SC-3 by Samsara Cycle Audio[win, VSTI3, x64] 0 (0)


SC-3 is a clavinet influenced instrument.

Keys Section: Phase simulates Pickup mixing. Octave can be used to switch between 3 octaves. +Keys introduces a 1 octave higher instrument (this is a subtle effect).

Timbre Section: Tone is used to control the frequency brightness. Timbre Velocity is used to add a level of attack brightness. Experiment between these two controls to introduce various shapes, especially for Twang effect.

Tone Section: Simple cut and boost for overall tone of the instrument.

Shape Section: These controls are used to create various feel to the playing and adjust the envelope of the instrument. The effect of these controls work closely with the Timbre Section.

Amplifier Section: These controls influence the final output of the instrument.
Velocity sensitivity can be increased from less active to more. The distortion control provides a natural saturation to the output.

Mute: This slider simulates a dampen effect on strings.


SPKR-v1.dll by 0 (0)


SPKR-v1.dll is 32-bit windows ONLY Broken Speaker FX / distortion plugin. Designed to emulate blown speakers, malfunctioning stereos and obscure acoustics.

Input is fed into two parallel bandpass filters, and then into a few custom waveshapers (select via “M” mode knob). Before going into waveshaper, DC Offset and Gain can be adjusted. After going through the waveshapers, two more parallel bandpass filters are used, and then “fake stereo” is added via delaying stereo channels, and volume of each filter independently adjustable.

This design comes from the concept of poorly assembled tone circuitry or circuit bent amplification, combined with the effect of broken/blown speakers or speakers with weird frequency response caused by physical conditions. Basically is a circuit-bendable amplifier. This can mangle sound really intensely to almost unrecognizable, or add subtler excitation, saturation or filtering.

Comes with a few built in presets. Made with synthedit, with the blessings of Jeff himself. Thanks Jeff :). x86


Xenharmonic FMTS 2 by Xen-Arts 0 (0)


Xenharmonic FMTS 2 is a 4 Operator FM Synthesis VSTi with a specialized set of features for computer
musicians interested in exploring the vast expressive possibilities of making music with alternative
intonation systems. It is a 32-bit plugin instrument for Windows.
Microtuning Features

Internally loads and externally receives both MTS (MIDI Tuning Standard) Bulk Dump and Single Note
Microtuning Files

Operator ratios can easily be set to values that are coincident with the microtuning being used,
thereby producing intonation related sidebands in the timbre of the instrument

Microtonal pitch-bend ranges may be configured in cents, harmonics and superparticular ratios

Arbitrary microtonal pitch shifting makes it possible to easily pitch transpose the oscillators in both
octave and non-octave increments
FM-RM Oscillator

4 Operator FM Synthesis with Ring-Modulation

57 Operator Algorithms

11 different Operator Waveforms

Analog Pitch Drift Emulator

Transposition by cents offsets

Partials text files may be used to quantize the frequency ratios of the operators to user specified

Velocity-to-Harmonics Modulation enables oscillators to dynamically sound harmonics of the
fundamental pitch

Seven dedicated hybrid modulators for Operators A, B, C, D, Filters, Amplifier and Pitch

Each modulator includes an ADSR style envelope generator, and an LFO which can be switched to run
at audio-rate

Each ADSR Envelope Generator features Per-Stage Keyboard Tracking

LFOs can either be synchronized to the host DAW tempo or set in Hertz. They include 24 Waveforms,
a Slewer and can be switched to run at audio-rate
Filter Section

Pre-Filter Saturation Stage with 20 Saturation Types

Two Independent Filters with Six Filter Types: LP4, LP2, HPF, BPF, BRF, APF

One and Two Stage Filter Cascade


Lowpass Filter Cascade (Warm Filter) with 6 dB to 48 dB per-octave filters

Stereo Ensemble
Performance Control

Full controller MIDI Pitch Microtuning with MTS (MIDI Tuning Standard)

MTS Support for both Single Note and Bulk Dump

Loads MTS Microtuning Format Files Internally and Receives MTS Externally

Local (Per-Patch) and Global Microtuning (Static Microtuning for All Patches)

Microtunings can be loaded from any directory on hard drives or storage devices connected to the PC

12 Note Polyphonic

Monophonic Legato Mode

Monophonic Portamento

Microtonal Pitch Bend


Effects include Chorus, Lowpass Filter Cascade (Warm Filter) with 6 dB to 48 dB per-octave filters and
Stereo Ensemble

No longer available


NB01 – distortion/sustainer by Noizebox – KVR Challenge 0 (0)

NB01 – distortion/sustainer is the first plugin from Noizebox Industries. Made for KVR DC21.

Inspired by a circuit from an ancient guitar pedal that was originally intended as a soft-distortion-sustainer for guitars. Giving that singing sustain without a lot of harsh distortion. This is a modern take on the same circuit, not a straight up clone, more of a work-alike inspired by the original circuit. Though a fair amount of work has gone into modelling the peculiar anomalies of an overdriven, asymmetrically clipping, amplifier circuit with a FET-based feedback loop that works like a crude compressor, prone to overcompensating.

NB01 adds control over the amount of compression applied and the response time. It its fastest setting it is not really a compressor as it starts altering the waveform of the incoming sound. It also add tone controls for more versatility in shaping the sound. The tone controls are a mix of pre and post filtering that makes them interact with the overdriven amplifier circuit in interesting ways.

The signal chain is processed with 4x times oversampling with high quality elliptical downsampling filters to limit aliasing and accurate modelling. Real time parameter smoothing for glitch-free operation. Written in native C++ for performance and small footprint. Hardware accelerated, vector based UI.

Use it as overdrive before a guitar amp plugin for a sweet, compressed and singing tone. Preferably with a bit of midrange boost to cut through. It’s is also perfect for destroying drum loops. Either by rolling off the bass and making the compressor slam the transients.

Or by cranking up the low end for really making the compressor duck like crazy on the kicks, by setting the response time to moderately fast, you can tweak the gain knob to find a sweetspot where the bass triggers the compression in just the right way.

Or try it on any other material, lofi vocals, adding grime to basslines or any other creative ways of destroying sounds.


  • Gain: Sets the gain of the circuit, higher values produce more distortion.
  • Compression amount: Sets the amount of compression applied. There’s a lot of range here. At extreme settings the compression will be negative, i.e. a 3 dB volume increase will result in more than 3 dB gain reduction. This can cause a bubbling/pumping/grinding artefacts at some combinations of high reaction speed and high compression when the circuit switches back and forth between overcompensation. This is not a bug, it’s a feature and lot’s of weird distortions can be discovered here.
  • Compression Speed: Sets the reaction time of the compressor feedback, higher values create more distortion as the compressor starts to chew on the waveform rather that the envelope of the sound.
  • Stereo: This switches between Fully independent stereo processing, stereo processing with linked compressors and mono processing.
  • Tonelomidhigh: Tone controls are fairly straight forward. All controls at 12 o clock means a reasonably flat response. Tone controls are also a combination of pre and post clipping, which creates more interesting textures.
  • Scope: Just for amusement really. but it’s fun to watch.
  • Master level: Sets the output volume for balancing the mix.—distortion-sustainer-by-noizebox-industries

More by Mod Sound – KVR Challenge 0 (0)

More by Mod Sound is a Virtual Effect Audio Plugin for macOS and Windows. It functions as an Audio Units Plugin and a VST3 Plugin.

More – the one-knob distortion plugin with too many knobs.

More is a collection of wave digital filter-modeled distortion circuits, taken from the world of guitar, but modified for general use. Various tube amplifier gain stages are included, as well as a transistor fuzz pedal and a diode distortion circuit.

Just turn the big knob to get more.


  • 5 distortion circuit modes.
  • Automatically gain-compensated distortion knob.
  • Adjustable lowpass and highpass filtering before and after distortion processing.
  • Dry/wet and level controls to keep things reasonable.
  • Electrifying audio visualizer.


Swamp XT by HG Fortune[win][x86][vsti] 5 (1)

Swamp XT is a timbre modulation synthesizer. It can create unique sounds from clear & harsh metallic sequenced sounds to soft & wide modulated Pads. This is achieved by modulating the timbre on the oscillator level.

Swamp XT features ‘Timbre-modulation’: It processes each oscillator’s waveform in a very unique way by changing (i.e. enriching or limiting) the harmonic spectrum making the sound fatter, wider or narrower, right down to nearly dissolving it to some kind of distorted noise, depending on the input wave.

While the original Swamp had an oscillator routing to balance its output between normal (i.e. direct signal) and timbre modulated signal, which could each be balanced to go to direct out or to filter, this has been simplified in Swamp XT: direct und timbre modulated signal can be balance mixed to one signal and the output of both oscillators can be balance mixed too. While the direct and filtered signal can be balanced at the amplifier stage of Swamp XT.

Swamp XT delivers a wide variety of sounds – including some really strange and weird.

  • 2 digital oscillators running at a time to be selected from:– 2 PCM wave oscillators powered by 128 different waveforms.
    – 2 additive wavetable generators to create various waves from up to 31 partials.
  • 1 resonant filter (24db Lowpass).
  • 4 ADSR-style envelope generators.
  • X-Torsion, one Spook effect, one Gator (Gater) effect.
  • 4 LFO (BPM-synced).
  • 1 dedicated Pitch LFO (BPM-synced).
  • 1 Sample & Hold (BPM-synced).
  • 1 BPM-synced Delay.
  • XY Super-modulation Pad.

no more website



NA_CrunckV2 by Nembrini 0 (0)

The Crunck V2 Guitar Amplifier is one channel plugin designed for a wide range of music genre. It’s a version 2 of the first plugin designed by Igor Nembrini in the beginning of his career in DSP development more than ten years ago.

Just move the Gain knob from 0 to 10, and as you do you’ll find a variety of Crunck V2 Guitar Amplifier tones, from metal to fusion, rock to blues.
In the Crunck V2 Guitar Amplifier plugin you can choose to use the build in cabinet a 4×12 loaded with Vintage 30 speakers or bypass the cabinet section.