Bass Guitars by Freemusicproduction.net[Halionsonic SE] 0 (0)

Bass Guitars – Samples (44.100 kHz – 24-bit), Oscillators based instrument:

  • Instrument interface (Instrument selector – Effects).
  • Oscillators interface (Samples, Wavetables).
  • Voice interface (Voice, Unison, Glide, Pitch).
  • Filter interface (Filters, Cutoff, Resonance, X – Y pad).
  • Envelope interface (Amp env, Filter env, Pitch env, User env).
  • LFO interface (LFO 1, LFO 2).
  • Modulation Matrix interface (Source, Modifier, Destination).
  • Step Modulator.
  • .Arpeggiator.

https://freemusicproduction.net/domains/freemusicproduction.net/multi_presets.html#Oobj3017

Bass_Guitars

Decentralized by Bass Gnomes 0 (0)

 

Decentralized by Bass Gnomes is a Virtual Effect Audio Plugin for Windows. It functions as a VST Plugin.

Decentralized is the result of an experiment done with some strange mid/side routing mixed with signal comparison and cancellation, and also an homage to Bitcoin and the decentralization movement. The result was surprisingly pleasant when use properly on either independent channels or even an entire mix. The stereo image is widened, but no delay is being used. It’s more than just boosting the side mix and I can’t exactly explain what it’s doing, and it can also create the effect of having no central point of sound when used properly. This plugin is 64-bit(x64).

https://bassgnomes.wordpress.com/decentralized-vst/

 

Decentralized

Leonid & Friends – The Speck of Dust 0 (0)

Leonid Vorobyev – bass, producing, mixing, mastering, video-montage
Ksenia Buzina – lead vocal
Igor Dzhavad-Zade – drums
Sergey Kurmaev – synthesizer, backing vocal
Serge Tiagnyriadno (Kyiv, Ukraine) – synthesizer, backing vocal
Vasily Akimov – backing vocal
Danil Buranov – backing vocal
Andrey Zyl – trumpet
Maxim Likhachev – trombone
Oleg Kudryavtcev – tenor sax
Konstantin Kovachev – guitar
Rei Frometa – percussion

Special guests –
Cheynesh Baytushkina – overtone singing
Symphony Orchestra – various musicians
Conductor – Alexey Vereshagin
Gennady Papin – recording of the orchestra

MTB by Matthieu Brucher[win][macos][vst][vst3][au][x86][x64] 0 (0)

MTB is a variation of the Boss MT2 overdrive pedal geared towards the bass.

The cut frequencies for the different filters are lowered to match the bass frequencies better. As such, MTB spills less in high frequencies than MT2. Not that MT2 cannot be used for the bass if that’s the sound you are looking for!

Homepage offline

MTB.Installer

MTB_Win32

MTB_Win64

BIONIC PLUCKS AND MALLETS – LITE EDITION by RIOT AUDIO[Kontakt] 0 (0)

INTRODUCTION

Bionic is a “transient splicing engine”, i.e. it is designed to give detailed control over a range of parameters needed to mix and match a number of different initial transients to another set of tails/longer sounds.

SOUND DESIGN POSSIBILITIES

The result are

  1. Hybrid recreations of classic sounds with mostly organic attacks (taps, mallets, plucks, brush) and a mix of organic and synth/pure sine tails.
  2. Creative, inventive sounds that push the combinations of previously unrelated sounds into new territory

Some of the “bionic” sounds included in this initial version of the product (Lite):

  • Replicas of classic house organ sounds
  • Celesta, Music Box, Xylophone
  • A range of bass sounds including a “reconstructed” pizzicato upright bass

There are four layers, accessible on page 1: two transient layers, and two tail layers. Levels can be adjusted as balance between each of the tail/transient layers respectively, and globally between transients and tails. Each layer contains sample offset and tuning controls as well as a “humanize” function which introduces subtle to not-so-subtle random pitch variations (especially helpful for making non-tonal transients more realistic).

The effects page includes filters, EQ, saturation and delay + reverb controls.

FEATURES

  • 4 layers of sound: 2 transient layers and 2 tail layers
  • Extensive sound sculpting controls, including crossover fade (between transient and tail samples), crossover point, tail envelope, transient attack curve (shape)
  • Vibrato, Velocity Sensitivity (Volume, Low Pass and High Pass) and Humanize Controls for in-depth realism
  • 20 Presets: Tap Celesta, Tap Bell, Mr Android Pluck, Plastic Pizzicato Bass, Breathy Stab, Expansive Xylophone, Rhodesian Scholar, House Organ, Vibey House Organ, Steel Drum Baby, Music Box, Starlight Swoosh, A Gong or Two, Plucky Squelchy Bass, White Noise Organ Stab, Pillow Harp, Gamelan, Hammond Bass, Electric Bass, Heavy Tines.
  • Replika Analog Style delay
  • Based on Riot Audio’s proprietary BIONIC TRANSIENT SPLICING ENGINE
  • Total size of sampled content: 0.36 GB
  • Requires Native Instruments Kontakt 6.4.2 (Full Version)

https://riotaudio.com/product/bionic-plucks-and-mallets-lite/

Riot_Audio_Bionic_Plucks_and_Mallets_Lite2

Fazu Bass Distortion by Owl O’Lantern 0 (0)

Fazu is a distortion made for crushing basslines into a thick, filtered sludge. Featuring tonal and bias options that can open up into the roar of a lion or close off into the squeak of a mouse. Available on Mac as a Universal binary AU and on Windows as a VST3.

https://www.owlolantern.com/releases/fazu

Fazu_win

Fazu_mac

AnyDayLong McCart H#FNER BASS KONTAKT [FREE] 0 (0)

Our little journey through time continues….
Entered destination of our time machine is again London in 1967.
This is the first instrument of the “LUCY’s Diamonds” collection!

If you like the sound of Sir Paul’s Bass, you will enjoy the “McCart H*FNER BASS”.
The real strength of this bassguitar lies in its playability. No machine gun effect thanks to Multi-Round-Robin. The typical M*cca-feeling can be felt due to the different articulations.

Here are the main features:
– clear and easy to use interface
– Multi-Round-Robin and articulations
– Kontakt 5.4.3 and above (48khz/24bit)
– dead easy velocity control for a convincing natural-sounding bass performance! Playing hard: note with more H*FNER attack / playing soft: slidy tone
– clever script: Modwheel for SUSTAIN/black “c” for STOPing sustain with humanized bass noise.
– Straight Into Tape (15 IPS)

https://ko-fi.com/s/dcfbf9f007

McCart

REPLIK by Reflekt Audio 0 (0)

Reflekt Audio & DanFur Music teamed up yet again to bring music makers across the globe a new heavy hitting plug-in called REPLIK.

REPLIK is a futuristic type of plug-in for any producer of any caliber.

REPLIK is a bass engine that allows for it’s user
to shape a selected bass sound to something more suitable to taste.

REPLIK has 10 different bass tone presets and each of the 10 bass tone presets have 5 bass type sounds that make up that 1 preset sound. This means we can tweak 1 bass sound from 5 different layers.

So when we select 1 of the bass tones we can shape the 5 layers that make up that 1 bass tone to our liking by using the onboard GUI. REPLIK’S bass sounds range from slimy 808 type sounds to very futuristic type bass sounds. Equipped with onboard essential effects such as LFO, Filter, ADSR parameters for each layer, Pan & more.

REPLIK is a must have for all producers and not to mention it is free.

  • Windows/Mac Compatible.
  • Windows.
  • Unzipped File Size: 1.69 GB.
  • Zipped File Size: 906.8 MB.
  • Mac.
  • Unzipped File Size: 1.7 GB.
  • Zipped File Size: 911 MB.
  • Works In Most Major D.A.W.S.
  • (Excluding Pro Tools).
  • 10 Bass/808 Toned Presets.
  • 5 Blend-able Bass/808s Layers Each Preset.
  • 50 Bass/808s Individually.
  • Onboard Essential Effects.
  • Level Per Layer.
  • Pan Per Layer.
  • ADSR Per Layer.
  • Bypass Per Layer.
  • LFO.
  • Pitch.
  • Filter.
  • Amp.

https://reflektaudio.com/product/replik/