Podolski
Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.
• Oscillator with variable symmetry (sawtooth to triangle, PWM) and glide
• Polyphonic (up to 16 voices), mono, legato and arpeggiator modes
• 4 envelope modes: ADSR or HDSR, linear or exponential. Sustain has Fall/Rise control
• 2 LFOs: one global, one per voice. Absolute time or host sync, multiple waveforms
• Multimode filter: lowpass, bandpass or highpass with drive and FM
• Combination arpeggiator / 16-step sequencer with extra modulation source
• 2 built-in effects: stereo delay, chorus / flanger
• Resizable UI from 70% to 200%
• Skinnable UI
• Global preferences page
• MIDI learn page and editable list
• Over 300 factory presets
Requirements
• Apple – Mac OS X 10.9 or newer
• Windows – 7 or newer
• Linux
Host software / DAW
• 1GB RAM, more recommended
• 50MB free disk space
• 1000 × 600 or larger display
• Modern CPU (Sandy Bridge or newer recommended)
NKS-readyPodolski is Native Instruments NKS-ready and compatible with Maschine and Komplete Kontrol hardware.
New Features
Changelog: Podolski 1.2.2 (revision 9724) Improvements: • Mac installer notarized (Catalina) • NKS compatible • Windows installer improvements • UTF-8 support for installation paths • Improved VST3 implementation • New Preset Browser • Factory presets have been tagged • Drag & drop between browser and system file windows • Improved GUI response time on some Macs (sluggish GUI) • Windows UI performance improved (less CPU load with open GUI) • Mac installer improved to prevent permission issues • User defined MIDI CC sources replace expression and breath • Mouseover shows parameter values in Data Display • Plugin format and OS info shown next to revision number • Init preset can be loaded from Data Display (for Win users: also works via right-click) • Increased maximum number of installed skins from 10 to 20 • Improved handling of 14-bit MIDI CC assignment • Sustain pedal now working according to standard (0-63 = off, 64-127 = on) Fixed Bugs: • Fixed an issue with dialogs appearing transparent in Cubase 10.5 and Logic • Various small fixes and improvements
Sawrizor Lite is an all-round wavetable / saw synthesizer that combines 2 high quality saw oscillators.
By mixing different generators for each oscillator, resulting in a matrix of recorded and hand made audio material of the last decades and unique new saw combinations.
Both units have voice unison features with detune, mix and other sound fattening abilities. The sub oscillator adds punch and more character to the sound. Chorus, delay and reverb effects enrich the sound with depth.
Sawrizor is aliasing free where necessary and allows up to 8x oversampling for high SNRs. Analogue sounding resonance/damp filters and an EQ complete the clearness of the digital synthesizer !
Double aliasing free wavetable synthesizer with unison and sub oscillator.
Famous high quality saw sounds of the last decades and new creations.
Resonance damping filter.
FX section with chorus, delay, reverb and equalizer.
Freely resizable GUI from very small up to Ultra-HD & 5K Retina.
sforzando is a free SFZ player. Advanced sample hobbyists now have a powerful tool to experiment and share instruments without relying on proprietary formats.
It is also possible to drop SF2, DLS and acidized WAV files directly on the interface, and they will automatically get converted to SFZ 2.0. Then, they can be edited.
Powered by the ARIA Engine
sforzando relies on the same ARIA Engine that powers the ARIA Player and other products from Garritan and obviously Plogue chipsounds.
Like the other ARIA products, this player is available as a standalone and VSTi/AU/RTAS plugin on Windows or OS X and can run in either 32-bit or 64-bit.
Dedicated To Its Community
Plogue has deployed a forum dedicated to the SFZ format to help users support each other. All technical support for this product will be community driven at ARIAEngine.com.
Do you remember the days when we used the top of a table as a drum kit?
The Table Tops plugin brings that memory back to life.
Table Tops is a virtual instrument that was created from real table tops giving you instant access to those good ole table drumming days! You will find inspiration with various articulations from pen hits, table bar hits, closing the table and so much more.
Table Tops has character, texture, punch, and unique sounds! Equipped with onboard effects for easy shaping of the sounds and round robin sampling style Table Tops is a no brainer for any and every producer.
Ever dreamt of a kickass synthesizer which is available on every platform? With a deep synthesis engine, endless modulation capabilities and it is literally for free? Look no further, Odin’s got you covered!
The sound of this 24-voice polyphonic beast will take you from your studio right to Valhalla. Earth shattering basses, exquisite leads or mad FX, Odin’s got them all! Use the classic sound of analog waveforms – or draw your own. High quality emulations of legendary analog filters like the Moog-ladder or the Korg-35 further shape your signal. Round your sound off with four onboard FX, or get crazy with modulation. There’s much to discover in Odin 2.
Version 2.2.4
– fixed Legato carrying current value over to Attack rather than to current ADSR section
– ChipDraw tables now available as LFO waves
– XY-Pad automation can now be recorded in DAW
– added background fill to chipdraw and wavedraw editors
– disabled “Made with JUCE” splashscreen
– fixed permissions path in mac installer script when copying file over from old soundbank location
– added new patches to factory sound bank
– git commit hash is now displayed in the help-section
Dexed is a multi platform, multi format plugin synth that is closely modeled on the Yamaha DX7. Under the hood it uses music-synthesizer-for-android for the synth engine.
The goal of this project is to be a tool/companion for the original DX7. Sound engine with ‘float’ value parameters, different waveform à la TX81z would be great but anything that goes beyond the DX7 should and will be a fork of this project. This is to keep the compatibility with the original machine.
Dexed is licensed on the GPL v3.
Features:
• Multi platform (OS X, Windows or Linux) and multi format (VST, AU, LV2).
• The sound engine music-synthesizer-for-android is closely modeled on the original DX7 characteristics.
• 144 DAW automatable DX7 parameters available from one single panel.
• Fully supports DX7 input and output Sysex messages; including controller change. This means that you can use this with a native DX7/TX7 as a patch editor and SysEx manager.
• Each operator have a realtime VU meter to know which one is active.
• Can load/save any DX7/TX7 SysEx programs. It is also possible to save a single program into a different SysEx file.
SynthMaster Player is a simplied version of SynthMaster with limited editing capabilities. It is targeted towards users who prefer to use presets rather than designing their own sounds. It comes with 1800 factory presets. Users can edit the 12 easy parameters or the bypass states of layer/global effects assigned for each preset by the sound designer.
There is also a FREE version of SynthMaster Player that comes with 550 factory presets. Uses can freely use that free version in that music productions!
Each preset in SynthMaster Player has 8 easy knobs and 2 XY pads assigned by the sound designer. Users can edit these parameters to modify the preset’s timbre. The easy parameters can be linked to MIDI controllers using the easy to use ‘Midi Learn’ feature.
SynthMaster Player features a comprehensive preset browser with separate search criterias for instrument type, preset attributes, music style or preset author.
SynthMaster Player comes with 2 different skins in different color variations. Using the user interface editor (included in SynthMaster/SynthMaster DEMO), users can not only customize the existing skins but also can create their own custom interfaces as well.
Introducing Harmonal Binaurics, Faded Instruments’ fleshy new mind control drone synth! It combines Binaural Beats with Isochronic Tones to hijack your brainwaves and bend your unconscious mind. Its a psychoacoustic powerhouse – and just generally an intuitive and playful musical instrument.
Hide your parents, because binaural beats can make you trip….
Wait What?
Harmonal Binaurics is centered around Binaural Beats. Technically binaural beats require headphones to work their magic, though they sound great no matter how you listen to them***. Binaural Beats work by sending subtly different frequencies to each ear. Rather than hearing two frequencies, you mostly just hear one frequency, but a third rhythmic frequency – THE BINAURAL WOBBLE – is created by your brain. The speed of this wobble is the difference between the two pitches (for example, 420hz in your left ear and 426hz in your right ear creates a 6hz wobble in your brain). We dont know why the brain creates this, but what this hypothetically does is something called Brainwave Entrainment – it synchronizes your brainwaves to the wobble and induces altered states of consciousness. This may sound crazy – but who cares – it sounds great.
*** On speakers you still hear the rhythmic wobble – and the sound appears to move around the room – but its the product of air vibrations interfering with each other – not brain illusions – so it doesn’t do Brainwave Entrainment.
Examples of Binaural Beat frequencies and their effects:
Binaural Beats are amazing, but Harmonal Binaurics doesn’t just do binaural beats – it also does Isochronic Tones. This is just like binaural beats, but doesn’t require headphones – instead it uses a repeating tone that can induce similar results. With Harmonal Binaurics, you can use both of these techniques at the same time for some really weird spatial and consciousness bending experiences.
But wait, thats not all. Harmonal Binaurics doesnt just do one Binaural Beat and one Isochronic Tone, IT DOES SEVEN. These seven beating tones are tuned to a user scaleable harmonic series.
The Details
Harmonal Binaurics is built up from seven identical binaural/isochronic beat generators. Each generator can fade between Sine and a user defined waveform (Triangle, Saw or Square). You can control the binaural beating speed, isochronic tone speed, isochronic amount, the shape of the isochronic tone (Sine, Triangle, Saw, Ramp and Square), and a stereo field swap (LR or RL). Theres a master speed control for both binaural beat and isochronic tone speeds, meaning you can globally slow down or speed up the whole instrument. Oddly enough, Harmonal Binaurics doesn’t take MIDI input – this is not an oversight, but an intentional way of forcing a different approach to playing it. The seven oscillators are tuned to the harmonic series (fundamental, +octave, +fifth, +fourth, +major third, +minor third), but you can shrink or expand the harmonic series via the Harmonic knob to create dense cluster chords or wide spectral chords. You can sync all the oscillators/beats with the SYNC button, and of course – theres SLEW.
One Slew To Slew Them All
Faded Instruments loves the SLEW. Slew comes from modular synths and basically what it does is slow down knob movements. Turn a knob and wait as it slowly gets to where its going – which frees you up to twiddle other knobs while it does its thing. Slew features prominently in our Spectral Disturbtion plugin and turns it into a really expressive and unique performance distortion. Well, the slew is back with a vengeance: every parameter on Harmonal Binaurics is controlled by the SLEW knob – allowing you to create long grand gestures – great for drone or slow oriented music (but can be useful for any!).
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