-Esser plug-ins available on the market, T-De-Esser gives a pure natural sound while smoothing the high-frequencies. The only noticeable difference will be the removal of harshness.

Remove sibilance and harshness, fast

You can use T-De-Esser to:

  • Remove harshness from sound sources that were closely mic’d.Manage sibilance in vocals and dialog in a transparent manner.

    Treat irregular tonal balance caused by poor recording quality.

    Reduce the glare from unnecessarily bright guitar and piano recordings.

    Tame piercing synth sounds.

    Control the high-frequencies in overheads’ transients, such as snare, hi-hats, or clash.

    Give more dynamic range to your tracks while mastering, due to the reduction of unnecessary high frequencies.

T-De-Esser Plus can streamline your audio project workflow by saving you both vital time and effort. It works as effectively on individual tracks as it does on buses. It performs efficiently in a wide range of implementations, from sound design and post-production to the most demanding of mastering applications.

Graphic user interface (GUI)

Visuals can distract your hearing, digital graphs are very likely to affect your decision-making when it comes to audio editing. T-De-Esser, however, helps you just stay focused on keeping it as simple as possible visually and help you focus on the output sound.

The T-De-Esser Plus has the same functionality as the original T-De-Esser, but the interface now displays our upcoming premium features. These features will be available shortly in our paid upgrade, T-De-Esser Pro. The T-De-Esser Plus has one of the Pro features activated, the ‘Audition’ feature, which is free to use.

We’ve added the most advanced cutting-edge features in the upcoming T-De-Esser Pro that’ll help you with significant sound quality improvements. Less is more, so just to avoid getting caught in the trap of making infinite, minuscule tweaks, we made sure only to have the essential options available for you on the GUI.

The options available are designed in a way to quickly give you a pleasant sound with just a few tweaks.

Quick yet powerful

T-De-Esser has been designed with simplicity in mind. It is fast to set up and easy to use, yet allows you to adjust the processing to your needs.

Turning the processing knob starts the plug-in’s operation, you then set how intense you want to go according to your taste. There are 4 frequency bands available to choose between, depending on where the harshness and sibilance are coming from.

The ‘Audition’ (Delta-listening) feature in T-De-Esser Plus allows you to listen to the selected frequency range modes, as well as letting you listen to the audio sounds that are being processed, by the plug-in. This helps when it comes to making specific comparisons.

Available as

Windows 7 and up as 32 / 64-bit VST and VST3, and 64-bit AAX (PT11 and up).

Mac OS X 10.10 (Yosemite) – macOS 10.15 (Big Sur) as 32/64-bit VST, VST3 and AU, and 64-bit AAX, Intel, and M1 Rosetta 2 Macs

https://techivation.com/t-de-esser-plus/

ProtoPlasm Pro by HG Fortune[win, VSTI, x86] 5 (1)

ProtoPlasm_3

ProtoPlasm Pro is a pad and texture synthesizer.

  • 1 dedicated Attack Oscillator with 128 waveforms controllable by adjustable velocity amount.
  • Super Modulation Morphing via Mod Wheel at selectable rows for the Mod Matrix.
  • Modulation Matrix for LFOs with positive and negative inputs.
  • LKO system for delay with four key-dependant modes.
  • 3 digital PCM-wave oscillators powered by 128 different waveforms (123 new ones).
  • Each oscillator’s level can be modulated by different sources via mod matrix.
  • 1 LP filter (24db Lowpass) with ADSR EG, Filter FM and keytracking.
  • 1 HP filter (12db Hipass) with ADSR EG, Filter FM and keytracking.
  • 2 shapeable LFO with pattern-like waveforms (BPM-synced).
  • 1 LFO with 21 complex waveforms and free speed adjustment.
  • 1 shapeable Sample & Hold with pattern (BPM-synced).
  • Adjustable level for direct, LP and HP output with separate pan each.
  • Stereo-delay (BPM-synced).
  • Soundfonts for oscillators as external SF2 files and wav-files loadable.

R.I.P.

ProtoPlasm-Pro-2011