KUJASHI Soundbank for the SYSTEM ONE D_mv by Kevin Brown 5 (1)

Soundbank (128 Patches) +Drumsound-Bank (31 Patches) für den SystemONE-D_mv  (Buchla 200 series-Emulation) von Kevin Brown

Wer weiß, wie ein Buchla eigentlich klingt? Einfach mal in die Werke von Suzanne Ciani oder Kaitlyn-Aurelia Smith oder auch Alessandro Cortini (Orchesterwerke) reinhören.

Der SystemOneD ist nach Entwicklerangaben (K. Brown) eine Emulation von früheren Buchla-200 series Modulen und ich habe versucht, in diese Modulserie einzutauchen und Klänge “herauszuschälen”.

Herausgekommen ist ein Sammelsurium von “Strange Noises”, Drone-Klängen, Bässen, majestätischen FM-Gebilden, Modularsweeps, Modular-Vocal/FOrmant-Stimmen, Glocken und Keyboardsounds, Buchla typischen Percussionsounds, verrückten Effektklängen und Sequencersounds (der SystemOneD-mv) hat allerdings keinen integrierten Sequencer (daher extern in den Klangbeispielen) sowie Klängen, wie sie wohl nur ein Modularsystem hervorbringen kann.

Außerdem habe ich noch eine kleine Drum/Percussionsoundbank mit 30 Klängen dazuprogrammiert.


A soundbank with 128 patches and a Drumsoundbank with 31 patches for the SYSTEM ONE D_mv by Kevin Brown

SystemOne D_mv is a emulation of the earlier BucHLA 200 Series:

Do U know how a Buchla sounds? Please, listen to the works of Suzanne Cziani or Kaithleen-Aurelia Smith for example.

This synth is a emulation with some modules of the 200e Series of Buchla and I´ve tried to get into the secrets.

I´ve made a whole bunch of sounds – from strange noises to strong Drones, Basses and majestic patches of FM-synthesis, Modularsweeps, Modular Vox, Bells and analog Keys, Buchla typical Percussion, Crazy SFX and Sequencerfood (this synth has no internal Sequencer) and sounds that only a modular synth can generate.
There´s a little bank with Drum & Percussionsounds for any needs, too.

Einfach mal das Sounddemo durchhören, welches zeigt, was man mit den Klängen der Bank (inkl. Drumbank) so anstellen kann. Eingespielt nur mit Klängen aus der Bank (inkl. Drums/Perc) und ohne externe Effekte.

Pleaste, listen to the sounddemo – this shows the usage of the soundbank. Played only with sounds from this banks and without the use of external effects.


For download the banks you have to register and login in the forum, it is free!


ATK MT2 by Matthieu Brucher 0 (0)

ATK MT2 is an overdrive plugin modelling the Boss MT2 pedal.

It models all the tone shaping components of the pedal as well as the override section, leading to a precise reproduction of the characteristic sound on the MetalZone.

Additional hidden parameters allows you to tweak the tone control Q factors as the traditional level and frequencies.

No Webside

Fazu Bass Distortion by Owl O’Lantern 0 (0)

Fazu is a distortion made for crushing basslines into a thick, filtered sludge. Featuring tonal and bias options that can open up into the roar of a lion or close off into the squeak of a mouse. Available on Mac as a Universal binary AU and on Windows as a VST3.





Low Wave Studios Track24 v1.0.0 VST3 AU WiN MAC [FREE] 0 (0)

Track24 is neither a Tape Emulation, nor a simple Saturator. It behaves like Analog Tape but without its “downsides”. It doesn’t care about Flutter, Wow or Noise, but it has the Tone and Saturation characteristics of Tape, plus other extra functionality

• Features a Tape Saturation section with a variable Texture control to add more Even or Odd order harmonics;
• A Tone section with 4 filter “presets” that were inspired by 2 different tape machines, running at different Ips – with “Neutral” being a completely flat;
• 4x oversample button to avoid aliasing – adds a tiny bit of latency;
• High and Low pass filters that are pre-saturation. To shape the incoming signal;
• A Dry/Wet knob to mix the clean with the saturated signal.




Yuri Semenov Stereo v1.0 VST WiN X64 FREE 0 (0)

Stereo. Plug-in for stereo component control, for master channel. It has an individual low frequency cut filter for central and side signals. Equalizer – shelf for tuning frequencies below 650hz for side channels without affecting the center. It frees the center well from excess LF, also with a meager low middle it will add energy to this frequency range and create a good volume of “enveloping” effect.


Stereo_V 1.0


Jon V Audio FirComp Win/Mac/Linux VST3/AU x64 (Free) 0 (0)

Clean compressor with perfect curves. A very highly regarded and praised compressor/limiter with unique and ultra clean digital envelope algorithm.

FirComp is an ultra clean peak compressor/limiter with punchy attack, musical release, and optional lookahead smoothing, for tracks or busses. Zero/low latency and low CPU. Warm distortion at extreme settings.


– Fast or same-sample attack times that never sound “clicky”, even in zero latency mode
– Innovative digital envelope detection algorithm allows for much lower distortion than typical peak compressors (see a plot of a 1kHz hard limited sine wave in zero latency mode)
– Optional lookahead FIR gain smoothing for an even cleaner sound
– True zero attack (same-sample) when “0.0 ms” is selected
– Dual parallel release stage with musical, highly history-dependent behaviour. Avoids use of multiple compressors in series!
– Easy sidechain filtering options for common mixing situations
– Low CPU, fully 64-bit DSP code, making full use of SSE instructions. Insert on every track without a second thought!
– Zero latency with lookahead off. With lookahead on, compensated latency of 1.5ms
– No phase shift: can be used in parallel

FirComp comes in two versions: FirComp and FirComp LowRatio (read PDF manual included).




Chorus GAS by Stone Voices 0 (0)

Chorus GAS is a modulation effect.

It consists of four independent modules of delay lines, which are tuned to the required notes from the full MIDI range (from C0 to G10), which allows you to get quite interesting combined effects – chorus, flanger, phaser, vibrato, etc., within one plug-in.

Thanks to the tuning of the delay lines to the key, quite interesting types of tonal choruses and flangers are realized, imitating interval, chord, pentatonic and other sound combinations that cannot be realized through other effects. Another distinctive feature of this effect is the presence of an adjustable high-pass filter in the feedback loop, which gives a peculiar flavor to the sound, reminiscent of flight.


GSi Easy Convolver free Convolution VST Plugin for Windows and Linux 0 (0)

GSi Easy Convolver is a freeware plugin for Windows and Linux. It can perform convolution of any WAV file, typically Impulse Responses of reverbs, amplifiers, filters or other audio gear.
This software is based on the FFTConvolver library by HiFi-LoFi and uses threads for the fastest possible processing.


EasyConvolver is available in the following formats:
– for Windows: VST2 x64, VST3 x64
– for Linux: VST2, VST3

– any Windows computer Windows 7 x64 or higher
– ASIO compatible sound card for low latency performance

– The current build was compiled and tested on Ubuntu Studio 20.04.1 (glibc 2.29 required)


An automatic installer is not provided with this release. The zip file you’ve downloaded contains executable files for Windows x64 and Linux. Please move the fiiles to the appropriate locations and let your preferred host program scan for new plugins.


– Drag and drop an IR .wav file (amp or reverb) on the grey drop area
– Or click the grey drop area and choose a IR .wav file
– Mix between wet (left) and dry (right) signals using the knob
– Recent files are added to the list and remembered (up to 100)
– Click a list item to reload a file
– If a file can’t be found, it’s automatically removed from the list
– Right-click on the list to remove one item or clear the entire list

Impulse files:

The zip file you’ve downloaded contains a folder with a few experimental impulses sampled from actual gear, including some spring reverb machines. Use these file for your tests or for your music. Find other impulses online or from other publishers.

If you like the GSi freeware software, please consider a donation.

Make payments with PayPal - it's fast, free and secure!




HASound “Big Apple” Dynamic Range Compressor 0 (0)

What’s new in version 2.1.0:

– It is free now.
– The sidechain input for an external signal (your host application has to support this feature).
– Now the plugin is available as a simple unit (without the parallel mixer part).
– More user-friendly level meters.

The Big Apple plugin is a feed-forward dynamic range compressor based on the ideal VCA mathematical model. This audio processor allows you to use the parallel compression mixing technique (also known as New York compression) in your everyday work.

No Webside