U-he BeatZille v1.0.2 x64 x86 VST VST3 AU AAX WiN MAC LiNUX [FREE] 0 (0)

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Beatzille: little monster
Beatzille is a compact version of our monster modular synthesizer Bazille. Although its condensed feature set makes it the ‘little brother’, Beatzille is still an engaging and capable synthesizer. Power and style run in the family. Digital oscillators, analogue-style filter and flexible patching will keep you busy for a good while before thinking about tackling Bazille.

Features:
• Modular architecture
• 2 digital oscillators with simultaneous frequency modulation (FM), phase distortion (PD) and fractal resonance (FR)
• Polyphonic (up to 8 voices), duophonic (split oscillator pitches), legato or retriggered monophonic
• Pitch transpose, drift and glide control
• 1 multimode analogue-style filter with 6 parallel outputs (4× lowpass, bandpass, highpass)
• 2 ADSR envelopes with sustain slope (fall/rise) and 5 trigger modes
• 1 LFO with 3 parallel outputs with various waveforms
• 16-step sequencer with 8 morphable snapshots. 4 output sockets for parallel sequences, envelope triggers and more
• 2 multiplex units for mixing, crossfades, ring modulation or amplitude modulation
• Built-in stereo delay with tape wow, feedback and damping filters
• 1 mapping generator (waveshaper / incrementer)
• Audio-rate signal processors: inverter, rectifier, sample & hold, dual lag generator and quantizer
• White and pink noise generators
• MIDI modulation sources include modwheel, velocity, breath, pressure, key follow, gate and more
• Single-page interface
• Skinnable UI
• Resizable UI from 70% to 200%
• Global preferences page
• MIDI learn overlay and editable MIDI CC list
• Over 160 factory presets
• NEW in v1.0.2: Support for Oddsound MTS-ESP

Small and mighty
Striking the balance between too much and too little, Beatzille is the happy medium. It presents an introduction to modular synthesis and a taste of the power of Bazille without being overwhelming.

Oscillators
Beatzille’s oscillators embrace two digital synthesis methods developed during the 1980s: frequency modulation (FM) and phase distortion (PD). We also added a process we call fractal resonance (Fractalize), which sounds similar to the classic oscillator sync effect when swept.

All three synthesis methods run simultaneously, so you can combine them to create an extensive range of sounds. Beatzille is great at generating weird modular blips and squeaks, but you can even coax soft pads and organic keys from the oscillators—as demonstrated by the factory library. Add modulation for even more sound possibilities.

Filter
The filter is a favourite in the sound designer’s toolkit. Cut frequencies, boost others, add texture and colour. Beatzille’s analogue-style filter complements the digital oscillators, providing warmth and drive. And its self-oscillation capability opens up some intriguing sound design opportunities.

Even with a single filter Beatzille offers plenty of creative horizons. The six parallel outputs (highpass, bandpass and four types of lowpass) with multiple modulation options make it easy to create complex, shifting textures.

Delay
Beatzille has only one built-in effect, but it’s good one: stereo delay with optional host sync. Push your sound around in space with independent delay times and volumes for each channel. Conjure ghostly echoes using tape-like wobble and filtering or set up endless repetitions. Tweak all controls to find the perfect delay.

Release notes:

Beatzille 1.0.2 (revision 12092)

Native M1 ARM support

Improvements:
• Native support for Apple Silicon chips (M1)
• macOS Big Sur compatibility
• Improved GUI performance
• Support for Oddsound MTS-ESP
• Improved handling of junction links on Windows
• VST3 support added
• Improved preset browser
• Improved soundset installation
• Pitch Bend range now +/-48
• Minor GUI fixes/tweaks
• Various Mac and Windows installer improvements
• System info displayed in GUI (revision, OS, plugin format)
• Hold pedal behaviour improved (0-63 = off, 64-127 = on)
• Ctrl A/B replaces fixed Breath and Expression modulation
• Changed how LFO Wave and LFO Phase influence envelope triggering

Fixed Bugs:
• Fixed multiple sequencer issues
• Fixed multiple issues with envelope triggering via LFO and sequencer
• Fixed notes starting on same time stamp but different MIDI channel might not play
• Fixed LFO in sync mode being too slow on its first cycle
• Fixed mapping generator not updating instantly
• Fixed multiplex potentially killing audio output
• Fixed crash when loading script presets (e.g. Randomizer)
• Fixed rare crash on project reload
• Fixed audio clicks when switching presets
• Various small fixes and improvements

Known Issues:
• Context menus need plugin focus to work (Apple issue)
• Cable style “natural” can cause GUI glitches

Special Notes:
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinued

The Windows installer was improved to prevent common installations issues. Please check the suggested installation paths during installation, making sure the update is installed into the same location as the previous version, and all installed plugin formats are being updated.

Envelope triggering via LFO and sequencer was reworked in order to fix multiple bugs in this area. This means some presets might not sound as intended anymore. We therefore recommend to finish ongoing projects before updating to the new version. Please refer to the “Patch Conversion Tips” file to get more info on how to adjust your presets.

https://u-he.com/products/beatzille/

Shape by Audec 0 (0)

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Overview
Shape is a simple waveshaper/wavefolder effect that has 5 shaping curves, Hard Clip, Soft Clip, Tube, Triangle, and Sine.

 

User Interface
  • Scope
    • The scope visualizes shaping curve (transfer function) that maps Input and output values to the horizontal and vertical axes, respectively.
      The darker orange color line visualizes the shaping curve.
      The brighter orange color line visualizes the range of the audio signal.
      The shape selector selects the shaping curve.
  • Input
    • The Input control adjusts the amount of gain. Increasing the amount of gain produces more harmonics.
  • Bias
    • The bias control adjusts the amount of bias. The bias creates asymmetrical distortion, producing warm even harmonics.
  • Dry/Wet
    • The dry/wet control adjusts the balance of the dry and wet signal.
  • Output
    • The Output control adjusts the output volume.
  • Oversampling
    • The Oversampling chooser selects the oversampling factor. Oversampling reduces alias noise caused by nonlinear effects such as saturator, overdrive, distortion, and clipper. Increasing the oversampling factor can reduce alias noise more, but increases CPU load and latency.

Operating the controls
  • Fine-tune the knob
    • To fine-tune the knob, hold down the shift key and drag the knob.
  • Reset the knob
    • To reset the knob to the default value, double-click the knob.

System Requirements
  • VST3/AU – macOS 10.11 – 11 (Intel/Apple Silicon) 64-bit
  • VST3 – Windows 10 64-bit

https://audec-music.com/shape/

U-he Zebralette v2.9.3 x64 x86 VST VST3 AU AAX WiN MAC LiNUX [FREE] 5 (1)

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Zebralette: easy spectral synth
Zebralette is our version of a Trojan horse. A free synthesizer and an introduction to Zebra2’s fantastic oscillators. Perhaps it will persuade you to try Zebra2 and upgrade. If one oscillator is this powerful, imagine what you can achieve with four… and all the other great features available in Zebra2.

Features

• A single Zebra2 oscillator with a 16-slot waveset. Read more below
• Oscillator waveform editing with geomorph, spectromorph, geoblend and spectroblend modes. Read more below
• 24 spectral effects including filter, sync, scatter, phase distortion and many more
• Polyphonic (up to 16 voices), monophonic and legato modes
• Stereo VCA with pan and volume modulation
• VCA oscillator stacking with adjustable stereo width: single, dual, quad and eleven modes
• ADSR envelope with fall/rise (sustain slope) and velocity controls
• Modulation options including: modwheel, velocity, pressure, breath, key follow, gate and more
• 2 LFOs: one global, one per voice
• A 32-stage MSEG (multi-stage envelope generator)
• 3 built-in effects: chorus/phaser, EQ, delay
• MIDI learn / unlearn of hardware controls (CC)
• Polyphonic aftertouch support
• 300 factory presets
• Scalable UI from 70% to 200%
• NEW in v2.9.3: Support for Oddsound MTS-ESP

What is a Zebralette?

-ette: an English suffix indicating a diminutive form
Zebralette is an introduction to Zebra2’s powerful oscillators. Zebra2 can seem overwhelming at first glance, so we stripped it down to a single oscillator plus a few other features and created Zebralette, the little Zebra. Once you master Zebralette you can move up to Zebra2 with confidence. And your presets can come with you, as Zebralette presets can be opened in Zebra2.

But more than a teaching tool, Zebralette is an incredible sounding synth in its own right. Surrounding Zebra’s spectral oscillator with a few core modulation options and effects make Zebralette highly capable. With unsion options (think supersaw, but Zebralette is not limited to saw waves, so we refer to it as superwave), 16 voice polyphony and two different envelopes, you have everything needed to create some marvellously complex sounds.

Diminutive? Yes. Powerful? Yes.

Zebra oscillator
One oscillator may not seem like enough for a synthesizer, but Zebra2 oscillators are rather powerful and clever.

It resembles many other oscillators you may have used. You can choose a waveset from the included library, or use the waveform editor to draw your own shapes. Here is where things start to get interesting: The Waveform Editor manages up to 16 different waves and lets you rearrange, duplicate and morph between individual waves. Use one of modulation sources and the WaveWarp control to scan through the 16 waves and create unusual, dynamic sounds.

There are four drawing modes: GeoMorph, SpectroMorph, GeoBlend, SpectroBlend, each offering a different approach to creating and manipulating waveforms.

Using the two Geo modes you draw the waveform shape using up to 32 points, while the Spectro modes let you create the harmonic spectrum over 128 columns. When using WaveWarp to scan through the waveset, Morph alters the waveform, whereas Blend blends (crossfades) between adjacent waves.

Requirements:
• Apple OS X 10.9 or newer
or
• Windows 7 or newer
or
• Linux

Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer

Formats
Zebralette is not a standalone product, it requires host software. Zebralette is compatible with nearly all DAWs.

macOS:
• AUv2, VST2, VST3, 64-bit only
• temporarily no AAX (read more)

Windows:
• VST2, VST3, AAX*
• 32-/64-bit
* AAX requires Pro Tools 10.3.7 or later

Zebralette 2.9.3 (revision 12092)

Native M1 ARM support

Improvements:
• Native support for Apple Silicon chips (M1)
• Improved GUI performance (Mac only)
• Support for Oddsound MTS-ESP
• Improved handling of junction links on Windows
• Preset list scroll direction preference

Fixed Bugs:
• Fixed some old Zebralette presets not loading in Zebra2
• Fixed multiple things in preset browser
• Fixed crash when loading script presets (e.g. Randomizer)
• Fixed rare crash on project reload
• Fixed audio clicks when switching presets

Known Issues:
• Context menus need plugin focus to work (Apple issue)

Special Notes:
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinued

https://u-he.com/products/zebralette/

U-he Protoverb v1.0.1 x64 x86 VST VST3 AU AAX WiN MAC LiNUX [FREE] 0 (0)

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Protoverb: prototype reverb
A natural sounding reverb based on the concept of a room simulator. Protoverb is an experimental researchware plug-in, developed to aid our research. Download and use it for free.

Feel it in the air

What is Protoverb?
Protoverb is an experimental room simulator reverb. Most algorithmic reverbs try to avoid resonances or model the reflections of sound from a room’s walls. Protoverb does the opposite. It builds up as many room resonances as possible, modelling the body of air in the room. No need to modulate or colour the signal. The result is a very natural sounding reverberation with interesting characteristics:
• Notes held for a longer time tend to build up resonance, as if the air takes a while to get excited
• Multiple instruments remain distinct, without disappearing in a wash
• When you play a short melody, the room seems to repeat a ghost echo of that melody

Random
The text box at the bottom of Protoverb’s interface contains a text string made up of two random parts. The first half dictates the network structure, strategies for spatial layout and distribution of delay taps, strategies for finding useful delay lengths and so on. The second half is a seed for a pseudo-random number generator—used to set various parameters such as the average delay length, which prime number to choose (if any) etcetera.

You can either edit the text, or randomise each part independently using the buttons below the text box.

Requirements
• Apple logoMac OS X 10.9 or newer
or
• Windows logoWindows 7 or newer
or
• Linux logoLinux

Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display

Modern CPU required:
• Windows/Linux: Intel Nehalem or newer, AMD Bulldozer or newer
• Mac: Intel Nehalem or newer, Apple M1
• Linux: glibc version 2.28 or newer

Formats
Protoverb is not a standalone product, it requires host software. Protoverb is compatible with nearly all DAWs.

macOS:
• AUv2, VST2, VST3, 64-bit only
• temporarily no AAX

Windows:
• VST2, VST3, AAX*
• 32-/64-bit
* AAX requires Pro Tools 10.3.7 or later

Protoverb 1.0.1 (revision 12092)

Native M1 ARM support

Improvements:
• Native support for Apple Silicon chips (M1)
• macOS Big Sur compatibility
• Improved GUI performance
• Improved handling of junction links on Windows
• Preset browser added
• Minor GUI fixes/tweaks
• Various Mac and Windows installer improvements
• System info displayed in GUI (revision, OS, plugin format)

Fixed Bugs:
• Fixed low level input signals potentially scratching on left channel
• Fixed crash in Bandlab Cakewalk when reloading a project using VST3
• Fixed rare crash on project reload
• Fixed audio clicks when switching presets
• Various framework fixes and improvements

Special Notes:
• Presets can only be saved in the user folder section
• AAX support on Mac removed temporarily (will come back in next update)
• Updated minimum requirements, CPU needs to support SSE4.2 instruction set
• Linux: minimum required glibc version is 2.28 (otherwise plugins won’t show up)
• macOS 32-bit support discontinued

The Windows installer was improved to prevent common installations issues. Please check the suggested installation paths during installation, making sure the update is Installed into the same location as the previous version, and all installed plugin formats are being updated.The factory preset library has been cleaned and sorted for this update. Files are replaced automatically on Mac.
Windows and Linux users, please consider removing the factory library folder before running the update installer.

https://u-he.com/products/protoverb/

Youlean Loudness Meter v2.4.3 x64 x86 STANDALONE VST AU AAX WiN MAC [FREE] 0 (0)

Youlean Loudness Meter helps you find the true perceived loudness of your audio and prepares it for TV or streaming services release.

Join the thousands of recording studios that already use it.

100% accurate metering
The plugin is calibrated and tested against ITU-R BS2217 testing materials.
It satisfies all requirements defined in ITU-R BS.1770 document.

Changelog

V2.4.3 – February 14, 2021
Fixed choppy scrolling in menus on macOS
Fixed forced dedicated GPU switch on macOS. Now the current GPU will be used if possible
Fixed default preset not loading correctly
Fixed loading custom preset does not change the GUI size
Fixed meter in FCPX getting disabled in Big Sur
Fixed OS preventing editing files after drag and drop
Fixed using multi-file drag and drop could lead to incorrect analysis if channel settings are preselected
Fixed app moving up when resizing the window on macOS
Fixed installer not working in 32 bit Windows
Fixed potential huge RAM usage with VST3 plugin
Fixed GUI flickering in some DAWs on older macOS systems
Fixed Time Code not working in some situations in Pro Tools
Updated VST3 SDK to the 3.7.1
Added support for Apple Silicon
Added warning when sample rate is incorrect in the app
If the sample rate is missing in the app preferences, a default sample rate will be used
Removed momentary window knob
Simplified buffer settings in the app preferences
Ignore master volume setting in app preferences is now disabled by default
Changed view settings icon (hopefully more clear now)
macOS 10.9 is now a minimum system requirement for macOS
Other small UI, UX improvements

https://youlean.co/youlean-loudness-meter/