TAL-Filter-2 is a host synced filter module with different filter types, panorama and volume modulation possibilities. This can be used for tremolo or trance gate effects. Panorama modulation maybe is useful to pan your percussion, hats or sound effects in the stereo room for more interesting rythms and sounds.
Different modulation types: LP 12dB, BP 12dB, HP 12dB, Pan, Volume
Super clean SVF filter with diode clipper in the feedback path. Capable of self oscillation.
Easy to use spline editor.
Stereo offset for modulation when in filter mode.
Host sync with different sync options (normal, dotted…)
Trigger button sets the modulation position to the start without lose host sync. Can be automated.
Legacy Mode: Just for backward compatibity. Please don’t use if you create something new.
The Crunck V2 Guitar Amplifier is one channel plugin designed for a wide range of music genre. It’s a version 2 of the first plugin designed by Igor Nembrini in the beginning of his career in DSP development more than ten years ago.
Just move the Gain knob from 0 to 10, and as you do you’ll find a variety of Crunck V2 Guitar Amplifier tones, from metal to fusion, rock to blues.
In the Crunck V2 Guitar Amplifier plugin you can choose to use the build in cabinet a 4×12 loaded with Vintage 30 speakers or bypass the cabinet section.
Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.
• Oscillator with variable symmetry (sawtooth to triangle, PWM) and glide
• Polyphonic (up to 16 voices), mono, legato and arpeggiator modes
• 4 envelope modes: ADSR or HDSR, linear or exponential. Sustain has Fall/Rise control
• 2 LFOs: one global, one per voice. Absolute time or host sync, multiple waveforms
• Multimode filter: lowpass, bandpass or highpass with drive and FM
• Combination arpeggiator / 16-step sequencer with extra modulation source
• 2 built-in effects: stereo delay, chorus / flanger
• Resizable UI from 70% to 200%
• Skinnable UI
• Global preferences page
• MIDI learn page and editable list
• Over 300 factory presets
• Apple – Mac OS X 10.9 or newer
• Windows – 7 or newer
Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
• Modern CPU (Sandy Bridge or newer recommended)
NKS-readyPodolski is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.
Changelog: Podolski 1.2.2 (revision 9724) Improvements: • Mac installer notarized (Catalina) • NKS compatible • Windows installer improvements • UTF-8 support for installation paths • Improved VST3 implementation • New Preset Browser • Factory presets have been tagged • Drag & drop between browser and system file windows • Improved GUI response time on some Macs (sluggish GUI) • Windows UI performance improved (less CPU load with open GUI) • Mac installer improved to prevent permission issues • User defined MIDI CC sources replace expression and breath • Mouseover shows parameter values in Data Display • Plugin format and OS info shown next to revision number • Init preset can be loaded from Data Display (for Win users: also works via right-click) • Increased maximum number of installed skins from 10 to 20 • Improved handling of 14-bit MIDI CC assignment • Sustain pedal now working according to standard (0-63 = off, 64-127 = on) Fixed Bugs: • Fixed an issue with dialogs appearing transparent in Cubase 10.5 and Logic • Various small fixes and improvements
What is it?
This tube preamp emulation has been developed Philipp Bulling as a thesis work. Philipp has been offering the plugin in VST format for some time on his own website. He has now moved on to new areas for some time already but didn’t want to let down his users. Hence, DDMF took over the code and will continue to offer the plugin as freeware, with the intent to further improve it and maybe add some more bells and whistles in the future.
The plugin is very unique in the sense that it gives you full control over all aspects of the modelled circuit. All values of all the capacitors, resistors etc. can be tuned by the user. Here is what Philipp had written on the original page.
AbstractSince the sound of an analogue tube amplifier has always exerted a strong fascination, electrical circuits with tubes play a certain role in the world of audio engineering up to now. On the other hand, audio technology becomes more and more digitised. In many cases, digital models emulate real devices in such a way that differences in sound are hardly audible. In this work a model is developed which is able to emulate the typical sound of a tube amplifier on digital devices. Here the main focus is on preamplifiers with triodes, since they have a particular influence to the sound.
Based on the physical properties of real tubes, a tube model is developed first. This mathematical model includes results of theoretical studies as well as analysis of data sheets. The model is then used to implement an entire amplifier circuit. In addition to the tube itself amplifier circuits contain several passive elements. In the domain of digital signal processing the latter are described by finite difference equations, which are solved recursively.
The resulting algorithm is finally implemented as an audio plugin in order to examine its tonal properties. The behavior of the digital model corresponds satisfactorily to real amplifier circuits. Important sound effects of analogue tube amplifiers can also be attested to the digital model.
Diode modelThe first step was to develop a triode model, based on the characteristic curves of real tubes. In theory, the characteristic curve of a vacuum tube is described by Langmuir-Child’s law. However, it was quickly realised that compared to real tubes, this law is not accurate enough. So a new model has been developed. This model describes a triode as a mathematical function. With the model, it is possible to compute the plate voltage (Upc) as a function of the grid voltage (Ugc), depending on the working resistor (Ra) and the supply voltage (Ub).
The following graph shows this function for a 12AU7 triode with Ra = 10k and Ub = 250V: Circuit modelingBased on this model, a plate follower stage was implemented. Cathode biasingIn this circuit, cathode biasing is used to adjust the bias point of the tube. This is realised by a resistor (Rc) and a capacitor (Cc), placed between the cathode and ground. The effect of cathode biasing can then be modeled by a simple first order RC low pass filter, with Ic*Rc being the input of the filter, and the cathode voltage (Uc) being the output.
If the input signal jumps for example from 0 V to 5 V, the cathode voltage follows quite similar to the step response of a RC-low pass filter: Signal limitingThere are two reasons for signal clipping in this circuit. The first one is caused by the tube itself. If there is a high peak at the negative half-wave of the input signal, the tube can’t amplify the signal anymore since the flow of current is completely cut-off. Thus, the positive half-wave of the output is clipped. This effect can be intensified by a more negative bias point.
Here the bias point of an 12AU7 is at around -12 V: The second reason for clipping is caused by grid current. High peaks of the positive half-wave of the input signal make the grid voltage positive compared to the cathode voltage. In this case electrons are attracted by the grid. The grid current causes a voltage drop at the internal resistance of the previous stage, which limits the input signal. The following figure shows the effect. The grid voltage is obtained by shifting down the input signal (Uin) by the cathode voltage (Uc). In the upper picture the maximum grid voltage (Ugc) is ~ 0 V compared to the cathode. Hence, there is no grid current. In the lower picture the input signal has an amplitude of 10 V. At the positive peaks of the input signal the grid voltage rises above 0 V (compared to the cathode). The grid current begins to flow and clips the grid voltage.
The Analog Rack Chorus plugin is a very simple but powerful chorus plugin inspired by the most famous Chorus pedals and rack effect units.
Nembrini Audio has taken the guitarists most preferred analog and digital effect pedals and has repacked it in new rack style plugins easy to use and extremely powerful at the same time, with the addition of a custom design tube preamp virtual circuit which gives color to the signal in a very special way. Just insert the Analog Rack Chorus plugin in your tracks to hear its beautiful analog tube coloration!
The Analog Rack Chorus is ideal not only for Guitarist, but for every Musician, Producer and Audio Engineer in search of the last milestone in Analog and Digital Fx plugin emulations!
Prime Studio® (powered by Acustica Audio) Charly is a summing tool based on an analogue tube device that has been modified according to our specifications. Charly refines signals with fine tube character and analog punch adding harmonic distortion.
Description from the previous version:
Charly is perfect to rhythmically enhance drum loops, to bring to life dull and boring sounds, as well as to fatten loops and mixes.
Its simplicity translates into an output gain divided between -10dB and +10dB, an on/off switch button which turns on the plugin or sets it in bypass mode, and a couple of left/right VU meters that measure the stereo input level. All the magic is done by the output gain rotary knob; it acts like a stereo enhancer and adds a slight compression and reverb. The amplification is made without distortions and artifacts.
SPAN is a free real-time “fast Fourier transform” audio spectrum analyzer AAX, AudioUnit and VST plugin for professional sound and music production applications. For the most part it was derived from Voxengo GlissEQ dynamic parametric equalizer and reproduces its spectrum analysis functionality.
SPAN provides you with a very flexible “mode” system which you can use to setup your spectrum analyzer preferences. You may specify Fourier block size in samples, FFT window overlap percentage, spectrum’s visual slope. Beside that you can choose to display secondary spectrum of a desired type (e.g. real-time maximum, all-time maximum). Spectrum can be smoothed out visually for an easier examination.
SPAN supports multi-channel analysis and can be set to display spectrums from two different channels or channel groups at the same time. Spectrum’s color can be chosen to taste.
SPAN also features output level metering with adjustable ballistics and integration time, EBU R128, K-system metering (including calibration K-system metering). SPAN displays level metering statistics, headroom estimation and true peak clipping detection. Correlation metering is available as well.
Output signal power statistics
User interface window resizing
True peak and clipping statistics
EBU R128 LUFS/LU metering
K-system metering (unweighted)
Stereo and multi-channel analysis
Internal channel routing
Contextual hint messages
All sample rates support
User interface color schemes
Retina and HighDPI support
This audio plugin can be loaded into any audio host application that conforms to the AudioUnit or VST plugin specification. Plugins with AAX version available can be loaded in ProTools 12+.
This plugin is compatible with Windows (32- and 64-bit Windows XP, Vista, 7, 8, 10 and later versions) and macOS (10.7 and later versions, 64-bit Intel processor-based) computers (2.5 GHz dual-core or faster processor with at least 4 GB of system RAM, SSE4.2 instructions support required, e.g. any Intel Core i-, AMD Bulldozer- or Zen-based processor). A separate binary distribution file is available for each target computer platform and audio plugin specification. If supported on a specific processor, the plugin may internally utilize AVX2-optimized code.
Compatible Windows and macOS plugin software: Cubase, Logic Pro, ProTools, Ableton Live, Reaper, Presonus Studio One, FL Studio, Cakewalk, Nuendo, WaveLab, GarageBand, Vegas, SoundForge, Audition, Samplitude, Digital Performer, Mixcraft, Bitwig Studio, Edius, others.
If you cannot get plugin to work on macOS High Sierra/Mojave, you have to logout from the system and login again, it’s a known issue not caused by plugin’s own bug.
List of changes in version 3.11:
Added Apple Silicon native compatibility.
Added 1/48 octave spectrum smoothing option.
Improved spectrum smoothing precision.
Enabled the “asynchronous drawing” window mode on macOS; may fix the user interface “lagging”.
The “Copy to” button is now called the “Copy”: this button now copies parameters FROM the selected group, NOT TO the selected group. This should improve the workflow.
Improved font rendering slightly.
PajSoil EiS is a side chain andnegative ratiocapable compressor designed especially for creative, experimental and exaggerated compression.
Although it’s light it still has key features from classic pajSoil, like negative ratio, zero attack and release times, feedback compression, look ahead slider or side chain filters. It’s still high quality and versatile audio compressor with all features that modern compressor should have, but with lighter GUI and less CPU load.
With its ability of unbelievable deep negative ratio (up to -0.1) you can easly achieve nice ducking effect and other fascinating results.
With zero attack/release times mixed with unique lookahead functionality, you can destroy your sound in really creative way. Short times mixed with negative ratio also can introduce unexpected effects on drums elements.
PajSoil EiS also allows for:
Glue style compression on mix bus or master track.
Gentle and invisible levelling for guitars or synthesizers.
Up to face vocal compression.
PajSoil EiS compressor introduces many unique features like:
Unbelievable deep negative ratio – up to -0.10.
Extremely short times (up to total zero )of attack and release.
Look ahead option provided by new, sophisticated and unique algorithm that calculate
Signal volume in run time, and apply gain reduction gradually.
Our commercial plugins offer many more features, but these are still extraordinary when compared to most plugins on the market. You can extend the features of these free plugins at any time by purchasing a licence.
14.16 changes Added enhanced aliasing improving the audio quality for most saturation algorithms available throughout the plugins. The downside is slightly higher CPU usage. It can be disabled from settings if needed. MXXXCore and MSuperLooper now also unlock MTurboReverb with only MTurboReverbLE licence and Equalizer with MFilter licence. Added native Apple Silicon CPU (currently M1) support. Added "Profile mixer" to MCabinet. Added groups to MMultiAnalyzer. Easy screen locks for title buttons have been moved to the left for consistency reasons. Preset search fields are now highlighted in red to highlight them and avoid confusion when user forgets that something is written in there. Added "High accuracy" switch to MCCGenerator. MultiParameters in banks mode can now create custom categorization for switcher menu by setting banks names to "category#text". Added Channel parameter to MIDI settings / Program change in presets. Holding Alt when clicking various copy buttons will allow exporting as XML button for editing as text. You can then edit the text and ctrl + pasting it back. Fix: Automating multiparameters when the plugin was sleeping made no effect. Fix: Closing text edit popup with escape key didn't work. Fix: Keys A, C and V were forwarded to the DAW even if the plugin edit was actually using them. Fix: MDrumReplacer's MIDI output didn't work in some DAWs. Fix: MTurboReverb delay order down was sorted up instead. Fix: Downloader could crash when installing certain 3rd party products. Fix: Downloader requested a correct MSoundFactory path even when installing MDrummer/MDrumReplacer data. Fix: MRhythmizer could ignore MIDI commands for volume sequences if the volume sequences were not defined. Fix: Installer didn't show proper products when clicking on the home icon in the product selection page. 14.15 changes Improved the default Neon style. Added MIDI out feature to MDrumReplacer. Added "Follow host name and color" feature to MMultiAnalyzer. Added Integrator module to MXXX. Added "Set output gain" feature to MAGC. Fix: MGranularMB was crashing in some circumstances. Fix: Keyboard forwarding disabled on Bitwig due to some problems in it. Fix: MCompressor was doing an inaccurate reduction for levels somewhere below -180dB. Fix: Custom GUIs were not available on case sensitive file systems in MXXX. 14.14 changes Big improvements in MDrumReplacer, officially released now. Added "Apply EQ" switch to MSpectralDynamics. Improved plugin selection page in the installer. Improved VST3 support. Added "Gain" and "Gain random" to each voice in MGranularMB. "Intelligent disable on silence" renamed to "Intelligent sleep on silence" to avoid confusion. Added features to the "Custom GUI designer" in MXXX. Improved keyboard to forwarding to DAW on Windows and added "Forward unused keyboard input to DAW" option in case you want to disable it. Added "Display waveforms" option to MSuperLooper, useful for additional CPU saving. Lots of changes to MTurboAmp alpha version. Fix: Any info/error message containing "_" made this character replaced by a whitespace. Fix: MRotary was crashing in MXXX when the Materials were turned on. Fix: Several plugins (such as compressors) didn't update the visual state when bypassed or in disabled mode. Fix: MGranularMB could cause initial peaks/glitches with specific settings and audio signals. 14.13 changes Big improvements for MDrumReplacer Windows plugins now forward unused keyboard commands to the DAW to make sure the DAW doesn't loose spacebar as play/stop for example, even if a plugin popup is displayed. Added Favourites tag, which you can use to filter the favourite devices to MXXX. Parametric equalizers now have band presets. Several minor fixes and improvements. Fix: MFreeformEqualizer could stop processing when switched to minimum phase mode in some cases. Fix: MTurboDelayMB didn't work properly. Fix: Some windows didn't save position and size. Fix: MTurboReverb was crashing in ambisonics and surround modes. 14.12 changes Most plugins now provide "Intelligent disable on silence" feature allowing them to disable themselves to save CPU whenever there is no signal and the plugin doesn't produce anything anymore. It can be disabled from settings. It works with all plugin interfaces and DAWs. Added "Random every time" option to MGranularMB and Granular module in MXXX. Added "XY-pad 4 banks" to banks mode of all multiparameters, allowing you to create XY pads, which would interpolate between 4 banks. Note that such multiparameter also occupies the next one, which is needed for the Y value. Added band Solo & Mute to all parametric equalizers. Available from band settings popup. Custom GUI designer now allows resizing keeping ratio when holding Alt in MXXX. Added "Replace" feature to MSuperLooper. Added per-track "Default bars" override to MSuperLooper. Minor GUI, stability and performance improvements. Plugins with latency now compensate synchronization position from DAW accordingly. For example, MRhythmizerMB is now synchronizing properly in linear-phase mode. Installer now logs installation of the MSVC redistributables and installes it only once. Fix: "Do not load from presets" option in MIDI controllers didn't work properly. Fix: Ambisonics wasn't available in ProTools. Fix: ReportLatency module didn't update latency when changed until audio engine was restarted in MXXX. Fix: MXXX6out could crash in some DAWs. Fix: Crossover module could cause crashes when changing crossover type in MXXX. Fix: Arp didn't store current matrix preset in MXXX. Fix: Changing an Enable title button with a multiparameter didn't enable/disable other title buttons. Fix: MNoiseGenerator was generating true noise in "True noise" mode only for one channel. Fix: Look-ahead in MSpectralDynamics didn't work properly. Fix: Multiparameter bank reordering didn't work with more than 100 banks. 14.11 changes Released MDrumReplacer beta, added to MXXX as well. Improved MTuner accuracy and visualisation, added "Auto switch to normal tuner" option. Added Analyzer to MDrumLeveler for easy setup of the prefiltering. Added MXXX6out version. Minor GUI and performance improvements. Fix: MRecorder was reporting an error when the target path started with "~". Fix: Custom GUI designer could create incorrectly resized images for lower resolutions when custom images were used in MXXX. Fix: Impulse response export wasn't working properly for plugins with latency. Fix: Having a "" symbols in multiparameter name would make multiparameter manager impossible to display. Fix: Some MB versions of certain plugins could share the default settings with the non-MB versions. Fix: Changing presets in VST2 didn't update all the parameters in the DAW. 14.10 changes Export IR has been removed from MFreeformEqualizer, since the global IR button in the toolbar does the same thing. Improved font engine for nicer and more readable GUIs. Minor GUI and performance enhancements. Random preset feature makes sure the next preset is different from the previous (if possible). Fix: MTurboReverbLE dynamics section couldn't be activated. Fix: Device browser wasn't selecting the loaded device in MXXX. Fix: Displaying a tab as popup didn't properly store it's position and size. Fix: Multiparameter units could sometimes go wrong with "By bank name interpolated" mode. Fix: Global "Set" button may have produced incorrect results. Fix: Using SuperLooper inside MXXX could cause a crash. Fix: MTurboReverb ER's Analyse IR feature crashed on mono files.
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