OSS by Analog Obsession – FREE Compressor 0 (0)

OSS

OSS

176 style compressor with improved sidechain section.

Features

– INPUT: Internally compensated input with 0 to 60dB range

– OUTPUT (dB): -30 to 30

– ATTACK (ms): 0.1 to 2

– RELEASE (ms): 27 to 572

– RATIO: 2, 4, 8, 12

– MIX (%): DRY to WET

– HPF / DETECTOR (Hz): 20 to 500

– MIDF / DETECTOR (Hz): 500 to 10k

– MIDG / DETECTOR (dB): -6 to 6

– HF / DETECTOR: High Frequency compression. 0 to -16 dB

– EXT-SC: External Sidechain

– INTERSTAGE: Engaging interstage transformers

– 4x oversampling (ANALOG OBSESSION LOGO: Oversampling. It will turn to red when oversampling is engaged. Also, show you a notification.)

18/8/2021 – v5.0 Update

– Improved DSP and circuit design

– Added 4x oversampling

– Readout for knobs

– Catalina & Big Sur (Intel/M1) support

Available Formats

VST/VST3/AU | Mac 10.9 – 11.X

VST/VST3 | Windows 7 – 8 – 10

Patreon

T-De-Esser Plus by Techivation 0 (0)

t-de-esser_plus2

T-De-Esser + Delta-listening

The T-De-Esser Plus has the same functionality as the original T-De-Esser, but the interface now displays our upcoming premium features. These features will be available shortly in our paid upgrade, T-De-Esser Pro. The T-De-Esser Plus has one of the Pro features activated, the ‘Audition’ (Delta-listening) feature, and it is free to use.

You can always change back to the original T-De-Esser after installing this version.

The Magic

Unlike the majority of De-Esser plug-ins available on the market, T-De-Esser gives a pure natural sound while smoothing the high-frequencies. The only noticeable difference will be the removal of harshness.

Remove sibilance and harshness, fast

You can use T-De-Esser to:

  • Remove harshness from sound sources that were closely mic’d.Manage sibilance in vocals and dialog in a transparent manner.

    Treat irregular tonal balance caused by poor recording quality.

    Reduce the glare from unnecessarily bright guitar and piano recordings.

    Tame piercing synth sounds.

    Control the high-frequencies in overheads’ transients, such as snare, hi-hats, or clash.

    Give more dynamic range to your tracks while mastering, due to the reduction of unnecessary high frequencies.

T-De-Esser Plus can streamline your audio project workflow by saving you both vital time and effort. It works as effectively on individual tracks as it does on buses. It performs efficiently in a wide range of implementations, from sound design and post-production to the most demanding of mastering applications.

Graphic user interface (GUI)

Visuals can distract your hearing, digital graphs are very likely to affect your decision-making when it comes to audio editing. T-De-Esser, however, helps you just stay focused on keeping it as simple as possible visually and help you focus on the output sound.

The T-De-Esser Plus has the same functionality as the original T-De-Esser, but the interface now displays our upcoming premium features. These features will be available shortly in our paid upgrade, T-De-Esser Pro. The T-De-Esser Plus has one of the Pro features activated, the ‘Audition’ feature, which is free to use.

We’ve added the most advanced cutting-edge features in the upcoming T-De-Esser Pro that’ll help you with significant sound quality improvements. Less is more, so just to avoid getting caught in the trap of making infinite, minuscule tweaks, we made sure only to have the essential options available for you on the GUI.

The options available are designed in a way to quickly give you a pleasant sound with just a few tweaks.

Quick yet powerful

T-De-Esser has been designed with simplicity in mind. It is fast to set up and easy to use, yet allows you to adjust the processing to your needs.

Turning the processing knob starts the plug-in’s operation, you then set how intense you want to go according to your taste. There are 4 frequency bands available to choose between, depending on where the harshness and sibilance are coming from.

The ‘Audition’ (Delta-listening) feature in T-De-Esser Plus allows you to listen to the selected frequency range modes, as well as letting you listen to the audio sounds that are being processed, by the plug-in. This helps when it comes to making specific comparisons.

Available as

Windows 7 and up as 32 / 64-bit VST and VST3, and 64-bit AAX (PT11 and up).

Mac OS X 10.10 (Yosemite) – macOS 10.15 (Big Sur) as 32/64-bit VST, VST3 and AU, and 64-bit AAX, Intel, and M1 Rosetta 2 Macs

https://techivation.com/t-de-esser-plus/

U-he Protoverb v1.0.1 x64 x86 VST VST3 AU AAX WiN MAC LiNUX [FREE] 0 (0)

uhe-protoverb-screenshot-fullui-1150x1033

Protoverb: prototype reverb
A natural sounding reverb based on the concept of a room simulator. Protoverb is an experimental researchware plug-in, developed to aid our research. Download and use it for free.

Feel it in the air

What is Protoverb?
Protoverb is an experimental room simulator reverb. Most algorithmic reverbs try to avoid resonances or model the reflections of sound from a room’s walls. Protoverb does the opposite. It builds up as many room resonances as possible, modelling the body of air in the room. No need to modulate or colour the signal. The result is a very natural sounding reverberation with interesting characteristics:
• Notes held for a longer time tend to build up resonance, as if the air takes a while to get excited
• Multiple instruments remain distinct, without disappearing in a wash
• When you play a short melody, the room seems to repeat a ghost echo of that melody

Random
The text box at the bottom of Protoverb’s interface contains a text string made up of two random parts. The first half dictates the network structure, strategies for spatial layout and distribution of delay taps, strategies for finding useful delay lengths and so on. The second half is a seed for a pseudo-random number generator—used to set various parameters such as the average delay length, which prime number to choose (if any) etcetera.

You can either edit the text, or randomise each part independently using the buttons below the text box.

Requirements
• Apple logoMac OS X 10.9 or newer
or
• Windows logoWindows 7 or newer
or
• Linux logoLinux

Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display

Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer

Formats
Protoverb is not a standalone product, it requires host software. Protoverb is compatible with nearly all DAWs.

macOS:
• AUv2, VST2, VST3, 64-bit only
• temporarily no AAX

Windows:
• VST2, VST3, AAX*
• 32-/64-bit
* AAX requires Pro Tools 10.3.7 or later

Protoverb 1.0.1 (revision 12092)

Native M1 ARM support

Improvements:
• Native support for Apple Silicon chips (M1)
• macOS Big Sur compatibility
• Improved GUI performance
• Improved handling of junction links on Windows
• Preset browser added
• Minor GUI fixes/tweaks
• Various Mac and Windows installer improvements
• System info displayed in GUI (revision, OS, plugin format)

Fixed Bugs:
• Fixed low level input signals potentially scratching on left channel
• Fixed crash in Bandlab Cakewalk when reloading a project using VST3
• Fixed rare crash on project reload
• Fixed audio clicks when switching presets
• Various framework fixes and improvements

Special Notes:
• Presets can only be saved in the user folder section
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinued

The Windows installer was improved to prevent common installations issues. Please check the suggested installation paths during installation, making sure the update is Installed into the same location as the previous version, and all installed plugin formats are being updated.The factory preset library has been cleaned and sorted for this update. Files are replaced automatically on Mac.
Windows and Linux users, please consider removing the factory library folder before running the update installer.

https://u-he.com/products/protoverb/

Analog Obsession Distox v4.0 VST VST3 AU WiN MAC [FREE] 0 (0)

Distox

Distox

Multi-mode distortion plugin. A tube and an op-amp circuit with different op-amps and tubes.

Features

– INPUT(dB): -30 to 30

– OUTPUT (dB): -30 to 30

– HPF: 20Hz to 2kHz

– LPF: 20kHz to 10kHz

– MODE: 2 circuits. 3 op-amps and 4 tubes. Same circuit and different op-amp/tube models for each circuit.

– 4x oversampling (ANALOG OBSESSION LOGO: Oversampling. It will turn to red when oversampling is engaged. Also, show you a notification.)

22/8/2021 – v4.0 Update

– Improved DSP and circuit design

– Added 4x oversampling

– Readout for knobs

– Catalina & Big Sur (Intel/M1) support

Available Formats

VST/VST3/AU | Mac 10.9 – 11.X

VST/VST3 | Windows 7 – 8 – 10

Patreon

Analog Obsession OSS v5.0 VST VST3 AU WiN MACOS [FREE] 0 (0)

OSS

176 style compressor with improved sidechain section.

Features
– INPUT: Internally compensated input with 0 to 60dB range
– OUTPUT (dB): -30 to 30
– ATTACK (ms): 0.1 to 2
– RELEASE (ms): 27 to 572
– RATIO: 2, 4, 8, 12
– MIX (%): DRY to WET
– HPF / DETECTOR (Hz): 20 to 500
– MIDF / DETECTOR (Hz): 500 to 10k
– MIDG / DETECTOR (dB): -6 to 6
– HF / DETECTOR: High Frequency compression. 0 to -16 dB
– EXT-SC: External Sidechain
– INTERSTAGE: Engaging interstage transformers

– 4x oversampling (ANALOG OBSESSION LOGO: Oversampling. It will turn to red when oversampling is engaged. Also, show you a notification.)

18/8/2021 – v5.0 Update
– Improved DSP and circuit design
– Added 4x oversampling
– Readout for knobs
– Catalina & Big Sur (Intel/M1) support

Available Formats
VST/VST3/AU | Mac 10.9 – 11.X
VST/VST3 | Windows 7 – 8 – 10

Patreon

Love-Fi Lite by Quiet Music 0 (0)

love-fi_lite_things

LOVE-FI LITE is a free VST/VST3/ AU instrument, specially designed for composition and production of Lo-Fi beats, ChillWave, Chillhop or Lo-Fi Ambient among others. LOVE-FI LITE is a completely free version, modified from its full version, offering 19 sounds in a single plugin (the full version is 3 plugins) You can use all the sounds of this Lite version for your musical productions totally royalty free.

Features:

  • 19 Sounds.
  • Win & Mac.
  • 32 & 64-bit.
  • 300 MB.
  • Big Sur Support (Intel-based macs only).

If you like LOVE-FI LITE you can buy the full version for only € 18 (exVAT) Intro price valid Until August 16 at 8:00 UTC+2 https://quietmusic.eu/love-fi

Analog Obsession BlackShow v2.0 VST VST3 AU WiN MAC [FREE] 0 (0)

BlackShow

Blackface guitar amp in a box!

31/7/2021 – v2.0 Update

– Improved DSP and circuit design

– Readout for knobs

– Redesigned GUI

– Catalina & Big Sur(Intel/M1) support

Available Formats

VST/VST3/AU | Mac 10.9 – 11.X

VST/VST3 | Windows 7 – 8 – 10

Patreon

A2M real-time Audio to MIDI by beat bars 0 (0)

A2M detects the pitch of the audio and converts it into the corresponding MIDI notes in real time.

Thanks to this, you can play, e.g., the guitar, saxophone, or even sing, and simultaneously trigger sounds in virtual instruments (not only AU). These acoustic (or electric) instruments, or your voice, act as a MIDI controller.

A2M comes as an AU v3 plugin and as a standalone application (which is the AU host for this particular plugin).

The A2M is quite an unusual Audio Unit – it is both an audio effect and a MIDI effect. Due to its characteristics, it is something in between. On the one hand, it analyzes the input sound, just like any audio effect. On the other hand, it generates output MIDI events, just like any MIDI effect.

Compatibility

⁌ AUv3 plugin.

AU Hosts compatible with A2M Audio Unit:

  • Audiobus.
  • AUM.
  • apeMatrix.

A2M does not work as an AU plugin in GarageBand – on both iOS and MacOS.

A2M works (though imperfectly) as an AU plugin in Logic Pro (see below).

⁌ Standalone.

The standalone version works with all MIDI-compatible applications, including GarageBand (iOS and macOS) and Logic Pro. The app sends MIDI events via the virtual MIDI port. Active and inactive MIDI ports are available in the application settings in the MIDI Settings Outputs section.

Parameters

⁌ Host:

  • Audio input buffer size.

The smaller the buffer, the higher the CPU load and the lower the latency.
A buffer less than 512 should only be set if you have a strong processor.
For A2M standalone applications, the buffer size is available in the application settings under Audio Settings Buffer Size.

⁌ Plugin:

  • Pitch recognition method.

A2M offers two popular algorithms.

Based on autocorrelation, the beat bars proprietary method.

– FFT (with parabolic interpolation).

– Gate Threshold and Input Gain
A2M works best when it only recognizes sounds at an appropriate volume level.

To eliminate unnecessary background noises, select the appropriate value:

  • Latency / Accuracy.

2 dashes (default) – the best compromise between accuracy and latency.
The higher the accuracy, the more of the CPU’s capacity is used and the longer the latency (as opposed to the audio buffer size settings):

  • Velocity Gain.

It allows you to select the appropriate volume of the virtual instrument itself.

Known limitations in the current version:

  • No polyphony.
  • No pitch bending.

Requirements:

  • macOS 11 Big Sur or later.
  • iOS 14 or later.

https://beatbars.com/de/a2m-au.html

Analog Obsession N492ME v6.0 VST VST3 AU WiN MAC [FREE] 0 (0)

Dual Mono, Stereo, Mid/Side N****nn style 4 Band Mastering Equalizer with High Pass Filter.

Features
– High Pass Filter : 20-80-140 Hz
– Low Shelf : 50Hz to 400Hz with +/-15dB
– Low Mid Band : 600Hz to 1000Hz with +/-15dB
– High Mid Band : 1000Hz to 7500Hz with +/-15dB
– High Shelf : 3kHz to 10kHz with +/-15dB
– MODE : Left/Right or Mid/Side Processing
– LINK : Linking Left/Right or Mid/Side
– M-BYPASS : Master Bypass to inactive whole system
– L-BYPASS : Left Channel Bypass
– R-BYPASS : Right Channel Bypass
– MASTER : Master Output
– Seperate Left/Right or Mid/Side Output Controls

Note : Bottom side won’t work when you link L/R

Available Formats
VST/VST3/AU | Mac 10.9 – 11.X
VST/VST3 | Windows 7 – 8 – 10

VERSION 6.0 – 17.7.2021
– Improved DSP and circuit design
– Added 4x oversampling
– Readout for knobs
– Redesigned GUI
– Catalina & Big Sur(Intel/M1) support

Patreon