The Usual Suspects DSP56300 Emulator 1.2.4 Win x64 VST2 + VST3 + ROM’s 0 (0)

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Project Of Motorola DSP563xx Emulation.
Thanks to Ayahuasca and the whole team!

Working Access Virus ROM’s included:
Virus B (4v9)
Virus B (Ver. T)
Virus C (6v5)
Virus C (6v6)
Virus Classic
Virus GmbH – Virus B & Virus C
Virus Rack XL (6v5)

https://dsp56300.wordpress.com

Surge XT 1.0.0 Windows/MacOS/LiNUX [FREE] 0 (0)

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Over 2021, after the succesful release of Surge 1.9, the Surge Synth team undertook an effort to rebuild Surge in JUCE and add a variety of features. This project resulted in the new version of Surge, called ‘Surge XT’.
SYNTH SPECIFICATIONS
GENERAL
Synthesis method: Subtractive hybrid

Each patch contain two scenes which are separate instances of the entire synthesis engine (except effects) that can be used to create layered or split patches.

Quick category-based patch browser with textual search and favorites

Runs on a variety of operating systems, plugin formats, and architectures

FACTORY SOUNDS
2779 patches

614 wavetables

OSCILLATORS
3 oscillators per scene, with 12 versatile oscillator algorithms: Classic, Modern, Wavetable, Window, Sine, FM2, FM3, String, Twist, Alias, S&H Noise and Audio Input.

Classic oscillator is a morphable pulse/saw/dual saw oscillator with a sub-oscillator and hard sync.

Modern oscillator is a mixable saw/pulse/triangle oscillator with an optional sub-oscillator mode for triangle (which can also change to sine or square) and hard sync.

FM2/FM3 oscillators consist of a carrier and 2 or 3 modulators and various options.

String oscillator uses two filtered waveguides to emulate plucked or bowed string sounds.

Twist oscillator is based on a very famous Eurorack macro oscillator, and it offers a myriad of synthesis options in a very simple and quick way.

Most algorithms (except FM2, FM3, Twist and Audio Input) offer up to 16-voice unison at the oscillator level.

Oscillator FM in 3 different configurations and ring modulation between oscillators 1-2 and 2-3.

Most oscillator algorithms (except FM2, FM3, Sine and Alias) are strictly band-limited, yet still cover the entire audible spectrum, delivering a clear, punchy and clean sound.

Noise generator with variable spectrum (available directly in the oscillator mixer).

FILTER BLOCK
Two filter units in 8 different configurations.

Feedback loop available in 7 of those configurations.

Available filter algorithms: Lowpass (12 and 24 dB/oct, each with 3 variations), Legacy Ladder Lowpass (6-24 dB/oct), Vintage Ladder Lowpass (2 variations, each with and without gain compensation), Highpass (12 and 24 dB/oct, each with 3 variations), Bandpass (12 and 24 dB/oct, each with 3 variations), Notch (12 and 24 dB/oct, each with 2 variations), Allpass (3 variations), Comb (positive and negative), S&H.

Open-source additions to our filter algorithms include: K35 and Diode Ladder filter types from Odin 2 synthesizer, 12 and 24 dB/oct multimode filters from OB-Xd, and weird but fascinating Cutoff Warp, Resonance Warp and Tri-Pole filters by Jatin Chowdhury!

Filters can self-oscillate (with excitation) and respond amazingly fast to cutoff frequency changes.

Waveshaper (43 shapes).

MODULATION
12 LFO units available, 6 are per voice and 6 are global for the whole scene.

DAHDSR envelope generators on every LFO.

LFO shapes consist of 7 deformable LFO waveforms, step sequencer, a fully-fledged multi-segment envelope generator (MSEG) with various curves and up to 128 nodes, and last but not the least – a formula modulator which utilizes Lua scripting language to provide completely custom modulator output.

Voice LFOs allow envelope retriggering in step sequencer mode.

Extremely fast and flexible modulation routing. Almost every continuous parameter can be modulated!

EFFECTS
16 effect units arranged as 4 inserts per scene, 4 sends and 4 master effects.

27 effect algorithms:

FILTERING:
3-band fully parametric EQ
11-band graphic EQ
Exciter
Resonator

DISTORTION:
CHOW
Distortion
Neuron
Tape (based on ChowTapeModel!)
Waveshaper

MANGLING:
Combulator
Frequency Shifter
Nimbus
Ring Modulator
Treemonster
Vocoder

MODULATION:
Chorus
Ensemble
Flanger
Phaser
Rotary Speaker

TIME & SPACE:
Delay
Reverb 1
Reverb 2
Spring Reverb

MULTIEFFECTS:
Airwindows (itself containing 56 effects!)
Conditioner
Mid-Side Tool

Github

Djup by Fanan Team 0 (0)

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Djup is a light weight nordish style bass module that based on 8 classic nordish bass models from the past 40 years. It’s main advantage is solid, powerful electric bass sound that can perform loudly in full legato without any additional amplification or compression. It’s armed with lo pass – hi pass filter, tube effect, profoundly resonating filter, amp and filter envelopes as well as 4 effects: 8 voices unison, chorus, wah-wah and reverb.

It also equipped with 3 modes portamento effect (mono mode), MIDI learn manager (easy MIDI learning on right mouse click on any knob or button) and resizable GUI

https://www.fananteampro.com/djup

HoRNet Valvola by HoRNet 0 (0)

screenshot-valvola

HoRNet Valvola (the Italian word for vacuum tube) it’s an emulation of the electric behavior of a vacuum tube and its surrounding circuit.

The sound of the plugin is as close as you can get to the real tube behavior since the code it’s the direct modeling of the circuit characteristics obtained directly simulating the tube and the biasing circuit around it.
The same technology is found inside our Guitar Kit plugin and Analog Stage plugin and we decided to give it away for free because we are proud of it.

Valvola comes with many different vacuum tube emulations, including triodes and pentodes, from the classic 12AX7 used in pre amplifiers to the EL84 power tube, well using more than one instance of Valvola you could create your little tube amplifier emulation.

The typical tube distortion that Valvola provides is not static but changes with your music since tubes has some kind of “memory effect” that actually change their bias point if they processed high levels (this is the case with heavy bass drums, bass synths or guitars) in practice they distort more with low frequency peaks. Also vacuum tubes are not linear in frequency response and each one has its own characteristic sound that we carefully modeled using the original tube parameters.

All these interactions are controlled using just one “saturation” knob that also keeps the level constant so you can just add distortion without adding gain and keeping the aliasing at minimum thanks to the intelligent oversampling up to 4x.

HoRNet Valvola comes with an hardware accelerated graphic interface that is completely resizable and drawn using vectorial techniques so that it looks sharp and perfect on every monitor size.

Features:

  • Tube circuit emulation using electrical simulation.
  • Seven different tube types including triodes and pentodes.
  • Intelligent oversampling up to 4x.
  • macOS (10.11 and later) and Windows (Vista and later) support.
  • 64-bit only on both on Mac and Windows.
  • Audio Units VST2.4, VST3 and AAX format.

https://www.hornetplugins.com/plugins/hornet-valvola/

 

2RuleSynth by 2Rule 0 (0)

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2RuleSynth is a hybrid synthesizer featuring classic subtractive, FM or and Ring simulatenously.

It has LFOs and ADSR for every two independent oscillators. It has its own characteristic soundscape that can go as far as concrete music. Besides the familiar classical analog sounds, experimental sounds can be found using the randomize button.

  • 2 Independent Oscillators.
  • Waveforms: Sine, Saw, Triangle, Square, White Noise.
  • Controls: Waveform, Volume, Fine-Tune, Octave.
  • Each Oscillators has its own filter, amp and filter ADSR and LFOs.
  • ADSR Controls: Depth, Attack, Decay, Sustain, Release.
  • LFOs for amp, filter and pitch syncable to tempo.
  • Ring algorithm Osc1 x Osc2.
  • FM modulator Oscillator 1 modulates Oscillator 2.
  • Self resonance Moog type filter Low Pass, High Pass, Band Pass for each oscillator.
  • Mono/Polyphonic control.
  • Spectrum and Wave Windows.
  • Reverb.
  • Delay syncable to tempo.
  • Chorus.
  • Waveshape distortion.
  • 8 note polyphonic operation.
  • Preset randomize button.
  • 49 factory presets.
  • VSTi3

https://akyuz5.wixsite.com/mysite/2rulesynth

SOLID SUB by soundfingers 0 (0)

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SolidSub is a simple but really fat sub bass.
With only few controls you can get a powerful base for your tracks.

FAT SUB BASS
FOR KONTAKT

SATURATION

Beef up your sound but watch out your ears.

GLIDE

SolidSub is a monophonic instrument. Adjust the glide according to your taste.

WAVEFORMS

Choose between classic Saw or Square waves.

VOLUMES

The SolidSub plays 2 voices with each note : the Sub is 1 octave below the Synth. You can adjust the volume of each voice.

you to reigister to download

Soundpaint by 8DIO Productions 0 (0)

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Soundpaint by 8DIO Productions is a Virtual Instrument Audio Plugin and a Standalone Application for macOS and Windows. It functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin and a Standalone Application.

Soundpaint is a free and advanced software technology designed to offer the highest degree of fidelity and realism possible for digital music instruments.

Soundpaint renders all instruments by morphing velocity layers and generating new velocities and samples from them.

The technology has taken 8 years to develop. Everything is built from the ground up, including a new proprietary algorithmic audio format that allows us to render instruments in real-time.

The Soundpaint engine uses all the natural imperfections of instruments and can sound completely realistic or synthetic. It also has analog behaviors built-in.

Intuitive Technology

The Soundpaint engine is designed for fast and intuitive music making. Overall workflow is approximately 40% faster than competing technologies. Load-speeds are up to 10X faster with super-optimization for SSD.

We spent years usability testing the engine and ensuring that every action is the most logical possible.

Want to assign something to your controller? Right click, wiggle your controller and you are set. Want to reorganize your effects chain? Just drag’n’drop each effects module.

Want to morph a piano and a water drop? Just click morph. Soundpaint is simple on the surface. Complex underneath.

Fast User Interface

The User Interface is based on a modern, modular, minimalistic design scheme. Everything is easily configurable. The ultra-fast browser let’s you find any of your instruments in seconds. The UI is super optimized for a minimal amount of clicking. We employed deep classification principles from classic library science for the fastest and most logical way of saving and retrieving instruments.

The search engine is highly optimized for compositional workflow and instruments can be found both by name, emotions, playing techniques, genres and articulations.

Analog Effects:

  • The effects suite contains dozens of different analog models to augment your instruments.
  • True modeled algorithmic reverbs based on the world’s most famous vintage reverbs. Analog style filters with natural variation.
  • 12 Distortion Models. Granular verb and delays.
  • True vintage modeled BBD delays and delays modeled on the falling of rain. Infinitely large shimmer reverbs with pitch-shifting capabilities. Industry leading EQ designs both parametric and dynamic. True modeled vintage chorus effects (used by the Weeknd).
  • The meanest retro modeled bit-crusher with adjustable bit-resolution. The ultimate cinematic gate tool and dozen others.

https://soundpaint.com/pages/free-engine

Native Instruments Twenty Five KONTAKT [FREE] 5 (2)

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Explore and experiment with a time capsule of classic sounds from the NI vault – from GENERATOR to MASSIVE X – only available until December 31
Pair up two sound sources, then sculpt them into something new with intuitive macro mapping and a powerful FX section
Uncover 150 brand-new takes on 25 years of pads, leads, basses, and more from 37 classic instruments

CLASSIC SOUNDS, NEW TWISTS
Back in 1996, we launched GENERATOR, our first ever synthesizer – and also the precursor to REAKTOR. Now, 25 years and countless other instruments later, we’ve been digging through the archives to unearth a sonic time capsule of our most iconic instruments from the past quarter-century.

The limited-edition TWENTY FIVE is a powerful, free instrument designed to let future generations recombine and reimagine our sonic legacy into something entirely new. As part of the KONTAKT Play Series, it comes mapped with intuitive macro controls, powerful FX, and a built-in sequencer.

25 YEARS OF NATIVE INSTRUMENTS
TWENTY FIVE isn’t the only thing we’re doing to mark this special occasion. Be sure to check out the 25th Anniversary Collection – an ultra-exclusive range of KOMPLETE. MASCHINE, and TRAKTOR hardware in your choice of Ultraviolet or Vapor Gray.

AT A GLANCE: TWENTY FIVE

Product type: KOMPLETE Instrument
For use with: The latest version of the free KONTAKT PLAYER. Download via KOMPLETE START.
Number of Sounds: 73 resampled presets plus 43 Play Series wavetables
Number of Presets: 150
Preset Categories: Bass
Brass
Flute
Mallet Instruments
Organ
Piano & Keys
Plucked Strings
Sound Effects
Soundscapes
Synth Lead
Synth Misc
Synth Pad
Vocal
Download size: 2.41 GB
System requirements: Free KONTAKT PLAYER or KONTAKT (Version 6.61 or higher)

Please also see the KONTAKT PLAYER system requirements and the KONTAKT PLAYER FAQ

 

https://www.native-instruments.com/en/products/komplete/play-series/twenty-five/

Yum Audio LoFi Flux Light v1.0.1 x64 VST3 AU AAX WiN MAC [FREE] 0 (0)

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Analog modeled Tape Warble as pristine or characterful as you like

Intricate analog movement
LoFi Flux Light is the small version of Flux Machine, an instant classic effect that can be used to add appeal, life & character to any audio signal you feed into it. Flux Light’s intricate analog modeled tape warble gives you an easy solution to add some additional interest to any sound or instrument.

We took our established virtual tape circuits and used them in a way that gives you full control over the behavior and accuracy of the warble effect and add beautiful inconsistencies.

This plugin is only one of our growing LoFi Series

Key Features
• add variety, life & character to any audio signal you feed into it
• analog modeled Warble section for slow pitch changes
• freely adjustable Warble Instability
• two time modes – free running or in sync with your session
• Jitter mode for fast random changes
• Slow mode for smooth fluctuations

System Requirements
• AAX, VST3, AU versions included
• 64-bit only (Mac / PC)
• Mac OS X 10.11 or higher
• Windows 10
• At least 4GB of RAM, 16GB is recommended
• At least 200MB of free drive space (OS drive)

DAW Support
• AAX, AU, VST3 versions
• 64-bit only
• Ableton Live 10.1+ (Mac & PC: AU, VST3)
• Bitwig 2+ (Mac & PC: AU, VST3)
• Cubase 8+ (Mac & PC: VST3)
• Digital Performer 10+ (Mac & PC: AU, VST3)
• FL Studio 12+ (Mac & PC: VST3)
• Garageband 10+ (AU)
• Logic Pro 9+ (AU)
• Pro Tools 11+ (Mac & PC: AAX)
• Presonus Studio One 4+ (Mac & PC: AU, VST3)
• Reaper 5+ (Mac & PC: VST3)
• Cakewalk by BandLab (PC: VST3)

https://yum-audio.com/LoFi-FluxLight