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The STR-X was built to be a simple but powerful, digitally-oriented guitar amp, one which isn’t based off of any pre-existing analog models. Tonally, it is capable of high gain, modest crunch, and cleaner tones with some added heat.
Mode: The Mode control in the center of the amp changes the crossover point that feeds the pre-amp distortion (after the “X” pedal-style distortion). Normal will give you a solid low-end, with retained clarity in the mids and highs even when cranked. Thickdrops the crossover point lower, resulting in greater intermodulation of the distorted signal, and a fuzzy tone ready for a sludge or doom sound. Finally, Openseparates all of the low-end from the mids and highs for a tight and bright tone, perfect for fast palm-muted playing or any situation where the low-end of the other two modes might be excessive.
X: This mysterious knob works like a one-knob distortion pedal (inspired by the Ibanez Tube Screamer), with filters that focus the tone on the mid-range the further it’s driven—good for an extra bump before the amp, dialing in a lead tone that cuts through everything else, or for tightening the bass on Thick mode while still remaining truly Thick.
Gain: This is the pre-amp drive section, ranging from not-quite-clean to a heavy wall of distortion. At high gain, the texture varies significantly, depending on the Mode used. This stage generates asymmetric distortion and both even and odd harmonics.
Master: This knob provides the output gain of the amp, with added distortion as well. Although not claiming to emulate any particular type of tube, it does generate the symmetric, odd-harmonic distortion you’d expect from pentode tubes. With low pre-amp gain, you can use this knob to dial in fairly clean tones down low, and bright crunch up high.
New In v1.1::
Mac OS X Catalina/Big Sur and M1 Mac Support.
4x oversampling with option for higher-quality, linear phase oversampling when rendering.
“De-kinked” preamp distortion algorithm for more accurate asymmetrical distortion.
Isol8 is an advanced mix monitoring tool. It divides the frequency range into 5 bands.
These 5 bands can be soloed or muted individually. This will help you to concentrate on certain frequency ranges during the mixing and mastering process.
On top you can use ISLO8 as a flexible multi-band splitter with following complex plugin chains. The split signal can finally be mixed together.
Isol8 is originally designed to be used on the master track, but it can also be used on individual audio track busses.
5 adjustable frequency bands
Solo/mute function for each band individually
Linkwitz-Riley crossover filter design
24/48dB/Oct filter slope
Multiple filter channel modes (Stereo/Left/Right/Mid/Side)
Multiple monitor modes (Stereo/Left/Right/Mid/Side)
In-place or centered monitoring
Adjustable output level
Loudness dim function
Multi channel split
Large and easy to use GUI
64-bit internal processing
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