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HoRNet Angle is a little handy tone shaper tool. It’s based on the concept of the “tilt eq” a special kind of equaliser designed to change the tonal balance of the track to which is applied.
A “tilt eq” does not provide frequency or Q control, it simply increases or decreases high and low frequencies around a fixed point, and in the case of HoRNet Angle is 650Hz, turning the “Angle” knob on the GUI towards right increases the right part of the spectrum (the high frequencies) while lowering the left part (low frequencies) of the same amount. This simple action allow to perform very gentle tonal shaping that can help you get the correct frequency balance of your mix with very little effort.
HoRNet Angle also adds the standard HoRNet goodies, we have added input and output auto gain based around the 0VU level, leaving them engaged may help you keep the level constant while you tweak the EQ. HoRNet Angle also has the “OpAmp” analog emulation derived directly from our AnalogStage plugin that adds harmonics and make the sound “thicker” when enabled.
The best possible sound quality is always guaranteed by the auto-oversample feature that internally adjusts the oversampling amount to give the plugin enough bandwidth to keep the aliasing at minimum with every sampling frequency.
Tilt EQ adjustable from -18dB to +18dB.
Input and output gain controls with auto-gain.
Input and output peak meters.
Analog emulation based on AnalogStage’s OpAmp model.
Bypass button to exclude the plugin processing.
Mac OS X (>=10.7) and Windows support.
32 and 64-bit compatibility both on Mac and Windows.
Audio Units VST2.4, VST3 and AAX format.
HoRNet StereoView is a correlation meter designed to help you visualise the stereo image of your [b]tracks[/b].
The design of the plugin is very straightforward and easy to understand since the interface is completely occupied by the “goniometer”: an X-Y graph that displays the intensity of the signal in the stereo field.
StereoView allows you to change between two different views: the default, that we call “fireworks” that shows every sample as a straight line starting from the center, and the one we call “abstract” that connect each sample in the stereo field to the next one creating a continuous “wire”.
Another useful feature of the interface is the ability to be rescaled at will so you can resize it to fill the right spot on your screen.
A goniometer like HoRNet StereoView can be a very handy tool to directly see if your track have any anti-phase issue that may create problems when your track is played in mono, something that happens very often with mobile music listening today.
Display of stereo position and level of each sample.
Old CRT display persistence simulation for easier visualisation.
Two display modes: “fireworks” and “abstract”.
GUI can be freely rescaled.
macOS (10.7 and later) and Windows (Vista and later) support.
32 and 64-bit on Windows, 64bit on Mac.
Audio Units VST2.4, VST3, AAX format.
HoRNet CompExp is a compressor expander based on the design of a compander chip designed for telephone lines and used in many electronic devices to reduce the noise.
The chip works with a fixed threshold (in our case is internally set to -18dBFS) when the “amount” knob is at a value greater than 1 the gain is increased by the specified factor if the signal is below the threshold, and decreased if above. If the chip is set to work as an expander, the contrary happens, the gain is increased if above the threshold and decreased if below.
The system is designed this way to permit dynamic compression on telephone lines and compressor and expander are used together in this configuration, but we found that these models sounds interesting by themselves.
The model of this chip is implemented in the HoRNet HDD1 where is used to keep the noise down in the delay feedback loop.
Internally the gain is compensated so that the output is always kept to around -18dB RMS
Compression and expansion
Fixed ratio and gain compensation
Attack and release times
Mac OS X (>=10.7) and Windows support.
64-bit compatibility both on Mac and Windows.
Audio Units VST2.4, VST3 and AAX format.
Pro Tuner is a precision tuner developed for the DisTOMPED plug-in, but this is such a cool tool that it deserves to be offered separately.
Pro Tuner by AudioFB is a Virtual Effect Audio Plugin and a Standalone Application for macOS and Windows. It functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin, an AAX Plugin and a Standalone Application.
HoRNet Valvola (the Italian word for vacuum tube) it’s an emulation of the electric behavior of a vacuum tube and its surrounding circuit.
The sound of the plugin is as close as you can get to the real tube behavior since the code it’s the direct modeling of the circuit characteristics obtained directly simulating the tube and the biasing circuit around it.
The same technology is found inside our Guitar Kit plugin and Analog Stage plugin and we decided to give it away for free because we are proud of it.
Valvola comes with many different vacuum tube emulations, including triodes and pentodes, from the classic 12AX7 used in pre amplifiers to the EL84 power tube, well using more than one instance of Valvola you could create your little tube amplifier emulation.
The typical tube distortion that Valvola provides is not static but changes with your music since tubes has some kind of “memory effect” that actually change their bias point if they processed high levels (this is the case with heavy bass drums, bass synths or guitars) in practice they distort more with low frequency peaks. Also vacuum tubes are not linear in frequency response and each one has its own characteristic sound that we carefully modeled using the original tube parameters.
All these interactions are controlled using just one “saturation” knob that also keeps the level constant so you can just add distortion without adding gain and keeping the aliasing at minimum thanks to the intelligent oversampling up to 4x.
HoRNet Valvola comes with an hardware accelerated graphic interface that is completely resizable and drawn using vectorial techniques so that it looks sharp and perfect on every monitor size.
Tube circuit emulation using electrical simulation.
Seven different tube types including triodes and pentodes.
Intelligent oversampling up to 4x.
macOS (10.11 and later) and Windows (Vista and later) support.
SPAN is a free real-time “fast Fourier transform” audio spectrum analyzer AAX, AudioUnit, and VST plugin for professional sound and music production applications.
SPAN provides you with a very flexible “mode” system which you can use to setup your spectrum analyzer preferences. You may specify Fourier block size in samples, FFT window overlap percentage, spectrum’s visual slope. Beside that you can choose to display secondary spectrum of a desired type (e.g. real-time maximum, all-time maximum). Spectrum can be smoothed out visually for an easier examination.
– Output signal power statistics
– Spectrum smoothing
– User interface window resizing
– Clipping statistics
– Correlation meter
– EBU R128 LUFS/LU metering
– Stereo and multi-channel analysis
– Mid/side analysis
– Internal channel routing
– Channel grouping
– Preset manager
– Undo/redo history
– A/B comparisons
– Contextual hint messages
– All sample rates support
– Retina and HighDPI support
BPB Saturator is a tape and tube saturation plugin designed to be lightweight and easy on the CPU. Use it to warm up your audio recordings or to make virtual instruments sound more organic.
The plugin sports an intuitive interface that won’t slow down your workflow. Adjust the Tape and Tube knobs to apply analog-style saturation to your sounds.
You can also use BPB Saturator’s transparent filters to remove unwanted frequencies or emulate vintage hardware gear’s frequency response. Apply a subtle high-frequency roll-off to warm up the signal, then apply some tape saturation for added harmonics.
BPB Saturator is compatible with VST, VST3, AU, and AAX plugin hosts on PC and Mac. Both 32-bit and 64-bit digital audio workstations are supported.
BPB Dirty Spring is a freeware spring reverb effect with adjustable pre-delay and a built-in bitcrusher.
Use the Decay and Tone knobs to shape the spring reverb algorithm, and adjust the reverb level with the Mix knob. You can preview the reverb effect by pressing the Kick button. It simulates kicking a hardware spring reverb.
The Dirt knob controls the bitcrushing effect. There are six bitcrusher presets which range from subtle to over-the-top.
BPB Dirty Spring is available in VST2, VST3, AU, and AAX plugin formats for digital audio workstations on Windows and macOS. Both 32-bit and 64-bit plugin hosts are supported.
Magic Switch is a lush one-button chorus effect based on the “Magic” feature in our Super VHS plugin.
It is loosely inspired by the Juno-60 analog chorus effect*, but offers its own dark and detuned character.
“We wanted to create a one-button chorus effect as gratifying and magical as the Juno chorus. But since there’s already a thousand emulations of the Juno chorus, it made little sense to release #1001. Instead, we wanted Magic Switch to be its own thing, with its own sound.”
“Magic Switch is designed for the software age, where the source material is cleaner, louder and often begs for a more radical transformation. Super VHS is all about adding that bit of ‘otherness’ to a clean sound — and Magic Switch may be its most distinctive effect. So we’re excited to give it away as a free stand-alone plugin.”
Magic Switch reminds me about Push by Sampleson. Both have a “one-button” configuration, but the similarities end here, because Push is a synthesizer and creates a new patch every single time you hit that button in the middle.
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