Onsen Audio OS-251 v1.0.1 VST3 AU WiN MAC LiNUX [FREE] 0 (0)

OS-251_screenshot

OS-251 is a pure digital lo-fi synthesizer plugin for Mac, Windows and Linux
OS-251 is a “JUNO” style digital subtractive synthesizer with a simple yet powerful DSP algorithm. Unlike other plugins that use analogue simulation, OS-251 uses digital algorithms to give warm, lo-fi sounds. The design of the oscillators and the selection of parameters were influenced by the JUNO-106, making it easier to express a thicker, chunkier sound.

The oscillator has alias noise (specific to digital signal processing) famous on classic samplers like E-mu SP-12 which adds lo-fi feeling to the sound. You can enjoy the powerful sound at modern sampling rates with your DAW.

Easy to use
Tired of overwhelming synthesizers with hundreds of parameters and presets? Then OS-251 is for you! OS-251 is equipped with only carefully selected parameters, allowing musicians to concentrate on music production. You can see every parameter at once, so you can have a stress-free experience. Because the number of the parameters is limited, you can create the desired sounds yourself quickly and you don’t have to spend your precious time choosing presets.

Key features
• Up to 10 voices of polyphony
• Oscillators (Sin, Square, Saw), with Shape parameter
• Square sub oscillator
• Noise oscillator
• Biquad low-pass filter (LPF) with Frequency and Resonance parameters
• Biquad high-pass filter (HPF) with Frequency parameter
• Envelope generator which can control LPF and amplitude
• Low-frequency oscillator (LFO) which can control LPF, amplitude, and Shape parameter
• LFO sync
• Chorus
• Flexible pitch controls (pitch bend width, octave, semitone, fine tuning)

https://onsenaudio.com/products/os251

 

TheWaveWarden Odin 2 v2.3.1 x64 VST3 AU WiN MAC LiNUX [FREE] 0 (0)

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Odin 2: A Synth to Please the Gods
The sound of this 24-voice polyphonic beast will take you from your studio right to Valhalla. Earth shattering basses, exquisite leads or mad FX, Odin’s got them all! Use the classic sound of analog waveforms – or draw your own. High quality emulations of legendary analog filters like the Moog-ladder or the Korg-35 further shape your signal. Round your sound off with five onboard FX, or get crazy with modulation. There’s much to discover in Odin 2.

Version 2.3.1
– LFO Waves now selectable from a dropdown
– reversed order of LFO waves to make them align with dropdown
– Debian package: fixed data file being owned by root (introduced in 2.3.0)

Version 2.3.0
– new FX Module: Reverb (sourced from zita-rev1)
– added microtuning functionality: Scala and KeyboardMapping files (Credits to Team Surge with their FOSS tuning library)
– Added MIDI Breath (CC 2) as modulation source
– ModMatrix amounts now range up to [-300, 300] – FM- PM Osc ratio ranges increased to [1,16] – Init Patch now has the LP-Filter fully open
– default GUI size is now 150%
– Retrig playmode now restarts the ADSR Attack from the current value, rather than zero
– added indicator triangles to dropdowns to make them more visible
– factory presets are now contained in the binary
– all paths opened with patchbrowsers are now remembered after reopening plugin and shared among different plugin instances
– fixed Filters not being modulatable beyond +150 in modmatrix
– renamed debian package from odin to odin2-synth to avoid conflicts with repositories
– linux: removed unnessecary dependency to libcurl4
– linux: enabled link-time optimization
– created Azure-CI pipelines for Ubuntu-18.04, MacOs 10.14 and Windows2019 to create installers automatically
– updated Manual to 2.3.0
– updated to JUCE 6.0.8
– major code cleanup

https://www.thewavewarden.com/odin2

 

My Crush by Denise 0 (0)

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denise wanted to create a fun and inspiring crusher, with the same brutal power of the Bite Harder, but the simplicity of preset controls and way to shape your sound in a quick and inspiring way. My Crush gives you the possibility to create the same, classic bit-crushing tones and audio destruction, in a simplified way, for no cost at all.

Refined crush controls.

The same insane bit crushing algorithm from the Bite Harder drives the My Crush plugin. The individual bit (reduce) and re-sample dials help you to gradually destroy your sound. The stutter fader adds a layer of creativity on top.

https://www.denise.io/store/denise/MyCrush

EQ1A Equalizer by mellowmuse 0 (0)

EQ1A

Overview

EQ1A is a super smooth, analog style equalizer, with minimal phase coloration. It features a high pass filter with variable Q, frequency sweepable low and high shelf filters, and sweepable low and high peak filters with variable Q. A bypass switch is available for each filter section for increased flexibility.

 

The interface takes it’s inspiration from classic outboard eqs, with all controls in easy reach. The CPU efficient design allows high instance counts, making it a versatile EQ for all tasks.

 

And best of all it’s free, just download and install, no license necessary!

Features

    • HP: 10hz – 1khz / sweepable Q
    • Low Shelf: 30hz – 500hz
    • Low Mid: 70hz – 2khz / sweepable Q
    • High Mid: 500hz – 6k / sweepable Q
    • High Shelf: 1.5k – 18k
    • Phase switch
    • Output level
    • 64 bit internal processing
    • Formats: 64bit VST, VST3, AU and AAX
    • Version: 3.6
    • EQ1A Manual

webside

OS-251 by Onsen Audio 0 (0)

OS-251_screenshot

OS-251 is a pure digital lo-fi synthesizer plugin for Mac, Windows and Linux. Available in VST3 and AU plugin formats for free.

Digital lo-fi sounds

OS-251 is a “JUNO” style digital subtractive synthesizer with a simple yet powerful DSP algorithm. Unlike other plugins that use analogue simulation, OS-251 uses digital algorithms to give warm, lo-fi sounds. The design of the oscillators and the selection of parameters were influenced by the JUNO-106, making it easier to express a thicker, chunkier sound.

The oscillator has alias noise (specific to digital signal processing) famous on classic samplers like E-mu SP-12 which adds lo-fi feeling to the sound. You can enjoy the powerful sound at modern sampling rates with your DAW.

Easy to use

OS-251 is equipped with only carefully selected parameters, allowing musicians to concentrate on music production. You can see every parameter at once, so you can have a stress-free experience. Because the number of the parameters is limited, you can create the desired sounds yourself quickly and you don’t have to spend your precious time choosing presets.

Key features:

  • Up to 10 voices of polyphony.
  • Oscillators (Sin, Square, Saw), with Shape parameter.
  • Square sub oscillator.
  • Noise oscillator.
  • Biquad low-pass filter (LPF) with Frequency and Resonance parameters.
  • Biquad high-pass filter (HPF) with Frequency parameter.
  • Envelope generator which can control LPF and amplitude.
  • Low-frequency oscillator (LFO) which can control LPF, amplitude, and Shape parameter.
  • LFO sync.
  • Chorus.
  • Flexible pitch controls (pitch bend width, octave, semitone, fine tuning).

https://onsenaudio.com/products/os251

Cheap RTA by reFuse Software 0 (0)

CheapRTA_3

Cheap RTA is a 1/3 octave Real Time Analyzer.

  • Classic 30 band display.
  • 4dB per LED resolution.
  • Resizable to a wide range of dimensions.

Runs on mono or stereo tracks. Stereo signals are summed to mono for frequency analysis, but your audio signal is passed through unchanged.

We kept the CPU load lightweight for this one, so it won’t bog down your system.

There are no parameters to adjust, but the window does allow resizing over a wide range of dimensions and aspect ratios.

https://www.refusesoftware.com/

Cymatics Origin v1.0.0 VST AU AAX WiN MAC [FREE] 0 (0)

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What exactly is Origin?
Origin is a vintage/lofi plugin created to make your samples sound like they’re straight from an old tape machine.

The main knob is a resampler/bitcrusher with two special filters to make your samples sound “underwater” (this effect can often be heard in Drake songs)

The other four knobs are Tape Saturation, Noise, Movement, and Chorus. Using these 5 powerful controls you can instantly give your samples a vintage vibe.

*Origin is 64 bit only

What’s under the hood of Origin?
Origin was built based on vintage gear to give the most realistic analog sound.

The “Movement” knob (or Wow/Flutter) has a special mode that uses a randomizer algorithm to create realistic tape pitch wobbles.

We also replicated the famous Juno 106 chorus sound with the two classic slow and fast chorus modes.

Finally, the tape saturation modes are modeled from vintage tape machines. Using these in tandem with the noise knob and Resampler, you will get an undeniable vintage tone to your sounds.

How does the Resampler engine work?
The core of Origin is its resampler, which changes the sample rate of your running audio in real-time. However, reducing the sample rate alone will produce bitcrusher-style artifacts called “images.” In many cases, these aren’t desirable. Removing these images using Origin’s special filters results in an effect similar to a brick-wall lowpass filter, but with an altogether different sonic character.

Rather than turning down the cutoff on a lowpass filter to cut high frequencies, Origin mathematically forbids high frequencies from existing above the resampler cutoff frequency.

*This effect is the famous “underwater” effect you hear on a lot of melodies in Drake songs.

https://cymatics.fm/collections/store/products/origin-vintage-plugin

 

Deplike Guitar FX – Guitar Amps, Guitar FX for Windows by Deplike Software 0 (0)

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Download for free.

Deplike lets you enjoy a full studio guitar setup from your PC. It is a guitar and bass tone studio for Windows that works as a standalone application and as a VST plug-in for your favorite DAW.

Features:

13 Electric, 1 Bass, 1 Acoustic Guitar Tube Amp & Cab models | 15 great sounding Amp simulations.

VST & Standalone.

15 Amp Models:

Tangerine Rocker 100.

SLO 100.

Dual Recto.

JCM800.

P-5550.

JTM45.

SVT Bass.

Wapi.

BassBoy.

Fox AC30.

Acoustic Amp.

Deluxe (free).

ANRG.

Crafter.

DST (free).

20 Guitar Effects Pedals:

Classic Overdrive.

OD 808 Tubescreamer.

MetalHead Distortion.

Dr.Muff Fuzz.

1176 Compressor.

Noise Gate.

Sustainer.

Tremolo.

Chorus.

AutoWah.

Flanger.

Phaser.

Pitch Shifter.

Octaver guitar.

Delay.

Tape Delay.

Reverb.

Roads Reverb.

5 band Equalizer EQ.

Looper.

https://get.deplike.com/Deplike-Guitar-FX-Windows

CX5M-V by Digital Systemic Emulation 0 (0)

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CX5M-V is an emulation about the 1984 Yamaha CX5M and 1985 Yamaha CX5M-II. (Almost identical).

The CX5M incorporates a classic Yamaha FM sound process, using 4 operators and 8 algorithms. It also includes the Yamaha-type feedback, which routes the output of an operator to its own input.

Referring to Fourier Series, an important feedback will generate a Sawtooth spectrum, but with important Gibbs distortion. Due to some approximations, the feedback effect is hard to reproduce. SynthEdit – that was used to develop this software – cannot run instant feedback loops, so I had to use a special third party module from Elena Design.

This module uses Lagrange polynominal cubic interpolations, so we can’t obtain a perfect sine. In FM, every single harmonic plays an important role as it sometimes modulates to high coefficients other harmonics. Yet as at the beginning we don’t have a perfect sine, the result differs from a true DX-type Feedback process.

Though I tried to correct the feedback spectrum using butterworth filters, that better fits the original behavior. Anyway, because of this issue, some differences can be heard when comparing this software with an original unit, as feedback rate goes over 50%. This specific module isn’t available for Mac, so that’s why this software is Windows-only (And 64-bits).

The original CX5M runs on a 3.58 Mhz processor, in 8 bits. As a result, strong aliasing can be heard on low frequencies. I have recreated this distortion the very same way it sounds on an actual CX5M. Since it runs on 8 bits, the envelopes are not perfectly smooth. On long attacks/releases, you can hear steps – this was recreated in this plugin too.

Regarding envelopes, the CX5M had an ADSDR outline, that I changed to ADSR + Delay, to my mind more interesting. The CX5M also provided a weird HF attenuator/envelope shortener parameter, that I changed into a low pass gatted filter, as the original idea was too complicated for pretty useless results.

The volume adjustment parameter was deleted (it wasn’t even used in factory presets). Same for a FM noise generator thing on OP1 – it wasn’t used again (And I never succeeded to activate it – but the results are identical to max feedback effect). Finally, LFO was simplified from a useless distinction of PMD/PMS and AMD/AMS.

Fresh Air by Slate Digital 0 (0)

MEET FRESH AIR

Add the smoothest high end you’ve ever heard without even a hint of harshness. Fresh Air is a dynamic high frequency processor that breathes new life into your mix with just two knobs.

MORE THAN JUST A PRETTY FACE

Fresh Air combines serious audio processing behind a gorgeous facade. Based on vintage exciter circuits and advanced dynamics processing, Fresh Air lets you add just the right amount of brilliance & shine to your mix in simple interface you can start using right away. Put it on individual tracks or your entire mixbus— whatever you choose, the results will blow you away.

MIX LIKE A PRO

Breathe life into your music by adding clarity without the harsh—just like award-winning producers have been doing for years. Based on vintage exciter technology, Fresh Air adds brilliance and shimmer to make your tracks stand out.

THE CLARITY YOU NEED

Based on classic, Dolby-A noise reduction modded exciters, Fresh Air adds brilliance & excitement to your top end without even a hint of brittleness. We’ve combined several advanced parallel processes under the hood to magically elevate individual tracks or lift your entire mix with stunning clarity.

ZERO LEARNING CURVE

And all this advanced processing lives in just 2 knobs—Mid Air and High Air. That means you’ll hear the difference in seconds. Use Fresh Air on everything—lead vocals, drums, individual tracks or your entire mixbus. Once you hear Fresh Air, you’ll never hear yourself without it again.

QUICK TIPS

Getting started with Fresh Air is easy! Check out these short videos to see a few examples of how it can transform your mix.

“Fresh Air is my new go-to plugin when it comes to adding presence to any vocal—or even my entire mix. It’s like taking a blanket off my speakers.”

ANDREW WUEPPER
MIX ENGINEER
(Justin Bieber, Frank Ocean, Mary J. Blige, Katy Perry).

GET IT free.

For a limited time, we’re giving Fresh Air away FOR free!
Create a free account on Slate Digital and you’ll be making incredible mixes with Fresh Air in seconds.

No iLok dongle required.

You do not need an iLok USB dongle, but you do need an Internet connection to use Slate Digital plugins with iLok Cloud.

https://slatedigital.com/fresh-air/