ZEEK STFU v1.0.4 x64 VST3 AU WiN MACOS [FREE 0 (0)

ZEEK STFU is the best free volume shaper available.

STFU is a super quick to use sidechainer that can be automatically sync’d to host BPM or triggered by MIDI notes and it’s always sample accurate. Using MIDI trigger, you can overcome limitations of very many synth volume envelopes for a myriad of purposes.

STFU can also output CV for use with lots of hosts and modular plugins.

And if that isn’t enough, you can set up 2 separate envelopes and crossfade between them for all sorts of cool stuff.

https://zeeks.app

GSat+ by TBProAudio 0 (0)

GSat+ is an exclusive saturation plug-in featuring an incredible saturation algorithm, VU meters, clip protection and over sampling.

Features:

  • Saturation with three different “tube-based” character modes.
  • Clip protection.
  • VU meters.
  • Signal monitoring.
  • Over sampling.
  • Plug-in bypass.
  • Preset management.
  • Large and easy to use freely-scalable GUI.
  • 64-bit internal processing.
  • Very efficient CPU usage design.
  • Free.

GSat+ by TBProAudio is a Virtual Effect Audio Plugin for macOS and Windows. It functions as a VST Plugin, an Audio Units Plugin, a VST3 Plugin and an AAX Plugin.

https://www.tbproaudio.de/products/gsatplus

 

Analog Obsession N492ME v6.0 VST VST3 AU WiN MAC [FREE] 0 (0)

Dual Mono, Stereo, Mid/Side N****nn style 4 Band Mastering Equalizer with High Pass Filter.

Features
– High Pass Filter : 20-80-140 Hz
– Low Shelf : 50Hz to 400Hz with +/-15dB
– Low Mid Band : 600Hz to 1000Hz with +/-15dB
– High Mid Band : 1000Hz to 7500Hz with +/-15dB
– High Shelf : 3kHz to 10kHz with +/-15dB
– MODE : Left/Right or Mid/Side Processing
– LINK : Linking Left/Right or Mid/Side
– M-BYPASS : Master Bypass to inactive whole system
– L-BYPASS : Left Channel Bypass
– R-BYPASS : Right Channel Bypass
– MASTER : Master Output
– Seperate Left/Right or Mid/Side Output Controls

Note : Bottom side won’t work when you link L/R

Available Formats
VST/VST3/AU | Mac 10.9 – 11.X
VST/VST3 | Windows 7 – 8 – 10

VERSION 6.0 – 17.7.2021
– Improved DSP and circuit design
– Added 4x oversampling
– Readout for knobs
– Redesigned GUI
– Catalina & Big Sur(Intel/M1) support

Patreon

T-De-Esser by Techivation 0 (0)

Remove sibilance and harshness, fast

You can use T-De-Esser to:

  • Remove harshness from sound sources that were closely mic’d.
  • Manage sibilance in vocals and dialog in a transparent manner.
  • Treat irregular tonal balance caused by the poor recording quality.
  • Reduce the glare from unnecessarily bright guitar and piano recordings.
  • Tame piercing synth sounds.
  • Control the high-frequencies in overheads’ transients, such as snare, hi-hats, or clash.
  • Give more dynamic range to your tracks while mastering, due to the reduction of unnecessary high frequencies.

T-De-Esser can streamline your audio project workflow by saving you both vital time and effort. It works as effectively on individual tracks as it does on buses. It performs admirably in a wide range of implementations, from sound design and post-production to the most demanding of mastering applications.

Graphic user interface (GUI)

Visuals can distract your hearing, digital graphs are very likely to affect your decision-making when it comes to setting the values. T-De-Esser, however, helps you just stay focused on the output sound, rather than how things change visually as you tweak the settings.

Whilst there are only a few knobs and buttons on the GUI, each has a huge impact on the audio sound improvement. Less is more, so just to avoid getting caught in the trap of making infinite, minuscule tweaks, we made sure only to have the essential options available for you on the GUI.

The options available are designed in a way to quickly give you a pleasant sound in just a few adjustments.

Quick yet powerful.

TT-De-Esser has been designed with simplicity in mind. It is fast to set up and easy to use, yet allows you to adjust the processing to your needs.

Turning the processing knob starts the plug-in’s operation, you then set how intense you want to go according to your taste. There are 4 frequency bands available to choose between, choose depending on where the harshness and sibilance are coming from.

Available as

Windows 7 and up as 32 / 64-bit VST3, and 64-bit.
Mac OS X 10.10 (Yosemite) – macOS 10.15 (Big Sur) as 32/64-bit VST and AU, Intel and M1 Rosetta 2 Macs
Pro Tools AAX coming soon.

 

STR-X by Arboreal Audio 0 (0)

The STR-X was built to be a simple but powerful, digitally-oriented guitar amp, one which isn’t based off of any pre-existing analog models. Tonally, it is capable of high gain, modest crunch, and cleaner tones with some added heat.

Mode: The Mode control in the center of the amp changes the crossover point that feeds the pre-amp distortion (after the “X” pedal-style distortion). Normal will give you a solid low-end, with retained clarity in the mids and highs even when cranked. Thick drops the crossover point lower, resulting in greater intermodulation of the distorted signal, and a fuzzy tone ready for a sludge or doom sound. Finally, Open separates all of the low-end from the mids and highs for a tight and bright tone, perfect for fast palm-muted playing or any situation where the low-end of the other two modes might be excessive.

X: This mysterious knob works like a one-knob distortion pedal (inspired by the Ibanez Tube Screamer), with filters that focus the tone on the mid-range the further it’s driven—good for an extra bump before the amp, dialing in a lead tone that cuts through everything else, or for tightening the bass on Thick mode while still remaining truly Thick.

Gain: This is the pre-amp drive section, ranging from not-quite-clean to a heavy wall of distortion. At high gain, the texture varies significantly, depending on the Mode used. This stage generates asymmetric distortion and both even and odd harmonics.

Master: This knob provides the output gain of the amp, with added distortion as well. Although not claiming to emulate any particular type of tube, it does generate the symmetric, odd-harmonic distortion you’d expect from pentode tubes. With low pre-amp gain, you can use this knob to dial in fairly clean tones down low, and bright crunch up high.

New In v1.1::

  • Mac OS X Catalina/Big Sur and M1 Mac Support.
  • 4x oversampling with option for higher-quality, linear phase oversampling when rendering.
  • “De-kinked” preamp distortion algorithm for more accurate asymmetrical distortion.
  • Expanded range of tone controls.
  • Allow option for using v1.0 tone controls.
  • Fully resizable GUI (VST3 only).

https://arborealaudio.com/2021/07/11/str-x-v1-1/

AMP Soft Clipper, EQ and Stereo Shaping Effect by ProduceRNB 0 (0)

AMP is our new effect plugin designed specifically as a tool to quickly make drum sounds punchier, more present and more demanding in a mix. AMP is also a great all-around tool for individual instrument sounds when it comes to making them sound louder and more interesting without over processing or clipping.:

  • AMP brings you a highly sensitive EQ, a near transparent Limiter with Soft Clip, Saturation and Stereo Control.
  • Easily make drums, 808’s and other sounds louder and more present in your mix without over processing.
  • Quick, point and click EQ with unlimited bands, Easy to read Analyzers and straight forward controls.
  • Stereo shape any sound. Either make things wide or even mono.
  • Saturation is also conveniently placed into this plugin for those who would like to add color.

https://www.producernb.com/amp/

VariMoon by Analog Obsession – VST, VST3, AU (WIN / OSX) 0 (0)

VariMoon

Famous 600 Style Vari-Mu Compressor/Limiter with extra features!

Features

– Input Atten: -18 to +18dB range. Internally compensated input knob to drive circuit and get more or less compression.

– Release: 6 selectable release time with their own compression curves.

Position 1: 0.3sec

Position 2: 0.8sec

Position 3: 2.0sec

Position 4: 5.0sec

Position 5: 2/10sec (Auto-Release up to your signal)

Position 6: 0.3/10/25sec (Auto-Release up to your signal)

– DC Threshold: No confusion! It’s working like regular ratio. 2:1 to 10:1

– AC Threshold: No confusion, again! It’s working like regular threshold with 50dB range.

– OUTPUT: -18 to +18dB Make-Up Gain to compensate compressed signal

– MIX: Will let you blend compressed and dry signal.

– HPF: 20 to 500Hz HPF to keep low frequencies from sidechain circuit. So, compressor won’t touch to low-end.

– EXT-SC: This will let you use external signal to compressed input signal.

– BIG ORANGE BUTTON: Plugin Bypass

– ANALOG OBSESSION (LABEL): Oversample

Fixed Attack Time: 10ms

22/6/2021 – v5.0 Update

– Improved DSP and circuit design

– Added 4x oversampling

– Readout for knobs

– Redesigned GUI

– Catalina & Big Sur(Intel/M1) support

Available Formats

VST/VST3/AU | Mac 10.9 – 11.X

VST/VST3 | Windows 7 – 8 – 10

Patreon

Acon Digital Multiply Free 1.3.1 (Win/Mac) 0 (0)

Acon Digital Multiply is a free and versatile chorus effect with a unique twist. Each simulated voice is processed with a phase randomizing filter so that unpleasant comb filter effects are avoided. The effect can be used to simulate the effect of several performers playing the same tones simultaneously, to widen the spatial image or to create special effects for sound design. Multiply can simulate up to 6 additional voices and both the pitch and the loudness of the voices can be modulated. There is also an integrated equalizer consisting of low cut, low shelf, high shelf and high cut filters that can be applied to the effect signal. An integrated pre-delay section makes it possible to create modulated and diffuse echo effects.

Platforms and Plug-in Formats
Available as VST or AAX plug-ins on PC (Windows)
Available as VST, AAX or AU plug-ins on Apple Macintosh (OS X)
Native 32 bit or 64 bit versions of all plug-ins are available
Supports sampling rates up to 96 kHz
Mono and stereo (true stereo processing)

Acon Digital Multiply
Chorus effect with up to six separate voices
Randomized phase filters in order to avoid comb filtering effects while keeping delay times short
Amplitude modulation
Frequency modulation
Adjustable pre-delay
Integrated equalizer for the effect signal
Graphical visualization of equalizer frequency response
Undo and redo parameter changes
A/B comparisons
Preset manager
Save, load and categorize user presets

Requirements:
PC Version (Windows)
Windows 10 / 8 / 7
Intel Core i3 or AMD multi-core processor (Intel Core i5 or faster recommended)
1366 x 768 display resolution (1920 x 1080 or higher recommended)
1 GB RAM (4 GB or more recommended)
1 GB free HD space
A host application that is compatible with (32 bit or 64 bit) VST , VST3 or AAX (Pro Tools 10.3.5 or higher)
Macintosh Version (macOS)
macOS / OS X 10.8 or later
1 GB RAM (4 GB or more recommended)
1 GB free HD space
A host application that is compatible with (64 bit) AU, VST, VST3 or AAX (Pro Tools 11 or higher)

https://acondigital.com/products/multiply/