DirtyPumper by SNFK Music is a Virtual Effect Audio Plugin for macOS and Windows. It functions as a VST3 Plugin.
DirtyPumper is an extreme saturator that punishes a mix. It was designed with drum processing in mind, but it can easily saturate anything you’d like. Features:
Dirt: Shapes the sound and pushes it to its limits – warps harmonics and stability.
Drive: Increases the input gain and other internal parameters.
Lowpass: Applies a lowpass filter to the input signal – helps emulate warmer sounds.
Pos / Neg knobs: Affects the positive and negative amplitudes’.
Fleeter by SNFK Music is a Virtual Effect Audio Plugin for Windows. It functions as a VST 3 Plugin
Fleeter is a transient processor / saturator designed to fatten up drums. It has only three simple knobs: Time, Amount, and Saturation. Time corresponds to how long a transient is. Amount corresponds to how much or little the plugin should emphasize a transient. Saturation adds analog charm to the track and creates upwards harmonics.
MSED is a professional audio encoder-decoder AAX, AudioUnit and VST plugin for mid-side processing which is able to encode (split) the incoming stereo signal into two components: mid-side pair, and vice versa: decode mid-side signal pair into stereo signal.
MSED is also able to work in the “inline” mode with the ability to adjust mid and side channels’ gain and panning without the need of using two plugin instances in sequence.
MSED can be used to flip the phase of the mid and side channels by 180 degrees, and swap the stereo channels, and to extract the mid or side channel.
MSED features the “plasma” vector scope, stereo correlation and balance meters which make it easier to monitor the stereo information present in the audio signal.
Mid-side encoder and decoder
“Plasma” vector scope
Stereo correlation and balance meters
Input channel swapping
180-degree phase flipping
Contextual hint messages
All sample rates support
Zero processing latency
User interface color schemes
Resizable user interface
Retina and HighDPI support
This audio plugin can be loaded into any audio host application that conforms to the AudioUnit or VST plugin specification. Plugins with AAX version available can be loaded in ProTools 12+.
This plugin is compatible with Windows (32- and 64-bit Windows XP, Vista, 7, 8, 10 and later versions) and macOS (10.7 and later versions, 64-bit Intel processor-based) computers (2.5 GHz dual-core or faster processor with at least 4 GB of system RAM, SSE4.2 instructions support required, e.g. any Intel Core i-, AMD Bulldozer- or Zen-based processor). A separate binary distribution file is available for each target computer platform and audio plugin specification.
Compatible Windows and macOS plugin software: Cubase, Logic Pro, ProTools, Ableton Live, Reaper, Presonus Studio One, FL Studio, Cakewalk, Nuendo, WaveLab, GarageBand, Vegas, SoundForge, Audition, Samplitude, Digital Performer, Mixcraft, Bitwig Studio, Edius, others.
If you cannot get plugin to work on macOS High Sierra/Mojave, you have to logout from the system and login again, it’s a known issue not caused by plugin’s own bug.
ViatorDSP has announced the release of a free equalizer plugin that combines the sound and curves of two different hardware EQ’s that have defined music studios across the decades.
This EQ is inspired by real EQ’s, but it definitely has its own flavor. It sounds great on anything, but I think it’s great on the master bus, especially since the high and low filters are inspired by a famous mastering hardware EQ.
Oversampling of 8x when oversampling is turned on from the top-right dropdown menu. This makes a huge difference on the top end frequencies.
4 EQ bands with proportional Q and 12 dB of boost and attenuation.
When the gain of a band is set to 0 dB, the filter circuit disables, which saves loads of CPU if you aren’t using the band anyway.
Saturation algorithm on the output, the EQ pushes into it. When the drive is set to 0 dB, the circuit disables to save on CPU.
The low and high bands can be a shelf or bell depending on the state of the button under each band.
Reset button to set all band’s gains to 0 dB.
High and low pass filters to filter out the very top and bottom frequencies that aren’t super useful. Toggle the filters button under the drive. These filters really make a huge difference when oversampling is on.
Phase inversion button to flip the phase of the entire circuit. This is useful for parallel processing.
Trim gain to boost or attenuate the volume of the entire plugin.
An FFT-based 1024-channel vocoder. The modulator input – usually a sung or simpjy spoken voice – is analyzed with respect to its spectral content, which is then applied to the other sound source. The latter may be any externally supplied signal ranging from pink noise, synth pads, guitar or even drums. Alternatively, there is an internal, MIDI driven synth which is optimized for best speech reproduction fidelity. You can blend the high frequencies with noise for natural-sounding sibilants. There is also a noise gate, a compressor and a stereo reverb on board.
Here is a summary of La Voz Cantante’s features:
FFT based 1024-channel vocoder.
Stereo inputs for carrier and modulator, respectively.
Optional MIDI input to drive internal synth as carrier.
Polyphony with unlimited number of voices.
Up to three voices per note with adjustable relative detuning and stereo width.
Octave, semitone and fine tuning controls.
Option of noise blending for improved sibilant formation.
Built-in modulator noise gate with indicator.
Built-in soft knee limiter with color-coded LED indicator.
Built-in stereo reverb.
Master volume control with output clipping indicator.
LED indicators for inputs and outputs for quick check of signal routing.
New in Version 6.4:
64-bit plugin version available.
VST3 plugin version available.
Extended modulator pitch range down to G#1.
Faster sibilant detector.
Improved voiced/unvoiced transitions.
Symmetric-crest output waveform.
Reverb uses velvet noise.
Consistent preset names.
Optimizations and bug fixes.
New in Version 6B:
Increased resolution to 1024 channels.
Full stereo processing.
Report latency to host.
Reworked sibilant management (much improved!).
Internal synth dynamic response.
Hide ADSR controls.
Added delayed vibrato option.
New reverb powered by MVerb 7B engine (much improved!).
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